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Eduardo Mateo

Summary

Ángel Eduardo Mateo López (September 19, 1940 – May 16, 1990) was a highly influential Uruguayan singer, songwriter, guitarist, and arranger. He played an important role in the development of modern Uruguayan music that combines beat, jazz, bossa nova and local rhythms like candombe in a way similar to Brazilian Tropicalismo. Academy Award-winner Jorge Drexler cited Mateo as a big influence.[1]

Eduardo Mateo
Eduardo Mateo in the Estudio ION, Buenos Aires, Argentina, 1971
Eduardo Mateo in the Estudio ION, Buenos Aires, Argentina, 1971
Background information
Birth nameÁngel Eduardo Mateo López
Born(1940-09-19)September 19, 1940
Montevideo, Uruguay
DiedMay 16, 1990(1990-05-16) (aged 49)
Montevideo, Uruguay
GenresRock, Candombe, world music
Occupation(s)Singer, composer, arranger, musician
Instrument(s)Voice, guitar, percussion
Years active1960-1990

His songs have been recorded by various artists, including Pedro Aznar, Martin Buscaglia, Hugo Fattoruso, Fernando Cabrera, Leon Gieco, Mio Matsuda, Sandra Mihanovich, Milton Nascimento, Jaime Roos, and Yahiro Tomohiro.[2]

Discography edit

  • Mateo solo bien se lame (De la planta Argentina, 1972)
  • Mateo solo bien se lame (De la planta, 1972)
  • Cuerpo y alma (Sondor, cassette and vinyl, 1984)
  • La Maquina del Tiempo presenta a: Mateo / Mal tiempo sobre Alchemia (1er. viaje) (Ayui/Tacuabe a/e69k. 1987)
  • La Maquina del Tiempo / La mosca (Orfeo, 1989)
  • La Máquina del Tiempo / 3er. viaje, 1ª parte: Ida (1971 – 1984) (Ayuí/Tacuabé ae133cd, 1995)
  • La Máquina del Tiempo / 3er. viaje, 2ª parte: Vuelta (1983 – 1988) (Ayuí/Tacuabé ae134cd, 1995)
  • El Tartamudo (2000).

References edit

  1. ^ "Artist: Eduardo Mateo | SecondHandSongs". secondhandsongs.com. Retrieved 2023-10-31.
  2. ^ "Eduardo Mateo". Ocean State Libraries. Retrieved 2023-10-31.
 
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