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May Ziadeh

Summary

May Elias Ziadeh (/ziˈɑːdə/ zee-AH-də; Arabic: مي إلياس زيادة, ALA-LC: Mayy Ilyās Ziyādah;[a] 11 February 1886[1][2] – 17 October 1941) was a Lebanese-Palestinian poet, essayist, and translator,[3] who wrote many different works both in Arabic and in French.[4]

May Ziadeh
مي زيادة
Born(1886-02-11)11 February 1886
Nazareth, Vilayet of Syria
Died17 October 1941(1941-10-17) (aged 55)
Cairo, Kingdom of Egypt
Pen nameIsis Copia
OccupationWriter
Signature

After attending school in her native city Nazareth and in Lebanon, May Elias Ziadeh immigrated along with her family to Egypt in 1908, and started publishing her works in French (under the pen name Isis Copia) in 1911. Gibran Kahlil Gibran entered into a correspondence with her in 1912. Being a prolific writer, she wrote for Arabic-language newspapers and periodicals, along with publishing poems and books. May Elias Ziadeh held one of the most famous literary salons in the modern Arab world in the year 1921.[5] After suffering some personal losses at the beginning of the 1930s, she came back to Lebanon where her relatives placed her in a psychiatric hospital. However, she was able to get out of it, and then left for Cairo, where she later died.[6]

May Elias Ziadeh was one of the key figures of the Nahda in the early 20th-century Middle Eastern literary scene and a "pioneer of Oriental feminism."[2][7][8]

Biography edit

Early and personal life edit

May Ziadeh was the daughter of Elias Zakhur Ziadeh, a Lebanese Maronite from Chahtoul village and Nuzha Khalil Mu'mar, a Palestinian Christian of Syrian origin.[9][10][11][12][page needed] She was born in Nazareth, Ottoman Palestine.[13][5] Her father had been a teacher and the editor of Al Mahrūsah.

May Elias Ziadeh attended primary school in Nazareth. As her father came to the Keserwan region of Mount Lebanon, she was sent at the age of 14 to Aintoura to pursue her secondary studies at a French convent school for girls.[2] Her studies in Aintoura exposed her to French and Romantic literature, to which she took a particular liking.[14] She attended several Roman Catholic schools in Lebanon before returning to Nazareth in the year 1904 to be with her parents.[2] She is reported to have published her first articles at the age of 16. In 1908, she and her family immigrated to Egypt.[2]

Ziadeh never married,[1] but from 1912 onward, she maintained an extensive written correspondence with one of the literary giants of the twentieth century, the Lebanese-American poet and writer Khalil Gibran. Although the pair never met, the correspondence lasted 19 years until his death in 1931.[15][2]

 
May's father, Elias Ziadeh

Between 1928 and 1932, Ziadeh suffered a series of personal losses, beginning with the death of her parents, a number of her friends, and above all Khalil Gibran. She fell into a deep depression and returned to Lebanon where her relatives placed her in a psychiatric hospital to gain control over her estate.[1] Nawal El Saadawi alleges that Ziadeh was sent to the hospital for expressing feminist sentiments.[8] Ziadeh was profoundly humiliated and incensed by this decision; she eventually recovered and left after a medical report proved that she was of sound mental health. She returned to Cairo where she died on October 17, 1941.[2][16]

Journalism and language studies edit

Ziadeh's father founded Al Mahroussah newspaper while the family was in Egypt. She contributed to a number of articles.[2] She also published articles in Al Hilal, Al Ahram and Al Muqtataf.[17]

Ziadeh was particularly interested in learning languages. She studied privately at home alongside her French-Catholic education, and later at a local university for a Modern Languages degree while in Egypt. She graduated in 1917.[1] As a result, Ziadeh was completely bilingual in Arabic and French, and had working knowledge of English, Italian, German, Syriac (as an integral part of her ethnoreligious Lebanese Maronite identity), Spanish, Latin, as well as Modern Greek.[14]

Key Middle Eastern literary figure edit

Ziadeh was well known in Middle Eastern literary circles, receiving many male and female writers and intellectuals at a literary salon she established in 1912 (and which Egyptian poet Gamila El Alaily attempted to emulate after Ziadeh's death). Among those that frequented the salon were Taha Hussein, Khalil Moutrane, Ahmed Lutfi el-Sayed, Anton Gemayel [ar; arz; fa], Walieddine Yakan, Abbas el-Akkad and Yaqub Sarruf.[2] Ziadeh is credited with introducing the work of Khalil Gibran to the Egyptian public.[18]

Philosophical views edit

Feminism and Orientalism edit

Unlike her peers Princess Nazli Fazil and Huda Sha'arawi, May Ziadeh was more a 'woman of letters' than a social reformer. However, she was also involved in the women's emancipation movement.[19] Ziadeh was deeply concerned with the emancipation of the Middle Eastern woman; a task to be effected first by tackling ignorance, and then anachronistic traditions. She considered women to be the basic elements of every human society and wrote that a woman enslaved could not breastfeed her children with her own milk when that milk smelled strongly of servitude.[2]

She specified that female evolution towards equality need not be enacted at the expense of femininity, but rather that it was a parallel process.[2] In 1921, she convened a conference under the heading, "Le but de la vie" ("The goal of life"), where she called upon Middle Eastern women to aspire toward freedom, and to be open to the Occident without forgetting their Oriental identity.[7] Despite her death in 1941 her writings still represent the ideals of the first wave of Lebanese feminism. Ziadeh believed in liberating women and the first wave focused on doing just that through education, receiving voting rights, and finally having representation in government.[20]

Romanticism edit

Bearing a romantic streak from childhood, Ziadeh was successively influenced by Lamartine, Byron, Shelley, and finally Gibran. These influences are evident in the majority of her works. She often reflected on her nostalgia for Lebanon and her fertile, vibrant, sensitive imagination is as evident as her mystery, melancholy and despair.[2]

Works edit

Ziadeh's first published work, Fleurs de rêve (1911), was a volume of poetry, written in French, using the pen name of Isis Copia. She wrote quite extensively in French, and occasionally English or Italian, but as she matured she increasingly found her literary voice in Arabic. She published works of criticism and biography, volumes of free-verse poetry and essays, and novels. She translated several European authors into Arabic, including Arthur Conan Doyle from English, Brada (the Italian Contessa Henriette Consuelo di Puliga) from French, and Max Müller from German. She hosted the most famous literary salon during the twenties and thirties in Cairo.[21]

Well noted titles of her works in Arabic (with English translation in brackets) include:

- Bâhithat el-Bâdiya باحثة البادية ("Seeker in the Desert", pen name of Malak Hifni Nasif)
- Sawâneh fatât سوانح فتاة (Platters of Crumbs)
- Zulumât wa Ichâ'ât ظلمات وإشاعات (Humiliation and Rumors...)
- Kalimât wa Ichârât كلمات وإشارات (Words and Signs)
- Al Saha'ef الصحائف (The Newspapers)
- Ghayat Al-Hayât غاية الحياة (The Meaning of Life)
- Al-Musâwât المساواة (Equality)
- Bayna l-Jazri wa l-Madd بين الجزر والمد (Between the Ebb and Flow)

Feminist works edit

Ziadeh is considered by many as integral to the feminist movement having published many autobiographies of women between 1919-1925, this was part of her advocacy for the empowerment of women, examples of women featured in her work include Egyptian feminist Malak Hifni Nassef in her book Bahithat-ul-Badia.[22][23] She was credited as being the first woman to use the term "women's cause" in the Middle East according to critic Hossam Aql, "She was the first professional writer to take a critical approach to women's stories or novels".[5][24] Her fiction often included strong female characters and discussed the condition of Middle Eastern women, for example in one of her short stories, she illustrates the evil of frequent divorce and remarriage which she blames on men and patriarchal society.[23][24]

Awards edit

In 1999, May Ziadeh was named by the Lebanese Minister of Culture as the personage of the year around which the annual celebration of "Beirut, cultural capital of the Arab world" would be held.[2]

Legacy edit

A Google Doodle on 11 February 2012 commemorated Ziadeh's 126th birth anniversary.[25]

See also edit

Notes edit

  1. ^ Also transcribed Ziadé, Ziyada, Ziyadah, Ziyadeh.

References edit

  1. ^ a b c d Khader, Lubna (21 October 1999). "Previously Featured Life of a Woman: May Ziade". Lebanese Women's Association. Archived from the original on 18 April 2007.
  2. ^ a b c d e f g h i j k l m "May Ziade: Temoin authentique de son epoque" [May Ziade: Authentic witness of her era] (in French). Art et culture. Retrieved 19 May 2007.
  3. ^ Ovo, Podjeli (30 October 2014). "Remembering May Ziadeh: Ahead of (her) Time". middle east revised. Archived from the original on 31 October 2014.
  4. ^ Ouyang 2008, p. 188.
  5. ^ a b c "May Ziade: Arab Romantic Poet and Feminist Pioneer". Inside Arabia. 15 February 2020. Archived from the original on 9 August 2020.
  6. ^ Ghunaim, Raneem (3 July 2020). "Her Fascinating Story a Writer from Nazareth- May Ziada". Arab America. Retrieved 29 January 2024.
  7. ^ a b Boustani 2003, p. 203.
  8. ^ a b Peterson & Lewis 2001, p. 220.
  9. ^ جدلية, Jadaliyya (8 June 2014). "May Ziada: A Profile from the Archives". Jadaliyya - جدلية. Translated by Hakeem, Mazen. Retrieved 29 January 2024.
  10. ^ "مي زيادة في احتفالات "بيروت ١٩٩٩ م عاصمة ثقافية للعالم العربي"" [May Ziadeh at the “Beirut 1999 Cultural Capital of the Arab World” celebrations]. الفيصل [Al-Faisal Magazine] (in Arabic) (279). al-Riyāḍ, SA: المملكة العربية السعودية، دار الفيصل الثقافية، [Kingdom of Saudi Arabia, Al-Faisal Cultural House]. ISSN 0258-1140. OCLC 607786901.
  11. ^ AYYILDIZ, Esat (20 June 2023). Arab Women in Ink: Exploring Gender Perspectives in Modern Arabic Literature. Livre de Lyon. ISBN 978-2-38236-574-8.
  12. ^ Ashour et al. 2008, page bottom.
  13. ^ Bushrui, Suheil Badi (Winter 1972). "May Ziadeh". Al-Kulliyah: 16–19. ISSN 0454-5788. OCLC 502559963 – via kahlilgibran.com.
  14. ^ a b "Notice sur la poétesse May Ziade" [Note on the poet May Ziade]. BIBLIB (in French). 21 March 2001. Archived from the original on 6 February 2007.
  15. ^ Gibran 1983.
  16. ^ Khaldi 2008, p. 103.
  17. ^ Hala Kamal (2018). "Women's Writing on Women's Writing": Mayy Ziyada's Literary Biographies as Egyptian Feminist History". Women's Writing. 25 (2): 269. doi:10.1080/09699082.2017.1387350. S2CID 158818848.
  18. ^ Gibran 2006, p. 22.
  19. ^ Zaydān 1995, p. 75.
  20. ^ Stephan, Rita (7 November 2014). "Four Waves of Lebanese Feminism". E-International Relations. Retrieved 29 January 2024.
  21. ^ Ziegler 1999, p. 103.
  22. ^ Haddad, Bayan (2016), "Ziadeh, May (1886–1941)", Routledge Encyclopedia of Modernism, London: Routledge, doi:10.4324/9781135000356-rem1640-1, ISBN 9781135000356, retrieved 22 December 2022
  23. ^ a b Ghorayeb, Rose (1979). "May Ziadeh (1886-1941)". Signs: Journal of Women in Culture and Society. 5 (2): 375–382. doi:10.1086/493725. ISSN 0097-9740. S2CID 145644529.
  24. ^ a b "May Ziade: The Life of an Arab Feminist Writer". Al Jazeera. 21 March 2018. Retrieved 29 January 2024. Click Read more for article and second video.
  25. ^ "May Ziade's 126th Birthday Doodle". Google Doodles. 11 February 2012. Retrieved 29 January 2024.

Sources edit

  • Ashour, Radwa; Ghazoul, Ferial J.; Reda-Mekdashi, Hasna; McClure, Mandy (2008). Arab Women Writers A Critical Reference Guide, 1873-1999. Cairo; New York: The American University in Cairo Press. ISBN 978-977-416-146-9. JSTOR j.ctt15m7j94. OCLC 10018815770.
  • Boustani, Carmen (2003). Effets du féminin: variations narratives francophones. Collection Lettres du Sud. Paris: Editions Karthala. ISBN 978-2-84586-433-7. OCLC 53297358.
  • Gibran, Khalil (2006) [1987]. Jesus, el hijo del hombre. Deva's. ISBN 978-987-1102-57-0.[citation not found]
  • Gibran, Kahlil (1983). Blue Flame: The Love Letters of Kahlil Gibran to May Ziadah. Translated by Bushrui, Suheil B.; Kuzbarī, Salmá al-Ḥaffār. New York: Longman. ISBN 978-0-582-78078-1. OCLC 713801519.
  • Khaldi, Boutheina (2008). Arab Women Going Public: Mayy Ziyadah and her Literary Salon in a Comparative Context (Thesis). Bloomington, IN, US: Indiana University. ISBN 978-0-549-84746-5. OCLC 320954792.
  • Ouyang, Wen-chin (2008). "Mapping Arab Womanhood: Subject, Subjectivity and Identity Politics in the Biographies of Malak Hifni Nasif". In Ostle, Robin (ed.). Sensibilities of the Islamic Mediterranean: self-expression in a Muslim culture from post-classical times to the present day. London, New York, Strasbourg, France: I.B. Tauris ; European Science Foundation ; In the United States and Canada distributed by Palgrave Macmillan. ISBN 978-1-84511-650-7. OCLC 156831780.
  • Peterson, Janice; Lewis, Margaret (2001) [1999]. The Elgar Companion to Feminist Economics. Northampton: Edward Elgar Publishing. ISBN 978-1-84064-783-9. OCLC 827907131.
  • Zaydān, Jūzīf (1995). Arabic Women Novelists: The Formative Years and Beyond. Albany: State University of New York Press. pp. 53–57, 59–62, 74–77. ISBN 978-0-585-04558-0. OCLC 42854941 – via Inernet Archive.
  • Ziegler, Antje (1999). "Al-Haraka Baraka! The Late Rediscovery of Mayy Ziyāda's Works". Die Welt des Islams. 39 (1): 103–115. doi:10.1163/1570060991648905. ISSN 0043-2539. OCLC 5672404871.

Further reading edit

  • Booth, Marilyn (1991). "Biography and Feminist Rhetoric in Early Twentieth-Century Egypt: Mayy Ziyada's Studies of Three Women's Lives". Journal of Women's History. 3 (1): 38–64. doi:10.1353/jowh.2010.0118. ISSN 1527-2036. S2CID 143719304.
  • Buck, Claire, ed. (1992). The Bloomsbury Guide to Women's Literature. New York: Prentice Hall General Reference. ISBN 978-0-13-689621-0. OCLC 25628283.
  • Khoury, Raif Georges (2003). Mayy Ziyāda (1886-1941), entre la tradition et la modernité, ou, Le renouvellement des perspectives culturelles et sociales dans son œuvre, à l'image de l'Europe [Mayy Ziyāda (1886-1941), between tradition and modernity, or, The renewal of cultural and social perspectives in his work, like Europe] (in French). Edingen-Neckarhause: Deux Mondes. ISBN 978-3-932662-06-5. OCLC 52554410.
  • Khumayrī, al-Ṭāhir; Kampffmeyer, Georg (1930). Leaders in Contemporary Arabic Literature: A Book of Reference. Leipzig: Harrassowitz. pp. 24–27. OCLC 21107015.

External links edit

  • May Ziade: The Life of an Arab Feminist Writer | Al Jazeera World on YouTube
  • Sonal, Emine. "May Ziadeh". One Fine Art. Suggested Curriculum Developments to Communicate Women's Rights Through Literature: Poetry by Women in U.S.A., Turkey and Egypt. Archived from the original on 10 December 2005.

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