Con brio is a concert overture by Jörg Widmann influenced by Beethoven. It is a commission by the Bayerischer Rundfunk.
Con brio | |
---|---|
Concert overture by Jörg Widmann | |
Period | Contemporary |
Composed | 2008 |
Published | 2008 Mainz : |
Publisher | Schott Music |
Recorded | 25 September 2008 |
Duration | 12:00[1] |
Premiere | |
Date | 25 September 2008 |
Location | Gasteig, Munich |
Conductor | Mariss Jansons |
Performers | Bavarian Radio Symphony Orchestra |
Mariss Jansons said that the new piece should be performed along with a pure Beethoven program.[2] The overture was composed in 2008.[1] It was written in a "mad hurry".[3]
Widmann refers to musical characteristics of Beethoven’s 7th and 8th Symphonies.[1][4] There are no exact quotations from the symphonies, but he has chosen the same instrumentation.[5][3] According to Widmann, it is an exercise in fury and rhythmic insistence.[1] In a very small space, a sonata form is presented before the recurring material is arranged into a scherzo.[6] The overture is run through with Beethovenian riffs, flourishes and humor and is like a deconstruction of Beethoven.[5] The piece, full of extended techniques,[3] has a cut-and-paste structure.[5] The timpani are in the focus from the beginning of the overture.
The metronome markings are deliberately selected at a fast speed.[1] The score contains six dense pages of written instructions.[3]
The concert overture is scored for a Beethoven sized orchestra, with 2 flutes (both doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings.[1]
Con brio was premiered by the Bavarian Radio Symphony Orchestra conducted by Mariss Jansons on 25 September 2008 in Munich, Gasteig, Philharmonie.[1]
Anthony Tommasini from The New York Times wrote: "effective as a warm-up".[5] David Allen from The New York Times wrote: "One of the most performed orchestral works written this century".[3]