Anhang II (Anh. II; second Annex) of the 1978 edition of the Deutsch catalogue lists four arrangements by Franz Schubert, of compositions by other composers.[1]
column | content | |
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1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951)[2] |
2 | D utd | most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
3 | Op. pbl |
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
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5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
|
6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
7 | Key / incipit | incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets. |
8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
9 | Additional info | may include:
|
D '51 |
D utd |
Op. pbl |
AGA | NSA | Name | Key / incipit | Date | Additional info |
---|---|---|---|---|---|---|---|---|
Anh. II/1 |
VIII, 1 | Arrangement of Gluck's overture to Iphigénie en Aulide | early 1810? | Fragment for piano duet: last bars of the Primo part extant | ||||
96 | Anh. II/2 |
(1926) | VIII, 1 | Arrangement of Matiegka's Notturno (Trio), Op. 21, a.k.a. Quartet, D Anh. II/2 | G major | 26/2/1814 | For flute, viola, guitar, and a cello part added by Schubert; Movements 2 (Trio II) and 5 (Var. II) recomposed by Schubert | |
Anh. II/3 |
VIII, 1 | Arrangement of two arias from Gluck's Echo et Narcisse | Rien de la nature – O combats, o désordre extrème! | March 1816 | Text by Tschudi | |||
Anh. II/4 |
(1960) | VIII, 1 | Arrangement of M. Stadler's 8th Psalm (Zwölf Psalmen David's No. 1: "Unendlicher! Gott, unser Herr!") | Dem Sangmeister auf Gittith, ein Psalm Davids | 29/8/1823 | Text by Mendelssohn, M., translating Psalm 8; For voice and orchestra; Schubert adapted and orchestrated the piano accompaniment, slightly modifying the vocal part |
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