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Four Daughters of God

Summary

The Four Daughters of God are a personification of the virtues of Truth, Righteousness/Justice, Mercy, and Peace in medieval Catholic religious writing.

A page from the Macro Manuscript showing a staging plan for The Castle of Perseverance. The text at the bottom explains the position and costume of the Four Daughters of God

History and development of the motif edit

The most important contributors to the development and circulation of the motif were the twelfth-century monks Hugh of St Victor and Bernard of Clairvaux,[1] followed by the Meditations on the Life of Christ, which Bernard's text inspired.[2]

The motif is rooted in Psalm 85:10, 'Mercy and Truth are met together; righteousness and peace have kissed each other'. The use in Christian thought seems to have been inspired an eleventh-century Jewish Midrash, in which Truth, Justice, Mercy and Peace were the four standards of the Throne of God.[3]

The motif was influential in European thought. In 1274–76, Magnus VI of Norway introduced the first "national" law-code for Norway, known now as Magnus Lagabøtes landslov. Chapter 4.18 of the code, which was key to introducing a new model of procedural law to Norway and was to be read out to judges, makes prominent use of the allegorical four daughters of God, Mercy, Truth, Justice, and Peace. They have the important role there of expressing the idea—which was innovative in the Norwegian legal system at the time—of equality before the law.[4]

The motif changed and developed in later medieval literature, but the usual form was a debate between the daughters (sometimes in the presence of God)

about the wisdom of creating humanity and about the propriety of strict justice or mercy for the fallen human race. Justice and Truth appear for the prosecution, representing the old Law, while Mercy speaks for the defense, and Peace presides over their reconciliation when Mercy prevails.[5]

However, some versions (notably Robert Grosseteste's Chasteu d'amour, the Cursor Mundi, the English Gesta Romanorum, and The Court of Sapience)

develop it along the lines of a medieval romance. They place the story in a feudal setting and give to a great king four daughters, a son, and a faithless servant. Because of a misdemeanor the servant has been thrown into prison. The daughters beg for his release. The son offers to take upon himself the clothing of the servant and to suffer in his stead. Except for the element of the dispute and the method of reconciliation, the two main traditions in the development of the allegory are vastly different.[6]

The motif fell out of fashion in the seventeenth century.[7] It may nonetheless have influenced the work of William Blake.[8]

Examples edit

In English and Scottish literature, the Four Daughters appear quite widely, for example in:[9][10]

The Four Daughters also appear in visual depictions, particularly in Books of Hours, usually in the Annunciation section.[15] 'Justice is generally represented with scales or a sword; Peace with a palm, inverted torch, or truncated sword; Truth with a carpenter's square or tables of the Law; and Mercy with a box of ointment.'[16]

Further reading edit

  • Hope Traver, 'The Four Daughters of God: A Study of the Versions of this Allegory, with Special Reference to those in Latin, French, and English' (unpublished PhD thesis, Bryn Mawr, 1907), https://archive.org/details/fourdaughters00travuoft
  • Jørn Øyrehagen Sunde, 'Daughters of God and Counsellors of the Judges of Men: Changes in the Legal Culture of the Norwegian Realm in the High Middle Ages', in New Approaches to Early Law in Scandinavia, ed. by Stefan Brink and Lisa Collinson, Acta Scandinavica, 3 (Turnhout: Brepols, 2014), pp. 131–83 doi:10.1484/M.AS-EB.1.101969 ISBN 978-2-503-54754-1
  • Samuel C. Chew, The Virtues Reconciled: An Iconographic Study (Toronto, 1947)

References edit

  1. ^ Michael Murphy, 'Four Daughters of God', in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91 (p. 290).
  2. ^ Klinefelter, R. A.. (1953). The Four Daughters of God: A New Version. The Journal of English and Germanic Philology, 52(1), 90–95 (p. 90). Retrieved from https://www.jstor.org/stable/27713504.
  3. ^ Rebecca Moore, “Jewish Influence on Christian Biblical Interpretation: Hugh of St. Victor and the Four Daughters of God.” In Of Scribes and Sages: Studies in Early Jewish Interpretation and Transmission of Scripture vol. 2, ed. Craig A. Evans, 148-58. London: T&T Clark International, 2004; Michael Murphy, 'Four Daughters of God', in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91 (p. 290).
  4. ^ Jørn Øyrehagen Sunde, 'Daughters of God and Counsellors of the Judges of Men: Changes in the Legal Culture of the Norwegian Realm in the High Middle Ages', in New Approaches to Early Law in Scandinavia, ed. by Stefan Brink and Lisa Collinson, Acta Scandinavica, 3 (Turnhout: Brepols, 2014), pp. 131-83 doi:10.1484/M.AS-EB.1.101969 ISBN 978-2-503-54754-1.
  5. ^ Michael Murphy, 'Four Daughters of God', in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91 (p. 290).
  6. ^ Klinefelter, R. A.. (1953). The Four Daughters of God: A New Version. The Journal of English and Germanic Philology, 52(1), 90–95 (p. 91). Retrieved from https://www.jstor.org/stable/27713504.
  7. ^ Michael Murphy, 'Four Daughters of God', in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91 (p. 290).
  8. ^ Robert F. Gleckner, 'Blake and the Four Daughters of God', English Language Notes, 15 (1977), 110-15.
  9. ^ Michael Murphy, 'Four Daughters of God', in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91.
  10. ^ Klinefelter, R. A.. (1953). The Four Daughters of God: A New Version. The Journal of English and Germanic Philology, 52(1), 90–95.
  11. ^ George Shuffelton, 'Item 26, The King and His Four Daughters: Introduction', in Codex Ashmole 61: A Compilation of Popular Middle English Verse, ed. by George Shuffelton, TEAMS Middle English Texts (Kalamazoo, Michigan: Medieval Institute Publications, 2008), item 26, http://d.lib.rochester.edu/teams/publication/shuffelton-codex-ashmole-61.
  12. ^ George Shuffelton, 'Item 26, The King and His Four Daughters: Introduction', in Codex Ashmole 61: A Compilation of Popular Middle English Verse, ed. by George Shuffelton, TEAMS Middle English Texts (Kalamazoo, Michigan: Medieval Institute Publications, 2008), item 26, http://d.lib.rochester.edu/teams/publication/shuffelton-codex-ashmole-61.
  13. ^ The n-Town Plays
  14. ^ Kristin Leigh Erika Bourassa, 'Fforto Tellen Alle the Circumstaunces: The Royal Entries of Henry VI (1431-32) and their Manuscripts' (unpublished MA thesis, University of Ottawa, 2010), p. 35.
  15. ^ For an example see Barbara Newman, God and the Goddesses: Vision, Poetry, and Belief in the Middle Ages (Philadelphia: University of Pennsylvania Press, 2003),, figure 1.8, p. 46: a Book of Hours from Touraine, c. 1473-80. New York, Morgan Library & Museum, M. 73, f. 7.
  16. ^ Michael Murphy, 'Four Daughters of God', in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 290-91 (p. 290).

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