Lydia Venieri (born 1964) is a Greek artist.[1] [2]
Lydia Venieri | |
---|---|
Born | 1964 (age 59–60) |
Nationality | Greek |
Education | 1984 École Nationale Supérieure des Beaux Arts |
Known for | Sculpture, Painting, Photography |
Notable work | Byron Codex, Byronic Heroes, Dolphin Conspiracy, Tomorrow, See No Evil, War Games, Forever After, Hibernation, Planetic Exodus, Telluric Manifesto, Platonic Big Bang |
Website | www |
Venieri was born in Athens, Greece. She studied at the École nationale supérieure des Beaux-Arts[3][circular reference]. She has lived in Paris and is currently living in New York. Her web site dates from 1995, and showed some of the first Internet-based art.[4][5]
Venieri is well known[6] for her evocative sculpture installations which bridge mythology with current events, and for her ability to combine humor with self-reflection on human conditions in our times, through her characters that are taken from mythology, history, fairy tales and daily life. In her stories dreams reinforce reality and reality reinforce dreams.
The provocative visualizations of the universe of Venieri's work offer a Potnian statement about the world in flux in which we live.
She has had many exhibitions around the world.[7][8]
She has been noted as;
"Lydia Venieri erects entire mythologies and symbolic systems from the already phantasmagoric world of news media. Her stories are played out using dolls and childlike imagery to counter media dementia, in painting, drawing, photography, video and the internet. Theogony explicates Venieri's universe surveying two decades of work; work of one of the most celebrated and visionary Greek artists of our time."[1]
She currently shows with Stux Gallery in New York, Gallery Quang in Paris, Galleri S.E in Norway, Tokyo Terra in Japan and Gallery Isabel Aninat in Chile.