Parry was born in 1966, one of four siblings to a white Welsh mother and a black Guyanese father. Liverpool, a major port city, was poor and racism was rife; the Toxteth riots shook the city in 1981.

Parry's father worked as a merchant seaman and a security guard; his mother worked in a factory. When Mark was nine years old, his father became paralysed from a stroke. When Mark was expelled from school, the local authority took Mark and into care.^[4]

Many years later, he successfully sued the local authority for abuse he was subjected to while in care, and received a substantial payout and a public apology from the Lord Mayor of Liverpool.^[5] He spent ten years in litigation, during which time he pursued educational qualifications in order to better research his own case. He was represented by Allan Levy QC,^[6] a noted children's advocate who co-chaired the 1990 public inquiry into pin-down, a punitive technique used in children's homes.

At 18, he was introduced by photographer Penny Potter to Gil Scott-Heron, who had a profound effect on his life.^[7] Scott-Heron was an African-American poet-musician, part of the Black Arts Movement and best-known for the song "The Revolution Will Not Be Televised". (His father, Gil Heron, was, like Andrew Watson, a Scottish footballer from the Caribbean.) Scott-Heron supported the young man over many years, encouraging him to learn to read fluently and to write poetry, and developing his understanding of Black consciousness.

Recordings, publications, and media production edit

Eventually Watson compiled the writings of his late teens and twenties, both poems and explanatory prose, into a book entitled Ordinary Guy. It was released in 2004 by Fore-Word Press, the publishing house he had founded.^[8] The book was written in tribute to Scott-Heron & The Last Poets, and includes a foreword by Jalal Mansur Nuriddin.

In 2006, Al-Nasir co-founded Dubai-based production company MediaCPR and its record label MCPR Music. Conceptually MediaCPR wanted to develop clean content in mainstream music, that could entertain listeners without being offensive or explicit. Malik and his team of music producers pioneered a new genre of music which they called "Drum Fusion". The idea was to unite traditional rhythms with contemporary song arrangements and apply positive lyrical content to produce a new style of music, which could be applied to any genre. The drum fusion formula involves developing a full organic sound composition derived exclusively from the use of drum, percussion, the human voice and natural sounds such as wind, rain, running water etc.

The first album released using this formula was Drumquestra (2009), by Jamaican master percussionist Larry McDonald (percussionist), who wanted to showcase his 50-year recording career. The concept was developed collaboratively between Al Nasir, as executive producer, Larry McDonald, and producer Sidney Mills from Steel Pulse. One of the tracks, Set the Children Free, was recorded for the album by Toots & the Maytals. A dance remix by Lenny B demonstrated that the "Drum Fusion" formula could cross genres and be relevant to the young, as well as the old traditionalists. Al-Nasir co-wrote two tracks on Drumquestra: "Peace of Mind" (which he co-produced with Sidney Mills featuring Shaza) and^[9] and "Crime Or Music"^[10] (featuring veteran ska musician Stranger Cole and reggae drummer Sly Dunbar). Additional percussion on this track was provided by Sticky Thompson of The Wailers and Bongo Herman.

Al-Nasir featured in Word Up – From Ghetto to Mecca (2011), a documentary about performance poetry. It was produced by UKTV's commissioning editor Shirani Sabaratnam and included Scott-Heron, The Last Poets and Benjamin Zephaniah. Fore-Word Press screened the film at the Phoenix Cinema, Leicester, as part of the 2011 Black History Month events, sponsored by Leicester City Council.^[11]

Al-Nasir wrote and produced two albums of his poetry and songs, Rhythms of the Diaspora Vol. 1 & 2, 2015, featuring Scott-Heron, The Last Poets, LL Cool J, Stanley Clarke, Swiss Chris, Rod Youngs, Larry McDonald, and Ms Marie Labropolus. The albums were recorded at Sarm Studios in Reading, Mercredi 9 Studios in Paris and Wyclef Jean's Platinum Sound Recording Studios in New York. Mixed by Serge Tsai and mastered by Chris Gehringer at Sterling Sound New York.

In 2010, Malik Al Nasir graduated with an MA in New Media Production from Liverpool Screen School, a faculty of Liverpool John Moores University. For his thesis piece he created a web-based multimedia software program for genealogical family tree building, called Ancestory but has no link to the programme of a similar name which was developed in the USA.

Research edit

Football edit

Malik has researched the life of Andrew Watson (24 May 1856 – 8 March 1921) who was the world’s first Black international footballer and one of the architects of the game of soccer as it is known today. Watson came from British Guiana in 1860, and went on to play for the Scottish national team.

Al Nasir claims to be a relative of Andrew Watson. Al Nasir accepts that his father was born Reginald Wilcox July and only later adopted Watson as a surname. Al Nasir was consulted on the development of (and featured in) the BBC Scotland documentary entitled "Mark Walters in the Footsteps of Andrew Watson".^[12][13][14]

Mercantile families edit

In 2022 it was reported in The Guardian that Al Nasir was registered for a postgraduate research degree at the University of Cambridge. His project is entitled "Kinship Networks and Mercantile Hegemony in the Latter Days of British Slavery – The Case of Sandbach Tinne". His research into Sandbach, Tinne & Company came to public attention in connection with artworks related to the Sandbach family on display at the Walker Art Gallery, Liverpool. The gallery altered its display in order to recognise that the family made a fortune partly from enslaved people.^[15]

Al Nadir's findings about the kinship links of mercantile families received backlash in 2023 when he was embroiled in controversy regarding a Ted talk given back in 2021. The controversy related to his mention of the former MP Antoinette Sandbach. Citing privacy and other concerns, the former MP complained to the University of Cambridge, which had embedded the talk on its website. She had previously received death threats in relation to her views on Brexit.^{[16] [17]} In a BBC Newsnight interview, Al Nasir explained that her ancestral links to Samuel Sandbach were a footnote to his research,^[18] and he indicated that his release of personal details was done in the context of his claim that the family still "had influence". In an interview with Tom Swarbrick on LBC radio on 1st September 2023 Al Nasir confirmed Cambridge University had disclosed legal correspondence to him and claimed that he was unaware of GDPR policies at Cambridge University and had no knowledge of GDPR laws when releasing the home address and business details of the former MP. Al Nasir accepted that he had not considered the risk to the former MP's personal safety in the light of documented death threats against her and her family.

As part of the project, funding was received from the ESRC to digitise records collected over 20 years. Cambridge University confirmed in 2022 that the records had been digitised.^[19] In 2023 a conference at the University of Bristol explored how the material could be accessed. Attendees were able to use VR headsets to experience a demonstration, developed by University of Cambridge Library Services and University of Bristol Library, of a virtual museum of Sandbach Tinne artefacts.^[20]

Al-Nasir wrote The Guardian obituary for Jalal Mansur Nuriddin, entitled "The grandfather of rap".^[21]

Al-Nasir formed a band named Malik & the O.G's, standing for "Ordinary Guys". The band included Malik Al Nasir, Orphy Robinson, Rod Youngs, Mohammed Nazam, Paislie Reid, Shaza Tiago Coimbra and engineer Tom Parker.

In 2013, Al-Nasir and his publishing house were asked to produce a live show of the world's first rap album Hustlers Convention. The event, at the Jazz Cafe in Camden, North London, was filmed for the making of a documentary of the same name. The film was directed by Mike Todd of Riverhorse TV and executive produced by Public Enemy's Chuck D. The live event was sponsored by Charly Records, who re-issuesd the album to commemorate both 40 years of "The Hustlers Convention" and 40 years of the company. Malik was the associate producer of the film, as well as an interviewee, presenting a segment to camera. Malik & the O.G's (Cleveland Watkiss, Orphy Robinson, Rod Youngs & Hawi Gondwe) supported Jalal and The Jazz Warriors International Collective ^[22] at the event.

The death of his mentor, Gil Scott-Heron, led Al Nasir to perform acts of tribute, such as at Liverpool International Music Festival 2013. Two years later, the Festival commissioned him to produce a range of events, including its opening night.^[23] On UNESCO International Day for the Remembrance of the Slave Trade and its Abolition he produced "Poets Against Apartheid" ^[24] at the International Slavery Museum, featuring readings from Tayo Aluko, Jean Binta Breeze MBE, and the Incognito Gospel Choir.^[25] A few days later at St George's Hall, Liverpool, he produced, in partnership with nightclub entrepreneur and promoter Richard McGinnis, "The Revolution Will Be Live – A Tribute to Gil Scott-Heron".^[26] The MC was BBC Radio Merseyside presenter Ngunan Adamu, and the show featured Al-Nasir's own band, Malik & the O.G's, as well as Talib Kweli, Aswad, The Christians, Craig Charles, DJ 2Kind, Sophia Ben-Yousef, and Cleveland Watkiss.

Al Nasir was invited to tour Canada with Last Poets founder member Jalal Mansur Nuriddin for Black History Month (February 2016). Events at Harbourfront in Toronto reached the national press^[27] The pair screened two films,Hustlers Convention and Word-Up, and participated in workshops, seminars, school visits and performances in Toronto^[28] Ottawa and Mississauga.^[29]

Al Nasir was invited back in March 2016^[30] further promoting his film Word-Up and performing with his band Malik & the O.G's featuring Ottawa R & B artists Rita Carter. 'The Revolution Will Be Live' again toured the UK in Nov 2017 with Scott-Heron's former musical director Kim Jordan joining Malik & the O.G's and featured Canadian singer Rita Carter.

• "Outlook" BBC World Service^[31] – "After the death of legendary musician Gil Scott-Heron, we find out how he transformed the life of a young British man."
• "Radio WBAI New York"^[32] – 'Radio interview Malik Al Nasir, Bilal Sunni Ali and Tommy Abney with Umar Ben Hassan of The Last Poets'
• "Saturday Live BBC Radio 4 London"^[33] – 'Radio interview – Malik Al Nasir, Al Jarreau and Brian Ball with Clare Balding- live from Centre Court at Wimbledon'
• "Roger Phillips Show" BBC Radio Merseyside Malik talks about his life with Gil Scott-Heron & The Last Poets
• "Benji B", BBC Radio 1Xtra "Gone too soon" with KRS-One, Nas and Shabazz Palaces

• "Word Up – From Ghetto To Mecca" featuring Gil Scott-Heron, The Last Poets, Malik Al Nasir and Benjamin Zephaniah.
• "Africa" – Malik & the O.G's featuring Rod Youngs, and Larry McDonald (percussionist). – Music Video, produced by HQ Creative and directed by Mitchel Stuart for MCPR Music.
• "BBC News – Toxteth Riots" Malik Al Nasir's^[34] social commentary on the Toxteth Riots of 1981 and 2011.^[35]
• "Hustlers Convention" – Featuring Chuck D, Melle Mel, Alan Douglas, Ron Saint Germain, Malik Al Nasir, Fab Five Freddy, Last Poets by Producer and Director Mike Todd of Riverhorse TV in Manchester UK. 2014
• "Who Is Gil Scott-Heron?" – Featuring Kimberley Jordan, Glen Turner, Richard Russell (XL Recordings), Jamie Byng, Malik Al Nasir. Producer and Director Iain Forsyth and Jane Pollard for Beggars Banquet UK. 2015

• Drumquestra by Larry McDonald (percussionist) 2009 for MCPR Music. Tracks "Crime or Music"was written by Malik Al Nasir for Larry McDonald (percussionist) with Squiddly Cole, performed by Ska veteran Stranger Cole and Sly Dunbar. Also "Peace of Mind"^[9] was written by Malik Al Nasir & Bobby Rodell Davis. Malik Al Nasir was also Executive Producer for the whole album, Ft. Sly Dunbar, Stranger Cole, Steel Pulse, The Wailers, Dollarman, Bongo Herman, Mutabaruka, Toots & the Maytals, Bob Andy Marivaldo Dos Santos and JD Smooth.
• Rhythms of the Diaspora Vol 1. by Malik & the O.G's – Written and produced by Malik Al Nasir. Ft. Gil Scott-Heron, LL Cool J, Ms Marie Labropoulos.
• Rhythms of the Diaspora Vol 2. by Malik & the O.G's – Written and produced by Malik Al Nasir. Co produced by Swiss Chris, Ft. Larry McDonald (percussionist), Stanley Clarke, The Last Poets.
• Urban Griot by Raw UnLtd. Ft. Hard City Klick HCK – Unreleased. Tracks such as Multi-Media were co-written by Malik Al Nasir. Malik was also the executive producer of the album. The producer was Lloyd Masset. The album was recorded at Hookend Recording Studios in Oxfordshire and mixed by Andy Grassi at Wyclef Jeans Platinum Sound Recording Studios in NYC.

Collaboration albums edit

Discography edit

• Letters to Gil. A memoir. Foreword by Lemn Sissay. William Collins. 2021.

• Catton, J. A. H. (2004). Story of Association Football. Cleethorpes. ISBN 1-86223-119-2.

• His Cambridge Digital Humanities page