Summary
Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV).
| Le roi de Lahore | |
|---|---|
| Opera by Jules Massenet | |
 Design by Philippe Chaperon for Act V | |
| Librettist | Louis Gallet |
| Language | French |
| Premiere | 27 April 1877 Palais Garnier, Paris |
Le roi de Lahore is the third of Massenet's operas produced in Paris and was his first major success there, spawning performances across Europe and leading to his place as one of the most popular composers of his time.
Performance history edit
Within a year of the premiere the opera was performed in several Italian cities including Turin, Rome, Bologna, and Venice. The Royal Opera House, Covent Garden, presented it in London in 1879.[1] The US premiere took place in 1883 at the French Opera House in New Orleans and it was seen in Marseille in April 1905 and Monte Carlo in February 1906.[2] The opera was mounted at the Verona Arena in 1923,[3] but by the time of the Metropolitan Opera New York premiere the following year, with Giacomo Lauri-Volpi in the title role and Delia Reinhardt as Sita, Le roi de Lahore in particular, and Massenet's style of romantic opera in general, had faded in fashion so that it after six performances that year it has never been revived there.[4]
More recent performances include a centenary revival by the Vancouver Opera in September 1977 starring Joan Sutherland and conducted by Richard Bonynge; it was then seen with Sutherland in Seattle.[5] The score was recorded in London the following year by Sutherland and Bonynge.[6] There was a revival at the Massenet Festival in Saint-Étienne in November 1999 in a production by Jean-Louis Pichon, which was also seen in Bordeaux that month.[7]
Le roi de Lahore was mounted at the Teatro La Fenice in Venice in 2005 under the baton of Marcello Viotti, a performance of which was released on CD and DVD. The Chelsea Opera Group presented it in concert at the Queen Elizabeth Hall in 2015 with Michael Spyres in the title role.[8] Dorset Opera Festival staged it in 2023.[9]
Roles edit
| Role | Voice type | Premiere Cast, 27 April 1877 (Conductor: Édouard Deldevez) |
|---|---|---|
| Sitâ,[10] priestess of Indra | soprano | Josephine de Reszke |
| Kaled, the king's servant | mezzo-soprano | Jeanne Fouquet |
| Alim, King of Lahore | tenor | Marius Salomon |
| Scindia, Minister to Alim | baritone | Jean Lassalle |
| Timour, high priest of Indra | bass | Auguste Boudouresque |
| Indra, an Indian deity | bass | Georges-François Menu |
| A chief | baritone | Numa Auguez |
| Soldiers, People, Priests, Priestesses, Celestial Beings; (Ballet) Apsaras, Nymphs. | ||
Synopsis edit
- Time: 11th century.
Act 1 edit
- Place: The temple of Indra, Lahore
The citizens of Lahore gather at the temple to pray for divine protection against the Moslem invaders, and receive encouragement from Timour, the high priest. Scindia, minister of King Alim is in love with Sita, his niece, who is also a priestess at the temple. Scindia asks Timour to release Sita from her vows, and points out that she has been meeting a young man. In Indra's sanctuary, Scindia gets Sita to admit her interest in this young stranger, but she refuses to name him; Scindia accuses her of sacrilege, and the priests demand that she sing the evening prayer to lure the young man. A secret door opens and a young man appears: it is King Alim who confesses his love and asks for Sita's hand in marriage. Timour demands that the king expiate his actions by leading his army against the Muslims. Scindia schemes to arrange an ambush and kill the king.
Act 2 edit
- Place: The desert of Thôl
At the king's encampment, where Sita has followed and pitched camp near the king as she awaits his return from the fighting, resolved to declare her love for him. The soldiers have been routed. Scindia gets them to join with him to usurp the throne. Alim enters, wounded, and realizes that Scindia must have betrayed him, he dies in Sita's arms. Scindia returns and triumphs over Alim's body; he declares himself the king and leaves for Lahore with Sita prisoner.
Act 3 edit
- Place: The Paradise of Indra, Mount Meru
There are songs and dances by the apsaras. Alim's soul arrives but he admits to Indra that he misses the presence of Sita. Indra takes pity and agrees to restore Alim to life – as the humblest of beings – for as long as Sita lives, after which they will both die together; Alim happily agrees.
Act 4 edit
- Place: a palace room in Lahore
Sita laments her fate and begs Indra to re-unite her with Alim. Fanfares announce the approach of Scindia, and she renounces the crown, praying for death.
- Place: the palace square
Alim awakens back in Lahore at the entrance to the royal palace where the crowd is gathering for Scindia's coronation. Scindia enters, on his way to persuade Sita to marry him, but a vengeful vision blocks his path. Alim appears to the onlookers like a poor madman, and is ordered to be seized, but Timour says that he must be a visionary inspired by god. As Sita's palanquin enters, Scindia welcomes her as his queen.
Act 5 edit
- Place: The sanctuary of Indra
Sita has sought refuge in Indra's sanctuary having fled forced marriage with Scindia. Alim is admitted to the sanctuary by Timour and the lovers meet again. Scindia arrives and threatens them both; Sita stabs herself and at once Alim again becomes a spirit, thus foiling the designs of Scindia. The temple walls change into a vision of paradise and Sita and Alim are united in celestial happiness, while Scindia falls to the ground in terror.
Recordings edit
| Year | Cast (Sitâ, Alim, Scindia) |
Conductor, Opera House and Orchestra |
Label |
|---|---|---|---|
| 1979 | Joan Sutherland, Luis Lima, Sherrill Milnes |
Richard Bonynge, National Philharmonic Orchestra and London Voices |
Audio CD: 433 851-2 Decca, DDD, total timing 146 min. |
| 2004 | Ana Maria Sanchez, Giuseppe Gipali, Vladimir Stoyanov |
Marcello Viotti, Teatro La Fenice orchestra and chorus |
Audio CD: Dynamic |
References edit
- Notes
- ^ Casaglia, Gherardo (2005). "Le roi de Lahore". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ Le Roi de Lahore page on the Art-Lyrique website accessed 22 July 2023.
- ^ 50 Years Ago. Opera July 1973, Vol.24 No.7 p640.
- ^ Record of the Met premiere of Le roi de Lahore (with Review)
- ^ Seattle Opera online archive accessed 22 July 2023.
- ^ Philip Stuart. Decca Classical, 1929-2009 (Discography), record 2786.
- ^ Milnes, Rodney. Report from Bordeaux. Opera March 2000, Vol.51 No.3 p345-346.
- ^ Hall, George. Le Roi de Lahore review. Opera, May 2015, Vol.66 No.5, p637-638.
- ^ "A little bit of theatrical magic: style, imagination and engaging performances in Dorset Opera's rare revival of Massenet's Le roi de Lahore". planethugill.com. 29 July 2023.
- ^ In some old productions her name was Nair
- Sources
- Upton, George P.; Borowski, Felix (1928). The Standard Opera Guide. New York: Blue Ribbon Books. pp. 175–6.
External links edit
- Le roi de Lahore: Scores at the International Music Score Library Project
- Le roi de Lahore: Visual documentation of the premiere on Gallica
- Le roi de Lahore at Bob's Universe