BREAKING NEWS
Cloud Server Hosting For Online Businesses
Inexpensive SEO Services
Benefits of Wanting to play Free Online Slot machines
Keechaka Vadham

Summary

Keechaka Vadham (transl. The Extermination of Keechaka)[5] is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

Keechaka Vadham
Directed byR. Nataraja Mudaliar
Written byC. Rangavadivelu
Produced byR. Nataraja Mudaliar
Starring
  • Raju Mudaliar
  • Jeevarathnam
CinematographyR. Nataraja Mudaliar
Edited byR. Nataraja Mudaliar
Production
company
India Film Company
Release date
1917–1918[a]
CountryIndia
LanguageSilent
Budget₹35,000[3]
Box office₹50,000[4]

The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters.

Released in the late 1910s, Keechaka Vadham was commercially successful and received positive critical feedback. The film's success prompted Nataraja Mudaliar to make a series of similar films based on Hindu mythology, which laid the foundation for the South Indian cinema industry and led to him being recognised as "the father of Tamil cinema." Nataraja Mudaliar's works were an inspiration to other filmmakers including Raghupathi Surya Prakasa and J. C. Daniel.

Plot edit

Keechaka, the commander of King Virata's forces, attempts to woo and marry Draupadi by any means necessary; he even tries to molest Draupadi, prompting her to tell Bhima, her husband and one of the Pandava brothers, about it. Later, when Keechaka meets Draupadi, she requests him to meet her at a secret hiding place. He arrives there, only to find Bhima instead of Draupadi; Bhima kills him.[6]

Cast edit

Production edit

Development edit

 
Painting of Keechaka and Draupadi by Raja Ravi Varma

R. Nataraja Mudaliar, a car dealer who was based in Madras,[b] developed an interest in motion pictures after watching Dadasaheb Phalke's 1913 mythological film, Raja Harishchandra at the Gaiety theatre in Madras.[8] The former then learned the basics of photography and filmmaking from Stewart Smith, a Poona-based British cinematographer who had worked on a documentary that chronicled the viceroyship of Lord Curzon (1899–1905).[9] Nataraja Mudaliar bought a Williamson 35 mm camera and printer from Mooppanar, a wealthy landowner based in Thanjavur, for ₹1,800.[10][c] In 1915, he established the India Film Company, which was South India's first production company. He then set up a film studio on Miller's Road in Purasawalkam with the help of business associates who invested in his production house.[12][d]

Nataraja Mudaliar sought advice from his friend, theatrical artist Pammal Sambandha Mudaliar, who suggested that he depict the story of Draupadi and Keechaka from the Virata Parva segment of the Hindu epic Mahabharata.[3] Some of Nataraja Mudaliar's relatives objected, feeling that it was an inappropriate story for his debut venture, but Sambandha Mudaliar persuaded him to proceed with making the film as audiences were familiar with the story.[14] Attorney C. Rangavadivelu, a close friend of Nataraja Mudaliar, assisted him in writing the screenplay as the latter was not a writer by profession.[15] The paintings of Raja Ravi Varma provided Nataraja Mudaliar with a source of inspiration for recreating the story on celluloid.[16] Nataraja Mudaliar cast stage actors Raju Mudaliar and Jeevarathnam as Keechaka and Draupadi, respectively.[15]

Filming edit

Keechaka Vadham was filmed on a budget of ₹35,000 (worth ₹6 crore in 2021 prices). Principal photography began in 1916–1917, and the film was shot over 35–37 days.[e] Nataraja Mudaliar imported the film stock from London with the help of an Englishman named Carpenter, who worked for the Bombay division of the photographic technology company, Kodak.[19] Film historian Randor Guy noted in his 1997 book Starlight Starbright: The Early Tamil Cinema that a thin white piece of cloth was used as a ceiling for filming and sunlight was filtered through it onto the floor.[20] Rangavadivelu was also experienced in playing female roles on stage for the Suguna Vilasa Sabha, and coached the artists on set.[21] The film's production, cinematography and editing were handled by Nataraja Mudaliar himself.[22]

The film was shot with a speed of 16 frames per second, which was the standard rate for a silent film, at the India Film Company, with intertitles in English, Tamil and Hindi. The Tamil and Hindi intertitles were written by Sambandha Mudaliar and Devdas Gandhi respectively, while Nataraja Mudaliar wrote the English intertitles himself with the assistance of Guruswami Mudaliar and Thiruvengada Mudaliar, a professor from Pachaiyappa's College.[23]

Keechaka Vadham was the first film made in South India; as the cast was Tamil, it is also the first Tamil film.[24] According to Guy, Nataraja Mudaliar established a laboratory in Bangalore to process the film negatives since there was no film laboratory in Madras. Nataraja Mudaliar believed that Bangalore's colder climate "would be kind to his exposed film stock"; he processed the film negatives there each weekend and returned on Monday morning to resume filming.[25] The film's final reel length was 6,000 ft (1,800 m).[26]

Release, reception and legacy edit

According to Muthiah, Keechaka Vadham was first released at the Elphinstone Theatre in Madras;[4] the film netted ₹50,000 after being screened in India, Burma, Ceylon, the Federated Malay States and Singapore. The film yielded ₹15,000 which Muthiah noted to be a "tidy profit in those days."[4] Writer Firoze Rangoonwalla notes that a reviewer for The Mail praised the film: "It has been prepared with great care and is drawing full houses".[27] Guy pointed out that with the film's critical and commercial success, Nataraja Mudaliar had "created history".[28] Since no print is known to have survived, it appears to be a lost film.[29]

Keechaka Vadham's success inspired Nataraja Mudaliar to make a series of films based on Hindu mythology: Draupadi Vastrapaharanam (1918), Lava Kusa (1919), Shiva Leela (1919), Rukmini Satyabhama (1922) and Mahi Ravana (1923).[30] He retired from filmmaking in 1923 after a fire killed his son and destroyed his production house.[31] Nataraja Mudaliar is widely regarded as "the father of Tamil cinema," and his films helped lay the foundation for the South Indian cinema industry; his works inspired Raghupathi Surya Prakasa, the son of Raghupathi Venkaiah Naidu, and J. C. Daniel.[32]

See also edit

Notes edit

  1. ^ While film historians Suresh Chabria and Film News Anandan said the film was released in 1917,[1] film historians Randor Guy, S. Muthiah and history professor Knut A. Jacobsen asserted the film was released in 1918.[2]
  2. ^ The city was renamed Chennai in 1996.[7]
  3. ^ The average exchange rate in 1917 was 13 Indian rupees (₹) per 1 US dollar (US$).[11]
  4. ^ According to Baskaran and Tamil feminist writer C. S. Lakshmi, the place where Nataraja Mudaliar founded the India Film Company was previously known as Tower House.[13]
  5. ^ While historian S. Muthiah wrote that principal photography began in 1917 and took five weeks (35 days) to complete, Pradeep Madhavan of Hindu Tamil Thisai estimated that Keechaka Vadham was shot over the course of 37 days.[17] Nataraja Mudaliar said he began shooting the film c. the end of 1916.[18]

References edit

  1. ^ Film News Anandan 1998; Chabria 2005, pp. 451–452.
  2. ^ Guy 2002; Muthiah 2009; Jacobsen 2015, p. 337.
  3. ^ a b Guy 2002; Muthiah 2009.
  4. ^ a b c Muthiah 2009.
  5. ^ Baskaran 2013, p. 14.
  6. ^ Buck 2000, pp. 215–222; Muthiah 2009.
  7. ^ Venkatesan 2014.
  8. ^ Guy 2000; Balakrishnan 2015.
  9. ^ Guy 1997, pp. 21–22; Guy 2002; Chabria 2005, pp. 451–452.
  10. ^ Guy 1997, p. 22; Guy 2002.
  11. ^ Roy 2015.
  12. ^ Guy 2002; Pinto & Srivastava 2008, pp. 42–43; Rajadhyaksha & Willemen 2014, p. 152.
  13. ^ Lakshmi 2004, p. 80; Baskaran 2013, p. 141.
  14. ^ Guy 1997, p. 22; Guy 2002; Pattanaik 2010, pp. 203–206; Baskaran 2013, p. 14.
  15. ^ a b Guy 2002.
  16. ^ Guy 1997, p. 23.
  17. ^ Muthiah 2009; Madhavan 2014.
  18. ^ Mail 1936.
  19. ^ Balakrishnan 2015.
  20. ^ Guy 1997, p. 22.
  21. ^ Guy 2002; Baskaran 2013, p. 141.
  22. ^ Film News Anandan 1998; Guy 2000.
  23. ^ Guy 1997, p. 23; Guy 2013.
  24. ^ Muthiah 2009; Thakur 2010.
  25. ^ Guy 2007, p. 6; Baskaran 2013, p. 141.
  26. ^ Guy 2000; Muthiah 2009; Baskaran 2016.
  27. ^ Rangoonwalla 2003, p. 31.
  28. ^ Guy 2000.
  29. ^ Thakur 2010; Suganth 2012.
  30. ^ Guy 2000; Guy 2007, p. 6.
  31. ^ Guy 2000; Baskaran 2013, p. 141.
  32. ^ Thoraval 2000, p. 16; Guy 2002; Velayutham 2008, pp. 2–3; Baskaran 2011; Vats 2013; Subramanian 2013.

Bibliography edit

Books edit

  • Baskaran, S. Theodore (15 December 2013) [1996]. The Eye of the Serpent: An Introduction To Tamil Cinema. Chennai: Westland Books. ISBN 978-93-83260-74-4.
  • Buck, William (2000). Mahabharata. Delhi: Motilal Banarsidass Publications. ISBN 978-81-2081-719-7.
  • Chabria, Suresh (2005). "Mudaliar, R. Nataraja". In Abel, Richard (ed.). Encyclopaedia of Hindi Cinema. Abingdon-on-Thames: Taylor & Francis. ISBN 978-0-415-23440-5.
  • Guy, Randor (1997). Starlight, Starbright: The Early Tamil Cinema. Chennai: Amra Publishers. OCLC 52794531.
  • Jacobsen, Knut A. (11 August 2015). Routledge Handbook of Contemporary India. Abingdon-on-Thames: Routledge. ISBN 978-1-317-40358-6.
  • Lakshmi, C. S. (2004). The Unhurried City: Writings on Chennai. London: Penguin Books. ISBN 978-0-14-303026-3.
  • Pattanaik, Devdutt (2010). Jaya: An Illustrated Retelling of the Mahabharata. London: Penguin Books. ISBN 978-0-14-310425-4.
  • Pinto, Jerry; Srivastava, Rahul (2008). Talk of the Town. London: Penguin Books. ISBN 978-0-14-333013-4.
  • Rajadhyaksha, Ashish; Willemen, Paul (2014) [1999]. Encyclopedia of Indian Cinema. Abingdon-on-Thames: Routledge. ISBN 978-1-135-94318-9.
  • Rangoonwalla, Firoze (2003). "1896–1930: The Early Days". In Gulzar; Nihalani, Govind; Chatterjee, Saibal (eds.). Encyclopaedia of Hindi Cinema. Mumbai: Encyclopædia Britannica, Popular Prakashan. ISBN 978-81-7991-066-5.
  • Thoraval, Yves (2000). The cinemas of India. London: Macmillan Publishers. ISBN 978-0-333-93410-4.
  • Velayutham, Selvaraj (2008). Tamil Cinema: The Cultural Politics of India's other Film Industry. Abingdon-on-Thames: Taylor & Francis. ISBN 978-0-203-93037-3.

Newspapers edit

  • Baskaran, S. Theodore (September 2011). "How old is Tamil Cinema?". Madras Musings. Vol. XXI, no. 10. Archived from the original on 28 October 2015. Retrieved 28 October 2015.
  • Baskaran, S. Theodore (30 January 2016). "From the shadows into the limelight". The Hindu. Archived from the original on 3 April 2017. Retrieved 6 April 2017.
  • Guy, Randor (10 July 2000). "The stamp of honour". The Hindu. Archived from the original on 18 September 2015. Retrieved 30 June 2011.
  • Guy, Randor (9 May 2002). "Remembering a pioneer". The Hindu. Archived from the original on 18 September 2015. Retrieved 29 June 2011.
  • Guy, Randor (December 2007). "A Miller's Road Film Pioneer" (PDF). Madras Musings. Vol. XVII, no. 16. p. 6. Archived (PDF) from the original on 28 October 2015. Retrieved 28 October 2015.
  • Guy, Randor (5 October 2013). "The forgotten heroes". The Hindu. Archived from the original on 18 September 2015. Retrieved 6 October 2013.
  • Madhavan, Pradeep (22 August 2014). "சென்னையும் சினிமாவும்: குதிரைகள் தயவால் உருவான கோடம்பாக்கம்!" [Chennai and cinema: Kodambakkam, a place that evolved with the help of horses!]. Hindu Tamil Thisai (in Tamil). Archived from the original on 16 April 2021. Retrieved 16 April 2021.
  • "He Founded the Motion Picture Industry in South India". The Madras Mail. 24 December 1936.
  • Muthiah, S. (7 September 2009). "The pioneer 'Tamil' film-maker". The Hindu. Archived from the original on 18 September 2015. Retrieved 29 June 2011.
  • Roy, Anjan (4 June 2013). "The mystery of India's purchasing power parity". The Shillong Times. Archived from the original on 5 January 2017. Retrieved 29 October 2015.
  • Subramanian, Anupama (29 May 2013). "Classics must be preserved, says B. Mahendra". Deccan Chronicle. Archived from the original on 28 October 2015. Retrieved 5 June 2013.
  • Suganth, M. (2 March 2012). "Black and white films in Kollywood". The Times of India. Archived from the original on 1 March 2018. Retrieved 25 November 2012.
  • Thakur, Atul (1 May 2010). "Gone Forever". The Times of India. Archived from the original on 21 January 2018. Retrieved 29 June 2011.
  • Venkatesan, Deepa (22 August 2014). "Madras Day: Tracing a city's transformation as Chennai turns 375". Daily News and Analysis. Archived from the original on 5 January 2017. Retrieved 28 October 2015.

Websites edit

  • Balakrishnan, V. (12 August 2015). "தமிழ் சினிமா முன்னோடிகள் (4) : ஆர். நடராஜ முதலியார்" [Pioneers of Tamil Cinema (4) : R. Nataraja Mudaliar]. Ananda Vikatan. Archived from the original on 9 March 2018. Retrieved 9 March 2018.
  • Film News Anandan (26 February 1998). "Tamil Cinema History – The Early Days". Indolink. Archived from the original on 28 October 2015. Retrieved 28 October 2015.{{cite web}}: CS1 maint: unfit URL (link)
  • Vats, Rohit (1 March 2013). "100 Years of Indian Cinema: The founding fathers". News18. Archived from the original on 5 January 2017. Retrieved 24 April 2016.

External links edit

  • Keechaka Vadham at IMDb  

By using this platform, you agree to the Terms of Use ©2020 Knowpia