Goring was born in Newport, Isle of Wight, the son of the eminent physician and researcher Dr Charles Buckman Goring (1870-1919), the author of The English Convict, and Kate Winifred (née Macdonald, 1874–1964), a professional pianist of Scottish descent who was also a suffragette.^[4] He had an older brother, Donald, who died in Yemen, in 1936, from injuries sustained in a motor vehicle accident. After attending The Perse School in Cambridge, where he became a friend of an older boy, the future documentary film maker Humphrey Jennings, Goring studied modern languages at the universities of Frankfurt, Munich, Vienna and Paris.^[5][6] Encouraged by both of his parents to pursue his acting ambitions, he made his professional debut in 1927 playing Harlequin. He studied under Harcourt Williams at the Old Vic dramatic school from 1929 to 1932. In 1931, he toured Germany and France with the English Classical Players performing in Shakespearean and classic English plays. Having become fluent in French and German, he joined La Compagnie des Quinze, under the directorship of Michel Saint-Denis, in 1934. He would later encourage Saint-Denis to come to England and work as a director.^[6] His early stage career in England included appearances at the Old Vic, Sadler's Wells and in the West End from 1932 through to 1940. During that period, he played a variety of Shakespearean roles at the Old Vic, including the title role in Macbeth and Romeo in Romeo and Juliet (1933), Feste in Twelfth Night (1937), in addition to Trip in Sheridan's The School for Scandal. He first worked in the West End in a 1934 revival of Granville-Barker's The Voysey Inheritance at the Shaftesbury Theatre.

In 1929, he became a founding member of British Equity, the actors' union, served on its council from 1949 and was three times its vice-president from 1963 to 1965, 1975 to 1977 and again from 1980 to 1982.^[4] Goring's relationship with his union was fraught with conflict: he took it to litigation on three occasions. In 1978, regarding the issue of the supremacy of a referendum to decide Equity rules, he took it as far as the House of Lords and won his case. In 1992, he unsuccessfully sought to end the restriction on the sale of radio and television programmes to apartheid South Africa.^[6] Stressing that he opposed apartheid and would not perform for segregated audiences, he argued that the ban was depriving actors of work, and stated that he wished to stage a production of the play She Stoops to Conquer with an all-black cast. This particular litigation nearly bankrupted him, due to heavy court costs.

In November 1931, at the age of nineteen, he married twenty-nine year old Mary Westwood Steel (1902-1994) at Gretna Green, Scotland (they had a second marriage ceremony in a London register office in February 1932) and their only child, a daughter Phyllida Mariette Goring, was born in March 1932 and died in 2018. The marriage did not succeed and he became engaged in 1935 to ballet choreographer and designer, Susan 'Susy' Salaman, older sister of Merula Salaman, wife of Alec Guinness. Susy contracted acute encephalitis in late 1935 and was left brain-damaged. Goring wanted to go ahead with the wedding but Susy's father, Michel Salaman, would not allow it.^[7]

In 1935, he co-founded the London Theatre Studio with Michel Saint-Denis, George Devine and Glen Byam Shaw. It trained actors, directors and designers and was a precursor of the Old Vic Theatre School; Goring taught Shakespeare there. It had to close in late 1939 due to the outbreak of war.

Goring's film career began with an uncredited role in The Amateur Gentleman (1936) with Douglas Fairbanks Jr and a small speaking role in Rembrandt (also 1936). He shared his one scene in this film with the star Charles Laughton, with whom he had previously worked on stage at the Old Vic. He made two further films released in 1939: Flying Fifty-Five with Derrick de Marney where he showed off his comedic skills playing an amusing drunkard and co-starred with Conrad Veidt in his first Powell and Pressburger film, The Spy in Black, an intriguing spy thriller set during World War One, where he played a German officer for the first of many times in his film career.

When war was declared in September 1939, he was back in the West End as Pip in a production of Great Expectations, adapted for the stage by Alec Guinness. Along with all other plays, it was closed down temporarily by the war but was the first to resume when theatres were reopened in early 1940. He joined the British Army in June 1940, and was seconded in 1941 to the BBC as supervisor of radio productions broadcasting to Germany as part of the Londoner Rundfunk [de]. He made broadcasts under the name Charles Richardson (using his father's first name and maternal grandmother's maiden name), because of the association of his name with Hermann Göring. In 1944 he became a member of the intelligence staff of SHAEF (Supreme Headquarters Allied Expeditionary Force) where he attained the rank of colonel. Because of the broadcasts he had been making to Germany, set up by the Foreign Office as a counter to William Joyce (Lord Haw-Haw), he was put on a Nazi hit-list.

In 1941, he married his second wife, the German actress Lucie Mannheim (1899-1976). Mannheim, who was Jewish, had been a principal actress in the Berlin Theatre but had to leave Germany when the Nazis came to power. She worked with Goring in many stage productions from the 1930s onwards and in seven episodes of The Adventures of the Scarlet Pimpernel, one of which he wrote especially for her, as well as in several films. Mannheim died in 1976, and the next year Goring married television director/producer Prudence Fitzgerald (1930-2018), who had directed him in many episodes of The Expert.

In the film A Matter of Life and Death (1946) Goring played Conductor 71, whose role is to 'conduct' Peter Carter (David Niven) to the afterlife. In The Red Shoes, he played Julian Craster, a young composer who wins the heart of ballerina Vicky Page (Moira Shearer) and clashes with the imperious ballet impresario, Boris Lermontov (Anton Walbrook). In the film Odette released in the UK in 1950, Goring played the role of Colonel Henri, a German Abwehr (Military Intelligence) officer who deceived and captured Odette. The film is based on the true story of Odette Sansom, the first living woman to be awarded the George Cross. The real Odette Sansom was later a witness at his marriage to Prudence Fitzgerald in 1977. He played Colonel Günther von Hohensee in So Little Time (1952), which also featured Maria Schell, one of his rare romantic leads and frequent roles playing a German officer. He considered the film one of his favourites, alongside the four films he made with Powell and Pressburger.

His TV work included starring as Sir Percy Blakeney in The Adventures of the Scarlet Pimpernel (ITV, 1955) (a role which he also performed in a 1952-53 radio show), a series which he also co-wrote and produced; Theodore Maxtible in the Doctor Who story The Evil of the Daleks (BBC, 1967); Professor John Hardy in The Expert (BBC, 1968–1976); Paul von Hindenburg in Fall of Eagles (BBC, 1974); King George V in Edward & Mrs. Simpson (Thames, 1980) and Emile Englander in The Old Men at the Zoo (BBC, 1983).

Goring's voice provides the narration of the sound and light show performed regularly in the evening at the Blue Mosque in Istanbul, Turkey.

He was made a Fellow of the Royal Society of Literature in 1979 and appointed Commander of the Order of the British Empire (CBE) in 1991. He died from stomach cancer in 1998 aged 86 at his home in Rushlake Green, East Sussex, survived by his third wife, Prudence and daughter, Phyllida. He is buried in the churchyard of St Mary the Virgin, Warbleton, East Sussex near Rushlake Green with his wife, Prudence, who died in 2018.

* Powell and Pressburger productions

• The Bear (1938 short film): Grigory Stepanovitch Smirnov, a landowner with Lucie Mannheim
• Box for One (1949 short film): The Caller
• On the Harmful Effects of Tobacco (1952 BBC TV): Ivan Ivanovich Nyukhin
• You Are There (1953–1972 CBS TV series): Oliver Cromwell in ‘The Trial of Charles the First’ (1954)
• Douglas Fairbanks Presents (1953–57 NBC TV series): Nicol Pascal in ‘The Rehearsal’ (1954)
• Lilli Palmer Theatre (1955–56 ITC/NBC TV series): Reinhardt in ‘Mossbach Collection’ (1955) and Major Edward Carter in ‘Episode in Paris’ (1956)
• The Adventures of the Scarlet Pimpernel (1955–56 ITC TV series): Sir Percy Blakeney/The Scarlet Pimpernel in eighteen episodes with Lucie Mannheim in seven episodes
• Many Mansions (1957 BBC TV short): Lester Hockley
• BBC Sunday Night Theatre (1950–59 BBC TV series): Tommy Savidge in ‘Promise of Tomorrow’ (1950); Chorus in ‘The Life of Henry V’ (1951); Hjalmar Ekdal in ‘The Wild Duck’ (1952); General Harras in ‘The Devil’s General’ (1955); Dr Cranmer in ‘The White Falcon’ (1956); Crystof Walters in ‘The Cold Light’ (1956); Robert Clive in ‘Clive of India’ (1956) and Richard Brinsley Sheridan in ‘The Lass of Richmond Hill’ (1957)
• International Detective (1959–61 ABPC TV series): Ferdie Steibel in ‘The Steibel Case’ (1960)
• BBC Sunday-Night Play (1960–63 BBC TV series): Alexis Turbin in ‘The White Guard’ (1960); General Harras in ‘The Devil’s General’ (1960); Laye-Parker in ‘A Call on Kuprin (1961) and John Lock in ‘The Money Machine’ (1962)
• Drama 61-67 (1961–67 ATV TV series): Captain in ‘The Cruel Day’ (1961) and Mervyn in ‘Room for Justice’ (1962)
• 24-Hour Call (1963 ATV TV series): Sam Bullivant in ‘Love for Caroline’
• First Night (1963–64 BBC TV series): Grieve Wishart in ‘The Youngest Profession’ (1963)
• Maigret (1960–63 BBC TV series): Peter the Lett in ‘Peter the Lett’ (1963)
• The Third Man (1959–65 BBC TV series): Colonel Dimonella in ‘A Question in Ice’ (1964)
• Love Story (1963–74 ATV TV series): Robert Langley in ‘In Loving Memory’ (1964)
• The Great War (1964 BBC/ABC/CBC TV documentary series): Various voices in twenty-six episodes
• The Mask of Janus (1965 BBC TV series): Dr Kapaka in ‘Why Not Call Me Kruschev?’
• Thirteen Against Fate (1966 BBC TV series): Monsieur Hire in ‘The Suspect’
• Out of the Unknown (1966–71 BBC TV series): Wattari in ‘Too Many Cooks’ (1966)
• ITV Play of the Week (1955–74 ITV TV series): John Hagerman in ‘The Breath of Fools’ (1957); Purcell in ‘The Darkness Outside’ (1960); Charles Norbury in ‘The Sound of Murder’ (1964), Lewis Eliot in ‘The New Men’ (1966) and Robert Cosgrove in ‘On the Island’ (1967)
• The Revenue Men (1967–68 BBC TV series): Kersten in ‘The Traders’ (1967)
• Sir Arthur Conan Doyle (1967 BBC TV series): Lord Linchmere in ‘The Beetle Hunter’
• Doctor Who (1963–? BBC TV Series): Theodore Maxtible in The Evil of the Daleks (six episodes in 1967)
• The Wednesday Play (1964–1970 BBC TV series): Reverend Harrup in ‘A Walk in the Sea’ (1966) and Sir Hubert in ‘Sleeping Dogs’ (1967)
• Man in a Suitcase (1967–68 ITC TV series): Henri Thibaud in ‘Blind Spot’ (1968)
• Le dossiers de l’agence O (1968 COFERC/ORTF TV Series): Madame Sacramento in ‘Le club des vieilles dames’ (French TV series)
• Thirty-Minute Theatre (1965–73 BBC TV series): Mr Ponge in ‘Mr Ponge’ (1965) and The Interrogator in ‘The Year of the Crow’ (1970)
• The Expert (1968–76 BBC TV series): Professor John Hardy in sixty-two episodes
• Fall of Eagles (1974 BBC TV mini-series): Von Hindenburg in ‘The Secret War’ and ‘End Game’
• 2nd House (1973–76 BBC TV series): Humboldt in ‘Saul Bellow’ (1975)
• Wilde Alliance (1978 ITV TV Series): Rex in ‘Things That Go Bump’
• Holocaust (1978 CBS TV mini-series): Heinrich Palitz in Part One
• Edward & Mrs. Simpson (1979 ITV TV mini-series): King George V in ‘Venus at the Prow’ and ‘The Little Prince’
• House of Caradus (1979 Granada TV series): Bronksy in ‘The Girl in the Blue Dress’
• Tales of the Unexpected (1979–88 Anglia TV series): Dr John Landy in ‘William and Mary’ (1979)
• Hammer House of Horror (1980 ITC TV series): Heinz in ‘Charlie Boy’
• Levkas Man (1981 ABC Australia TV series): Dr Pieter Gerrard in six episodes
• The Year of the French (1982 RTE/Channel 4/FR3 France 6 part series): Lord Glenthorne in Episode One
• The Old Men at the Zoo (1983 BBC TV series): Emile Englander in five episodes
• Hammer House of Mystery and Suspense (1984–85 ITV TV series): Angus Aragon in ‘The Late Nancy Irving’ (1984)
• Highway (1983 - 1993 ITV Religious Documentary TV series): Guest interviewed by host Sir Harry Secombe in episode 'Festivals' (1986)
• Gnostics (1987 Channel 4 TV series): Episode 3: Divinity of Man: Hermes Trismegistus & Prospero (1987)
• Woburn at War (1987 Anglia TV Documentary): Presenter

• Crossings: A Fairy Play (1925) as a Fairy with Angela Baddeley at the ADC Theatre, Cambridge. This was his amateur theatrical debut
• Jean Stirling Mackinlay Children's Matinee: Dr Doolittle's Play (1927) as Harlequin at The Rudolf Steiner Hall, London. This was his professional theatrical debut
• Jean Stirling Mackinlay Children's Matinee: Dr Doolittle's Play & King John's Christmas (1928) as Harlequin at The Rudolf Steiner Hall, London
• Les Femmes Savantes (1930) as Trissotin at the ADC Theatre, Cambridge
• Macbeth, The Merchant of Venice, She Stoops to Conquer & The School for Scandal with the English Classical Players (1931) touring Germany and France
• Julius Caesar (1932) as a Spear Carrier at The Old Vic, London
• Caesar and Cleopatra (1932) as Persian at The Old Vic, London and Sadler's Wells Theatre, London
• As You Like It (1932) as Le Beau at The Old Vic, London
• Macbeth (1932) as Macbeth at The Old Vic, London and Sadler's Wells Theatre, London. He undertook 3 performances as Macbeth when Malcolm Keen (Macbeth) and understudy Alastair Sim (Malcolm) were too incapacitated to perform
• The Merchant of Venice (1932) as Salanio at The Old Vic, London. Directed by John Gielgud
• She Stoops to Conquer (1933) as Aminadab at The Old Vic, London
• The Winter's Tale (1933) as Cleomenes at The Old Vic, London
• Cymbeline (1932) as Second Lord at The Old Vic, London
• The Admirable Bashville (1933) as First Policeman with Anthony Quayle, Alastair Sim and Roger Livesey at The Old Vic, London
• Romeo and Juliet (1933) as Romeo with Peggy Ashcroft as Juliet at The Old Vic, London and Sadler's Wells Theatre, London
• The School for Scandal (1933) as Trip with Alastair Sim, Peggy Ashcroft, Roger Livesey and Anthony Quayle at The Old Vic, London
• Shakespeare Birthday Festival (1933) at The Old Vic, London
• The Tempest (1933) as Adrian at The Old Vic, London and Sadler's Wells Theatre, London
• A Midsummer Night's Dream (1933) as a Faerie with the Oxford University Dramatic Society at Headington Hill Park, Oxford (outdoor performance). Produced & directed by Max Reinhardt
• Twelfth Night (1933) as Sebastian at The Old Vic, London
• The Cherry Orchard (1933) as Yepikhodov with Charles Laughton, Elsa Lanchester, Flora Robson and James Mason at The Old Vic, London. Directed by Michel Saint-Denis
• Henry VIII (1933) as Cardinal Campeius/Garter King of Arms with Charles Laughton, Roger Livesey and Flora Robson at Sadler's Wells Theatre, London
• Measure for Measure (1933) as Friar Peter/Abhorson with Charles Laughton, Roger Livesey and Flora Robson at The Old Vic, London
• The Tempest (1934) as Alonso at Sadler's Wells Theatre, London
• Love for Love (1934) as Buckram with Charles Laughton, Flora Robson, Roger Livesey and James Mason at Sadler's Wells Theatre, London
• Shakespeare Birthday Festival (1934) at The Old Vic, London
• Macbeth (1934) as Malcolm with Charles Laughton as Macbeth at The Old Vic, London
• The Voysey Inheritance (1934) as Hugh Voysey at Sadler's Wells Theatre, London and Shaftesbury Theatre, London. The Shaftesbury Theatre was his first appearance in the West End
• Hamlet, The Rape of Lucrèce as Tarquin & Riders to the Sea as Bartley with La Compagnie des Quinze (1934) in France, Belgium & The Netherlands
• Shakespeare Birthday Festival (1935) at The Old Vic, London
• Hamlet (1935) as Hamlet (short version) and Fortinbras (long version) at The Old Vic, London. Malcolm Keen played Hamlet in the full version performances
• Noah (1935) as Japheth with John Gielgud as Noah at the New Theatre, London. Directed by Michel Saint-Denis
• The Hangman (1935) as Gallows Lasse at the Duke of York's Theatre, London
• Sowers of the Hills (1935) as Aubert at the Westminster Theatre, London. Directed by Michel Saint-Denis
• Mary Tudor (1935–1936) as Philip of Spain with Flora Robson as Mary Tudor at Streatham Hill Theatre, Golders Green Hippodrome, Playhouse Theatre, London and Sadler's Wells Theatre, London
• Repayment (1936) as Paul Novak with Margaret Lockwood at the Arts Theatre, London
• The Happy Hypocrite (1936) as Amor with Ivor Novello and Vivien Leigh at His Majesty's Theatre, London
• The Ante-Room (1936) as Vincent de Courcy O'Regan with Diana Wynyard and Jessica Tandy at the King's Theatre, Edinburgh and the Manchester Opera House
• Girl Unknown (1936) as Max with Lucie Mannheim at the New Theatre, London and the Golders Green Hippodrome. Produced by Lucie Mannheim
• The Wild Duck (1936) as Gregors Werle at the Westminster Theatre, London
• The Witch of Edmonton (1936) as Frank Thorney with Edith Evans, Alec Guinness and Michael Redgrave at The Old Vic, London. Directed by Michel Saint-Denis
• Hamlet (1936-1937) as First Player and Fortinbras with Laurence Olivier as Hamlet, Michael Redgrave and Alec Guinness at The Old Vic, London
• Twelfth Night (1937) as Feste with Laurence Olivier and Alec Guinness at The Old Vic, London
• Shakespeare Birthday Festival (1937) at The Old Vic, London
• Henry V (1937) as Chorus with Laurence Olivier as Henry V at The Old Vic, London
• Satyr (1937) as Peter de Meyer with A. E. Matthews and Flora Robson at King's Theatre, Edinburgh and Shaftesbury Theatre, London
• A Woman Killed with Kindness (1937) 5 scenes at the London Theatre Studio. He produced and directed this performance but did not appear in it
• The Last Straw (1937) as Wolfe Guldeford with Lucie Mannheim at the Comedy Theatre, London. Produced & directed by Lucie Mannheim
• Surprise Item (1938) as Arthur Primmer at the Ambassadors Theatre, London
• Henry Irving Centenary Matinee - Scene from Louis XI (1938) at the Lyceum Theatre, London
• The White Guard (1938) as Leonid Shervinsky at the Phoenix Theatre, London. Directed by Michel Saint-Denis
• Nora (1939) with Lucie Mannheim at the Duke of York's Theatre, London. Goring produced this play but did not appear in it
• Lady Fanny (1939) as Lord Bantock with Lucie Mannheim at the Duke of York's Theatre, London. He also directed this production
• Nina (1939) as Schimmelmann with Lucie Mannheim as Nina at Gaiety Theatre, Dublin and Duke of York's Theatre, London. He also directed this production
• Hamlet (1939) as First Player and Osric with John Gielgud as Hamlet performed at the Lyceum Theatre, London and at Kronborg, Helsingør, Denmark. He co-directed this production with John Gielgud
• Great Expectations (1939–1940) as Pip at The Rudolf Steiner Hall, London. Play adapted by Alec Guinness from the novel by Charles Dickens
• The Tempest (1940) as Ariel with John Gielgud as Prospero and Alec Guinness as Ferdinand at The Old Vic, London
• Monsieur Lamberthier (1947) as Maurice with Lucie Mannheim in English and German on tour in Germany (British Zone)
• Rosmersholm (1948) as Johannes Rosmer with his wife Lucie Mannheim as Rebecca West at the Arts Theatre, London. He also directed this production
• Too True To Be Good (1948) as Aubrey Bagot with Lucie Mannheim at the Arts Theatre, London. He also directed this production
• The Cherry Orchard (1948) as Peter Trofimov at the Arts Theatre, London
• Marriage (1948) as Ivan Kuzmich Podkolyosin with Lucie Mannheim at the Arts Theatre, London
• The Bear (1948) as Grigory Stepanovitch Smirnov with Lucie Mannheim at the Arts Theatre, London
• The Third Man/Jealousy/Monsieur Lamberthier (1948-1949) as Maurice with Lucie Mannheim at the Arts Theatre, London, Oldham Repertory Theatre Club, Manchester and on tour in Germany
• Daphne Laureola (1949) as Ernest Piaste with Lucie Mannheim as Lady Pitts on tour in Germany
• The Madwoman of Chaillot (1951) as The Rag Picker with Martita Hunt at the St James's Theatre, London
• Richard III (1953) as Richard III at the Shakespeare Memorial Theatre, Stratford
• Antony and Cleopatra (1953) as Octavius Caesar with Michael Redgrave as Antony and Peggy Ashcroft as Cleopatra at the Shakespeare Memorial Theatre, Stratford and the Princes Theatre, London
• The Taming of the Shrew (1953) as Petruchio with Yvonne Mitchell as Katherina at the Shakespeare Memorial Theatre, Stratford
• King Lear (1953) as The Fool with Michael Redgrave as Lear at the Shakespeare Memorial Theatre, Stratford
• Antony and Cleopatra (1954) as Octavius Caesar with Michael Redgrave as Antony and Peggy Ashcroft as Cleopatra at the Koninklijke Schouwburg, The Hague & Royal Theatre Carré, Amsterdam, the Netherlands, Koninklijke Nederlandse Schouwburg, Antwerp & Theatre Royal de la Monnaie, Brussels, Belgium and Théâtre des Champs-Élysées, Paris, France
• Scenes from Shakespeare (1957) leading a company to France at the Théâtre National Populaire, Paris and Annecy, Lyons, Lille, Amiens and Douai
• Scenes from Shakespeare (1957) leading a company to Helsinki, Finland including Rachel Gurney, Yvonne Furneaux, Roger Gage, Jennifer Wilson and John Laurie
• Scenes from Shakespeare and Classical English Theatre (1958) leading a company to India and Ceylon including Rachel Gurney, Yvonne Furneaux, Roger Gage, Jennifer Wilson and John Laurie
• Savonarola Brown (1960) as Savonarola Brown at the Royal Festival Hall, South Bank, London
• Measure for Measure (1962) as Angelo with Judi Dench as Isabella (Royal Shakespeare Company production) at the Royal Shakespeare Theatre, Stratford
• A Penny for a Song (1962) as Sir Timothy Bellboys with Judi Dench as Dorcas Bellboys (Royal Shakespeare Company production) at the Aldwych Theatre, London
• Menage à Trois (1963) as Charles with Phyllis Calvert at the Lyric Theatre, London
• King Arthur (1963) as the Narrator at the Victoria and Albert Museum, London
• The Poker Session (1963–1964) as Teddy at the Gate Theatre, Dublin in the Dublin Theatre Festival (1963) and the Globe Theatre, London (1964). Goring played Teddy in the premiere production in Dublin
• Oedipus rex (1963) as the Narrator at the Royal Festival Hall, South Bank, London
• King Arthur (1964) as the Narrator at the Royal Albert Hall, London
• The Apple Cart (1965) as King Magnus with Barbara Murray at the Cambridge Arts Theatre, Manchester Opera House, New Wimbledon Theatre, Theatre Royal, Brighton and Golders Green Hippodrome, London
• The Devil's Disciple (1965) as General Burgoyne with Ian Bannen at the Yvonne Arnaud Theatre, Guildford
• The Bells (1967–1968) as Mathias at the Derby Playhouse, The Alexandra, Birmingham, the Grand Theatre, Leeds and the Vaudeville Theatre, London. He also directed it in its Birmingham, Leeds and London productions
• Married Bliss (1968) at The Alexandra, Birmingham and Grand Theatre, Leeds. He directed this play only and did not act in it. It was curtain raiser to The Bells
• Lend Me Five Shillings (1968) as Mr Golighty. He also directed it in its production at the Vaudeville Theatre, London. It was curtain raiser to The Bells
• The Demonstration (1969) as Professor Bright at the Nottingham Playhouse
• Sleuth (1971–1973) as Andrew Wyke at the St Martin's Theatre, London
• If Music and Sweet Poetry Agree (1972) with the Royal Shakespeare Company at the Royal Shakespeare Theatre, Stratford
• Tribute to the Lady (1974) at The Old Vic, London
• The Wisest Fool (1974) as James I at Yvonne Arnaud Theatre, Guildford, The Alexandra, Birmingham, Grand Theatre, Wolverhampton, Civic Theatre, Darlington, Ashcroft Theatre, Croydon, Richmond Theatre, London, Theatre Royal, Bath, Grand Theatre, Leeds and Hull New Theatre
• The Concert (1975) as Gustav Hein with Barbara Murray at the York Theatre Royal and the Forum Theatre, Billingham
• This Wooden O (1975) at the Bankside Globe Playhouse, London
• Habeas Corpus (1975) as Arthur Wicksteed at the Liverpool Playhouse
• The Sun King (1976) at the Tatton Park, Cheshire and Royal Festival Hall, London
• Sleuth (1976) as Andrew Wyke at the Liverpool Playhouse
• Jubilee Gaieties (1977) at the Marlowe Theatre, Canterbury, Ashcroft Theatre, Croydon, New Wimbledon Theatre, London, Devonshire Park Theatre, Eastbourne, Theatre Royal, Windsor and Wyvern Theatre, Swindon
• Royal Thames (1977) at the Theatre Royal Haymarket with Judi Dench
• Exit: Pursued by a Bear (1977) at the Pitlochry Festival Theatre
• The Sun King (1978) at the Old Town Hall, Hemel Hempstead
• Woe to the Sparrows (1980) as Emperor Franz Josef at Northcott Theatre, Exeter
• Lloyd George Knew My Father (1980) as General Sir William Boothroyd with Dulcie Gray at the Theatre Royal, Norwich, Theatre Royal, Bath, King's Theatre, Glasgow, Richmond Theatre, London, Pavilion Theatre, Bournemouth, Cambridge Arts Theatre, Key Theatre, Peterborough, Theatre Royal, Brighton, Nell Gwynne Theatre, Hereford, The Alexandra, Birmingham, Sunderland Empire Theatre, Brewhouse Theatre, Taunton, Beck Theatre, Hayes and Theatr y Werin, Aberystwyth Arts Centre
• Habeas Corpus (1981) as Arthur Wicksteed at the Royal Lyceum Theatre, Edinburgh
• The Sun King (1981) at the Theatre Royal, Windsor
• Zaide (1982) as the Narrator at The Old Vic, London
• The Sun King (1982) at the Fermoy Centre, King's Lynn (King's Lynn Festival)
• Peer Gynt (1982) as the Button Moulder at the Nottingham Playhouse, Nottingham
• The Sun King (1983) at the Queen Elizabeth Hall, South Bank, London
• Metamorphoses (Opera) (1983) as Ovid at the Parry Theatre, Royal College of Music, London
• The Dame of Sark (1984) as Colonel Count von Schmettau at the Lyceum Theatre, Crewe, Playhouse Theatre, Harlow and Key Theatre, Peterborough
• The Winslow Boy (1984) as Arthur Winslow at the Forum Theatre, Wythenshawe, Grand Opera House, Belfast, Theatre Royal, Norwich, Beck Theatre, Hayes, Towngate Theatre, Poole, Kings Theatre, Southsea, Richmond Theatre, London, Civic Theatre, Darlington, Babbacombe Theatre, Torquay, Theatre Royal, Plymouth, New Theatre Royal Lincoln, Liverpool Empire Theatre, Swan Theatre, Worcester, His Majesty's Theatre, Aberdeen, Orchard Theatre, Dartford and Ashcroft Theatre, Croydon
• I Have Been Here Before (1985) as Dr Görtler at the Cambridge Arts Theatre, Marlowe Theatre, Canterbury, King's Theatre, Glasgow, Eden Court Theatre, Inverness, Kings Theatre, Southsea, Towngate Theatre, Poole, Ashcroft Theatre, Croydon, The Capitol Theatre, Horsham, Grand Theatre, Wolverhampton, Forum Theatre, Billingham, Oxford Playhouse, His Majesty's Theatre, Aberdeen, Key Theatre, Peterborough and New Theatre, Cardiff
• The Apple Cart (1985–86) as Nicobar with Peter O'Toole and Michael Denison at the Theatre Royal, Bath and the Theatre Royal Haymarket, London
• Mystery Plays (1986) as God at Canterbury Cathedral
• Beyond Reasonable Doubt (1988-89) as Lionel Hamilton at the Queens Theatre, London
• Towards Zero (1989) as Matthew Treves at the Churchill Theatre, Bromley, Theatre Royal, Brighton, Cambridge Arts Theatre, The Hexagon, Reading, The Alexandra, Birmingham, Theatre Royal, Nottingham, Hull New Theatre, Derngate Theatre, Northampton, Grand Theatre, Blackpool, Grand Theatre, Wolverhampton, Theatre Royal, Margate, Liverpool Empire Theatre, New Theatre Royal Lincoln, Ashcroft Theatre, Croydon, Wyvern Theatre, Swindon, Theatre Royal, Windsor, Theatre Royal, Newcastle, Manchester Opera House, Forum Theatre, Billingham, His Majesty's Theatre, Aberdeen and Eden Court Theatre, Inverness
• Sunsets and Glories (1990) as Cardinal Latino Malabranca Orsini at the West Yorkshire Leeds Playhouse, Leeds with Freddie Jones as Pope Celestine V. Directed by Stuart Burge
• Cerceau (1992) as Nikolai Lvovitch (Koka) at the Orange Tree Theatre, Richmond

• Official website
• The British Film Institute profile
• Marius Goring at IMDb