Historically, Aeolus was the Greek ruler of the winds, and the Ancient Greeks believed these sounds were the voice of Aeolus.

The earliest known observations about Aeolian sounds from a "scientific" viewpoint were made by Athanasius Kircher in 1650.^[1]

An Aeolian tone is produced when air passes over an obstacle, resulting in trailing vortices with oscillatory behavior. These eddies can have strong periodic components, resulting in a steady tone.^[2] This phenomenon is the main topic of aeroacoustics. For air moving over a cylinder, empirical data shows that an Aeolian tone will be produced with the frequency

${\displaystyle f_{\text{Aeolian}}\ =\ {\frac {{\mbox{St}}\cdot V}{D}}}$ ,

where ${\displaystyle V}$  is the air velocity, ${\displaystyle D}$  is the diameter of the cylinder, and ${\displaystyle {\mbox{St}}}$  is the Strouhal number, which has a value of about 0.2.^[2]

Aeolian sounds can be produced in the rigging of a sail-powered ship. The vortex trails produced as the wind passes over a rope produce a sound with a frequency that varies with the velocity of the wind and the thickness of the rope.^{[citation needed]} Each doubling of the wind velocity results in an octave increase in the tone, allowing up to a six octave variation in a strong, gusty wind. Ships may also carry Helmholtz resonators that amplify these sounds. Aeolian sounds can also be heard among the openings in limestone cliffs.

Some songs have been written to emulate these varying wind sounds, such as "The Winter Wind" by Frédéric Chopin or "Tempest" by Ludwig van Beethoven.^[3]

Aeolean sound was heard around San Francisco, California beginning June 5, 2020, as a consequence of high winds and new walkway slats installed on the Golden Gate Bridge. ^[4]

• Aeolian harp
• Sound power

• Nature Sounds