|Sub grouping||Water spirit|
In folklore, a mermaid is an aquatic creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide, including Europe, Asia, and Africa.
In ancient Assyria, the goddess Atargatis transformed herself into a mermaid out of shame for accidentally killing her human lover. Mermaids are sometimes associated with perilous events such as floods, storms, shipwrecks, and drownings. In other folk traditions (or sometimes within the same traditions), they can be benevolent or beneficent, bestowing boons or falling in love with humans.
The male equivalent of the mermaid is the merman, also a familiar figure in folklore and heraldry. Although traditions about and sightings of mermen are less common than those of mermaids, they are generally assumed to co-exist with their female counterparts. The male and the female collectively are sometimes referred to as merfolk or merpeople.
The conception of mermaids in the West may have been influenced by the Sirens of Greek mythology, which were originally half-birdlike, but came to be pictured as half-fishlike in the Christian era. Historical accounts of mermaids, such as those reported by Christopher Columbus during his exploration of the Caribbean, may have been sightings of manatees or similar aquatic mammals. While there is no evidence that mermaids exist outside folklore, reports of mermaid sightings continue to the present day.
Mermaids have been a popular subject of art and literature in recent centuries, such as in Hans Christian Andersen's literary fairy tale "The Little Mermaid" (1836). They have subsequently been depicted in operas, paintings, books, comics, animation, and live action films.
The word mermaid is a compound of the Old English mere (sea), and maid (a girl or young woman). The equivalent term in Old English was merewif. They are conventionally depicted as beautiful with long flowing hair.
The sirens of Greek mythology (especially the Odyssey), conceived of as half-bird and half-woman, gradually shifted to the image of a fish-tailed woman. This shift possibly started as early as the Hellenistic Period, but is clearly evident in mermaid-like depictions of "sirens" in later Christian bestiaries.[a]
Depictions of entities with the tails of fish, but the upper bodies of human beings appear in Mesopotamian artwork from the Old Babylonian Period onwards. These figures are usually mermen, but mermaids do occasionally appear. The name for the mermaid figure may have been kuliltu, meaning "fish-woman". Such figures were used in Neo-Assyrian art as protective figures and were shown in both monumental sculpture and in small, protective figurines.
The first known mermaid stories appeared in Assyria c. 1000 BC. The goddess Atargatis, mother of the Assyrian queen Semiramis, loved a mortal (a shepherd) and unintentionally killed him. Ashamed, she jumped into a lake and took the form of a fish, but the waters would not conceal her divine beauty. Thereafter, she took the form of a mermaid—human above the waist, fish below—although the earliest representations of Atargatis showed her as a fish with a human head and arm, similar to the Babylonian god Ea. The Greeks recognized Atargatis under the name Derketo. Sometime before 546 BC, Milesian philosopher Anaximander postulated that mankind had sprung from an aquatic animal species. He thought that humans, who begin life with prolonged infancy, could not have survived otherwise.
There is a mermaid legend attached around the sister of Alexander the Great, but that legend is of modern mintage (see below). In the second century AD, the Hellenized Syrian writer Lucian of Samosata (On the Syrian Goddess, i.e. Atargatis) stated he has seen a Phoenician depiction of Derketo/Atargatis as a mermaid, even though the goddess was cast in an image that was "entirely a woman" in the Holy City.[b] He also mentions a taboo against eating fish in a wider region, due to belief that Derketo assumes a fish-form.[c]
In his Natural History 9.4.9–11, Pliny the Elder describes numerous sightings of mermaids off the coast of Gaul, noting that their bodies were covered all over in scales and that their corpses frequently washed up on shore. He comments that the governor of Gaul even wrote a letter to Emperor Augustus to inform him.
The One Thousand and One Nights collection includes several tales featuring "sea people", such as "Jullanâr the Sea-born and Her Son King Badr Bâsim of Persia". Unlike depictions of mermaids in other mythologies, these are anatomically identical to land-bound humans, differing only in their ability to breathe and live underwater. They can (and do) interbreed with land humans, and the children of such unions have the ability to live underwater. In the tale "Abdullah the Fisherman and Abdullah the Merman", the protagonist Abdullah the Fisherman gains the ability to breathe underwater and discovers an underwater society that is portrayed as an inverted reflection of society on land. The underwater society follows a form of primitive communism where concepts like money and clothing do not exist. In "The Adventures of Bulukiya", the protagonist Bulukiya's quest for the herb of immortality leads him to explore the seas, where he encounters societies of mermaids.
The Norman chapel in Durham Castle, built around 1078, has what is probably the earliest surviving artistic depiction of a mermaid in England. It can be seen on a south-facing capital above one of the original Norman stone pillars.
Mermaids appear in British folklore as unlucky omens, both foretelling disaster and provoking it. Several variants of the ballad Sir Patrick Spens depict a mermaid speaking to the doomed ships. In some versions, she tells them they will never see land again; in others, she claims they are near shore, which they are wise enough to know means the same thing. Mermaids can also be a sign of approaching rough weather, and some have been described as monstrous in size, up to 2,000 feet (610 m).
Mermaids have also been described as able to swim up rivers to freshwater lakes. In one story, the Laird of Lorntie went to aid a woman he thought was drowning in a lake near his house; a servant of his pulled him back, warning that it was a mermaid, and the mermaid screamed at them that she would have killed him if it were not for his servant. But mermaids could occasionally be more beneficent; e.g., teaching humans cures for certain diseases. Mermen have been described as wilder and uglier than mermaids, with little interest in humans.
According to legend, a mermaid came to the Cornish village of Zennor where she used to listen to the singing of a chorister, Matthew Trewhella. The two fell in love, and Matthew went with the mermaid to her home at Pendour Cove. On summer nights, the lovers can be heard singing together. At the Church of Saint Senara in Zennor, there is a famous chair decorated by a mermaid carving which is probably six hundred years old.
Some tales raised the question of whether mermaids had immortal souls, answering in the negative.
In Irish lore, the figure of Lí Ban appears as a sanctified mermaid, but she was a human being transformed into a mermaid. After three centuries, when Christianity had come to Ireland, she was baptized. The Irish mermaid is called merrow in tales such as "Lady of Gollerus" published in the 19th century. In Scottish mythology, a ceasg is a fresh-water mermaid, though little beside the term has been preserved in folklore.
Mermaids from the Isle of Man, known as ben-varrey, are considered more favorable toward humans than those of other regions, with various accounts of assistance, gifts and rewards. One story tells of a fisherman who carried a stranded mermaid back into the sea and was rewarded with the location of treasure. Another recounts the tale of a baby mermaid who stole a doll from a human little girl, but was rebuked by her mother and sent back to the girl with a gift of a pearl necklace to atone for the theft. A third story tells of a fishing family that made regular gifts of apples to a mermaid and was rewarded with prosperity.
The alchemist Paracelsus's treatise A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits (1566) spawned the idea that the water elemental (or water sprite) could acquire an immortal soul through marriage with a human; this led to the writing of De la Motte Fouqué's novella Undine, and eventually to the most famous literary mermaid tale of all, Hans Christian Andersen's fairy tale, "The Little Mermaid".
A world-famous statue of the Little Mermaid, based on Andersen's fairy tale, has been in Copenhagen, Denmark since August 1913, with copies in 13 other locations around the world–almost half of them in North America.
The conception of the siren as both a mermaid-like creature and part bird-like persisted in Byzantine Greece for some time. The Physiologus began switching the illustration of the siren as that a mermaid, as in a version dated to the 9th century. Whereas the 10th century Byzantine Greek dictionary Suda still favored the avian description.
There is a modern Greek legend that Alexander the Great's sister Thessalonike did not die and turned into a mermaid (Greek: γοργόνα) after her death, living in the Aegean. She would ask the sailors on any ship she would encounter only one question: "Is King Alexander alive?" (Greek: "Ζει ο Βασιλεύς Αλέξανδρος;"), to which the correct answer was: "He lives and reigns and conquers the world" (Greek: "Ζει και βασιλεύει και τον κόσμον κυριεύει"). This answer would please her, and she would accordingly calm the waters and bid the ship farewell. Any other answer would enrage her, and she would stir up a terrible storm, dooming the ship and every sailor on board. This legend derives from an Alexander romance entitled the Phylláda tou Megaléxandrou (Φυλλάδα του Μεγαλέξανδρου) dating to the Ottoman Greece period, first printed in 1680.
Rusalkas are the Slavic counterpart of the Greek sirens and naiads. The nature of rusalkas varies among folk traditions, but according to ethnologist D.K. Zelenin they all share a common element: they are the restless spirits of the unclean dead. They are usually the ghosts of young women who died a violent or untimely death, perhaps by murder or suicide, before their wedding and especially by drowning. Rusalkas are said to inhabit lakes and rivers. They appear as beautiful young women with long pale green hair and pale skin, suggesting a connection with floating weeds and days spent underwater in faint sunlight. They can be seen after dark, dancing together under the moon and calling out to young men by name, luring them to the water and drowning them. The characterization of rusalkas as both desirable and treacherous is prevalent in Russia, Ukraine and Belarus, and was emphasized by 19th-century Russian authors. The best-known of the great Czech nationalist composer Antonín Dvořák's operas is Rusalka.
In Sadko (Russian: Садко), an East Slavic epic, the title character—an adventurer, merchant, and gusli musician from Novgorod—lives for some time in the underwater court of the "Sea Tsar" and marries his daughter, Chernava, before finally returning home. The tale inspired such works as the poem Sadko by Alexei Tolstoy (1817–75), the opera Sadko composed by Nikolai Rimsky-Korsakov, and the painting by Ilya Repin.
The jiaoren (鮫人) or "shark people" are mentioned in the Bowuzhi (c. 290 CE) as "weep[ing] tears that became pearls".[d] They are included in other texts, including the Shuyi ji "Records of Strange Things" (early 6th century CE).
The Yuezhong jianwen (Wade–Giles: Yueh-chung-chieh-wen; the "Seens and Heards", or "Jottings on the South of China", 1730) contains two accounts concerning mermaids. In the first, a man captures a mermaid (海女 "sea woman") on the shore of Lantau Island (Wade–Giles: Taiyü-shan). She looks human in every respect except that her body is covered with fine hair of many colors. She cannot talk, but he takes her home and marries her. After his death, the mermaid returns to the sea where she was found. In the second story, a man sees a woman lying on the beach while his ship was anchored offshore. On closer inspection, her feet and hands appear to be webbed. She is carried to the water, and expresses her gratitude toward the sailors before swimming away.
Korea is bounded on three sides by the sea. In some villages near the sea in Korea, there are mysterious stories about mermaids. Mermaids have features just like humans. Kim Dam Ryeong, who was a mayor of the town, saved four captured mermaids from a fisherman, as recorded in the Eou yadam (unofficial histories). In Dongabaek Island of Busan, there's a tale of Princess Hwang-ok from the kingdom of Naranda, a mythical undersea kingdom of mermaids; this tale is based on the historical Heo Hwang-ok from India. Another tale concerns a mermaid named Sinjike (Korean: 신지끼) who warned fishermen of impending storms by singing and throwing rocks into the sea from Geomun Island. The island's residents believed her to be goddess of the sea and that she could predict the weather.
The Japanese ningyo (人魚, literally "human-fish") has been glossed as a being that is usually part human female and part fish, but a noted dictionary (Kojien) modified the definition to part human, without the gender distinction.
In certain prominent depictions, the ningyo is not quite half-female, but has a human female head resting on a fish-like body. An example is shown right, published in a kawaraban news flier dated 5th month of Bunka 2 (1805). It was said to have a pair of golden horns, a red belly, three eyes on each side of its torso, and a carp-like tail end. This mermaid purportedly measured 3 jō 5 shaku or 10.6 metres (35 ft) and required 450 rifles to take down. The place of capture was Yokata-ura, in what is now Toyama Bay.[e]
A ningyo might be counted as a yōkai since it is included in Toriyama Sekien's Hyakki Yagyō series. A particular gender is not clear here, as it is only given as a being with "a human face, a fish body", and Sekien equates the nigyo to the Di peiople or Diren , which are described in the Classic of Mountains and Seas and translated as the Low People".
A famous ningyo legend concerns the Yaobikuni (八百比丘尼) who is said to have partaken of the flesh of a merfolk and attained miraculous longevity and lived for centuries. It is not discernible whether the flesh was a female; a pair of translators call it a "flesh of a mermaid" in one book, but merely a "strange fish with a human face" in another.
In Thailand, Suvannamaccha is a daughter of Tosakanth appearing in the Thai and other Southeast Asian versions of Ramayana. She is a mermaid princess who tries to spoil Hanuman's plans to build a bridge to Lanka but falls in love with him instead.
In the Philippines, mermaid concepts differ per ethnic group. Among the Pangasinense, the Binalatongan mermaid is a Queen of the sea who married the mortal Maginoo Palasipas and ruled humanity for a time. Among the Ilocano, mermaids were said to have propagated and spread through the union of the first Serena and the first Litao, a water god. Among the Bicolano, mermaids were referred as Magindara, known for their beautiful voice and vicious nature. Among the Sambal, mermaids called Mambubuno are depicted as having two fins, instead of one. The general term for mermaid among all ethnic groups is Sirena.
Suvannamaccha (lit. golden mermaid) is a daughter of Ravana that appears in the Cambodian and Thai versions of the Ramayana. She is a mermaid princess who tries to spoil Hanuman's plans to build a bridge to Lanka but falls in love with him instead. She is a popular figure of Thai folklore.
Mami Water (Lit. "Mother of the Water") are water spirits venerated in west, central and southern Africa, and in the African diaspora in the Caribbean and parts of North and South America. They are usually female, but are sometimes male. They are regarded as diabolical beings, and are often femme fatale, luring men to their deaths. The Persian word "پری دریایی" or "maneli" means "mermaid".
In Zimbabwe mermaids are known as "njuzu". They are believed to be solitary and occupy one body of water. Individual njuzu may be benevolent or malicious. Angry njuzu may be blamed for unexpected misfortunes, such as bad weather, or the sudden disappearance of people. Benevolent njuzu are thought to reside in peaceful lakes or rivers. If a person goes missing near such lakes or rivers, he or she may have been taken by the njuzu. To obtain the person's release, local elders will brew beer as a propitiatory offering, and ask the njuzu to return the person alive. Those seeking the person's release are not supposed to cry or shed tears. If the njuzu releases the person, he or she will become, or be regarded as a n'anga, or traditional healer, with knowledge of herbs, medicinal plants, and cures.
The Neo-Taíno nations of the Caribbean identify a mermaid called Aycayia with attributes of the goddess Jagua and the hibiscus flower of the majagua tree Hibiscus tiliaceus. In modern Caribbean culture, there is a mermaid recognized as a Haitian vodou loa called La Sirene (lit. "the mermaid"), representing wealth, beauty and the orisha Yemaya.
Examples from other cultures are the jengu of Cameroon, the iara of Brazil and the Greek oceanids, nereids and naiads. The ningyo is a fishlike creature from Japanese folklore, and consuming its flesh bestows remarkable longevity. Mermaids and mermen are also characters of Philippine folklore, where they are locally known as sirena and siyokoy respectively. The Javanese people believe that the southern beach in Java is a home of Javanese mermaid queen Nyi Roro Kidul. The myth of "Pania of the Reef", a well known tale of Māori mythology, has many parallels with stories of sea-people in other parts of the world.
According to Dorothy Dinnerstein's book The Mermaid and the Minotaur, human-animal hybrids such as mermaids and minotaurs convey the emergent understanding of the ancients that human beings were both one with and different from animals:
[Human] nature is internally inconsistent, that our continuities with, and our differences from, the earth's other animals are mysterious and profound; and in these continuities, and these differences, lie both a sense of strangeness on earth and the possible key to a way of feeling at home here.
In 1493, sailing off the coast of Hispaniola, Christopher Columbus spotted three sirens or mermaids (Spanish: serenas) which he said were not as beautiful as they are represented, due to some masculine features in their faces, but these are considered to be sightings of manatees.
During Henry Hudson's second voyage, on 15 June 1608, members of his crew reported sighting a mermaid in the Arctic Ocean, either in the Norwegian or Barents Seas. [dubious ][failed verification] These sightings were often recounted and shared by sailors and pirates who believed that mermaids brought bad luck and would bewitch them into giving up their gold and dragging them to the bottom of the sea. Two sightings were reported in Canada near Vancouver and Victoria, one from sometime between 1870 and 1890, the other from 1967. A Pennsylvania fisherman reported five sightings of a mermaid in the Susquehanna River near Marietta in June 1881.
In August 2009, after dozens of people reported seeing a mermaid leaping out of Haifa Bay waters and doing aerial tricks, the Israeli coastal town of Kiryat Yam offered a $1 million award for proof of its existence.
In February 2012, work on two reservoirs near Gokwe and Mutare in Zimbabwe stopped when workers refused to continue, stating that mermaids had hounded them away from the sites. It was reported by Samuel Sipepa Nkomo, the water resources minister.
A celebrated example of mermaid hoax was the Fiji mermaid exhibited in London in 1822 and later in America by P. T. Barnum in 1842, in this case an investigator claims to have traced the mermaid's manufacture to a Japanese fisherman. Although billed as a "mermaid", this has also been bluntly referred to as a "Barnum's merman" in one piece of journalism.
A similar fake "mermaid" at the Horniman Museum has also been reassessed by another curator as a "merman". DNA testing was inconclusive as to species (and nothing on gender was disclosed), but despite being catalogued as a "Japanese Monkey-fish", it was determined to contain no monkey parts, but only the teeth, scales, etc. of fish.
Fake mermaids made in China and the Malay archipelago out of monkey and fish parts were imported into Europe by Dutch traders since the mid-16th century, and their manufactures are thought to go back earlier. The equivalent industry in Europe was the Jenny Haniver made from dried rays.
The topic of mermaids in earnest has arisen in several instances of scientific scrutiny, including a biological assessment of the unlikelihood of the supposed evolutionary biology of the mermaid on the popular marine science website DeepSeaNews. Five of the primary reasons listed as to why mermaids do not fit current evolutionary understanding are:
Mermaids were also discussed tongue-in-cheek in a scientific article by University of Washington emeritus oceanographer Karl Banse. His article was written as a parody, but mistaken as a true scientific exposé by believers as it was published in a scientific journal.
The best-known example of mermaids in literature is probably Hans Christian Andersen's fairy tale, "The Little Mermaid", first published in 1837. The title character, youngest of the Merman-king's daughters, must wait her turn to reach the age when she will be allowed to emerge from the sea and sit on a rock, there to observe the upper world. The mermaid falls in love with a human prince,[f] and also longs for an eternal soul like humans, despite the shorter life-span. The two cravings are intertwined: only by achieving true love will her soul bind with a human's and become everlasting. But the mermaid's fish-tail poses an insurmountable obstacle for enticing humans, and the sea-witch offers a potion to transform into human form, at a price (the mermaid's tongue and beautiful voice). The mermaid endures the excruciating pain of having human legs, and despite her inability to speak, almost succeeds in wedding the prince, but for a twist of fate.[g] The mermaid is doomed unless she stabs the prince with a magic knife before his marriage. But she does not have the resolve and dies the mermaid way, dissolving into foam.
Andersen's works has been translated into over 100 languages. The mermaid (as conceived by Andersen) is similar to an Undine, a water nymph in German folklore who could only obtain an immortal soul by marrying a human being. Andersen's heroine inspired a bronze sculpture in Copenhagen harbour and influenced Western literary works such as Oscar Wilde's The Fisherman and His Soul and H.G. Wells' The Sea Lady. Sue Monk Kidd wrote a book called The Mermaid Chair loosely based on the legends of Saint Senara and the mermaid of Zennor.
Sculptures and statues of mermaids can be found in many countries and cultures, with over 130 public art mermaid statues across the world. Countries with public art mermaid sculptures include Russia, Finland, Lithuania, Poland, Romania, Denmark, Norway, England, Scotland, Ireland, Germany, the Netherlands, Belgium, France, Spain, Italy, Austria, Switzerland, Greece, Turkey, India, China, Thailand, South Korea, Japan, Guam, Australia, New Zealand, Brazil, Ecuador, Colombia, Mexico, the Cayman Islands, Mexico, Saudi Arabia (Jeddah), the United States (including Hawaii and the U.S. Virgin Islands) and Canada. Some of these mermaid statues have become icons of their city or country, and have become major tourist attractions in themselves. The Little Mermaid statue in Copenhagen is an icon of that city as well as of Denmark. The Havis Amanda statue symbolizes the rebirth of the city of Helsinki, capital of Finland. The Syrenka (mermaid) is part of the coat of Arms of Warsaw, and is considered a protector of Warsaw, capital of Poland, which publicly displays statues of their mermaid.
Musical depictions of mermaids include those by Felix Mendelssohn in his Fair Melusina overture and the three "Rhine daughters" in Richard Wagner's opera Der Ring des Nibelungen. Lorelei, the name of a Rhine mermaid immortalized in the Heinrich Heine poem of that name, has become a synonym for a siren. The Weeping Mermaid is an orchestral piece by Taiwanese composer Fan-Long Ko.
An influential image was created by John William Waterhouse, from 1895 to 1905, entitled A Mermaid. An example of late British Academy style artwork, the piece debuted to considerable acclaim (and secured Waterhouse's place as a member of the Royal Academy), but disappeared into a private collection and did not resurface until the 1970s. It is currently once again in the Royal Academy's collection. Mermaids were a favorite subject of John Reinhard Weguelin, a contemporary of Waterhouse. He painted an image of the mermaid of Zennor as well as several other depictions of mermaids in watercolour.
Film depictions include Miranda (1948), Night Tide (1961), the romantic comedy Splash (1984), and Aquamarine (2006). A 1963 episode of the television series Route 66 entitled "The Cruelest Sea" featured a mermaid performance artist working at Weeki Wachee aquatic park. Mermaids also appeared in the popular supernatural drama television series Charmed, and were the basis of its spin-off series Mermaid. In She Creature (2001), two carnival workers abduct a mermaid in Ireland c. 1900 and attempt to transport her to America. The film Pirates of the Caribbean: On Stranger Tides mixes old and new myths about mermaids: singing to sailors to lure them to their death, growing legs when taken onto dry land, and bestowing kisses with magical healing properties.
Disney's musical animated version of Andersen's tale, The Little Mermaid, was released in 1989. Notable changes to the plot of Andersen's story include the religious aspects of the fairy tale, including the mermaid's quest to obtain an immortal soul. The sea-witch herself replaces the princess to whom the prince becomes engaged, using the mermaid's voice to prevent her from obtaining the prince's love. However, on their wedding day the plot is revealed and the sea-witch is vanquished. The knife motif is not used in the film, which ends with the mermaid and the prince marrying.
In heraldry, the charge of a mermaid is commonly represented with a comb and a mirror, and blazoned as a "mermaid in her vanity". In addition to vanity, mermaids are also a symbol of eloquence.
A shield and sword-wielding mermaid (Syrenka) is on the official coat of arms of Warsaw. Images of a mermaid have symbolized Warsaw on its arms since the middle of the 14th century. Several legends associate Triton of Greek mythology with the city, which may have been the origin of the mermaid's association.
Interest in mermaid costuming has grown alongside the popularity of fantasy cosplay as well as the availability of inexpensive monofins used in the construction of mermaid costumes. These costumes are typically designed to be used while swimming, in an activity known as mermaiding. Mermaid fandom conventions have also been held.
The Ama are Japanese skin divers, predominantly women, who traditionally dive for shellfish and seaweed wearing only a loincloth and who have been in action for at least 2,000 years. Starting in the twentieth century, they have increasingly been regarded as a tourist attraction. They operate off reefs near the shore, and some perform for sightseers instead of diving to collect a harvest. They have been romanticized as mermaids.
Professional female divers have performed as mermaids at Florida's Weeki Wachee Springs since 1947. The state park calls itself "The Only City of Live Mermaids" and was extremely popular in the 1960s, drawing almost one million tourists per year. Most of the current performers work part-time while attending college, and all are certified Scuba divers. They wear fabric tails and perform aquatic ballet (while holding their breath) for an audience in an underwater stage with glass walls. Children often ask if the "mermaids" are real. The park's PR director says "Just like with Santa Claus or any other mythical character, we always say yes. We're not going to tell them they're not real".
|Wikimedia Commons has media related to Mermaid.|
Mermaid carved on a capital of the Rio Mau Monastic church (1151).
A stone coat of arms in Santo Domingo church (Pontevedra, Galicia), 16th century.
Mermaid in Fefiñans Manor house (Cambados, Galicia), 16th century.
'A most strange and true report of a monstrous fish' Illustration from an early printed report of a Mermaid sighting, 1604
English carved decoration by James Richards on Prince Frederick's Barge, 1731–1732
Fountain depicting a mermaid playing a guitar, located in the Museum of the City of Mexico (17th century)
A stone coat of arms in (Mugardos, Galicia), 18th century
Mermaid and merman, 1866. Unknown Russian folk artist
Havfrue, by Elisabeth Jerichau Baumann (1873)
The Play of the Naiads, by Arnold Böcklin (1886)
The Land Baby, by John Collier (1899)
The Mermaid of Zennor by John Reinhard Weguelin (1900)
The Mermaid, by Howard Pyle (1910)
The Mermaid and the Satyr, by Ferdinand Leeke (1917)
Mermaids, by Jean Francis Aubertin (circa 1920)
The Little Mermaid's Sisters by Anne Anderson (circa 1910)
Illustration of The Little Mermaid by E. S. Hardy (circa 1890)
The Little Mermaid statue in Copenhagen (1913)
Mermaid statue in Nuuk, Greenland
these 'marine beasts' have featured in folk tradition for many centuries now, and until relatively recently they have maintained a reasonably standard set of characteristics. Many folklorists and mythographers deem that the origin of the mythic mermaid is the dugong, posing a theory that mythicised tales have been constructed around early sightings of dugongs by sailors.
Abundance of texts describe the shark people (chiao jen), who .. sell their soft unbleached (pongee) silk
The banning of some names, like Maneli (meaning Mermaid) […] seemed to have no rationale at all
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