Ground_Zero_(band) Knowpia

Ground Zero
Ground Zero
	Former band member Otomo Yoshihide
Background information
Origin	Tokyo, Japan
Genres	Noise; free improvisation;
Years active	1990–1998
Labels	Alcohol; Amoebic; Creativeman; DIW; Doubtmusic; Gentle Giant; God Mountain; Les Disques Du Soleil Et De L'Acier; Nani; Pandemonium; Recommended; Sank-Ohso; Trigram; Tzadik;
Past members	Shuichi Chino; Junji Hirose; Hideki Kato; Naruyoshi Kikuchi; Sachiko Matsubara; Mitsuru Nasuno; Otomo Yoshihide; Yumiko Tanaka; Kazuhisa Uchihashi; Masahiro Uemura; Yasuhiro Yoshigaki;

Ground Zero was a Japanese noise/improvisation band^[1] during the 1990s led by the guitarist and "turntablist" Otomo Yoshihide that had a large and rotating group of performers with two other regular performers.^[1]

History edit

Ground Zero was formed to play the John Zorn game piece Cobra.^[2] They first played in August 1990 and last played in March 1998.^[2] The band's last project was in 1998 when they re-worked material from a 1992 Cassiber concert in Tokyo; it was released on the second CD of Cassiber's double CD, Live in Tokyo (1998).

Musical style edit

The band performed on such instruments as turntables, sampler, shamisen, saxophone, koto, omnichord, electric guitar and two drum kits. They were one of the first free improvising musicians using turntables.^[3]

Their music mixed free jazz, improvisation, rock and experimental noise.^[2] Their albums include Revolutionary Pekinese Opera ver. 1.28, a sound collage piece combining noise music and samples of peking opera by the Duo Goebbels/Harth, and Consume Red, on which the performers improvise around a short sample of hojok music played by the Korean holy musician Kim Seok Chul.

Discography edit

Otomo Yoshihide performing live at Weikersheim, Germany in 2007

Studio albums edit

Ground Zero (1992)
Null & Void (1995)
Revolutionary Pekinese Opera (1995)
Revolutionary Pekinese Opera Ver. 1.28 (1996)
Consume Red (1997)^[2]
Plays Standards (1997)

Compilation albums edit

Conflagration (1997)
Consummation (1998)

Live albums edit

Last Concert (1999)^[1]
Live 1992+ (2007)

Singles edit

"Live Mao '99" (1995) (split with Bästard)
"Revolutionary Pekinese Opera Ver. 1.50" (1996)

References edit

^ ^a ^b ^c Jenkins, Todd S. (2004). Free jazz and free improvisation: An encyclopedia. Westport, Conn.: Greenwood. p. 165. ISBN 978-0-313-29881-3.
^ ^a ^b ^c ^d Kelly, Caleb (2009). Cracked Media: The Sound of Malfunction. MIT Press. p. 188. ISBN 978-0-262-01314-7.
^ Christoph Cox; Daniel Warner (2004). Audio culture: readings in modern music. Continuum International Publishing Group. p. 405. ISBN 978-0-8264-1615-5.