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James Heffernan (sculptor)

Summary

James Heffernan (1788 – 21 October 1847) was an 18th/19th century Irish-born sculptor, later based in London.

Life edit

 
Bust of Henry Colebrooke by Heffernan whilst in the employ of Chantrey

He was born in Derry in 1788, the son of a marble-cutter and sculptor in the employ of the Frederick Hervey, 4th Earl of Bristol who was Bishop of Derry at that time. When Heffernan's father died in 1799, the Bishop found him a place as an apprentice with an architect, Michael Shanahan of Cork, who had been working on the cathedral, and Heffernan returned to Cork with him. Shanahan had a marble yard in Cork and Heffernan was put to work there making fireplaces and gravestones.[1]

In 1810 he left Ireland and sailed to England where he went to London. There he attended the Royal Academy Schools and trained in fine sculpture under Charles Rossi, then under Francis Chantrey. He exhibited at the Royal Academy from 1816 to 1830 and won the Royal Academy's silver medal for Sculpture in both 1815 and 1817 and went on a study tour to Rome before returning to work for Chantrey (with Chantrey apparently taking credit for much of his work). Only on Chantrey's death in 1841 did Heffernan start to receive full credit for his work. According to some sources, almost all the works attributed to Chantrey in Carrera marble are actually by Heffernan; one observer said: "Heffernan has cut in marble almost every one of Chantrey's busts literally from the first to the last".[2][3]

Heffernan returned to Cork in 1843, but this proved to be a poor choice and he died there, of dysentery, on 21 October 1847 as part of the general decline in Ireland in that year.[4]

Works by Heffernan whilst in the studio of Chantrey (usually solely credited to Chantrey) edit

The sheer volume of work out of Chantrey's workshops make it impossible for all to be from his own hands. Contemporary evidence suggests that Heffernan took most of the work on marble busts from 1820 to 1841. Chantrey would retain "special projects" in which he would take special pride, such as royalty. Under this logic, works attributable to Heffernan would be:[5]

Works outside the scope of Chantrey edit

References edit

  1. ^ Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.195/6
  2. ^ Gentleman's Magazine 1842 part 1 p.163
  3. ^ Builder (magazine) 1863 p.112
  4. ^ Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.196
  5. ^ A Dictionary of Irish Artists (1913) by Walter Strickland

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