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File:Alaa Salah by Lana H. Haroun.jpg 
Summary
Summary edit
| Description | Alaa Salah, a Sudanese student, standing on a car in the 2018–19 Sudanese protests. The image went viral as a symbol of the protests. |
|---|---|
| Author or copyright owner |
Lana H. Haroun |
| Source (WP:NFCC#4) | New York Times |
| Date of publication | 9 April 2019 |
| Use in article (WP:NFCC#7) | Kandake of the Sudanese Revolution |
| Purpose of use in article (WP:NFCC#8) | To support encyclopedic discussion of this work in this article. The illustration is specifically needed to support the following point(s): The elements of the image (posture, clothing, earrings) that have contributed to the virality and the historic significance of the image |
| Not replaceable with free media because (WP:NFCC#1) |
n.a. |
| Minimal use (WP:NFCC#3) | Low-resolution, cropped version. |
| Respect for commercial opportunities (WP:NFCC#2) |
n.a. |
| Fair useFair use of copyrighted material in the context of Kandake of the Sudanese Revolution//en.wikipedia.org/wiki/File:Alaa_Salah_by_Lana_H._Haroun.jpgtrue | |
| Description | Alaa Salah, a Sudanese student, standing on a car in the 2018–19 Sudanese protests. The image went viral as a symbol of the protests. |
|---|---|
| Author or copyright owner |
Lana H. Haroun |
| Source (WP:NFCC#4) | New York Times |
| Date of publication | 9 April 2019 |
| Use in article (WP:NFCC#7) | 2018-2019 Sudanese protests |
| Purpose of use in article (WP:NFCC#8) | To show the performance art of the protests, the role of women in the protests, and the symbolism of the kandaka. |
| Not replaceable with free media because (WP:NFCC#1) |
n.a. |
| Minimal use (WP:NFCC#3) | Low-resolution, cropped version. |
| Respect for commercial opportunities (WP:NFCC#2) |
n.a. |
| Fair useFair use of copyrighted material in the context of 2018-2019 Sudanese protests//en.wikipedia.org/wiki/File:Alaa_Salah_by_Lana_H._Haroun.jpgtrue | |
| Description | Alaa Salah, a Sudanese student, standing on a car in the 2018–19 Sudanese protests. The image went viral as a symbol of the protests. |
|---|---|
| Author or copyright owner |
Lana H. Haroun |
| Source (WP:NFCC#4) | New York Times |
| Date of publication | 9 April 2019 |
| Use in article (WP:NFCC#7) | Photography of Sudan |
| Purpose of use in article (WP:NFCC#8) | To show the visual quality of the picture as example for the political impact of photography |
| Not replaceable with free media because (WP:NFCC#1) |
n.a. |
| Minimal use (WP:NFCC#3) | Low-resolution, cropped version. |
| Respect for commercial opportunities (WP:NFCC#2) |
n.a. |
| Fair useFair use of copyrighted material in the context of Photography of Sudan//en.wikipedia.org/wiki/File:Alaa_Salah_by_Lana_H._Haroun.jpgtrue | |
Licensing edit
 | This image is a faithful digitisation of a unique historic image, and the copyright for it is most likely held by the person who created the image or the agency employing the person. It is believed that the use of this image may qualify as non-free use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information. Please remember that the non-free content criteria require that non-free images on Wikipedia must not "[be] used in a manner that is likely to replace the original market role of the original copyrighted media." Use of historic images from press agencies must only be of a transformative nature, when the image itself is the subject of commentary rather than the event it depicts (which is the original market role, and is not allowed per policy). | ||
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