Porter was the ninth of 12 children born to James and Corean Porter in Memphis, his second oldest brother was COGIC Bishop W. L. Porter (1925–2009). Porter's career began in music after singing in church, school, Memphis venues and competitions, often with close friend and classmate Maurice White, who later founded Earth, Wind and Fire.[9] Porter graduated from Booker T. Washington High in 1961 and later attended LeMoyne College. While still a high-school student working at a grocery across from Satellite Records, he went over to find if the label would consider recording soul music.[10]
After meetings with Chips Moman, Porter became active at Satellite as a songwriter.[10] With this role, Porter arranged for his friends and classmates to record for the Satellite label, including Booker T. Jones, William Bell, and Andrew Love. Soon after, Satellite rebranded as Stax Records and redefined their focus to become a soul music label.[10]
Stax careeredit
Porter was the first staff songwriter at Stax Records and developed his skills in A&R and songwriting.[10] In Porter's A&R capacity, he signed acts including The Emotions, Homer Banks, The Soul Children and was a catalyst for bringing in Isaac Hayes as a writing partner.[10] As house composers for Stax Records, Porter and Hayes penned most of Sam & Dave's hits, including "Soul Man", "I Thank You", "When Something Is Wrong with My Baby" and "Hold On, I'm Comin'". They also wrote material for Carla Thomas ("B-A-B-Y"), Johnnie Taylor ("I Got to Love Somebody's Baby" and "I Had a Dream"), and The Soul Children. Starting in the late 1960s, Hayes became increasingly focused on his own recording career, eventually leading to the end of the songwriting partnership. The Hayes-Porter duo composed 200 songs during their collaboration.[10]
Porter then began recording his own albums for Stax. He did a single for Stax itself in 1965, "Can't See You When I Want To", a remake of which became a Top 30 R&B hit for Porter. He cut several albums for Stax in the early 1970s, including a concept LP, Victim of the Joke? which includes an upbeat cover of The Beatles' "Help!". Also, he released on other labels under the pseudonyms Little David and Kenny Cain.[10]
Porter began working with songwriting partner Ronnie Williams, and later went on to engineer the brief relaunch of the Stax label in 1978, after the bankrupt label's assets were acquired by Fantasy Records.[10] He and Hayes received Pioneer Awards from the Rhythm and Blues Foundation in 1999.[citation needed]
In 2012, Porter founded The Consortium MMT, a 501(c) non-profit with the goal of developing a viable music industry in Memphis through structured teaching, experience and mentorship.[1][11] Porter was awarded the 2013 Governor's Arts Award for his achievements including the founding and success of The Consortium MMT venture.[12][13]
Awards, honors and positionsedit
Awards and honorsedit
Songwriters Hall of Fame Inductee
Rolling Stone 100 Greatest Songwriters of All Time[6]
Mr. David Porter Street honorary in Memphis, Tennessee[14]
Grammy Awards and Nominations (various, over a 50-year span)[12]
RIAA Certified One-Million Sales Award, Soul Man by Sam & Dave[12]
Broadcast Music, Inc., Citation of Achievement 1969, Soul Man[12]
Broadcast Music, Inc., Citation of Achievement, Dreamlover 1st Award[12]
Broadcast Music, Inc., Citation of Achievement, Dreamlover 2nd Award[12]
Broadcast Music, Inc., Citation of Achievement, Gettin' Jiggy Wit It[12]
All albums issued on Stax Records' Enterprise label.
1970: Gritty, Groovy, & Gettin' It
1971: ...Into a Real Thing
1973: Victim of the Joke? An Opera
1974: Sweat & Love
Singlesedit
All singles issued on Stax Records' Enterprise label unless otherwise noted.
1965: "Can't See You When I Want To" b/w "Win You Over" (Stax)
1970: "One Part Love, Two Parts Pain" b/w "Can't See You When I Want To"
1971: "If I Give It Up, I Want It Back [Pt. I]" b/w "If I Give It Up, I Want It Back [Pt. II]"
1972: "Ain't That Loving You (for More Reasons Than One)" b/w "Baby I'm-a Want You" (with Isaac Hayes)
1972: "I'm Afraid the Masquerade Is Over" b/w "Hang On Sloopy"
1972: "When the Chips Are Down" b/w "I Wanna Be Your Somebody"
1973: "Long as You're the One Somebody in the World" b/w "When You Have to Sneak, You Have to Sneak"
1974: "I Got You and I'm Glad" b/w "Falling Out, Falling In"
Referencesedit
^ abc"Bloomberg Business". Bloomberg BusinessWeek. December 1, 2015. Archived from the original on May 24, 2014. Retrieved December 14, 2015.
^ ab"David Porter Exhibit Home". Songwriters Hall of Fame. Archived from the original on May 1, 2017. Retrieved December 14, 2015.
^ abcd"Greater Memphis Chamber – Press Releases". Memphischamber.com. October 23, 2012. Archived from the original on December 22, 2015. Retrieved December 14, 2015.
^ ab"Power Players". Inside Memphis Business. Archived from the original on May 24, 2014. Retrieved May 24, 2014.
^ abc"David Porter | Credits". AllMusic. November 21, 1941. Retrieved December 14, 2015.
^ ab"The 100 Greatest Songwriters of All Time". Rolling Stone. Retrieved December 14, 2015.
^Phillips, Bianca. "David Porter | Memphis News and Events". Memphis Flyer. Retrieved December 14, 2015.
^Jones, Nate (February 24, 1999). "15 Years Ago: See Céline Dion, Shania Twain & Will Smith in All Their '99 Grammy Awards Glory". Peoplestylewatch.com. Retrieved December 14, 2015.
^"David Porter", Museum of American Soul Music. Archived February 15, 2015, at the Wayback Machine
^ abcdefghBowman, Robert M. J., Soulsville, U.S.A.: The Story of Stax Records, New York, NY: Schirmer Trade Books, ISBN 978-0825672842
^"About" Archived September 30, 2015, at the Wayback Machine, The Consortium Memphis Music Town.
^ abcdefghijklmnopqrstuvwxyzaaWaddell, G., "David Porter (Songwriter)", Digital Archival of Resources Related to Memphis, June 12, 2014. Archived February 10, 2015, at the Wayback Machine
^Arnold, Tim, "Heart and Soul: Memphis Gets Its Mojo Back", HuffPost, December 6, 2017.
^"City of Memphis: Council Agenda: Call to Order by the Sergeant-at-Arms" (PDF). Memphistn.gov. Retrieved December 14, 2015.