Angelo Domenico Malevolti Tremamondo was born in Leghorn in 1716 as son of Giacomo Tremamondo, a wealthy local merchant who carried out his business in via del Giardino, and of a Neapolitan marquess, Caterina Angela Malevolti.^[3] His father had been born in 1688 in Foggia, but he moved to Leghorn because it was then a thriving commercial port of the Grand Duchy of Tuscany.^[3] His father Giacomo was already a resident of Leghorn on 3 December 1713, as evidenced by his marriage certificate in the cathedral of Leghorn, a document cited in an English volume on the ancestors of his son Angelo, who was born three years after his father's marriage, in 1716 and was trained in the discipline of fencing from an early age.^[3]

Angelo received his initial training in the Italian method of fencing in Pisa and he immediately showed an excellent propensity.^[1] At the time, this discipline was not only sporting, but was also considered an important defense weapon.^[3] In the town of Leghorn and a bit throughout Tuscany he had perhaps faced too many duels which ended tragically for his adversaries and therefore he deemed it appropriate to move abroad to escape the revenge of the relatives of his victims.^[3]

Angelo moved to Paris at the age of 27, with an eye to taking over the family business, but instead gained fencing skills when he attended the famous fencing school of Bertrand Teillagorry.^[1][4] Angelo studied the classical French style with the foil at the Royal Association of Masters of Yielding Weapons of the City and Suburbs of Paris under the guidance of Teillagory, who also trained Chevalier d'Éon.^[1]

In 1750, he began an affair with a well-known English actress Peg Woffington, who was on tour in Paris, and accompanied her back to London and Dublin.^[1][3] However, the affair cooled and on 5 February 1755, he instead married the 17-year-old Elizabeth Johnson (1738–1805), with whom he had several children.^[4]

In London, he quickly established his reputation as an excellent swordsman, expert fencer, and undisputed winner of many duels, and therefore, he enventually gained the patronage of Henry Herbert, 10th Earl of Pembroke, and three years later, in 1758, Angelo became a fencing master of the British royal family after he gained the patronage of the dowager Princess of Wales, who appointed him as riding and fencing master to George, Prince of Wales, and his brother Edward, duke of York.^[1][3][4]

By then he already had established a fencing school, Angelo's School of Arms in Carlisle House, Soho, London.^[1][3][5] Thanks to his skill of Master Angelo, as he was named in England, his school immediately became famous and was attended over the years by the most illustrious personalities of the British capital of the time, such as the painters Joshua Reynolds, Thomas Gainsborough and George Stubbs, the actor David Garrick, as well as Giacomo Casanova, the Chevalier d'Éon, and the future King William IV.^[3] His school was also famous for accepting female students, some of whom were actresses from London theatres who first accompanied their male colleagues and then decided to take lessons.^[1] In 1760, Angelo handed over his school to a son,^[6] and established himself at the prestigious Eton College, where his family continued to teach fencing for three more generations. In the second half of the 19th century, Angelo's school was still run by his descendants.^[1]

In 1763 he bought Carlisle House, Soho Square, where he taught the aristocracy the fashionable art of swordsmanship. One of his tenants there was the composer Johann Christian Bach, youngest son of Johann Sebastian Bach and harpsichord instructor to the Queen.^[4]

With the help of artist Gwyn Delin, he had a fencing instruction book, L'École des armes'' (English: The School of Fencing), published in England in 1763, which included colorful didactic sketches by London's most accomplished illustrators, with 25 engraved plates demonstrating the various classic positions and techniques from the old schools of fencing.^[1] It was published in French and then also in English, and some historians have suggested that the Chevalier d'Éon, who had joined Angelo in London, may have assisted with the French text.^[1] This placed its "emphasis on fencing as a source of gentlemanly exercise rather than as a necessary preparation for duel".^[4][2] This folio very successful in its time and a collector's item today.^[2]

Angelo's teaching methods, while not original, were methodical and solid, employing a combination of moves that were useful for both practice and dueling.^[1]

Angelo was the founder of the Angelo Family, a dynasty of fencing masters who "dominated Europe's fencing scene for well over 100 years", according to fencing master Nick Evangelista.^{[7][dubious – discuss]}

By his wife Elizabeth Johnson, Angelo had at least six children:

1. Henry Charles William, born 5 April 1756. Also a fencing master, father of Henry Charles Angelo the Younger.
2. Florella Sophia, born 1759, Dame at Eton.
3. Anne Caroline Eliza, born 1763.
4. Catherine Elizabeth, born 1766, married to Mark Drury, Second Master at Harrow school, and brother of Joseph Drury, Headmaster of Harrow. She was mother to William James Joseph Drury.^[8]
5. Elizabeth Tremamondo, born 1768.
6. George Xavier Tremamondo, born 1773.

There was perhaps also a son called Michael Angelo.

After serving as the fencing teacher at the prestigious Eton college for several years, Angelo died in the city of Eton at his daughter Florella's house at Twickenham on 11 July 1802, at the venerable age of 85. His son Henry replaced him in the direction of the family fencing school in 1780.^[4]

• The play "Tremamondo - The Angel of Fencing", written by Alberto Bona and directed by Giampaolo Zennaro, was staged at the Teatro Carlo Goldoni, in Domenico Angelo's native town of Leghorn.^[9]

Works cited edit

• Evangelista, Nick (1995). The Encyclopedia of the Sword. Greenwood Publishing Group. ISBN 9780313278969.

• Fencers of Fame and Fiction, Margaret Odrowaz-Sypniewski, B.F.A.
• Swynnerton, C. in Barron, O. (ed) The Ancestor, Number 8 1904 (pp 1-73)