How to Make a Monster (1958 film)


How to Make a Monster is a 1958 American horror film drama, produced and written by Herman Cohen, directed by Herbert L. Strock, and starring Gary Conway, Robert H. Harris, Paul Brinegar, Morris Ankrum, Robert Shayne, and John Ashley. The film was released by American International Pictures as a double feature with Teenage Caveman.

How to Make a Monster
Theatrical release poster
by Reynold Brown
Directed byHerbert L. Strock
Written byHerman Cohen
Aben Kandel
Produced byHerman Cohen
James H. Nicholson
StarringRobert H. Harris
Gary Conway
Gary Clarke
Morris Ankrum
CinematographyMaury Gertsman
Music byPaul Dunlap
Distributed byAmerican International Pictures
Release date
  • July 1, 1958 (1958-07-01)
Running time
73 minutes
CountryUnited States
Budget$100,000 (est.)[1]

The film is a follow-up to both I Was a Teenage Werewolf and I Was a Teenage Frankenstein. Like Teenage Frankenstein, a black-and-white film that switches to color in its final moments, How to Make a Monster was filmed in black-and-white and only the last reel is in full color.


Pete Dumond, chief make-up artist for 25 years at American International Studios, will be laid off after the studio is purchased by NBN Associates. The new management from the East, Jeffrey Clayton and John Nixon, plan to make musicals and comedies instead of the horror pictures for which Pete has created his remarkable monster make-ups and made the studio famous. In retaliation, Pete vows to use the very monsters these men have rejected to destroy them. By mixing a numbing ingredient into his foundation cream and persuading the young actors that their careers are through unless they place themselves in his power, he hypnotizes both Larry Drake and Tony Mantell (who are playing the characters the Teenage Werewolf and the Teenage Frankenstein, respectively, in the picture Werewolf Meets Frankenstein, currently shooting on the lot).

Through hypnosis, Pete urges Larry, in Teenage werewolf make-up, to kill Nixon in the studio projection room. Later, he orders the unknowing Tony, in Teenage Frankenstein make-up, to attack Clayton after he arrives home at night in his 1958 Lincoln convertible and Tony Frankenstein proceeds to choke Clayton to death. Next day, studio guard Monahan, a self-styled detective, stops in at the make-up room. He shows Pete and Rivero, Pete's make-up assistant, his little black book in which he has jotted down many facts, such as the late time (9:12PM) Pete and Rivero checked out the night of the murder of Jeffrey Clayton. He explains his ambition, saying he hopes to work his way up to chief of the lot. Apprehensive, Pete makes himself up as a terrifying Prehistoric Man, one of his own creations and kills Monahan in the studio commissary while Monhan makes his rounds of the studio lot.

Richards, the older guard, sees and hears nothing of the struggle, but discovers the missing Monahan's body. Police investigators uncover two clues: a maid, Millie, describes Frankenstein's monster (Tony, in make-up), who struck her down as he fled from Clayton's murder and the police laboratory technician discovers a peculiar ingredient in the make-up left on Clayton's fingers from his death struggle with Tony. The formula matches bits found in Pete's old make-up room. The police head for Pete's house. Pete has taken Rivero, Larry and Tony for a grim farewell party to his home, which is a museum of all the monsters that he has created in his 25 years at the studio. Pete, distrusting Rivero, stabs Rivero to death when they are alone in the kitchen. Learning that Larry and Tony are trying to leave the locked living room, he attacks them both with a knife. Larry awkwardly knocks over a candelabra, setting the monster room on fire, and Pete is burned to death, trying in vain to save the heads of his monster "children" mounted on the wall. The police break through the locked door before the flames reach the boys and they save Larry and Tony. The audience will not understand why two grown men/boys couldn't break through the door themselves or why a black and white film suddenly appears in color for the final few minutes within the creepy house of Pete Dumond.



Many of Pete Dumond's "children" destroyed in the fire were props originally created by Paul Blaisdell for earlier AIP films. They include The She-Creature (1956), It Conquered the World (1956), Invasion of the Saucer Men (1957) and Attack of the Puppet People (1958).[2]

Herman Cohen says he cast John Ashley as a singer at the request of James H. Nicholson, who had put Ashley under long-term contract with the studio. Ashley was having some minor success as a recording artist at the time.[3][4]

AIP did not have a studio, so the film was shot at Ziv Studios. During production there, a sign was put up that called the complex "American International Studios".[5]

Ed Wood's widow Kathy claimed in a 1992 interview that her husband always felt that the idea for How To Make a Monster was stolen from him by AIP producer Sam Arkoff. She said "Eddie condemned Arkoff, he really hated him. Eddie gave them a script for approval, and they changed the characters a little bit around. Eddie had written it for Lugosi. It was about this old horror actor who couldn't get work any more, so he took his vengeance out on the studio. (They changed it to) a make-up man who takes revenge on a studio." Arkoff denied Wood's claim was true, stating Herman Cohen originated the entire project.[6]

Other releasesEdit

Scream Factory's 2020 Blu-ray release features an audio commentary by Tom Weaver.

Svengoolie featured the film on June 12, 2021, again on December 11, 2021, and on June 25, 2022.


  1. ^ Lamont, John (1990). "The John Ashley Filmography". Trash Compactor. Vol. 2, no. 5. p. 26.
  2. ^ Mark McGee, Faster and Furiouser: The Revised and Fattened Fable of American International Pictures, McFarland 1996, p. 94
  3. ^ Tom Weaver, "Interview with Herman Cohen" Archived 2012-03-08 at the Wayback Machine, accessed 17 December 2012
  4. ^ Vagg, Stephen (December 2019). "A Hell of a Life: The Nine Lives of John Ashley". Diabolique Magazine.[permanent dead link]
  5. ^ Gary A. Smith, American International Pictures: The Golden Years, Bear Manor Media 2013, p. 89
  6. ^ Rudolph Grey, Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr. (1992). pg. 62. ISBN 978-0-922915-24-8.

External linksEdit

  • How to Make a Monster at IMDb