Sandor holds a B.A. from Brooklyn College (1963)^[3] and an MFA in sculpture from the School of the Art Institute of Chicago (1975).^[4] She was awarded an honorary doctorate of fine arts from the School of the Art Institute of Chicago in 2014.^[5]

Sandor is a visiting scholar of culture and society, National Center for Supercomputing Applications at the University of Illinois at Urbana-Champaign. She is a board member of Eyebeam Art and Technology Center in New York^[6] and a 2016 Fermilab Artist in Residence at the Fermi National Accelerator Laboratory.^[7]

In 1983 Sandor formed an artists’ group called (art)ⁿ.^[8] They created a new art form, called PHSColograms (pronounced “skolograms”), which are 3D barrier-screen computer-generated photographs and sculptures. The term PHSColograms refers to a combination of photography, holography, sculpture and computer graphics.^[9] Some of (art)ⁿ’s best-known scientific visualizations include a rendering of the AIDS virus cell as well as visualizations of the polio virus, DNA, and the human brain.^[10]

Through her Chicago studio, (art)ⁿ, Sandor collaborates with artists and technologists to create PHSColograms commissioned by art and science institutions.^[11] Sandor’s work has been commissioned by the Jet Propulsion Laboratory, the Smithsonian Institution, and the Tech Museum of Innovation, among others. Her work is held in public and private art collections including the Art Institute of Chicago, the International Center of Photography, the National Academy of Sciences, the Musée Carnavalet, Paris, and the Victoria & Albert Museum, London.^[12]

Sandor and (art)ⁿ have worked with a variety of artists including Ed Paschke,^[2] Karl Wirsum, Chris Landreth, Martyl Langsdorf, Donna Cox, Miroslaw Rogala and Claudia Hart. In addition, she and (art)ⁿ have worked with scientists at the Scripps Research Institute, NASA, and the U.S. Army.^[13]

Sandor was honored by the Bulletin of the Atomic Scientists for her longstanding commitment to integrating art and science in 2017.^[14]

She is co-editor and contributor to New Media Futures: The Rise of Women in the Digital Arts (2018) published by the University of Illinois Press.^[15]

Sandor is the co-holder of five U.S. patents, three for autostereography techniques and two for polymerization of lenticular images.^[16]

Sandor and her husband, economist Richard L. Sandor, have assembled a private art collection with over 1,800 objects dating from the 1840s to the present.^[17] In 1988, 2001, and 2002 the Sandors were listed by Art & Antiques magazine as one of America’s top 100 private collectors.^[18]

The Richard and Ellen Sandor Family Collection contains photographs, paintings, drawings, sculptures, and new media works focusing around themes such as 19th- and 20th-century icons, Paris between the wars, the American West, Hollywood portraits, and surrealism.^[19]

Ellen Sandor is chair of the advisory board of the Gene Siskel Film Center.^[20] She also serves on the board of governors for the School of the Art Institute of Chicago^[21] and is a lifetime trustee of The Art Institute of Chicago,^[22] to which she and her husband have also donated.

• (art)ⁿ