List of compositions by Franz Schubert (1814)

Summary

Franz Schubert's compositions of 1814 are mostly in the Deutsch catalogue (D) range D 92–126,[1] and include:

Table edit

Legend edit

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
  • Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884)
  • Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886)
  • Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889)
  • Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890)
  • Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892)
  • Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886)
  • Series IX: Pianoforte zu vier Händen (Anton Door, 1888)
  • Series X: Sonaten für Pianoforte (Julius Epstein, 1888)
  • Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888)
  • Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889)
  • Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887)
  • Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888)
  • Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893)
  • Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891)
  • Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892)
  • Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891)
  • Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892)
  • Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895)
  • Series XXI: Supplement (Eusebius Mandyczewski, 1897)
    1. Instrumentalmusik No. 1-5
    2. Instrumentalmusik No. 6-13
    3. Instrumentalmusik No. 14-
    4. Gesangsmusik
  • Series XXII: Revisionsbericht
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List edit

Compositions by Franz Schubert listed in the Deutsch catalogue for 1814
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
93 93 (1894) XX, 1
Nos.
13–15
IV, 7
Anh. No. 1
Don Gayseros 1. Don Gayseros,... wunderlicher, schöner Ritter – 2. Nächtens klang die süße Laute – 3. An dem jungen Morgenhimmel 1815? Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete
94 94 (1871) V No. 7 VI, 3 No. 2 String Quartet No. 7 D major 1811 or
1812?
Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto
94A II, 1
V, 6 No. 6
Orchestral piece, D 94A B major c. 1814 Fragment; For 1st version of D 84, Act III?
94B VI, 9 Five Minuets and Six German Dances, D 94B 1814 For string quartet and two horns; Lost
95 95 (1848) XX, 1
No. 25
IV, 7
No. 1
Adelaide Einsam wandelt dein Freund 1814 Text by Matthisson
97 97 (1894) XX, 1
No. 19
IV, 7
No. 2
Trost: An Elisa Lehnst du deine bleichgehärmte Wange 1814 Text by Matthisson
98 98 (1894)
(1968)
XX, 1
No. 24
IV, 7 No. 3
Anh. No. 2
Erinnerungen, D 98 Am Seegestad, in lauen Vollmondsnächten fall 1814 Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA
99 99 (1894) XX, 1
No. 16
IV, 7 No. 4 Andenken, D 99 Ich denke dein wenn durch den Hain April 1814 Text by Matthisson (other setting: D 423)
100 100 (1894) XX, 1
No. 17
IV, 7 No. 5 Geisternähe Der Dämm’rung Schein durchblinkt den Hain April 1814 Text by Matthisson
101 101 (1894) XX, 1
No. 18
IV, 7 No. 6 Erinnerung, D 101, a.k.a. Todtenopfer Kein Rosenschimmer leuchtet April 1814 Text by Matthisson
102 102 (1840) XX, 1
No. 20
IV, 7 No. 7 Die Betende Laura betet! fall 1814 Text by Matthisson; Partly reused in D 918
103 103 (1939) VI, 4
Anh. No. 3
Quartettsatz, D 103 C minor 23/4/1814 Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed.
104 104 (1895) XX, 10
No. 584
IV, 7 No. 8 &
Anh. No. 3
Die Befreier Europas in Paris Sie sind in Paris! 16/5/1814 Text by Mikan; Two drafts and a final version
105
185
105 (1856) XIII, 1
No. 1
I, 1a Mass No. 1 F major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
17/5/1814–
22/7/1814
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484
106 106 (1888) XIV No. 9 I, 8 Salve Regina, D 106 B major
Salve Regina
28/6/1814–
1/7/1814
Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra
107 107 (1894)
(1968)
XX, 1
No. 21
IV, 7 No. 9 Lied aus der Ferne Wenn in des Abends letztem Scheine July 1814 Text by Matthisson; Two versions: 1st in AGA
108 108 (1894) XX, 1
No. 22
IV, 7 No. 10 Der Abend, D 108 Purpur malt die Tannenhügel July 1814 Text by Matthisson
109 109 (1894) XX, 1
No. 23
IV, 7 No. 11 Lied der Liebe Durch Fichten am Hügel July 1814 Text by Matthisson
110 110 (1891) XVI
No. 43
III, 1 Wer ist groß? Wer ist wohl groß? 24/7/1814–
25/7/1814
For bTTBB and orchestra
111 77





See D 77
111A VI, 6
Anh. No. 1
String Trio, D 111A B major 5/9/1814–
13/9/1814
Allegro (fragment); early version of D 112
112 112 168p
(1863)
V No. 8 VI, 4
No. 10
String Quartet No. 8 B major 5/9/1814–
13/9/1814
Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A
113 113 58,2
(1821)
(1826)
(1894)
XX, 1
No. 26
IV, 3 An Emma Weit in nebelgrauer Ferne 17/9/1814 Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2
114 114 (1868)
(1901)
XX, 1
No. 27
IV, 7 No. 12 &
Anh. No. 4
Romanze, D 114 Ein Fräulein klagt' im finstern Turm September
1814
Text by Matthisson; Two versions: 2nd in AGA
115 115 (1840) XX, 1
No. 28
IV, 7 No. 13 An Laura, als sie Klopstocks Auferstehungslied sang Herzen, die gen Himmel sich erheben 2/10/1814–
7/10/1814
Text by Matthisson
116 116 (1840) XX, 1
No. 29
IV, 7 No. 14 Der Geistertanz, D 116 Die bretterne Kammer der Toten erbebt 14/10/1814 Text by Matthisson (other settings: D 15, 15A and 494)
117 117 (1894) XX, 1
No. 30
IV, 8
No. 45
Das Mädchen aus der Fremde, D 117 In einem Tal bei armen Hirten 16/10/1814 Text by Schiller (other setting: D 252)
118 118 2
(1821)
XX, 1
No. 31
IV, 1a Gretchen am Spinnrade Meine Ruh' ist hin 19/10/1814 Text by Goethe, from Faust I, 15
119 119 (1850) XX, 1
No. 32
IV, 7 No. 15 Nachtgesang, D 119 O! gib vom weichen Pfühle 30/11/1814 Text by Goethe
120 120 (1835) XX, 1
No. 33
IV, 7 No. 16 Trost in Tränen Wie kommt's, daß du so traurig bist 30/11/1814 Text by Goethe
121 121 3,1
(1821)
(1894)
XX, 1
No. 34
IV, 1a &
b No. 2
Schäfers Klagelied Da droben auf jenem Berge 30/11/1814–
28/2/1819?
Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819?
122 122 (1872) XX, 1
No. 38
IV, 7 No. 17 Ammenlied Am hohen, hohen Turm early Dec.
1814
Text by Lubi [scores]
123 123 (1842) XX, 1
No. 35
IV, 7 No. 18 Sehnsucht, D 123 Was zieht mir das Herz so? 3/12/1814 Text by Goethe
124 124 (1885)
(1894)
(1968)
XX, 1
No. 36
IV, 7 No. 19 &
Anh. No. 7
Am See, D 124 Sitz' ich im Gras am glatten See 3/12/1814–
7/12/1814
Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA
125 125 (1884) I, 1
No. 2
V, 1 No. 2 Symphony No. 2 B major 10/12/1814–
24/3/1815
Largo, Allegro vivace – Andante – Minuet – Presto vivace
126 126 (1832)
(1873)
XX, 1
No. 37
IV, 7 No. 20 &
Anh. No. 8
Scene from Faust Wie anders, Gretchen, war dir's early Dec.–
12/12/1814
Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA

References edit

Sources edit

Multi-volume editions, websites and catalogues

  • Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). Johannes Brahms; Ignaz Brüll; Anton Door; Julius Epstein; Johann Nepomuk Fuchs; Josef Gänsbacher; Joseph Hellmesberger Sr.; Eusebius Mandyczewski (eds.). Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
  • Deutsch catalogue (D) = Schubert Thematic Catalogue:
  • Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
  • Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV6 (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
  • Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
    • NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. [over 80 volumes in eight series] Individual volumes:
    • NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
  • Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
  • The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.

Other

  • Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
    • Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
    • Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
    • Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
    • Marius Flothuis "Schubert Revises Schubert" pp. 61–84
    • Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
    • Peter Branscombe "Schubert and the Melodrama" pp. 105–142
    • Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
    • Peter Gülke on String Quintet D 956 pp. 173–186
    • Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
    • Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
    • Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
    • Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
    • Arnold Feil "Rhythm in Schubert" pp. 327–346
    • Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
  • Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
  • Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
  • Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
  • Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
  • Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
  • Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
  • Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
  • Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
  • Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 2830. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.