Summary
James Frothingham (1786–1864) [1] [2] was an American portrait painter in Massachusetts and New York. He was the father of the painter Sarah C. Frothingham.
James Frothingham | |
|---|---|
 Frothingham depicted in a portrait by Sarah C. Frothingham, his daughter | |
| Born | 1786 |
| Died | January 6, 1864 |
| Nationality | American |
| Education | Gilbert Stuart |
| Known for | Painting |
Life and work edit
Frothingham was born in Charlestown, Massachusetts.[1] He began as a chaise painter in his father's chaise manufactory. In the Boston area, he was a student of Gilbert Stuart.[1] In 1888, The Atlantic Monthly described him as "a portraitist of talent",[2] adding that Stuart is quoted as having said of one of Frothingham's head portraits, "No man in Boston but myself can paint so good a head," and that Frothingham was greatly helped by Stuart's criticisms and encouragement, although initially his Nestor had advised him to adopt another, less precarious means of earning a livelihood.[2]
The Atlantic noted that there is a detailed portrait of Samuel Dexter by Frothingham in the Harvard Memorial Hall, in which Dexter, wearing a white wig and a red cloak atop a black coat, holds a book in his hand, and appears lost in meditation, saying the flesh coloring in the painting is rather dry and parchment-like, but overall, the color is harmonious. Dunlap noted that heads depicted by James Frothingham were painted with great truth, freedom, and excellence.[2]
He painted a number of likenesses in Salem, Massachusetts, including the wealthy merchant Elias Hasket Derby. Frothingham would have been a regional competitor to the younger Chester Harding (1792–1866), but moved to Brooklyn in New York City in 1826.
In 1828, he was elected into the National Academy of Design as an associate member, and became a full academician in 1831.
Frothingham was the subject of a portrait bust by Joanna Quiner.[3] His own portrait of her is held by the Beverly Public Library in Beverly, Massachusetts.[4]
Selection of portraits edit
-
Elias Hasket Derby, 1800-1825 -
William Badger, c. 1805 -
Lucia Pickering, 1820 -
Elizabeth Brooks, 1823 -
Jonathan Brooks, 1823 -
Mrs. Peter Gilman Robbins, c.1818
See also edit
- Francis Alexander, an American painter who moved to Boston
- John Burgum, an ornamental painter and one of Frothingham's co-workers
- John Coles, a portrait and heraldic painter and Frothingham friend who also studied under Gilbert Stuart
Notes edit
- ^ a b c "Chester Harding (1792–1866)" (biography), Worcester Art, webpage: WorcArt-Harding.
- ^ a b c d "Boston Painters and Paintings" (article), The Atlantic Monthly, Volume 62, Issue 370, August 1888, p. 258, LOC webpage: LOC-AMonthly-Boston (notes Samuel Dexter portrait flesh tone; has Dunlap & Gilbert Stuart quote: "No man in Boston but myself can paint so good a head.").
- ^ Charlotte Streifer Rubinstein (1990). American women sculptors: a history of women working in three dimensions. G.K. Hall. ISBN 978-0-8161-8732-4.
- ^ "Joanna Quiner". npg.si.edu. Retrieved 19 May 2017.
References edit
- "Chester Harding (1792–1866)" (biography), Worcester Art, webpage: WorcArt-Harding.
- "Boston Painters and Paintings" (old article), The Atlantic Monthly, Volume 62, Issue 370, August 1888, LOC webpage: LOC-AMonthly-Boston.
- Wilson, J. G.; Fiske, J., eds. (1900). . Appletons' Cyclopædia of American Biography. New York: D. Appleton. Has 1781 as birth year, and Charleston as birthplace.
External links edit
Media related to James Frothingham at Wikimedia Commons
