|Born||October 31, 1952|
Greenville, North Carolina, U.S.
|Died||April 18, 1996 (aged 43)|
|Genres||R&B, funk, soul, disco, rock|
|Occupation(s)||Musician, record producer|
|Associated acts||Chic, The Power Station, Sister Sledge, Mick Jagger, Robert Palmer, David Bowie|
Bernard Edwards (October 31, 1952 – April 18, 1996) was an American bass player, singer, songwriter and record producer, known primarily for his work in disco music with guitarist Nile Rodgers, with whom he co-founded Chic. In 2017, Edwards was selected as the 53rd greatest bassist of all time by Bass Player magazine.
Edwards, was born in Greenville, North Carolina, and grew up in Brooklyn, New York City, where he met Nile Rodgers in the early 1970s. At the time, Edwards was working at a post office with the mother of Rodgers' girlfriend. The two formed the Big Apple Band (active 1972–1976) and then united with drummer Tony Thompson to eventually form Chic together with singer Norma Jean Wright.
With Chic (active 1976–1983), Edwards created era-defining hits such as "Dance, Dance, Dance", "Everybody Dance", "Le Freak", "I Want Your Love" and "Good Times". Edwards also worked with Nile Rodgers to produce and write for other artists, using Chic to perform everything musically and vocally except lead vocals. Those productions with Norma Jean Wright, Sister Sledge, Sheila and B. Devotion, Diana Ross, Johnny Mathis, Debbie Harry and Fonzi Thornton led to more hits such as "Saturday", "He's The Greatest Dancer", "We Are Family", "Spacer", "Upside Down", "I'm Coming Out" and "Backfired". In the song "We Are Family," Kathy Sledge gives Edwards a brief shout-out, singing "Yeah, come on Bernard, play...play your funky bass, boy!". As a lone songwriter/producer, he gave Diana Ross her Top 15 hit, "Telephone" off of her 1985 platinum "Swept Away" album released on RCA and Ross' international label, Capitol-EMI.
Edwards released a solo album, "Glad To Be Here" in 1983, and in 1985 he was instrumental in the formation of the supergroup Power Station. The band's first album was produced by Edwards and featured Chic drummer Tony Thompson, and Duran Duran members John and Andy Taylor as well as singer Robert Palmer. Edwards followed this by producing Robert Palmer's hit album Riptide. He continued to produce artists throughout the 1980s and 90s, including Diana Ross, Adam Ant, Rod Stewart, Jody Watley, Grayson Hugh, Air Supply, ABC and Duran Duran.
Edwards teamed up with Nile Rodgers again for the Chic reunion in the early 1990s and released the album Chic-Ism in 1992.
In 1996, Nile Rodgers was named Japan Tobacco Superproducer of the Year in Japan, and was invited to perform there with Chic in April of that year. Just before the concert at the Budokan Arena in Tokyo, Edwards fell ill, but despite Rodgers' insistence, refused to cancel the gig. He managed to perform but had to be helped at times. At one point, Edwards blacked out for a few seconds before resuming his playing. Rodgers assumed the absence of bass was a deliberate improvisation and did not learn the truth until after the show. After the concert, Nile went to check on Bernard and asked how he was doing, to which he replied "I'm fine, I just need to rest." This was the last time Nile spoke to Bernard. Edwards retired to his hotel room where he was later found dead by Rodgers. The medical examiner determined the cause of death was pneumonia. Edwards' final performance was issued in 1996 as the album Live at the Budokan.
His bass line from Chic hit "Good Times" has become one of the most copied pieces of music in history, and had a huge influence on musicians of many genres when released and was the inspiration for "Another One Bites the Dust" by Queen.
The Chic song "Good Times" was credited on Sugarhill Gang's "Rappers Delight" in 1979 ("based on the music from the song 'Good Times' N. Rogers / B. Edwards" is on the vinyl label) – the first rap song to become a mainstream hit. The following decades saw it sampled by artists of diverse genres, from Rap to Punk and Techno to Pop. Duran Duran bassist John Taylor often played the song in homage during his solo performances and cited Edwards as his primary influence.