Summary
Harry Holden Adams (1918 – 1985) was an African-American photographer who worked for the California Eagle and Los Angeles Sentinel.[1][2][3]
Harry Adams | |
|---|---|
 | |
| Born | 1918 Arkansas, U.S. |
| Died | 1985 (aged 66–67) |
| Education | Moler Barber College |
Life and education edit
Adams was born in Arkansas to Hunter Adams and Robbie Lee Evans Adams. The Adams family moved to Santa Ana, California, where they eventually helped establish Johnson Chapel African Methodist Episcopal Church.
Adams attended Santa Ana College, where he studied music and political science. He worked as a janitor for the Santa Ana Recreation and Park Department while attending Whittier College until he was drafted into the Army, serving as a military police officer and eventually sergeant until his discharge from Camp Harahan in 1946.
He moved to Los Angeles, where he graduated from Moler Barber College and became a security guard for the Los Angeles County Sheriff Department. Four years later, in 1950, he attended the California School of Photography and Graphic Design and the Fred Archer School of Photography, where he earned the nickname "One Shot Harry" for his quick work.[4][2][5]
He later resigned from the Sheriff's Department to open a barbershop and studio at 4223 Avalon Blvd. He relocated it to 4300 South Central in 1971.[2]
Personal life edit
Adams married Marjorie Harris Adams in 1939 and had two children, a son, born that same year and a daughter, born in 1941. Adams and Harris divorced, and he married Lorraine Proctor in 1956. Adams died from a heart attack in 1985.[2][6][7]
Work edit
Adams' work was known for being "worklike and of-the-moment" but not dramatic or provocative.[6] The Los Angeles Times said, "His photographs captured everyday life in the city's African-American community. His work also includes images of dignitaries such as Martin Luther King Jr., Malcolm X, a young Tom Bradley, former First Lady Eleanor Roosevelt and many others."[8]
Exhibitions edit
- Black Life: Images of Resistance and Resilience in Southern California. San Diego Museum of Art. August 24, 2019 – December 1, 2019.[9][10]
- Identity and Affirmation: Post War African-American Photography. California State University, Northridge Art Gallery, Pacific Standard Time: Art in L.A., 1945–1980, September 1–December 10, 2011.[11]
- Harry Adams: Camera & Community. California African American Museum, Los Angeles, California, March–May 1997.[12][13]
Collections edit
Photographic collections of Adams' work are held at Yale University[2] and in the Tom and Ethel Bradley Center at California State University, Northridge.[7][8][14][15]
References edit
- ^ "About Harry Adams (1918-1988)". Tom & Ethel Bradley Center Photographs. California State University, Northridge. Retrieved July 2, 2020.
- ^ a b c d e "Collection: Harry Adams photographs | Archives at Yale". archives.yale.edu.
- ^ Leovy, Jill (November 10, 1996). "Positive Images". Los Angeles Times. Retrieved August 26, 2020.
- ^ "At San Diego Museum of Art, snapshots of 'Black Life'". San Diego Union-Tribune. August 18, 2019.
- ^ Clark, Libby (January 30, 2003). "A Taste Of History: 'ONE SHOT HARRY'; Photojournalist Harry Adams; His Pictures Told the Story". Los Angeles Sentinel.
- ^ a b Leovy, Jill (Nov 10, 1996). "Harry Adams' Photos Tell Underexposed Story of L.A.'s Black Community". Los Angeles Times. pp. 1, B5, A38.
- ^ a b Leovy, Jill (November 10, 1996). "Collection Honors Photographer of African American Life in Southland". Los Angeles Times. Retrieved July 2, 2020.
- ^ a b Oliande, Sylvia (November 5, 1996). "CSUN Cataloging Late Photographer's Work". Los Angeles Times. Retrieved July 2, 2020.
- ^ Harford, Andrew (October 3, 2019). "SDAAMFA Celebrates Black Life: Images of Resistance and Resilience in Southern California". San Diego Voice & Viewpoint. Retrieved August 26, 2020.
- ^ Schimitschek, Martina (August 18, 2019). "At San Diego Museum of Art, snapshots of 'Black Life'". San Diego Union Tribune. Retrieved August 26, 2020.
- ^ Tata, Samantha (November 3, 2011). "CSUN photo exhibit captures Black culture in postwar L.A." Daily Sundial. Northridge, California. Retrieved August 26, 2020.
- ^ Harry Adams: Camera & Community. Northridge: California State University, Northridge. 1997.
- ^ Murray, Vergie (March 27, 1997). "Camera & Community". Los Angeles Sentinel.
- ^ Rivera, Carla (July 7, 2013). "Lens on postwar black L.A.; Photos in Cal State Northridge collection show city in the midst of social, political and cultural change as experienced by people who rarely appeared in the wider media". Los Angeles Times.
- ^ Rivera, Carla (July 6, 2013). "At Cal State Northridge, a photographic window on postwar black L.A." Los Angeles Times. Retrieved July 17, 2020.
External links edit
- Yale University Archive
- Tom and Ethel Bradley Center Archive