Carolus-Duran was a French painter and art instructor known for his stylish depictions of members of high society in Third Republic France.[1][2][3][4][5]
Painting | Name/Subject | Year | Type | Current Location |
---|---|---|---|---|
Le Baiser (The Kiss) (Self-portrait with his wife as newlyweds) | 1868 | Portrait | Palais des Beaux-Arts de Lille | |
The Lady in Gloves (modeled after his wife) | 1869 | Portrait | Musée d'Orsay | |
Merrymakers | 1870 | Portrait | Detroit Institute of Arts | |
Portrait of Mevrouw de Rute (née Marie Laetitia Bonaparte-Wyse) | 1872 | Portrait | Musée des Beaux-Arts d'Angers | |
Portrait of Étienne Haro | 1873 | Portrait | Petit Palais | |
Equestrian Portrait of Mademoiselle Croizette | 1873 | Portrait | MUba Eugène-Leroy | |
The Artist's Daughter, Marie-Anne | 1874 | Portrait | Fine Arts Museums of San Francisco | |
Madame Henry Fouquier | 1876 | Portrait | Private collection | |
Mademoiselle de Lancey | 1876 | Portrait | Petit Palais | |
Édouard Manet | 1880 | Portrait | Private collection | |
Maria Pia of Savoy | 1883 | Portrait | Palace of Ajuda | |
Study of a male head | 1885 | Study | National Museum in Warsaw | |
Natalie at age ten | c. 1886–7 | Portrait | Smithsonian American Art Museum | |
The Poet with the Mandolin | 1887 | Portrait | ||
Mrs. William Astor (Caroline Schermerhorn Astor)[a][6] | 1890 | Portrait | Metropolitan Museum of Art | |
Portrait of Emily Warren Roebling | c. 1896 | Portrait | Brooklyn Museum | |
Mother and Children (Madame Feydeau and Her Children) | 1897 | Portrait | National Museum of Western Art | |
Marie-Anne as Madame Feydeau | 1897 | Portrait | Private collection | |
Georges Feydeau | c. 1900 | Portrait | Palais des Beaux-Arts de Lille | |
Danae | c. 1900 | Mythological painting | Musée des Beaux-Arts de Bordeaux | |
Anna Gould | c. 1900 | Portrait | ||
Portrait of Augustus Gurnee | 1910 | Portrait | Petit Palais |