Jean-Marie Teno (born 14 May 1954)[1] is a Cameroonian film director and filmmaker,[2] "one of Africa's most prolific filmmakers".[3] His films address censorship, human rights violations, globalization, and the effects of colonialism.[4] Teno has made films in many different forms but favors making documentaries. In an interview when asked about his favor style of film to make he responded, "documentary because when you do fiction, people think it's not true. When it's the documentary, they are embarrassed, embarrassed".[5]
Jean-Marie Teno | |
---|---|
Born | 14 May 1954 Famleng, Bandjoun. |
Nationality | Cameroonian |
Citizenship | Cameroonian |
Alma mater | University of Valenciennes |
Occupation(s) | Film director and filmmaker. |
Notable work | Yellow Fever taximan (short film) |
Teno was born in 1954 in Famleng in Bandjoun.[2] He studied audiovisual communication at the University of Valenciennes and worked as a film critic for Bwana Magazine and as editor-in-chief at France 3. In 1983, he directed his first short documentary Schubbah after receiving encouragement from Souleymane Cissé, a famous African director.[6] In 1992 he made his documentary Africa, I will pluck you on the effects of colonialism and neocolonialism in Cameroon. In 1996, he made Clando, which won the Audience Award at the 6th African Film Festival in Milan, Italy.[7][8][9][10]
Jean-Marie Teno is also a producer of his own films with Les Films du Raphia. In 2007-2008, he was a Visiting Artist at Copeland Fellow at Amherst College, and in 2009-2010 he was Visiting Professor at Hampshire College, Massachusetts.[3]
He lives between France, Cameroon and the United States.
Despite receiving high praise from the internationally community, Teno's films were banned from being aired in Cameroon. Teno was reportedly told in a meeting with the Director of Television of Cameroon that his films would never be broadcast.[11] Teno received much appreciation throughout his career for telling African history from an African perspective. In part due the success of directors like Teno, more universities began offering African film studies classes and looking at alternative perspectives of history.[12]
Clando
Head in the clouds
Africa, I'll pluck you ...
Water of misery
Yellow fever taximan