Eduardo Montes-Bradley (born July 1960) is an Argentine-American filmmaker known for his documentaries films Evita, Rita Dove: An American Poet, and Harto The Borges. His most recent films are Black Fiddlers and Daniel Chester French: American Sculptor[1] He’s currently working on The Italian Factor: The Piccirilli Story.[2]
Eduardo Montes-Bradley | |
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Born | |
Nationality |
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Occupation | Documentarian |
Years active | 1979–present |
Notable work | Julian Bond, Rita Dove, Evita |
Relatives | Eduardo Bradley, Enrique Ferrarese |
Website | www |
Eduardo was born in Cordoba, Argentina to Nelson Montes-Bradley, founder of Discos Qualiton and Sara Kaplan, and he grew up in Buenos Aires. He moved to the United States in 1979 and currently resides in Charlottesville with his wife, producer Soledad Liendo and children.
Habeas corpus: Peter Paul Weinschenk, alias Pablo Tabernero. Buenos Aires, Argentina: 34th Mar del Plata International Film Festival, INCAA. 2019. pp. 144 : photographs, 23 cm.Ideography, Biographical approach to Peter Paul Weinschenk, life and works of Pablo Tabernero, cinematographer of Prisioneros de la tierra directed by Mario Soffici.
Los dedos del huracán. Short story. Children Literature. Included on "De Ola en Ola 3" School Textbook for Third Grade. Group Macmillan. Editorial Estrada S.A., Buenos Aires, Argentina. Illustrated by Eugenia Nobati. p. 62–67[82]
Montes-Bradley, Eduardo (2012). La resurreción de Ocantos. Los Angeles, CA. pp. 62 Hard Cover : illustrations, 23 cm. ISBN 978-1449907402.{{cite book}}
: CS1 maint: location missing publisher (link) Bio-bibliographical essay on Carlos María Ocantos.[83][84]
Cortázar sin barba. Madrid: Random House Mondadori. 2005. pp. 394 Hard Cover : illustrations, 23 cm. ISBN 84-8306-603-3. Biography of Julio Cortázar.[85][86] 1st edition Editorial Sudamericana, Argentina 2004. 3rd edition, Pesódromo 21, 2014.[87][88][89]
Água No Terceiro Milenio. Brasilia Montevideo: Bianchi Editores Ediciones Pilar, Collección Señales de Vida. 2000. pp. 318, 21 cm. ISBN 9974-663-17-2. Bilingual Anthology of Short Stories. Selection of awarded works at the Literary Award "Agua no terceiro Milenio",[90] Brazil. Bilingual: Portuguese-Spanish. Pilar Editors, Brasília, 2000. Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999.[91]
'Osvaldo Soriano': Un retrato. Buenos Aires: Grupo Editorial Norma. 2000. pp. 171 Rustic. ISBN 9879334353. Sperling & Kupfer Editori, Milan, Italy, 2001, 164pp. Translated by Gina Maneri. Collection: Continente Desaparecido, directed by Gianni Minà ISBN 88-200-3201-5.[92][93] Based on the homonymous documentary by the author.[94][95][96]
Ya se que todo es mentira. Buenos Aires: Editorial del Nuevo Extremo. 1999. p. 200. ISBN 950-9681-85-7. (trad. I know It's All Lies). Some of the short stories included have been previously published in literary magazines. Foreword by Osvaldo Bayer. 199 pp. 23 cm.[97] Foreword by Osvaldo Bayer.
'Senxo', Selected Poems. Editorial Grupo Archivo de Comunicación, New York City, 1984. Foreword by Armando Tejada Gómez. Out of print.
Montes-Bradley contributed to El País, Babelia,[98] Les cinemas de la Amerique Latine[99] by Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, México; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin,[100] Critica de Argentina; and La Nación. Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache."
Montes-Bradley has been recognized by the National Council on Public History with the "Outstanding Public History Project Award" as part of the exhibit "The Mere Distinction of Colour" produced by James Madison's Montpelier.[101] His photo-work appeared in The Atlantic,[102] The Washington Post,[103] La Nacion,[104]The Independent,[105] Deutsche Welle,[106] Diario Clarin[107] other newspapers[108] and magazines[109] as well as "Escenas de la memoria. La Casa Argentina en la voz de sus antiguos residentes",[110][111] and "Aventura Turnberry Jewish Center 20th Anniversary".[112] His work is partially preserved at the Claude Moore Health Sciences Library, the University of Virginia.[113]