An anti-nihilistic novel[note 1] is a form of novel from late 19th-century Russian literature, that came as a reaction to the disillusioned attitudes of the Russian nihilist movement and revolutionary socialism of the 1860s and 1870s.[1] The genre was influential in shaping subsequent ideas on nihilism as a philosophy and cultural phenomenon.[2] Its name derives from the historical usage of the word nihilism as broadly applied to revolutionary movements within the Russian Empire at the time.
In the more formulaic works of this genre, the typical protagonist is a nihilist student. In contrast to the Chernyshevskian character of Rakhmetov however, the nihilist is weak-willed and is easily seduced into subversive activities by a villain, often a Pole (in reference to Polish nationalist insurrectionary efforts against the Russian Empire).[note 2][3] The more meritous works of this genre managed to explore nihilism with less caricature.[3] Many anti-nihilistic novels were published in the conservative literary magazine The Russian Messenger edited by Mikhail Katkov.[1]
From the period 1860–1917, Russian nihilism was both a nascent form of nihilist philosophy and broad cultural movement which overlapped with certain revolutionary tendencies of the era,[4] for which it was often wrongly characterized as a form of political terrorism.[5] Russian nihilism centered on the dissolution of existing values and ideals, incorporating theories of hard determinism, atheism, materialism, positivism, and rational egoism, while rejecting metaphysics, sentimentalism, and aestheticism.[6] Leading philosophers of this school of thought included Nikolay Chernyshevsky and Dmitry Pisarev.[7]
The intellectual origins of the Russian nihilist movement can be traced back to 1855 and perhaps earlier,[8] where it was principally a philosophy of extreme moral and epistemological skepticism.[9] However, it was not until 1862 that the name nihilism was first popularized, when Ivan Turgenev used the term in his celebrated novel Fathers and Sons to describe the disillusionment of the younger generation towards both the progressives and traditionalists that came before them,[10] as well as its manifestation in the view that negation and value-destruction were most necessary to the present conditions.[11] The movement very soon adopted the name, despite the novel's initial harsh reception among both the conservatives and younger generation.[12]Nihilism came into conflict with Orthodox religious authorities, as well as with the Tsarist autocracy.[13] Young radicals began calling themselves nihilists in university protests, innocuous youthful rebellions, and ever-escalating revolutionary activities, which included widespread arson.[14] The theoretic side of nihilism was somewhat distinct from this violent expression however.[15] Nevertheless, nihilism was widely castigated by conservative publicists and government authorities.[16] Fathers and Sons is sometimes considered a more sympathetic work of the anti-nihilistic genre, as with Dostoevsky's The Brothers Karamazov;[2] Turgenev's own opinion of his nihilist character Bazarov was ambivalent, stating: "Did I want to abuse Bazarov or extol him? I do not know myself, since I don't know whether I love him or hate him."[17]
Nihilism, (from Latin nihil, "nothing"), originally a philosophy of moral and epistemological skepticism that arose in 19th-century Russia during the early years of the reign of Tsar Alexander II.
In Russia, nihilism became identified with a loosely organized revolutionary movement (C.1860-1917) that rejected the authority of the state, church, and family.
Nihilism was a broad social and cultural movement as well as a doctrine.
The philosophy of nihilism then began to be associated erroneously with the regicide of Alexander II (1881) and the political terror that was employed by those active at the time in clandestine organizations opposed to absolutism.
The major theorists of Russian Nihilism were Nikolai Chernyshevskii and Dmitrii Pisarev, although their authority and influence extended well beyond the realm of theory.
Russian Nihilism is perhaps best regarded as the intellectual pool of the period 1855–66 out of which later radical movements emerged.
Nihilism and anarchism, which for a while would completely dominate the intelligentsia and become a major factor in the history of nineteenth-century Russia, emerged in the final years of the reign of Alexander I.
Nihilism, (from Latin nihil, "nothing"), originally a philosophy of moral and epistemological skepticism that arose in 19th-century Russia during the early years of the reign of Tsar Alexander II.
Even so, the term nihilism did not become popular until Turgenev published F&C in 1862. Turgenev, a sorokovnik (an 1840s man), used the term to describe "the children", the new generation of students and intellectuals who, by virtue of their relation to their fathers, were considered šestidesjatniki.
It was Ivan Turgenev, in his celebrated novel Fathers and Sons (1862), who popularized the term through the figure of Bazarov the nihilist.
Fathers and Sons concerns the inevitable conflict between generations and between the values of traditionalists and intellectuals.
The "fathers" of the novel are full of humanitarian, progressive sentiments ... But to the "sons," typified by the brusque scientifically minded Bazarov, the "fathers" were concerned too much with generalities, not enough with the specific material evils of the day.
For it was Bazarov who had first declared himself to be a "Nihilist" and who announced that, "since at the present time, negation is the most useful of all," the Nihilists "deny—everything."
At the novel's first appearance, the radical younger generation attacked it bitterly as a slander, and conservatives condemned it as too lenient
When he returned to Saint Petersburg in 1862 on the same day that young radicals—calling themselves "nihilists"—were setting fire to buildings.
Since nihilists denied the duality of human beings as a combination of body and soul, of spiritual and material substance, they came into violent conflict with ecclesiastical authorities. Since nihilists questioned the doctrine of the divine right of kings, they came into similar conflict with secular authorities.
among the Russian students who used the name "Nihilism" to dignify youthful rebelliousness, this rejection of traditional standards went still further, expressing itself in everything from harmless crudities of dress and behaviour to the lethal fanaticism of a revolutionary like Sergey Nechayev.
young radicals, who claimed the term "nihilist" for themselves, and used it in their violent protests."; "when he returned to Saint Petersburg in 1862 on the same day that young radicals—calling themselves "nihilists"—were setting fire to buildings
The city of St. Petersburg erupted in flames in the spring and summer of 1862. Students of St. Petersburg and Moscow Universities, acting on an upsurge of revolutionary activism, had begun demonstrating their frustrations.
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: CS1 maint: DOI inactive as of January 2024 (link)In 1863 Poland, that had dreamed of an untrampled autonomy, at least since 1815, became the scene of a bloody insurrection, while all over Russia blazed up incendiary fires, and St. Petersburg was threatened with destruction.
Reactionary publicistic writers seized upon the term during a lull in the revolutionary situation and used it as a derisive epithet. As such, it was extensively employed in publicistic articles, official government documents, and antinihilistic novels
Turgenev's own opinion of Bazarov was ambivalent. "Did I want to abuse Bazarov or extol him? I do not know myself, since I don't know whether I love him or hate him!" (FAS, 184; cf 190).
and antinihilistic novels, notably A. F. Pisemskii's Troubled Seas, N. S. Leskov's Nowhere to Go, and V. P. Kliushnikov's The Mirage
25. Терехин, Валерий. "Против течений" : утаенные русские писатели : типология "антинигилистического" романа. 3-е изд. // Терёхин В.Л. Утаённые русские писатели : [монографии, статьи]. М.: Знак, 2009. - C. 3-114 [Valeriĭ Terekhin. "Protiv techeniĭ" : utaennye russkie pisateli : tipologii͡a "antinigilisticheskogo" romana. Utaënnye russkie pisateli : [monografii, statʹi].Moskva: Znak, 2009. - C. 3-114]
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