Anne Elizabeth Moore

Summary

Anne Elizabeth Moore (born 1971 in Winner, North Dakota) is an American cultural critic, artist, journalist, and editor. She is well known for her books Sweet Little Cunt (2018), Gentrifier: A Memoir (2021), and Body Horror: Capitalism, Fear, Misogyny, Jokes (2023). Her work mainly deals with the nature of power and women’s oppression, the housing crisis and gentrification, and women’s health.

Anne Elizabeth Moore
Born1971 (age 52–53)
Winner, South Dakota, U.S.
NationalityAmerican
Alma materUniversity of Wisconsin–Eau Claire
School of the Art Institute of Chicago
Known forIllustrations

Moore’s writing has been featured in various publications, including the Guardian, Salon, Paris Review, Chicago Journal, and The Baffler. She has written extensively about culture and media, illness, and human rights. Her essays “Reimagining the National Border Patrol Museum (and Gift Shop)” (2008) and “17 Theses on the Edge” (2010) have respectively received honorable mentions in Best American Non-Required Reading.

Life and career edit

Born 1971 in Winner, South Dakota, Moore graduated high school to attend the University of Wisconsin-Eau Claire and the School of the Art Institute of Chicago, where she got her start and trained as an artist to eventually exhibit work internationally.[citation needed] Her work has also been in the Whitney Biennial in New York and the Museum of Contemporary Art in Chicago.[1] She also received various awards, including the National Endowment for the Arts Media Award, the Ragdale Fellowship, the USC Annenberg/Getty Arts Journalism Fellowship, the UN Press Fellowship for journalism, and two Fulbright Scholarships.[citation needed]

Moore was named editor-in-chief of the Chicago Reader in October 2018, replacing Mark Konkol.[2] She abruptly departed the Reader in March 2019.[3]

Currently, she lives in Upstate New York with her cat, Captain America, writing, traveling, teaching, and dealing with the occasional cow and snake.[citation needed]

Nonfiction edit

Books edit

  • Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity. (2007)[4]
  • Hip Hop Apsara: Ghosts Past and Present (2012)[5]
  • New Girl Law: Drafting a Future for Cambodia (2013)[6]
  • Threadbare: Clothes, Sex, and Trafficking (2016)[7]
  • Body Horror: Capitalism, Fear, Misogyny, Jokes 1st ed. (2017)[8]
  • Sweet Little Cunt: The Graphic Work of Julie Doucet (2018)
  • Gentrifier: A Memoir (2021)
  • Body Horror: Capitalism, Fear, Misogyny, Jokes 2nd ed. (2023)

Selected Essays edit

Essays on American Culture edit

  • On Leaving the Birthplace of Standard Time, The Believer (an excerpt from Body Horror)[9]
  • Knocked Out Loaded, The New Inquiry[10]

Comics, Books, Film & Art edit

  • The Destabilizing Desire of Julie Doucet, Paris Review (an excerpt from Sweet Little Cunt)[11]
  • The Never-ending Story, The Baffler[12]
  • Silenced without Proof: On Soft Censorship, PEN America[13]
  • Our Pol Pot: A Film from Cambodia, n+1[14]

Media and Politics edit

  • The Vertically Integrated Rape Joke, The Baffler[15]

Women & Labor edit

  • Here’s why it matters when a human rights crusader builds her advocacy on lies, Salon[16]
  • Degendering Value, Jacobin[17]

Awards edit

References edit

  1. ^ "Anne Elizabeth Moore". Retrieved July 27, 2023.
  2. ^ "Anne Elizabeth Moore named editor of Chicago Reader - Robert Feder".
  3. ^ "Robservations: Kris Kridel stepping back at WBBM Newsradio - Robert Feder".
  4. ^ Quart, Alissa. "Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity". Mother Jones. Retrieved March 8, 2023.
  5. ^ "Sunday Rumpus Essay: Thoughts On The Hip Hop Apsara - The Rumpus.net". therumpus.net. July 29, 2012. Retrieved March 8, 2023.
  6. ^ "Book Review | New Girl Law: Drafting a Future for Cambodia". bust.com. May 23, 2013. Retrieved March 8, 2023.
  7. ^ Fons, Mary (February 11, 2017). "Book Review: 'Threadbare: Clothes, Sex, and Trafficking'". F Newsmagazine. Retrieved March 8, 2023.
  8. ^ "Illness as Horror Movie, and Other Thoughts on Time, Disease, and Capitalism". Literary Hub. April 28, 2017. Retrieved March 8, 2023.
  9. ^ "On Leaving the Birthplace of Standard Time". Believer Magazine. Retrieved March 8, 2023.
  10. ^ Moore, Anne Elizabeth (March 18, 2013). "Knocked Out Loaded". The New Inquiry. Retrieved March 8, 2023.
  11. ^ Moore, Anne Elizabeth (October 25, 2018). "The Destabilizing Desire of Julie Doucet". The Paris Review. Retrieved March 8, 2023.
  12. ^ "The Never-ending Story | Anne Elizabeth Moore". The Baffler. October 25, 2017. Retrieved March 8, 2023.
  13. ^ Moore, Anne Elizabeth (September 27, 2016). "Silenced Without Proof: On Soft Censorship". PEN America. Retrieved March 8, 2023.
  14. ^ "Our Pol Pot". n+1. March 19, 2012. Retrieved March 8, 2023.
  15. ^ "The Vertically Integrated Rape Joke". The Baffler. June 4, 2014. Retrieved March 8, 2023.
  16. ^ Moore, Anne Elizabeth (May 28, 2014). "Here's why it matters when a human rights crusader builds her advocacy on lies". Salon. Retrieved March 8, 2023.
  17. ^ "Degendering Value". jacobin.com. Retrieved March 8, 2023.

External links edit

  • Official website
  • Three Days in Detroit (2017)
  • The Tupperware Party (2018)