Summary
Roderic O'Conor (17 October 1860 – 18 March 1940) was an Irish painter who spent much of his later career in Paris and as part of the Pont-Aven movement. O'Conor's work demonstrates Impressionist and Post-Impressionist influence.[1]
Roderic O'Conor | |
|---|---|
 Self portrait (c. 1903) | |
| Born | 17 October 1860 Castleplunket, County Roscommon, Ireland |
| Died | 18 March 1940 (aged 79) Nueil-sur-Layon, France |
| Nationality | Irish |
| Education | Metropolitan School of Art (Dublin), Royal Hibernian Academy (Dublin), Ampleforth College (Yorkshire), Académie Royale des Beaux-Arts (Antwerp) |
| Known for | Painter, etcher |
Early life and training edit
Born in Milltown, Castleplunket, County Roscommon in Ireland,[1] O'Conor attended the Metropolitan School and Royal Hibernian Academy early in his career.[2] His father, Roderic Joseph O'Conor, acted as a justice of the peace and was appointed high sheriff of the county in 1863.[3] His mother, Eleanor Mary, was brought up in a landowning family from County Meath. The family relocated to Dublin when O'Conor was still a child.[4] He studied at Ampleforth College, and like his classmate, Richard Moynan, travelled to Antwerp before moving to Paris to gain further experience.[4][5][6] While in France, he was influenced by the Impressionists.[7]
Works edit
In 1892, O'Conor went to Pont-Aven in Brittany where he worked closely with a group of artists around the Post-Impressionist Paul Gauguin, whom he befriended.[1] His method of painting with textured strokes of contrasting colours also owed much to Van Gogh.[8]
Relationship with Somerset Maugham edit
In the early twentieth century, O'Conor was one of a group of painters, writers and intellectuals who frequented the Chat Blanc, a restaurant in the rue d'Odessa near the Gare Montparnasse in Paris, a group that included Gerald Kelly, Aleister Crowley and the young Somerset Maugham. O'Conor "took an immediate dislike to Maugham, who later recalled that his presence at the table seemed to irritate the Irishman and he had only to venture a remark to have O'Conor attack it."[9] Maugham had his revenge on O'Conor by using him as the basis for two fictional characters, O'Brien in The Magician and Clutton in Of Human Bondage. Both portraits are unflattering: O'Brien is "a failure whose bitterness has warped his soul so that, unforgiving of the success of others, he lashes out at any artist of talent", while Clutton is "a sardonic painter who is most cheerful when he can find a victim for his sarcasm".[9] However, it was through O'Conor that Maugham first became interested in Gauguin (Maugham travelled to Tahiti and based his novel The Moon and Sixpence on the life of Gauguin).[10]
Personal life and legacy edit
In 1933, O'Conor married his partner Henrietta (Renée) Honta, who had sometimes modelled for him.[11] The couple lived in France and Spain, until O'Conor's death at their home in France.[11] He died in Nueil-sur-Layon, France on 18 March 1940.[1]
In March 2011, a work by O'Conor sold for £337,250 (€383,993). Landscape, Cassis, an oil-on-canvas, was painted by O'Conor in the south of France in 1913 and sold at Sotheby's for significantly higher than the estimate price.[12]
Works in collections edit
- Auckland Art Gallery
- Ulster Museum, Belfast
- Art Institute of Chicago
- Hugh Lane Gallery of Modern Art, Dublin
- National Gallery of Ireland, Dublin
- Scottish National Gallery of Modern Art, Edinburgh
- Indianapolis Museum of Art
- Hunt Museum, Limerick
- Tate Britain, London
- Museum of Modern Art, New York
- Musée d’Orsay, Paris
- Musée des Beaux-Arts de Pont-Aven
- Art Gallery of New South Wales, Sydney
- Te Papa, Wellington
Gallery edit
- Works by Roderic O'Connor
-
Yellow landscape, 1892 (The Tate, London) -
La Jeune Bretonne, 1895 (National Gallery, Dublin) -
Mixed flowers on pink cloth, c. 1916 (Te Papa, Wellington) -
Nude seated on a green rug, circa 1925 -
Seated woman in a red dress, circa 1920 -
Seated nude with red hair, circa 1900 -
Pont aven, circa 1895 -
Lezaven, circa 1894 -
"Les Korrigans sous la lune - The dance of the elves of Pont-Aven" (Moonlit landscape with tall trees) by Roderic O'Conor, ca. 1898-1900
References edit
Notes edit
- ^ a b c d Milmo-Penny Fine Art 2015.
- ^ "Roderic O'Conor Biography". Tate Institution. Retrieved 3 May 2015.
- ^ Benington 1992, p. 19.
- ^ a b Dunne 2018.
- ^ Campbell 1984.
- ^ "Irish Paris - Roderic O'Conor". Irishmeninparis.org.
- ^ Benington & Rooney 2018.
- ^ Benington 1992, p. 16.
- ^ a b Calder 1990, p. 90.
- ^ Calder 1990, p. 136.
- ^ a b "Roderic O'Conor (1860 – 1940)". nationalgallery.ie. National Gallery of Ireland. Retrieved 22 November 2020.
- ^ "Landscape, Cassis by Roderic O'Conor". Sothebys. 29 March 2011. Retrieved 16 August 2012.
Sources edit
- Benington, Jonathan (1992). Roderic O'Conor: A Biography with a Catalogue of his Works. Dublin: Irish Academic Press. ISBN 978-0-71652-492-2.
- Benington, Jonathan; Rooney, Brendan (2018). Roderic O'Conor and the Moderns (exhibition catalogue). Dublin: National Gallery of Ireland. ISBN 9781904288701.
- Calder, Robert (1990). Willie: The Life of W. Somerset Maugham. Mandarin. ISBN 9780749301484.
- Campbell, Julian (1984). The Irish Impressionists, Irish Artists in France and Belgium 1850–1914. National Gallery of Ireland. ISBN 0-903162-17-2.
- Dunne, Aidan (7 July 2018). "Roderic O'Conor: Ireland's great forgotten painter". The Irish Times. Retrieved 15 July 2018.
- Milmo-Penny Fine Art (9 March 2015). "Roderic O'Conor – Biography". mpfa.ie. Retrieved 3 May 2015.
