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Fantasia on Welsh Nursery Tunes

Summary

The Fantasia on Welsh Nursery Tunes is a composition for symphonic orchestra, based on traditional Welsh nursery tunes and lullabies, composed by Grace Williams in 1940. Although not typical of Williams' work it brought her to prominence and is the composer's most popular work.

Fantasia on Welsh Nursery Tunes
Fantasia by Grace Williams
Composed1940
Published1956
Recorded
Premiere
Date29 October 1941 (1941-10-29)
ConductorEric Fogg
PerformersBBC Northern Orchestra

I had a thorough grounding in Welsh airs and Welsh folk songs when I was a child and teenager, and they found their way into some very early works, now withdrawn, and of course into the Fantasia.

— Grace Williams, Interview with Heward Rees[1]

The orchestration includes the harp to add a Welsh flavour and percussion to evoke memories of childhood.

Composition history edit

It is not clear when Williams started to compose the Fantasia but Benjamin Britten records a meeting with Williams to discuss "her new Welsh variations" on 24 March 1938.[2] Williams claimed that "I tossed it off (i.e. the sketch of it) in an evening" – in a letter to Idris Lewis (musical director of British International Pictures)[3] in June 1942.[4] The last page of the score is annotated "Feb 9th 1940".[5]

The Fantasia may have been modelled on Sir Henry Wood's Fantasia on British Sea Songs, or the fantasias on folk tunes by Vaughan Williams, Williams' teacher, where a number of familiar tunes are joined with original music.[6][7]

Structure and instrumentation edit

The work lasts about 11 minutes and is in one movement using eight Welsh tunes.[8][9] The beginning and end use the quicker tunes which frame a middle section which uses the slower, wistful tunes.[8] Each tune is stated and discussed, and followed by a transition into the next tune. The work finishes with a return to the initial theme.[9] The tunes, in order, are:

  • Jim Cro[a] – also known as Dacw Mam yn Dwâd (Here's mummy coming)[b]
  • Deryn y Bwn (The Bittern)[c]
  • Migildi, Magildi (nonsense words imitating the sound of a hammer on an anvil)
  • Si lwli mabi (Sleep my baby)
  • Gee Geffyl Bach (Gee-up, little horse)
  • Cysga Di, Fy Mhlentyn Tlws (Sleep, my pretty child)
  • Yr eneth ffein ddu (Where are you going, my pretty maid?)
  • Cadi Ha (Summer Katie)[d]

The Fantasia starts at a lively pace (allegro vivo) with the tune (Jim Cro) played on the trumpet.[e][15] The trumpet, now muted, introduces Deryn y Bwn (the rhythm of the original tune is adapted to match that of Jim Cro).[16][12] Migildi, Magildi starts on the glockenspiel (one bar), then the strings (one bar), the glockenspiel again (one bar), and strings again (one bar), before the oboe completes the tune.[f][12][18]

The slower middle section, marked molto tranquillo (very calmly), begins with Si lwli mabi on flute;[19] followed by Gee Geffyl Bach on french horn;[20] and ends with Cysga Di, Fy Mhlentyn Tlws (on oboe and bassoon).[21]

The last section returns to the lively pace of the opening with a reprise of Jim Cro before Yr eneth ffein ddu is introduced on oboe and violins.[22] The last new tune (Cadi Ha) is also introduced on trumpet,[23] before the Fantasia finishes with a return to Jim Cro.

The Fantasia is written for a full orchestra:[24][25]

Performance edit

The Fantasia was given its first performance by the BBC Northern Orchestra conducted by Eric Fogg on 29 October 1941 in a broadcast by the BBC.[26][12][9] Performances throughout Wales followed (with premieres by the National Youth Orchestra of Wales and Welsh National Opera in 1946) and the good reception led to the first recording a few years later.[27][28]

Another performance of Fantasia by the National Youth Orchestra of Wales (NYOW) in 1952 was followed by performances of works by Williams in 1953, 1954, and 1955 (Penillion – which was commissioned and premiered by NYOY).[27] Tension between Williams and the orchestra's management resulted in Williams refusing permission to allow the NYOW to perform her works. A change in management was followed by a performance of Fantasia by the orchestra in 1968.[29] A commercially successful recording of Fantasia (with works by other Welsh composers) by the NYOW followed in 1969 and sold 20,000 copies in less than a year.[30]

Reception and reviews edit

The immediate popularity of the Fantasia, especially in war-time Wales, helped Williams to become more widely known, and it is still her most popular work and an important part of her output.[31][32]

The Fantasia has been described as "deliciously scored, whimsical, touching and light-hearted by turns".[33] Guy and Llewelyn-Jones note that the use of percussion emphasises the "colours and imagery of childhood" and the harp "adds some strong Celtic flavour".[34] Cotterill notes that "The Fantasia's greatest achievement, however, in spite of its necessarily fragmented nature and thematic diversity, is that it retains a sophisticated level of cohesion that Hen Walia [an earlier work] fails to approach by more confidently deploying its traditional material."[35] Mathias describes it as "a work of bold and colourful tonal contrasts".[36]

By contrast, Boyd notes that "the harmonizations are often heavy and conventional, and the structure loose".[12] He also compares the orchestration unfavourably with that of Hoddinott's Welsh Dances (Set 1 – 1956; Set 2 – 1969) and Mathias's Celtic Dances (1972).[12][37][38]

The Fantasia remains popular with performers both young and old.[8]

Williams' attitudes to the Fantasia edit

Williams clearly felt affection for Fantasia:

It was never meant to be taken seriously. I like the little work well enough – lovely Welsh tunes – but, but, but______

— Grace Williams, a letter to Idris Lewis in June 1942[4]

and:

I can give something of myself to folksong fantasias + such things – yes I know they are derivative but they've got a splash of me in – because I really + truly love those traditional tunes.

— Grace Williams, Letter to Daniel Jones, 4 February 1950[39]

but feared that its success might limit the BBC's enthusiasm for new works (as had happened with Hen Walia earlier in her career).[4] In 1957 Williams successfully lobbied for Penillion (1955)[40] rather than the Fantasia ("that old work") to be scheduled for the 1958 Proms season.[g][42]

In 1968 the National Youth Orchestra of Wales ran a competition to attract young composers but failed to find any suitable compositions, so planned to return to the Fantasia. Williams suggested various composers but none had entered the competition so, to Williams' dismay, the Fantasia was scheduled again including a performance at the Eisteddfod that year.[h] This led to another recording (along with other works by Welsh composers).[30]

Recordings edit

The Fantasia was first recorded in 1949 by the London Symphony Orchestra, conducted by Mansel Thomas, paid for by the Welsh Recorded Music Society (later to become the Welsh Music Guild), and released on a 78 rpm record.[44][45][46] It was the first recording of a work by a female Welsh composer.[47] The recording was later included in the Decca catalogue.[44]

Recordings include:

Notes edit

  1. ^ A card game popular with miners[10]
  2. ^ The tune bears a close resemblance to Yankee Doodle[11]
  3. ^ Deryn y Bwn is not included in the list of tunes Williams prefaced in the score, but has been identified by Boyd.[12]
  4. ^ A song linked to May Day celebrations in North East Wales. The "Katie" is a man dressed as a woman who leads the celebrations.[13] The Cadi Ha festival dates back 200 years, but lapsed after World War I until it was revived in 1998 at Holywell.[14]
  5. ^ The trumpet was one of Williams' favourite instruments.[1]
  6. ^ After the trumpet, the oboe (and the cor anglais) were the particular favourite orchestral instruments of Williams.[17]
  7. ^ As of January 2016 Fantasia has not been included in a Prom concert.[41]
  8. ^ By happy coincidence the Eisteddfod that year was held in Williams' home town of Barry.[43]
  9. ^ Remastering of the old recordings and CD release were made with the support of the Arts Council of Wales[48]

References edit

  1. ^ a b Welsh Music/Cerddoriaeth Cymru.
  2. ^ Evans 2010, p. 467.
  3. ^ Cotterill 2012, p. 43.
  4. ^ a b c Cotterill 2012, p. 50.
  5. ^ Williams 1995, p. 75.
  6. ^ Boyd 1980, p. 4.
  7. ^ Boyd 1995, p. 4.
  8. ^ a b c Discover Welsh Music.
  9. ^ a b c Burton 2012, p. 4.
  10. ^ Hemmings 2013.
  11. ^ Rodda 2010, p. 1.
  12. ^ a b c d e f Boyd 1980, p. 22.
  13. ^ James 2009.
  14. ^ BBC North East Wales.
  15. ^ Williams 1995, p. 1.
  16. ^ Williams 1995, p. 8.
  17. ^ Boyd 1980, p. 48.
  18. ^ Williams 1995, pp. 14–15.
  19. ^ Williams 1995, p. 22.
  20. ^ Williams 1995, p. 33.
  21. ^ Williams 1995, p. 38.
  22. ^ Williams 1995, p. 50.
  23. ^ Williams 1995, p. 60.
  24. ^ Guy & Llewelyn-Jones 2004, p. 55.
  25. ^ Oxford University Press.
  26. ^ Cotterill 2012, p. 49.
  27. ^ a b Cotterill 2012, p. 16.
  28. ^ Wright 1989, p. 2.
  29. ^ Cotterill 2012, pp. 16–18.
  30. ^ a b c d Cotterill 2012, p. 18.
  31. ^ Roma 2001, p. 232.
  32. ^ Wright 1989, p. 1.
  33. ^ March 2000.
  34. ^ Guy & Llewelyn-Jones 2004, pp. 55–56.
  35. ^ Cotterill 2012, p. 74.
  36. ^ Mathias 2012, p. 5.
  37. ^ Craggs 2007, pp. 60, 98.
  38. ^ Lyrita Catalogue (Dances).
  39. ^ Cotterill 2012, p. 72.
  40. ^ Boyd 1980, p. 88.
  41. ^ BBC Proms.
  42. ^ Cotterill 2012, p. 58.
  43. ^ Gladstone Gardens.
  44. ^ a b Welsh Music Guild.
  45. ^ a b Cotterill 2012, p. 117.
  46. ^ WorldCat.
  47. ^ Misstear 2014.
  48. ^ Lyrita sleeve notes, p. 8.
  49. ^ Lyrita Catalogue (Williams).
  50. ^ Naxos Catalogue.

Sources edit

  • "Alun Hoddinott (1929–2008): A Catalogue of the Orchestral and Choral Music". Unsung Composers. Retrieved 29 January 2016.
  • "BBC Proms – Works Grace Williams 1906–1977". BBC. Retrieved 29 January 2016.
  • "Gladstone Gardens". Vale of Glamorgan Council. Barry, South Glamorgan. Retrieved 29 January 2016.
  • "Grace Williams". Discover Welsh Music. Cardiff: Tŷ Cerdd – Music Centre Wales. 2015. Fantasia on Welsh Nursery Tunes. Archived from the original on 24 April 2016.
  • Grace Williams (CD booklet). Burnham, Buckinghamshire: Lyrita. 1995. OCLC 883978208. UPC: 502092603234.
  • "Heward Rees interviews Grace Williams shortly before her death". Welsh Music/Cerddoriaeth Cymru. Archived from the original on 24 February 2012. Retrieved 26 January 2016 – via archive from www.welshmusic.org.uk.
  • "History". Welsh Music Guild. Retrieved 17 January 2016.
  • "Holywell's Cadi Ha festival continues the folk tradition". BBC News (North East Wales). 30 April 2010. Retrieved 25 January 2016.
  • "Welsh Dances – Hoddinott, Mathias & Jones". Wyastone Estate Limited. Monmouth, Wales. Retrieved 29 January 2016.
  • "Williams, Fantasia on Welsh Nursery Tunes, Sea Sketches". Wyastone Estate Limited. Monmouth, Wales. Retrieved 25 January 2016.
  • Boyd, Malcolm (1995). "The Fantasia on Welsh Nursery Tunes". Grace Williams (CD booklet). Burnham, Buckinghamshire: Lyrita. OCLC 883978208. UPC: 502092603234.
  • Burton, Anthony (1 March 2012). "BBC National Orchestra of Wales – St David's Day Gala" (PDF). Cardiff: BBC. Grace Williams (1906–77) Fantasia on Welsh Nursery Tunes (1940). Retrieved 25 January 2016.
  • Cotterill, Graeme James (2012). Music in the Blood & Poetry in the Soul? (National identity in the life and music of Grace Williams) (PDF). eBangor – A digital repository of Bangor University's electronic output (PhD). Bangor: University of Wales. Archived from the original (PDF) on 27 April 2016. Retrieved 17 January 2016.
  • Evans, John, ed. (2010). "Diary: 1938". Journeying Boy: The Diaries of the Young Benjamin Britten 1928–1938. London: Faber & Faber. p. 467. ISBN 978-0-571-23883-5. OCLC 501381730 – via Google Books.
  • Hemmings, Becca (6 March 2013). "Dacw mam yn dwad – Welsh Folk Nursery Rhyme". The Welsh Gift Shop. Aberavon, Neath Port Talbot. Retrieved 25 January 2016.
  • James, Dr E. Wyn (2009). "An 'English' Lady among Welsh Folk: Ruth Herbert Lewis and the Welsh Folk-Song Society". ORCA – Online Research @ Cardiff. Cardiff University. Cadi Ha. Retrieved 25 January 2016.
  • March, Ivan (2000). "Welsh Classical Favourites". Gramophone. No. 5. London: Mark Allen Group. Retrieved 25 January 2016.
  • Mathias, Rhiannon (2012) [2009]. Lutyens, Maconchy, Williams and Twentieth-Century British Music – A Blest Trio of Sirens (PDF) (2nd ed.). Farnham, Surrey: Ashgate Publishing. ISBN 978-0-7546-5019-5. OCLC 795888150. Retrieved 25 January 2016.
  • Misstear, Rachel (24 February 2014). "Composer's Life and Work Revealed in Documentary". South Wales Echo. Cardiff, Wales: MGN Ltd. Retrieved 26 October 2023 – via TheFreeLibrary.
  • Rodda, Dr. Richard E. (2010). "Notes on the Program by Dr. Richard E. Rodda" (PDF). Reading Symphony Orchestra. Reading. Archived from the original (PDF) on 4 March 2016. Retrieved 26 January 2016.
  • Roma, Catherine (2001) [1991]. "IX Contemporary British Composers". In Pendle, Karin Anna (ed.). Women and Music: A History (2nd ed.). Bloomington, Indiana: Indiana University Press. ISBN 0-253-33819-0. JSTOR j.ctt16gz6w7.13. OCLC 610588472 – via Google Books.
  • Williams, Grace (1995) [1956]. Fantasia on Welsh Nursery Tunes (Facsimile of composer's manuscript). London: Oxford University Press. ISBN 9780193688506. OCLC 863406929.
  • Wright, David (1989). "Grace Williams" (PDF). wrightmusic.net. Retrieved 25 January 2016.

External links edit

  • "Grace Williams". Discover Welsh Music. Cardiff: Tŷ Cerdd – Music Centre Wales. 2015. Fantasia on Welsh Nursery Tunes. Archived from the original on 24 April 2016. Includes a viewable score of the Fantasia

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