Summary
Minerva Press was a publishing house, notable for creating a lucrative market in sentimental and Gothic fiction, active in the late 18th and early 19th centuries. It was established by William Lane (c. 1745–1814) at No 33 Leadenhall Street, London, when he moved his circulating library there in about 1790.[1]
| Status | Defunct |
|---|---|
| Founder | William Lane |
| Country of origin | United Kingdom |
| Headquarters location | London, England |
| Distribution | United Kingdom |
| Publication types | Books |
Publications edit
The Minerva Press was hugely successful in its heyday, though it had a reputation for sensationalism among readers and critics, and for sharp business practices among some of its competitors.[2] Many of Lane's regular writers were women, including Regina Maria Roche (The Maid of Hamlet, 1793; Clermont, 1798); Eliza Parsons (The Castle of Wolfenbach, 1793; The Mysterious Warning, 1796); E. M. Foster; and Eleanor Sleath (The Orphan of the Rhine, 1798) whose Gothic fiction is included in the list of seven "horrid novels" recommended by the character Isabella Thorpe in Jane Austen's Northanger Abbey. In fact, six of the Northanger Seven were published by Minerva. During this period women authors in general struggled to balance their profession with social pressures to be modest, and authors of sensation fiction were particularly vulnerable to such criticisms. Many Minerva titles were published anonymously, including such novels as Count Roderic's Castle (1794), The Haunted Castle (1794), The Animated Skeleton (1798), the five novels of Helen Craik, and The New Monk (1798),[3]
After his retirement in 1804, Lane was succeeded as proprietor of the Minerva Press by his partner, Anthony King (A. K.) Newman, who gradually dropped the Minerva name from his title pages during the 1820s. Later books published by the press bear the imprint "A. K. Newman & Co."[4] Authors such as Emma Parker ("Emma de Lisle") and Amelia Beauclerc, who wrote for Minerva Press in the 1800s,[5] are obscure today, and the market for Minerva's books became negligible after the death of its charismatic founder. At the peak of its success, however, the press was "the most prolific fiction-producer of the age."[6]
Since the nineteenth century the name "Minerva Press" has been used by at least two other publishing houses unconnected with the original firm, viz. the Minerva Press, London (early 2000s)[7] and the Minerva Press India Pvt. Ltd., New Delhi (again in the early 2000s).[8]
Valancourt Books reprints edit
Valancourt Books began reprinting Minerva Press titles in 2005, beginning with the anonymously published The Animated Skeleton (1798). They have gone on to reissue over twenty titles, most with scholarly introductions.[9]
See also edit
Notes edit
- ^ Blakey, Dorothy (1935). The Minerva Press, 1790-1820. Bibliographical Society at the University Press, Oxford. p. 40.
- ^ In or about 1815, one discontented party distributed a broadside: "Liddell, Leaton, Burdon, & Co. beg to assure their friends and the public, that they despise the illiberal menaces of the proprietor of the Minerva Press" (Newcastle: W. Boag, printer) (WorldCat).
- ^ A parody of The Monk (1796) by Matthew Lewis.
- ^ Victorian Research. Retrieved 25 December 2020.
- ^ ODNB entry for Emma Parker by Isobel Grundy.Retrieved 13 August 2012. Pay-walled.
- ^ Hudson, Hannah Doherty. Romantic Fiction and Literary Excess in the Minerva Press Era. Cambridge University Press , 2023. ISBN 9781009321921
- ^ "Minerva Press" + London, worldcat.org. Retrieved 11 March 2024.
- ^ "Minerva Press" + Delhi, worldcat.org. Retrieved 11 March 2024.
- ^ Valancourt Books.Minerva Press titles.
External links edit
- Expanded history of Minerva Press (about halfway down the page)
- Additional information relating to Minerva and their demise; collated by Rob Wassell, author of REM, published by Minerva Press