The song "The Boy from New York City" became their first top 10 hit, reaching number 7 on Billboard Magazine's Hot 100 chart. This song also won the group the Grammy for Best Pop Performance by a Duo or Group With Vocals.

The song "Until I Met You (Corner Pocket)" also earned them a Grammy for Best Jazz Vocal Performance, Duo or Group.

The song "A Nightingale Sang in Berkeley Square" which was arranged by Gene Puerling, won the Grammy Best Vocal Arrangement for Two or More Voices.

The song "Spies in the Night", which incorporates the "James Bond Theme", also charted on Billboard Magazine's Bubbling Under chart, peaking at number 103.

According to Tim Hauser, he picked up the name for this album from a Duke Ellington album entitled Live at the Blue Note 1952. "While reading the cover, he noticed it said 'The Blue Note was a haven for the smart set, in fact, the real mecca for moderns.' The group liked the phrase, and it fit well with the album concept."^[2]

The Manhattan Transfer edit

• Cheryl Bentyne – vocals
• Tim Hauser – vocals
• Alan Paul – vocals, vocal arrangement (2, 4)
• Janis Siegel – vocals, vocal arrangement (6)

Musicians edit

• Victor Feldman – Fender Rhodes (1), acoustic piano (1)
• Jay Graydon – synthesizers (1, 3), guitar (1-4, 8), arrangements (1, 3, 5, 8), horn arrangements (2), rhythm arrangements (2, 4, 6), vocal arrangements (4, 6)
• David Foster – acoustic piano (2, 4, 5), keyboards (5), synthesizers (5)
• Greg Mathieson – organ (3), synthesizers (3)
• Michael Boddicker – synthesizers (4, 8)
• Yaron Gershovsky – acoustic piano (6, 8)
• Milcho Leviev – acoustic piano (7, 8), arrangements (7)
• Steve George – synthesizers (8)
• Steve Lukather – guitar (1, 4, 5)
• Dean Parks – guitar (2, 8)
• Al Viola – guitar (6)
• Abraham Laboriel – bass (1-8)
• Steve Gadd – drums (1, 3–8)
• Mike Baird – drums (2)
• Alex Acuña – percussion (3)
• Andy Narell – cowbell (3), steel drums (3)
• Don Roberts – saxophone (2)
• Tom Scott – saxophone (3), Lyricon (3)
• Richie Cole – saxophone (7)
• Jerry Hey – trumpet (2)
• Bernard Kafka – arrangements (8)
• Gene Puerling – arrangements (9)
• Jon Hendricks – scatting (7)

Production edit

• Producer, Remix – Jay Graydon
• Engineer – Joseph Bogan
• Assistant Engineers – Bob Bullock and Deborah Thompson
• Recorded at Dawnbreaker Studios (San Fernando, CA).
• Overdubbed and Mixed at Garden Rake Studios (Studio City, CA).
• Mastered by Bernie Grundman at A&M Studios (Hollywood, CA).
• Musical Contractor – Frank DeCaro
• Art Direction – Steve Arnold, Richard DeGussie and Sarah Richardson.
• Photography – Steve Arnold

• The Manhattan Transfer Official Website
• Mecca for Moderns Retrieved from discogs October 16, 2010