Summary
Ustad Allah Bakhsh (c. 1895 – 18 October 1978; sometimes spelled Allah Bux or Allah Bukhsh) was a Pakistani painter and calligrapher who was actively involved in aesthetics and classical landscape paintings throughout his life. He produced his work in British India before partition and in Pakistan after split of Indian subcontinent. Most of his work revolves around traditional tales of Persian and Hindu mythology. He also depicted rural life, particularly the culture of Punjab, Pakistan in his paintings.[2][3]
Allah Bakhsh | |
|---|---|
 | |
| Born | c. 1895 Wazirabad, Pakistan |
| Died | October 18, 1978 (aged 82–83) Pakistan |
| Nationality | Pakistani |
| Known for | Painting, Calligraphy[1] |
| Awards | Pride of Performance (1963) |
The recipient of national literary award, the Pride of Performance in 1963, he is primarily recognized for depicting tragic love stories of Sohni Mahiwal, Heer Ranjha and Tilism-e-Hoshruba, an epic story of Amir Hamza, a legendary Persian adventurer. Sometimes, he used to depict the traditional festivals of Punjab. Some of his work he produced after independence was acquired by the National Art Gallery.[2][4]
Life and background edit
He was born around 1895 in British India (in modern-day Wazirabad, Pakistan). He spent most of his life in Lahore. At first, he attended a Madrasa to study Urdu and Arabic, however, he subsequently left school. His father was a house painter who used to work at Mughalpura Railway Workshop.[2]
Career edit
At the apparent age of five, he joined Master Abdullah who trained him in artwork.[2] He was first asked to practice three English alphabets (ABC) on slate. It is believed he practiced letter "A" for the first three years, and later B and C letters to produce "ABC of art". He started his first artwork between 1913 and 1914 at Bhati Gate with nonrepresentational patterns. Initially, he copied Western painting to create visual characters, but later adopted original artwork with mythical subject. In 1914, he went to Bombay (now Mumbai) for a better career where he stayed for five years and worked at Roop Naraine Photographic Studio as a background artist. His initial efforts didn't help him to earn recognition. He later created paintings of Krishna, a major deity in Hinduism which helped him to be recognized as an artist. After practicing Punjabi folklore and Hindu mythology, he became known as a "romantic painter". The newspapers of that time referred to him as the "master painter".[2]
He moved back to Lahore in 1919 and worked as a commercial artist at Paisa Akhbar in Urdu Bazaar (Lahore) until 1922. Later in 1924, Maharaja Hari Singh of Jammu and Kashmir offered him a job as a court-painter, but he declined the offer. He worked at the court of Bhupinder Singh of Patiala from 1937 to 1938. After he left the court, he created a landscape painting of a woman living in a village along with her kids which became one of his prominent paintings.[2]
During the last years of his life, he lost most of his eyesight due to cataract. Many people consider him one of the pioneer artists of modern landscape and figurative painting in early years of Pakistan.[2]
Death and legacy edit
He died in Pakistan on 18 October 1978.[2] In 1991, Pakistan Post issued a commemorative postage stamp to honor Allah Bakhsh in its 'Painters Of Pakistan' series. He died in Lahore and is buried in the Muslim town cemetery.[3][4]
References edit
- ^ "Calligrapher on sacred mission". The Express Tribune. 16 May 2020.
- ^ a b c d e f g h Alam, Nadeem (26 July 2015). "The Ustad of Ustaads". Dawn (newspaper). Retrieved 9 October 2020.
- ^ a b "Legendary artist's display continues to allure visitors". The News International (newspaper). 7 January 2016. Retrieved 9 October 2020.
- ^ a b "Baksh's master strokes continue to allure art lovers". The Nation (newspaper). 1 June 2015. Retrieved 9 October 2020.