Summary
Edward Middleton Manigault (June 14, 1887 – August 31, 1922) was a Canadian-born American Modernist painter.[1]
Biography edit
Manigault was born in London, Ontario, on June 14, 1887.[2] His parents were Americans originally from South Carolina who had settled in London, Ontario after the Civil War.[2][1] Encouraged in art from an early age, he was commissioned at the age of 18 by the city of London to make renderings of public buildings for reproduction as postcards (examples of his early work are in Museum London, Ontario).[3][4]
Manigault moved to New York City in 1905 and enrolled in classes at the New York School of Art[2] where he studied under Robert Henri and Kenneth Hayes Miller, alongside classmates such as Edward Hopper, George Bellows, and Rockwell Kent.[5] By 1909, he had moved away from Realism and had begun producing paintings in a Post-Impressionism style. In that year he first exhibited his work in New York, and in 1910 he participated in the Exhibition of Independent Artists, organized by Henri.[2] In the spring of 1912, he traveled through England and France. In 1913, he his work was included in the Armory Show.[1] In 1914, he staged a critically acclaimed one-man show at the Charles Daniel Gallery.[2][1] His art was purchased by such notable collectors as J. Paul Getty and Arthur Jerome Eddy.[4]
Despite being emotionally unstable and prone to episodes of depression, Manigault volunteered to serve as an ambulance driver with the British Expeditionary Force in 1915, displaying his spontaneity in marrying Gertrude Buffington Phillips just two days before he shipped out, whereupon he served as an ambulance driver in Flanders from April to November 1915.[2][5] In November, he received a medical discharge after being exposed to mustard gas. Having suffered a nervous breakdown, he was deemed “incapacitated for service", and his health would continue to decline for the remainder of his life.[4][5]
Back in the United States, he spent some time living in the utopian community of Oneida, New York. In 1919 he and his wife resettled in the Echo Park district of Los Angeles, California.[4] Later the same year, Manigault travelled without his wife to San Francisco and began working in a Cubist style, but, displeased with the results of this departure from his typical work, he destroyed nearly two hundred of his own paintings. At around this time in his life, Manigault had begun to practice fasting, in the hopes that starvation and meditation would allow him “to approach the spiritual plane and see colors not perceptible to the physical eye.” Ignoring the entreaties of his friends and family, in August 1922, Manigault fasted for two weeks, his health rapidly declining before he was admitted to the hospital on the 24th, where he died one week later, of starvation and neurasthenia, at the age of thirty-five.[4][5]
Style edit
Manigault worked in a wide range of styles following the war, experimenting in abstract and Cubist styles. He found these styles unsatisfying and destroyed most of his paintings.[2] He was inspired by the example of American modernists, including William and Marguerite Zorach. Manigault subsequently became inspired by the Arts and Crafts Movement, and began to produce decorative works, including ceramics and furniture.[4] He was also commissioned by Oneida Limited to design flatware.[4]
Paintings edit
Manigault is believed to have destroyed as many as two hundred of his paintings; consequently, few paintings by Manigault survive.[2] His work notebooks cover the years from 1906 to 1919.[2] Interest was renewed in his work in 1946, and his paintings were included in the exhibition "Pioneers of Modern Art in America 1903-1918" at the Whitney Museum of American Art that year.[6][2] His work is in the permanent collections of the Columbus Museum of Art in Columbus, Ohio, the Gibbes Museum of Art in Charleston, South Carolina, the Mint Museum in Charlotte, NC, and Museum London, in Ontario, Canada[3]
Art edit
- Edward Middleton Manigault's paintings
-
River Scene (A Flotilla on the Hudson), 1904 -
Procession (1911) -
Christ Appearing to Mary (1910) -
The Source (1914) -
Still Life with Lemons (1916) -
Still Life with Flowers (1918) -
Vorticist Landscape (War Impressions) (c. 1916)
References edit
- ^ a b c d Murray 2001, p. 102-103.
- ^ a b c d e f g h i j Roberts, Norma J., ed. (1988), The American Collections, Columbus Museum of Art, p. 68, ISBN 0-8109-1811-0.
- ^ a b "Collection". collection.museumlondon.ca. Museum London, London, Ontario. Retrieved 2021-02-23.
- ^ a b c d e f g Ptach, Dave (Summer 2005), "Fellowship Parkway Artist Fasted for Sake of Vision", Echo Park Historical Society News, archived from the original on November 29, 2014, retrieved August 29, 2011.
- ^ a b c d "Middleton Manigault". The Johnson Collection, LLC. Retrieved 2021-04-04.
- ^ "Pioneers of modern art in America. : From an exhibition of the Whitney museum of American art. / Organized by Hermon More, with introduction and biographical notes by Lloyd Goodrich. Traveling exhibition selection circulated by the American federation of arts". catalog.hathitrust.org. Whitney Museum of American art. Retrieved 2021-02-24.
Bibliography edit
- Murray, Joan (2001). The Birth of the Modern: Post-Impressionism in Canadian Art, 1900-1920. Oshawa: Robert McLaughlin Gallery. Retrieved 2020-11-24.
- Beth Venn; Nannette Maciejunes; Angela Mack (2001). Middleton Manigault: Visionary Modernist. New York: Hollis Taggart Galleries. ISBN 0-9705723-5-2.
External links edit
Media related to Edward Middleton Manigault at Wikimedia Commons- Edward Middleton Manigault Biography: Hollis Taggart Galleries Archived 2016-12-18 at the Wayback Machine
