De Amore was written at the request of Marie de Champagne, daughter of King Louis VII of France and of Eleanor of Aquitaine. In it, the author informs a young pupil, Walter, of the pitfalls of love. A dismissive allusion in the text to the "wealth of Hungary" has suggested the hypothesis that it was written after 1184, at the time when Bela III of Hungary had sent to the French court a statement of his income and had proposed marriage to Marie's half-sister Marguerite of France, but before 1186, when his proposal was accepted.

De Amore is made up of three books. The first book covers the etymology and definition of love and is written in the manner of an academic lecture. The second book consists of sample dialogues between members of different social classes; it outlines how the romantic process between the classes should work. This second work is largely considered to be an inferior to the first. Book three is made of stories from actual courts of love presided over by noble women.

John Jay Parry, the editor of one modern edition of De Amore, quotes critic Robert Bossuat as describing De Amore as "one of those capital works which reflect the thought of a great epoch, which explains the secret of a civilization".^[1] It may be viewed as didactic, mocking, or merely descriptive; in any event it preserves the attitudes and practices that were the foundation of a long and significant tradition in Western literature.

The social system of "courtly love", as gradually elaborated by the Provençal troubadours from the mid twelfth century, soon spread. One of the circles in which this poetry and its ethic were cultivated was the court of Eleanor of Aquitaine (herself the granddaughter of an early troubadour poet, William IX of Aquitaine). De Amore codifies^[2] the social and love life of Eleanor's court at Poitiers between 1170 and 1174, though it was evidently written at least ten years later and, apparently, at Troyes. It deals with several specific themes that were the subject of poetical debate among late twelfth century troubadours and trobairitz.

The meaning of De Amore has been debated over the centuries. In the years immediately following its release many people took Andreas' opinions concerning Courtly Love seriously. In more recent times, however, scholars have come to view the priest's work as satirical. Many scholars now agree that Andreas was commenting on the materialistic, superficial nature of medieval nobles. Andreas seems to have been warning young Walter, his protégé, about love in the Middle Ages.

• Martianus Capella
• Quadrivium

• Andreas Capellanus: The Art of Courtly Love, trans. John Jay Parry. New York: Columbia University Press, 1941. (Reprinted: New York: Norton, 1969.)
• Andreas Capellanus: On Love, ed. and trans. P. G. Walsh. London: Duckworth, 1982.

Citations edit

General references edit

• Cherchi, Paolo (1994). Andreas and the Ambiguity of Courtly Love. University of Toronto Press. doi:10.3138/9781442670839. ISBN 9781442670839. JSTOR 10.3138/9781442670839.
• Frank, Donald K (1961). Twelfth century naturalism and the troubadour ethic. OCLC 50778037.
• Monson, Don A. (2005). Andreas Capellanus, Scholasticism, and the Courtly Tradition. Catholic University of America Press. doi:10.2307/j.ctt284x7s. ISBN 9780813214191. JSTOR j.ctt284x7s.

• Excerpts of De Amore in English