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List of compositions by Franz Schubert (copies)

Summary

Anhang III (Anh. III; third Annex) of the 1978 edition of the Deutsch catalogue lists thirteen copies by Franz Schubert, of compositions by other composers.[1]

Table edit

Legend edit

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl 		Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
  • Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884)
  • Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886)
  • Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889)
  • Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890)
  • Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892)
  • Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886)
  • Series IX: Pianoforte zu vier Händen (Anton Door, 1888)
  • Series X: Sonaten für Pianoforte (Julius Epstein, 1888)
  • Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888)
  • Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889)
  • Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887)
  • Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888)
  • Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893)
  • Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891)
  • Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892)
  • Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891)
  • Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892)
  • Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895)
  • Series XXI: Supplement (Eusebius Mandyczewski, 1897)
    1. Instrumentalmusik No. 1-5
    2. Instrumentalmusik No. 6-13
    3. Instrumentalmusik No. 14-
    4. Gesangsmusik
  • Series XXII: Revisionsbericht
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List edit

Compositions by Franz Schubert listed in the Deutsch catalogue for Anh. III
D
'51 		D
utd 		Op.
pbl 		AGA NSA Name Key / incipit Date Additional info
Anh.
III/1 		Schubert's copy of nine canons by Michael Haydn and other composers: Nos. 1, 3, 4 and 6 by M. Haydn – No. 2 by M. or J. Haydn[8][9] – No. 5 by Otter [Wikisource:de] – No. 9 by Mozart 1. Es packe dich das Glück beim Kragen (F major) – 2. Vom Glück sei alles dir beschert (B♭ major) – 3. Glück fehl dir vor allem (G major) – 4. Wohlsein und Freude (C major) – 5. Drum habe Dank, o Vater Hayden – 6. Adam hat siebn Söhn (F major) – 7. Cato, Plato, Cicero (F major) – 8. Was i beim Tag mit der Leiern gwinn (E minor) – 9. Alleluia (C major) summer
1810[10] 		No. 1: for five voices (MH 577, also K. Anh. C.10.14)[11][12] – No. 2: for four voices (MH 619 or Hob. XXVIIb:Bb1)[13] – No. 3: for four voices (MH 582)[14] – No. 4: for five voices (MH 584)[15] – No. 5: for nine voices[16] – No. 6: for four voices (MH 699, also K. 562b)[17][18] – No. 7: (MH 714) – No. 8: (MH 723) – No. 9: for four voices (K. 553 [scores])
Anh.
III/2 		Schubert's copy of Roser [scores]'s Die Teilung der Erde [de] Nehmt hin die Welt! rief Zeus aus seinen Höhen c. 1810 Text by Schiller; Also Hob. XXVIa:C1[19]
Anh.
III/3 		Schubert's copy of part of Mozart's Symphony No. 41 C major after
29/3/1813 		Start of Minuet (3rd movement)
Anh.
III/4 		Schubert's copy of a canon from Zumsteeg's Elbondocani Hoffnung Kind des Himmels before
fall 1813? 		Text by Haug (transl. from French); For sstb and piano
Anh.
III/5 		Schubert's copy of Zumsteeg's Chor der Derwische Ein Gott, ein wahrer Gott ist nur spring
1813? 		Text by Iffland, from Achmet und Zenide; for ttb
85 Anh.
III/6 		Schubert's copy of Preindl [de]'s Offertory "Clamavi ad te", Op. 16 C major November
1813? 		Only the start of the s part is extant in Schubert's copy
Anh.
III/7 		Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie [scores] Heraus in eure Schatten 1815 Text by Goethe, from Iphigenia in Tauris; For voice, women's choir and piano
Anh.
III/8 		Schubert's copy of part of Beethoven's Symphony No. 4 B♭ major 1821 or
later 		Start of Adagio, Allegro vivace (1st movement)
Anh.
III/9 		Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560 Hier liegt vor deiner Majestät
B♭ major 		? Text by Kohlbrenner; For SATB and organ; Schubert's autograph lost
Anh.
III/10 		Schubert's copy of Preindl [de]'s Mass in C major C major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		1821 or
later 		Text: Mass ordinary (Schubert's settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Copied by Schubert and his brother Ferdinand
92 Anh.
III/11 		Schubert's copy of a canon by Mozart,[20] K. 440d (formerly K. Anh. 134), after K. 410/484d [scores] Laß immer in der Jugend Glanz ? For two voices; Schubert's autograph lost
127 Anh.
III/12 		Schubert's copy of a canon by Mozart,[20] K. 230/382b [scores] Selig, selig alle, die im Herrn entschliefen! ? Text by Hölty; For two voices; Schubert's autograph lost
Anh.
III/13 		Schubert's copy of Beethoven's Abendlied unterm gestirnten Himmel, WoO 150 [scores] Wenn die Sonne niedersinket after
March 1820 		Text by Goeble; Schubert's autograph transposed, incomplete


References edit

  1. ^ Deutsch 1978, pp. 662–665.
  2. ^ Deutsch 1951.
  3. ^ NSA website.
  4. ^ AGA 1884–1897.
  5. ^ NSA scores.
  6. ^ a b Reed 1997.
  7. ^ a b LiederNet Archive.
  8. ^ Mozart, Haydn & Haydn 2008, No. 21: "Vom Gluck sei alles dir beschert", MH 619.
  9. ^ Hob., "Vom Glück sei alles Dir beschert", Hob XXVIIb:B1.
  10. ^ Schubert-online, Anhang III,1 Michael Haydn und andere Komponisten: Neun Kanons.
  11. ^ Mozart, Haydn & Haydn 2008, No. 18: "Es packe dich das Gluck", MH 577.
  12. ^ K., "Es packe dich das Glück beim Kragen", KV Anh C.10.14.
  13. ^ RISM 400187433
  14. ^ Mozart, Haydn & Haydn 2008, No. 19: "Gluck fehl dir vor allen", MH 582.
  15. ^ Mozart, Haydn & Haydn 2008, No. 22: "Wohlsein, Freude", MH 584.
  16. ^ Hilmar & Jestremski 2004, p. 361.
  17. ^ Mozart, Haydn & Haydn 2008, No. 17: "Adam hat sieben Sohn", MH 699.
  18. ^ Keefe 2006, p. 135.
  19. ^ Hob., "Die Teilung der Erde", Hob XXVIa:C1.
  20. ^ a b Van Hoorickx 1974–1976.

References edit

Sources edit

Multi-volume editions, websites and catalogues

Other

  • Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
    • Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
    • Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
    • Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
    • Marius Flothuis "Schubert Revises Schubert" pp. 61–84
    • Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
    • Peter Branscombe "Schubert and the Melodrama" pp. 105–142
    • Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
    • Peter Gülke on String Quintet D 956 pp. 173–186
    • Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
    • Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
    • Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
    • Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
    • Arnold Feil "Rhythm in Schubert" pp. 327–346
    • Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
  • Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
  • Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
  • Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
  • Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
  • Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
  • Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
  • Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
  • Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
  • Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 28–30. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.

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