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List of compositions by Franz Schubert (1819)

Summary

Franz Schubert's compositions of 1819 are mostly in the Deutsch catalogue (D) range D 633–678,[1] and include:

Table edit

Legend edit

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl 		Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
  • Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884)
  • Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886)
  • Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889)
  • Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890)
  • Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892)
  • Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886)
  • Series IX: Pianoforte zu vier Händen (Anton Door, 1888)
  • Series X: Sonaten für Pianoforte (Julius Epstein, 1888)
  • Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888)
  • Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889)
  • Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887)
  • Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888)
  • Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893)
  • Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891)
  • Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892)
  • Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891)
  • Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892)
  • Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895)
  • Series XXI: Supplement (Eusebius Mandyczewski, 1897)
    1. Instrumentalmusik No. 1-5
    2. Instrumentalmusik No. 6-13
    3. Instrumentalmusik No. 14-
    4. Gesangsmusik
  • Series XXII: Revisionsbericht
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List edit

Compositions by Franz Schubert listed in the Deutsch catalogue for 1819
D
'51 		D
utd 		Op.
pbl 		AGA NSA Name Key / incipit Date Additional info
633 633 57,1
(1826) 		XX, 3
No. 179 		IV, 3 Der Schmetterling Wie soll ich nicht tanzen 1819–1823? Text by Schlegel, F., from Abendröte I, 7
634 634 57,2
(1826) 		XX, 3
No. 180 		IV, 3 Die Berge Sieht uns der Blick gehoben 1819–1823? Text by Schlegel, F., from Abendröte I, 1
635 635 (1900)
(1906–
1907) 		III, 4
No. 44 		Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen Leise, leise laßt uns singen, schlummre sanft (later also: Leise, leise laßt uns singen, still schon sieht der Mond) c. 1819 For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß
636 636 39
(1826)
(1895)
(1975) 		XX, 6
No. 357 		IV, 2a &
b No. 9 		Sehnsucht, D 636 Ach, aus dieses Tales Gründen early
1821? 		Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39
637 637 87,2
(1827) 		XX, 6
No. 358 		IV, 4 (Die) Hoffnung, D 637 Es reden und träumen die Menschen viel c. 1819? Text by Schiller (other setting: D 251)
638 638 87,3
(1827)
(1895) 		XX, 6
No. 359 		IV, 4 Der Jüngling am Bache, D 638 An der Quelle saß der Knabe April 1819 Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3
639
949 		639 (1820)
(1832) 		XX, 9
No. 553 		IV, 5 Widerschein Fischer harrt am Brückenbogen; Tom Lehnt harrend auf der Brücke 1820;
May/Sept.
1828 		Text by Schlechta [de]; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was D 949
641 598
See D 598
642 642 (1937) III, 2a
No. 1 		Viel tausend Sterne prangen Viel tausend Sterne prangen 1812? Text by Eberhard; For satb and piano
643 643 (1889) XII
No. 21 		VII/2, 6 German Dance and Écossaise C♯ minor (German dance)
D♭ major (Écossaise) 		1819 For piano
643A (1972) III, 2a
No. 11 		Das Grab, D 643A Das Grab ist tief und stille 1819 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 569); For satb
644 644 (1855)
(1887)
(1891)
(1975) 		XV, 4
No. 7 		II, 4 Die Zauberharfe (Incidental music)
Was belebt die schöne Welt? (Romanze from No. 9) – Durch der Töne Zaubermacht (final choir) 		Apr.–Aug.
1820[8] 		Text by Georg von Hofmann; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No.9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13
645 645 IV, 12 Abend, D 645 Wie ist es denn, daß trüb und schwer early 1819 Text by Tieck; Fragment of a sketch
646 646 (1885) XX, 6
No. 350 		IV, 12 Die Gebüsche Es wehet kühl und leise January
1819 		Text by Schlegel, F., from Abendröte II, 9
647 647 (1872)
(1889) 		XV, 3
No. 5 		II, 5 Die Zwillingsbrüder (Singspiel) Oct. 1818–
1819[8] 		For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10
648 648 (1886) II No. 7 V, 5 Overture, D 648 E minor February
1819 		For orchestra
649 649 65,2
(1826) 		XX, 6
No. 351 		IV, 3 Der Wanderer, D 649 Wie deutlich des Mondes Licht zu mir spricht February
1819 		Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2
650 650 (1831) XX, 6
No. 352 		IV, 12 Abendbilder Still beginnt's im Hain zu tauen February
1819 		Text by Silbert [wikisource:de]
651 651 (1831) XX, 6
No. 353 		IV, 12 Himmelsfunken Der Odem Gottes weht February
1819 		Text by Silbert [wikisource:de]
652 652 (1842) XX, 6
No. 354 		IV, 12 Das Mädchen, D 652 Wie so innig, möcht ich sagen February
1819 		Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842
653 653 (1842) XX, 6
No. 355 		IV, 12 Bertas Lied in der Nacht Nacht umhüllt mit wehendem Flügel February
1819 		Text by Grillparzer
654 654 (1842) XX, 6
No. 356 		IV, 12 An die Freunde Im Wald, im Wald, da grabt mich ein March 1819 Text by Mayrhofer
655 655 (1897) XXI, 2
No. 13 		VII/2, 2 Piano Sonata, D 655 C♯ minor April 1819 Allegro; Fragment
656 656 (1867) XVI
No. 35 		III, 4
No. 45 		Sehnsucht, D 656 Nur wer die Sehnsucht kennt April 1819 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb
657 657 (1871) XVI
No. 36 		III, 4
No. 46 		Ruhe, schönstes Glück der Erde Ruhe, schönstes Glück der Erde April 1819 For ttbb
658 658 (1895) XX, 6
No. 364 		IV, 12 Marie Ich sehe dich in tausend Bildern May 1819? Text by Novalis, No. 15 from Geistliche Lieder [de]
659 659 (1872) XX, 6
No. 360 		IV, 12 Hymn I Wenige wissen das Geheimnis der Liebe May 1819 Text by Novalis, No. 7 from Geistliche Lieder [de]
660 660 (1872) XX, 6
No. 361 		IV, 12 Hymn II Wenn ich ihn nur habe May 1819 Text by Novalis, No. 5 from Geistliche Lieder [de]
661 661 (1872) XX, 6
No. 362 		IV, 12 Hymn III Wenn alle untreu werden May 1819 Text by Novalis, No. 6 from Geistliche Lieder [de]
662 662 (1872) XX, 6
No. 363 		IV, 12 Hymn IV Ich sag' es jedem, daß er lebt May 1819 Text by Novalis, No. 9 from Geistliche Lieder [de]
663 663 IV, 12 Psalm 13 (12) Ach Herr, wie lange willst du mein so ganz vergessen? June 1819 Text by Mendelssohn, M., translating Psalm 13; Fragment
664 664 120p
(1829) 		X No. 10 VII/2, 2
No. 11 		Piano Sonata, D 664 A major Summer 1819
or 1825 		Allegro moderato – Andante – Allegro
665 609
See D 609
666 666 158p
(1849) 		XIX
No. 3 		III, 2a
No. 12 		Kantate zum Geburtstag des Sängers Johann Michael Vogl Sänger, der von Herzen singet – Diese Berge sah'n dich blühen – Da saht ihr Oresten scheiden – Gott bewahr' dein teures Leben 10/08/1819 Text by Stadler, A. [scores]; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen
667 667 114p
(1829) 		VII, 1
No. 1 		VI, 7 No. 6 Trout Quintet A major 1819? Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550
668 668 (1897) XXI, 2
No. 6 		VII/1, 5
No. 3 		Overture, D 668 G minor October
1819 		For piano duet
669 669 (1829) XX, 6
No. 365 		IV, 12 Beim Winde Es traümen die Wolken October
1819 		Text by Mayrhofer
670 670 165p,2
(1862) 		XX, 6
No. 366 		IV, 12 Die Sternennächte In monderhellten Nächten October
1819 		Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2
671 671 (1849) XX, 6
No. 367 		IV, 12 Trost, D 671 Hörnerklänge rufen klagend October
1819 		Text by Mayrhofer
672 672 36,2
(1825)
(1975) 		XX, 6
No. 368 		IV, 2a &
b No. 5 		Nachtstück Wenn über Berge sich der Nebel breitet October
1819 		Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2
673 673 165p,1
(1832)
(1862) 		XX, 6
No. 369 		IV, 12 Die Liebende schreibt Ein Blick von deinen Augen October
1819 		Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1
674 674 (1850) XX, 6
No. 370 		IV, 12 Prometheus, D 674 Bedecke deinen Himmel, Zeus October
1819 		Text by Goethe; For b and piano
675 675 34
(1825) 		IX, 2
No. 8 		VII/1, 5
No. 4 		Overture, D 675 F major November
1819? 		For piano duet
676 676 153p
(1845)
(1888) 		XIV No. 3 I, 8 Salve Regina, D 676, a.k.a. Drittes Offertorium A major
Salve Regina 		November
1819 		Text: Salve Regina (other settings: D 27, 106, 223, 386 and 811); For s and orchestra; Shortened in 1st ed., Op. posth. 153
677 677 (1848)
(1895) 		XX, 6
No. 371 		IV, 12 Stanza from "Die Götter Griechenlands" Schöne Welt, wo bist du? November
1819 		Text by Schiller; Two versions: 2nd publ. in 1848
678 678 (1875)
(1887) 		XIII, 2
No. 5 		I, 3 Mass No. 5 A♭ major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		Nov. 1819–
Sept. 1822 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 755 and 950); For satbSATB and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA

References edit

  1. ^ Deutsch 1978, pp. 366–396.
  2. ^ Deutsch 1951.
  3. ^ NSA website.
  4. ^ AGA 1884–1897.
  5. ^ NSA scores.
  6. ^ a b Reed 1997.
  7. ^ a b LiederNet Archive.
  8. ^ a b NSA II, 15, p. IX (in Introduction).

Sources edit

Multi-volume editions, websites and catalogues

  • Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). Johannes Brahms; Ignaz Brüll; Anton Door; Julius Epstein; Johann Nepomuk Fuchs; Josef Gänsbacher; Joseph Hellmesberger Sr.; Eusebius Mandyczewski (eds.). Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
  • Deutsch catalogue (D) = Schubert Thematic Catalogue:
  • Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
  • Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV6 (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
  • Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
    • NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. [over 80 volumes in eight series] Individual volumes:
    • NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
  • Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
  • The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.

Other

  • Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
    • Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
    • Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
    • Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
    • Marius Flothuis "Schubert Revises Schubert" pp. 61–84
    • Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
    • Peter Branscombe "Schubert and the Melodrama" pp. 105–142
    • Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
    • Peter Gülke on String Quintet D 956 pp. 173–186
    • Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
    • Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
    • Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
    • Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
    • Arnold Feil "Rhythm in Schubert" pp. 327–346
    • Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
  • Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
  • Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
  • Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
  • Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
  • Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
  • Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
  • Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
  • Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
  • Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 28–30. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.

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