Summary
Encyclopedia of Aesthetics, published in 1998 by Oxford University Press,[1] is an encyclopedia that covers philosophical, historical, sociological, and biographical aspects of Art and Aesthetics worldwide. The second edition (2014) is now available online as part of Oxford Art Online.[2][3]
Information edit
Many prominent aesthetics scholars contributed.[4] The encyclopedia aimed to provide "a genealogy of aesthetics sufficient to integrate its philosophical and cultural roles, and that it contributes to a discursive public sphere in which multiple perspectives are articulated, dialogue fostered, and common ground constructed."[4]
The Encyclopedia of Aesthetics is considered to be the first reference work to survey artistic theory and art history from classical philosophy to contemporary critical theory, featuring over 600 articles that focus on many topics of art history including painting, sculpture, and the artistic and cultural aesthetics of world nations.[5]
The only comparable work is 25 years older: The Dictionary of the History of Ideas: Studies of Selected Pivotal Ideas (New York, NY: Scribner, 1973–74), which had articles on aesthetics and other key topics, written from an interdisciplinary approach.[6] There are other contemporary works that deal with the aesthetics universe, but "from within their respective disciplinary frameworks";[6] they are: The Dictionary of Art (New York, NY: Grove's Dictionaries, 1996) and Routledge Encyclopedia of Philosophy (London, England: Routledge, 1998).
The Encyclopedia was written from a comparative perspective, with the traditions of non western societies in view, and re-thought the critical assumptions of western aesthetics.[7] Examples of such perspective are the entries: grotesque; Black Aesthetic, African Aesthetics, Caribbean Aesthetics, Chinese Aesthetics, Indian Aesthetics, Japanese Aesthetics, Islamic Aesthetics, Latin American Aesthetics; Tribal art;[8] Jokes, Camp, Play; Anti-art, Situationist Aesthetics; Gay Aesthetics, Lesbian Aesthetics; Law and Art, Moral Rights of Arts, Cultural Property, Obscenity, Politics and Aesthetics, Morality and Aesthetics.[7] The longest entry, 35 pages, is for Immanuel Kant.[6]
Notes edit
- ^ Kelly, 1998.
- ^ Oxford Reference: Encyclopedia of Aesthetics, second edition.
- ^ "About" at the Oxford Art Online website.
- ^ a b Silvers, 2000.
- ^ "Oxford-Reference"
- ^ a b c Riedel, 1999.
- ^ a b Review by Giuseppe Patella
- ^ Dutton, Denis Tribal Art Archived 2020-05-17 at the Wayback Machine in Encyclopedia of Aesthetics, edited by Michael Kelly (New York: Oxford University Press, 1998).
References edit
- Kelly, Michael (Editor-in-chief). Encyclopedia of Aesthetics. New York, Oxford, Oxford University Press, 1998. 4 vol., pp. XVII-521, pp. 555, pp. 536, pp. 572; ISBN 978-0-19-511307-5.
- Riedel, Tom. "Review: Encyclopedia of Aesthetics." Art Documentation: Journal of the Art Libraries Society of North America, vol. 18, no. 2, 1999, pp. 48–48.
- Silvers, Anita. "Achievement of Stated Goals; Cultural and Philosophical Missions". The Journal of Aesthetics and Art Criticism, vol. 58, no. 3, 2000, pp. 291–293. doi:10.2307/432111
External links edit
Reviews edit
- from The Journal of Aesthetics and Art Criticism, Vol. 58, No. 3 (Summer, 2000):
- Budd, Malcolm The Journal of Philosophy, Vol. 97, No. 2 (Feb., 2000), pp. 94–99 doi:10.2307/2678448
- Rowe, M.W. British Journal of Aesthetics, Volume 42, Number 1, 1 January 2002, pp. 83–86(4) 10.1093/bjaesthetics/42.1.83
- Woodfield, Richard [1] The Art Bulletin, Vol. 83, No. 3 (Sep., 2001), pp. 559–563 doi:10.2307/3177243