Summary
Benjamin Rogers (May 1614 – June 1698) was an English organist and composer, widely known in Europe in his time. Modern taste prefers his consort music, where his reputation in the 18th century was for liturgical music and anthems. His Hymnus Eucharisticus beginning Te O Patrem colimus is sung annually on Magdalen Tower on May Day morning.[1]
Life edit
Born at Windsor, and baptised at the church of New Windsor on 2 June 1614, he was son of George Rogers of Windsor. He was a chorister of St. George's Chapel under Nathaniel Giles, and then a lay clerk.[2]
In 1639 Rogers succeeded Randolph Jewett as organist of Christ Church Cathedral, Dublin. The outbreak of the Irish rebellion of 1641 drove him back to England, and he returned as singingman to Windsor; the choral services there were discontinued around 1644. Occupied with composition and teaching, Rogers maintained himself, with the help of a small government allowance, in the neighbourhood of Windsor.[2]
With Oliver Cromwell's mandate, dated 28 May 1658 and probably through Nathaniel Ingelo, Rogers obtained the degree of Bac. Mus. at Cambridge. For the city banquet given to Charles II to celebrate the English Restoration of 1660, he supplied the music both to a hymn by Ingelo and to Psalm 32. He was reappointed lay clerk of St. George's Chapel, was substitute at the organ for William Child, and played the cornett.[1][2]
Rogers won high reputation in England by his music for the Church of England and by his reorganisation of major choirs. In 1662 he was also appointed organist to Eton College. Invited by Thomas Pierce to Magdalen College, Oxford, he took over the organ and choir there in 1665, with a salary and college rooms. On 8 July 1669 he proceeded Mus. Doc. at Oxford.[2]
In January 1686 Rogers lost his college place at Magdalen. Unpopular with the choir, and a loud talker in the organ loft during services, he was lodging in his rooms his daughter, who was pregnant by the college porter. He was also claiming those rooms were haunted. He took a college pension.[2]
Rogers retired to New Inn Hall Lane, Oxford, and died there, aged 84, in 1698. He was buried on 21 June at Church of St Peter-le-Bailey.[2]
Works edit
By 1653, consort music by Rogers was heard at the court of the future Emperor Leopold. When Ingelo went as chaplain to the Swedish embassy under Bulstrode Whitelocke, he presented to Queen Christina some of Rogers's music, which was performed by her Italian musicians. His Court-Masquing Ayres were well-received in Holland.[1][2]
Rogers's major works were in collections of cathedral music. Anthems were preserved in college and cathedral libraries.[2]
Family edit
Rogers was married to Ann, who survived him by a few months. Their son John, born in 1654, was B.A. 1674, M.A. 1677, and clerk 1674–81.[2]
Notes edit
- ^ a b c Lynan, Peter. "Rogers, Benjamin". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/23966. (Subscription or UK public library membership required.)
- ^ a b c d e f g h i Lee, Sidney, ed. (1897). . Dictionary of National Biography. Vol. 49. London: Smith, Elder & Co.
External links edit
- Attribution
This article incorporates text from a publication now in the public domain: Lee, Sidney, ed. (1897). "Rogers, Benjamin". Dictionary of National Biography. Vol. 49. London: Smith, Elder & Co.
- Free scores by Benjamin Rogers (musician) at the International Music Score Library Project (IMSLP)