The unscrupulous Jimmy Corrigan runs an agency that searches for heirs of those who have died without leaving a will, and often provides phony claimants in order to collect his fee. When his former girlfriend Joan Martin, who left him because of his lack of ethics, accepts a position at the allegedly legitimate firm owned by Charles Wallingham, Corrigan investigates Wallingham's background and discovers his rival is even more crooked than he is. He exposes Wallingham as a phony and promises Joan to go straight if she will come back to him.

Prior to its release, the film's working titles were Blondes and Bonds and The Heir Chaser.^[1]

Both Cagney and Davis considered Jimmy the Gent to be a throwaway studio assembly-line quickie film, and neither was happy about the assignment.^[2] Cagney had the sides of his head shaved for the film, without the knowledge of either director Michael Curtiz or studio unit head Hal B. Wallis. Curtiz was stunned when he saw the haircut, and Wallis took it personally. Davis did not appreciate it either, and refused to have publicity pictures taken with Cagney.^[2]

Jimmy the Gent did well at the box office,^[2] and the critical response was positive as well. In his review in The New York Times, Mordaunt Hall described the film as "a brisk, slangy piece of work in which Mr. Cagney is as much of a pepper-pot as ever ... [he] tackles the barbed argot of his lines with speed and force ... Bette Davis is attractive and capable as Joan."^[3] Variety said, "Jimmy the Gent ... [is] expert, thorough-going, typically Cagney ... and good for plenty of laughs."^[4]

• Jimmy the Gent at the American Film Institute Catalog
• Jimmy the Gent at the TCM Movie Database
• Jimmy the Gent at IMDb  
• Synopsis at AllMovie
• Still at gettyimages.com