Monotype fonts were developed by the Monotype company. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry. They did not adapt when the market changed as computer, offset and photographic systems became dominant. These were:
A third firm produces fonts for computer use:
The latter firm is in a sense the successor to the English Monotype factory. It has the rights to the original designs, and later obtained rights to many more designs from other sources. The remains of the production archive and what is left of the machines are at the Type Museum in London , England. There the original matrices can still be accessed and parts of the old machines ordered. The collection itself is the property of the British Science Museum . The survival of the Type Museum is threatened since the building is no longer owned by the Science Museum, is in a very poor state of repair, and the new owner intends other uses for the property.
Hot metal
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A Monotype caster The first two firms mentioned above produced a long list of fonts, which were identified by names and serial numbers. That type design eventually acquired a very good name and the "Monotype" brand was synonymous with high quality and reliability.[1]
In their name much typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals", including characters in Garamond , Baskerville , Bodoni , Bembo , Caslon and many other typefaces.
The major difference between the two firms is that the American fonts do not match the English fonts. Letters with the same name had in most cases a different designer, and their appearance and implementation differ. The identification numbers do not all correspond.
The matrices of the two firms also differ in terms of depth, the image inside the matrix, implementation, and size. For example, the American matrices are shallower by 0.025 mm (0.010 inch ), and consequently the interior of American foundry moulds need to be higher to produce characters with a type height of 23.3 mm (0.918 inch). This was one of many measures taken by the two Monotype companies to divide the world market between themselves. For example, the Americans served the Americas and the Canadian markets. The British company, The Monotype Corporation Ltd. in Salfords, had many customers in India, Africa, and Asia. For these countries many non-Latin typefaces were created for printing in Hebrew, Javanese, Sanskrit, Sinhala, Thai, and other languages.
The composition-caster machines of The Monotype Corporation produced ready-to-use composed pages with text consisting of single pieces of type. The machine provided filled lines, justifying them by adding spaces of varying widths. These ending machines were controlled with a paper ribbon. Typing the texts on keyboards was manual work that took much more time than casting. A composition-caster needed the ribbons of at least three separate keyboards. Correction of the final composition was accomplished by simply replacing the moveable type. The lines did not need to be recast, as with Linotype machines .
A Monotype keyboard; the tape reel or ribbon being produced is at the top These composition-casters could produce type in sizes up to 14 point pica or Didot font width. "Large-composition" customized machines and moulds could provide composition up to 36 points. The matrices are correspondingly larger and there is room for only one alphabet in the die case. For this reason one machine-run could not provide composition in both Roman and italic typeface, so additional hand work was required in such cases.
A Monotype matrix case for large composition Type for hand-composing was also cast with Monotype machines; all characters up to 36pt, and rules, could be cast on a large-composition machine. Another machine was the "super-caster" or "supra", which could cast single type. After conversion it could also be used to cast any material needed in print shops, including reglettes, ornaments, and similar designs, as well as characters up to 72 points. There were moulds with inserts for sizes 14 to 36 point. For the even larger sizes of 42, 48, 60 and 72 point another type cast was used. The machine had to be reconfigured for each different type requirement.
Unit arrangement
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The width of the hot-lead Monotype type is expressed in units of a set. The widest letter in the alphabet, usually the capital "W", was measured in quarter-pica points, a unit being 1 ⁄18
1 pica = 1 ⁄6
1 pica point = 1 ⁄12 1 ⁄6
1 unit 1 set = 1 ⁄18 1 ⁄12 1 ⁄6 1 ⁄1296
1 unit 12 set = 12 ⁄1296 All character were designed to have widths a whole number of units of the set. 5, 6, 7, 8, 9, 10, up to 18 or even more.
5 units 12 set = 0.046296 inch
6 units 12 set = 0.055555
7 units 12 set = 0.064815 .....
18 units 12 set = 0.1667 inch English and American manuals use a different size for the pica: the new-pica = 0.1660 inch. On the European mainland all wedges and tables in the manuals are based on the "old" pica = 0.1667 inch and those wedges can be identified by the extra capital E (= English). That gives small differences in the tables in the various manuals. In practice, however, these differences are so small that they make only little difference when cast with a S5-E wedge or a S5 wedge based on the new-pica. All character are designed to have as width a whole number of units of the set.
So, for instance, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8 ... The list with these widths is called the "unit-arrangement" (UA). Different fonts can have the same UA. In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen . These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths. The various "unit-arrangements" have been given numbers.
Long and short descenders
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The letters g j p q y ij are descenders . In the italic typefaces f and the "long s" are also descenders.
Many of the older fonts were intended mainly for use in newspaper columns. Times New Roman is a good example, but there were many others. The descenders were kept as short as possible in such fonts so that all the text could be set with the same line spacing. However, for many fonts for luxury productions longer variants of the descenders were also available—the lining would usually need to be adjusted to accommodate them when casting.
Letterpress printing
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The design of fonts for letterpress printing needs to be adjusted for this technique. The reason is that the type is printed with some force on the paper, pressing the ink on the type out to the edges of the letter. The center of the character is accordingly printed a bit lighter than the edges. This results in what is called a "bead edge". It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.[2]
The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.
Computer adjustments
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After the "hot metal" firms ceased production because of the transition from letterpress to offset printing in more and more printing companies, with Lanston Monotype being the first to do so in America, the font designs needed adjustment for computer use. There is a difference compared with the old hot-metal characters since the fixed relationship between the width of the letters in the unit arrangement is often experienced as a disadvantage. Discussion of this problem has long been going on, for example by Jan van Krimpen .
The design of a lead type cannot be copied without some adjustments since the pressure on lead type during printing presses the ink sideways, and the final appearance of the letter on paper is wider than the surface of the lead character. This extra width is not the same at all places around the character. It depends on the paper surface used, the pressure, the type of press, whether cylinder or platten, and many other factors.
Many digital fonts from the early digital age have this characteristic defect. The metal surface was simply copied, the result being that the color of the printed pages is far too light. In offset or other modern printing techniques, the typeface on the plate and on the printed letter now match much more closely. The use of mostly coated papers with offset types also has an effect. During the type design process all this should be taken into account since simple design drawing of the surface of a lead letter without any adjustment for offset or computer printing will not produce a good result.
List of typefaces
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The alphabetical list below refers primarily to the fonts produced by the English "hot metal" Monotype company. The numbers mentioned below are from the English "specimen-blades", four editions of the booklets "Monotype book of information", and some additional information from the London Type Museum.
In the 1960s many Monotype fonts were discontinued. The "patterns" for the originals from which the punches were created, the punches, and the whole stock of remaining matrices were destroyed. The font has disappeared except for the matrices in the possession of various printers. Sample sheets of these fonts are particularly difficult to find and are lacking in many collections.
A small number of American letter designs are added to the list, designated by "Am" and their number. American matrices differ from those in England. American matrices were 0.0025 mm (0.0010 inch) less deeply engraved. Consequently, the American moulds were 0.0025 mm (0.0010 inch) higher internally compared with moulds from the factory in Salfords UK. Consequently, American matrices on an English cast produce a low letter. English matrices on American moulds produce French-height type.
The list of computer letters from Monotype Imaging, Inc. is constantly being modified and can be best consulted on the website of the company.[3]
Latin fonts
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A
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297: Acier (never released)
319: Acier Grey and White (never released) 481: Albertus Roman
introduction: 1935[4]
display matrices: size:
14pt 18pt 24pt 36pt 48pt 60pt 72pt
line:
T.1848
T.2363
T.3166
T.4754
T.6418
and T.8070
T.9680
538: Albertus bold titling Roman
introduction: 1938[5]
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1985
T.2652
T.3255
T.3974
T.4675
T.5358
T.6720
T.8070
534: Albertus light Roman
introduction: 1940[6]
display matrices, one size: 24pt line .2652
324: Albertus titling Roman (1940 ?)[7] display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1848
T.2363
T.3166
T.3884
T.4754
T.5606
T.6418
T.8070
T.9680
__5: Albion Roman
composition matrices UA.2 = 6pt - 12pt[8] size:
6pt 8pt 10pt 12pt
set:
6.75
8
9.25
11.25
line:
M.1235
M.1270
M.1305
M.1360
_42: Albion (No 2) Roman
composition matrices UA.2 = 6.5pt - 12pt[9] size:
6.5pt 7.5pt 9pt 10pt 11pt 12pt 13pt
set:
7.75
8
9
9.75
10.5
11.5
12.5
line:
M.1235
M.1238
M.1270
M.1300
M.1320
M.1360
M.1390
_63: Albion Roman
UA.2 : 6.5 pt - 13pt[10] size:
6pt 7D 9pt 10pt 11pt 12pt 13pt
set:
6.5
7.5
8.25
9.75
9.5
10.75
11.5
line:
M.1224
M.1250
M.1270
M.1290
M.1320
M.1360
M.1390
_70: Albion (No 4) Roman
composition matrices: UA.2 : 6.5pt - 13pt[9] size:
6.5pt 7.5pt (7D)9pt 10pt 11pt 12pt 13pt
set:
7.75
8.5
9.75
10
11
12.25
13
line:
M.1225
M.1243
M.1280
M.1300
M.1327
M.1360
M.1387
_74: Albion Extended Roman
composition matrices: UA.3: 6D - 13pt[11] size:
6D 7D 9pt 10pt 11pt 12pt 13pt (12D)
set:
7.75
8.5
9.75
10
11
12.25
13
line:
M.1225
M.1240
M.1260
M.1290
M.1320
M.1360
M.1390
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1995
T.2308
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
264: Albion (in 1965 taken out of production) 270: Aldine Bembo (see: Bembo 270 )
370: Aldine Bembo Titling (see: Bembo Titling ) 491: Anchor (taken out of production, "cancelled") Only produced for computer use. 555: Angulus Roman /italic
composition matrices: UA.474: only one size available 4.4pt[12] size:
4.5D
set:
5.5
line:
M.1185
207: Antique Roman /italic (see: 207 Antique Old Style )
307: Antique (in 1965 taken out of production)
composition matrices: U.A. = 70, only: 5.5pt and 7pt[13] size:
5.5pt (5D)7pt (7D)
set:
6.25
8.5
line:
.1262
.1314
407: Antique (in 1965 taken out of production)
composition matrices: UA = 70[14] 407-9 (8D)
9.5 set
lining: M.1338
354: Antique (No. 2) (in 1967 taken out of production)
composition matrices: UA = 335[15] size:
8 (8D)10 (10D)12 (12D)
set:
10.75
13.5
16
line:
M.1348
M.1440
M.1525
_74: Antique Extended (see Ionic , see: Albion Extended )
153: Antique Extended (see: Albion Extended )
223: Antique Heavy (see: Devonshire Bold)
224: Antique Heavy Condensed (see: Devonshire Bold Condensed ) __9: Antique Latin (see: Latin Antique )
_60: Antique Latin (see: Latin Antique No. 2 )
_78: Antique Latin (see: Latin Antique No. 3 )
_84: Antique Latin (see: Latin Antique No. 4 ) __3: Antique Old Style No. 3 Roman /italic
composition matrices: UA.2 = 6pt - 12pt[16] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:
6.5
7.75
8.5
9.25
9.75
10.5
12
line:
M.1200
M.1240
M.1250
M.1280
M.1300
M.1320
M.1355
161: Antique Old Style No. 3 Roman /italic
composition matrices: Roman UA.29, italic UA.54, 6pt - 12pt[17] size:
6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)
set:
6.5
8
8.75
9.5
10.5
11.75
line:
M.1220
M.1250
M.1266
M.1294
M.1331
M.1410
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
124: Antique Old Style No. 1 synonyms: Old Style Antique and Series 124 (in 1967 taken out of production)
all descenders available in two versions short- and long-descenders
composition matrices: UA.1, 6pt - 12pt (6pt is missing on older specimen blades)[18] size:
6pt (6D)8pt short desc. op 7pt (7D)8pt (8D)9pt short desc. op 8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)
set:
6.5
8.5
8.5
9.25
9.25
9.75
10.5
11.75
line:
M.1200
M.1250
M.1250
M.1280
M.1280
M.1300
M.1320
M.1355
207: Antique Old Style Roman /italic
composition matrices: UA.70 = 6.5pt - 10pt[13] size:
6.5pt (6D)7pt 8pt
set:
7.75
7.75
8.75
line:
M.1268
M.1268
M.1314
No matrices for hot-metal 252: Arrighi Italic (see: Centaur ) 238: Ashley Crawford (cancelled in 1967)
display matrices:[19] size:
14pt 18pt 24pt 30pt 36pt
line:
.1672
.2145
.2896
.3484
.4123
279: Ashley Crawford Plain (cancelled in 1967)
display matrices:[20] size:
14pt 18pt 24pt 30pt 36pt
line:
.1748
.2243
.2996
.3684
.4494
574: Ashley Script
display matrices: 14-72 pt[21] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1364
T.1751
T.2338
T.2864
T.3494
T.4106
T.4708
T.5910
T.7090
No matrices for hot-metal B
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178: Barbou Roman /italic
composition matrices: UA.447: 8 - 12pt[22] size:
8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
7.25
8
8.5
9.25
10
line:
M.1270
M.1295
M.1300
M.1327
M.1360
169: Baskerville Roman /italic
composition matrices: UA.43: 6D - 14pt[23] size:
6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:
6.75
7.5
8.25
9
9.5
10
10.75
12
13
line:
M.1220
M.1235
M.1250
M.1266
M.1291
M.1294
M.1320
M.1360
M.1520
large-composition matrices: 14-18pt Roman UA.136, italic UA.141:
22pt: only Roman, 24pt: Roman UA.136, italic UA.150 size:
14pt (14D)16pt (16D)18pt (18D)22pt (22D)24pt (24D)
set:
13
14.5
15.25
19
21
line:
T.1395
T.1600
T.1672
T.2040
T.2226
display matrices: size:
14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1600
T.1672
T.1853
T.2040
T.2226
T.2780
T.3332
T.3886
T.4440
T.5685
T.6830
312: Baskerville bold Roman /italic
composition matrices: UA.332: 6D - 14pt[24] size:
6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:
6.75
7.5
8.25
9
9.5
10
10.75
12
13
line:
M.1220
M.1235
M.1250
M.1266
M.1291
M.1294
M.1320
M.1360
M.1520
display matrices: size:
14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt
line:
T.1395
T.1672
T.2226
T.2784
T.3332
T.4440
T.5685
T.6830
313: Baskerville bold (see: 313 Baskerville Semi-Bold )
377: Baskerville Bold Large Face (cancelled in 1967)
display matrices:[25] size:
48pt 60pt 72pt
line:
.4992
.6236
.7115
376: Baskerville Bold Titling For Newspaper Headings (cancelled in 1965)
large-composition matrices: UA.374: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame[26] size:
14pt 18pt 24pt
set:
18
18
line:
.2075
.2075
.2075
378: Baskerville Bold Titling For Newspaper Headings) (cancelled in 1965)
large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame[27] size:
14pt 18pt 24pt
set:
18
18
18
line:
.2213
.2213
.2213
380: Baskerville Extra Bold Titling (cancelled in 1967)
display matrices:[28] 312: Baskerville Heavy (see: 312 Baskerville Bold )
313: Baskerville Semi-Bold Roman /italic
composition matrices: UA.332: 6D - 14pt[23] size:
6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:
6.75
7.5
8.25
9
9.5
10
10.75
12
13
line:
M.1220
M.1235
M.1250
M.1266
M.1291
M.1294
M.1320
M.1360
M.1520
display matrices: 381: Baskerville Titling For Newspaper Headings (cancelled in 1965)
large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one die case[29] size:
14pt 18pt 24pt
set:
18
18
18
line:
.2213
.2213
.2213
Bell 341: Bell Roman /italic
composition matrices: UA.314: 8D - 14pt[30] size:
8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
8.5
9.5
10
11
12
13.25
line:
M.1240
M.1267
M.1285
M.1314
M.1335
M.1385
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1304
T.1711
T.2284
T.2804
T.3424
619: Bell Gothic Roman
composition matrices: UA.445: 6 and 8pt[31] size:
6pt (6D)8pt (8D)
set:
7
9
line:
M.1245
M.1310
620: Bell Gothic Bold Roman
composition matrices: UA.445: 6 and 8pt[31] size:
6pt (6D)8pt (8D)
set:
7
9
line:
M.1245
M.1310
270: Bembo Roman /italic
composition matrices: UA.91: 6D - 14pt[32]
variants: alternative numerals: F537, F538, alternative capitals: R 203, M 145, R 224 size:
6pt (6D)7pt (7D)8pt (8D)
9pt (8D)10pt (10D)10.5pt (9D)
11pt (10D)12pt (11D)13pt (12D)
14pt (14D)
set:
6.75
7.5
7.5
8.25
8.5
9
9.5
10.25
11
11.5
line:
M.1237
M.1243
M.1243
M.1270
M.1292
M.1312
M.1322
M.1343
M.1378
M.1444
large-composition matrices: 14pt-24pt size:
14pt (14D)16pt (16D)18pt (18D)24pt (24D)
UA.
91
163
169
169
set:
11.5
13.5
14.5
19.5
line:
T.1344
T.1559
T.1725
T.2302
display matrices: size:
14pt 16pt 18pt 22pt op 24pt24pt 30pt 36pt 48pt 60pt 72pt
line:
T.1344
T.1559
T.1725
T.2104
T.2302
T.2824
T.3444
T.4648
T.5821
T.6980
428: Bembo bold Roman /italic
composition matrices: UA.368: 6D - 14pt[33] size:
6pt (6D)7D op 8p E8pt (8D)9pt (8D)10pt (10D)10.5pt (10D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:
6.75
7.5
7.5
8.25
8.5
9
9.5
10.25
11
11.5
line:
M.1237
M.1243
M.1243
M.1270
M.1293
M.1312
M.1322
M.1353
M.1378
M.1444
large-composition matrices: 14pt-18pt size:
16pt (16D)18pt (18D)
UA.
399
399
set:
13.5
14.5
line:
T.1559
T.1725
display matrices: size:
24pt 30pt 36pt 48pt
line:
T.2302
T.2824
T.3444
T.4648
294: Bembo condensed Italic italic
composition matrices: UA.360: 10pt - 13pt UA.361: 16pt[34] size:
10pt (10D)12pt (12D)13pt (12D)16pt
set:
8.5
10.25
11
13.5
line:
M.1292
M.1353
M.1378
M.1559
428: Bembo Heavy (see: 428 Bembo Bold )
509: Bembo semi-bold Roman /italic
composition matrices: UA.91: 5.5pt[35] size:
5.5pt (5.5D)
set:
6.5
line:
M.1235
370: Bembo titling Roman /italic
display matrices:[35] size:
24pt 30pt 36pt 42pt
line:
T.2942
T.3614
T.4436
T.5196
643: Berling Roman /italic (cancelled in 1973)
punches made in cooperation with Berlinska Stilgjuteriet, Lund
composition matrices: UA.495: 6D-12D[36] size:
6D op 7pt8D op 9pt9D op 10pt10D op 11pt11D op 12pt12D op 13pt
set:
6.5
8.5
9.25
10.25
11.5
12.5
line:
M.1237
M.1311
M.1385
M.1385
M1459
M.1459
644: Berling semi bold Roman
punches made in cooperation with Berlinska Stilgjuteriet, Lund
composition matrices: UA.496: 6D-12D[36] size:
6D op 7pt8D op 9pt9D op 10pt10D op 11pt11D op 12pt12D op 13pt
set:
6.5
8.5
9.25
10.25
11.5
12.5
line:
M.1237
M.1311
M.1385
M.1385
M1459
M.1459
213: Bernard condensed Roman
display matrices:[37] size:
14pt 16D op 18pt20D op 22pt24D op 30pt30pt 36D op 36pt42D op 48pt48D op 60pt60D op 72pt72pt
line:
T.1671
T.2008
T.2520
T.2984
T.3444
T.4474
T.5249
T.6040
T.7570
T.8550
119: Blado Italic italic (designed to be used with Poliphilus 170 )
composition matrices: UA.53: 10pt - 13pt[38] size:
10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
8.5
9.25
10.75
11.5
line:
M.1299
M.1326
M.1374
M.1399
large-composition matrices: 16pt = UA.142 size:
16pt
set:
13.5
line:
T.1577
display matrices: 135: Bodoni Roman /italic (synonym: Bodoni no.3 )
composition matrices: UA.1: 6pt-13pt, UA.77: 14pt[39]
variants: long descenders and "Large-Face" in 11pt size:
6pt (6D)6.5 (6D) op 7pica7pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11pt Large Face12pt (12D)13pt (12D)14pt (14D)
set:
6.5
6.5
7
7.75
7.75
8.5
9.5
10.25
11
11.75
12.75
13.5
line:
M.1164
M.1164
M.1210
M.1238
M.1238
M.1260
M.1279
M.1302
M.1315
M.1347
M.1372
M.1448
large-composition matrices: 16pt, 18pt, 24pt Roman, UA.425 = 24pt italic size:
16pt (16D)18pt (18D)24pt (24D) Roman24pt italic
UA.
77
77
78
425
set:
15.5
17
23
23
line:
T.1551
T.1741
T.2324
T.2324
display matrices: size:
14pt 16pt 18pt 22pt op 24pt24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1356
T.1551
T.1741
T.2122
T.2324
T.2914
T.3470
T.4162
T.4716
T.5823
T.7100
254: Bodoni No. 2 (see also: 357 Bodoni No. 2 ) (cancelled in 1967)
display matrices: 4 sizes[40] size:
18pt 24pt 30pt 36pt
line:
T.1708
T.2276
T.2844
T.3404
288: Bodoni No. 1 (cancelled in 1967)
composition matrices: UA.364: 10D-12D-14D[41] size:
10D op 11pica12D op 13pica14D
set:
10.25
11.5
12.75
line:
M.1280
M.1323
M.1365
357: Bodoni No. 2 Roman /italic (see: 357 Bodoni Book )
composition matrices: UA.319: 8pt-12pt[42] size:
8pt (8D)9pt (9D)10pt (10D)12pt (12D)
set:
8
9
9.75
11.5
line:
M.1277
M.1309
M.1315
M.1366
504: Bodoni No 5 Roman /italic (see: 504 Bodoni 357 )
composition matrices: UA.319: 8pt-12pt[43] size:
8pt (8D)9pt (9D)10pt (10D)12pt (12D)
set:
8
9
9.75
11.5
line:
M.1282
M.1314
M.1322
M.1372
195: Bodoni Bold Roman
composition matrices: UA.3: 6pt-12pt[44] size:
6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
6.5
7.75
8.5
9.5
10.25
11.75
line:
M.1164
M.1238
M.1260
M.1279
M.1302
M.1347
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1356
T.1708
T.2276
T.2844
T.2914
T.4024
T.4578
T.5823
T.6962
260: Bodoni Bold Roman /italic , Vette variant for series 135
composition matrices: Roman UA.2 italic UA.143: 6pt-13pt; Roman UA.417, italic UA.143: 14pt[44]
long descenders available and "large face" in 11pt size:
6.5 (6D)7pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11pt (10D) "Large Face"12pt (11D)13pt (12D)14pt (14D)
set:
6.5
7
7.75
8.5
9.5
10.25
11
11.75
12.75
13.5
line:
M.1164
M.1210
M.1238
M.1260
M.1279
M.1302
M.1315
M.1340
M.1372
M.1448
display matrices: size:
14pt 16pt 18pt 22pt 24pt op 30pt30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1356
T.1551
T.1741
T.2122
T.2324
T.2914
T.3470
T.4162
T.4716
T.5823
T.7100
529: Bodoni Bold Condensed Roman /italic
display matrices:[31] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1356
T.1741
T.2324
T.2824
T.3444
T.4046
T.4628
T.5820
T.6980
760: Bodoni Bold Titling Roman
display matrices:[21] 357: Bodoni Book Roman /italic
composition matrices: UA.319: 8pt-12pt[22] size:
8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:
8
9
9.75
10.75
11.5
line:
M.1277
M.1309
M.1315
M.1345
M.1366
260: Bodoni Heavy Roman /italic (see: 260 Bodoni Bold )
529: Bodoni Heavy condensed Roman /italic (see: 529 Bodoni Bold condensed )
120: Bodoni ultra bold Roman /italic
display matrices:[45] size:
14pt 18pt 24pt 30pt 36 42pt 48pt 60pt 72pt
line:
T.1472
T.1876
T.2502
T.3094
T.3746
T.4436
T.5088
T.6380
T.7660
_53: Bold Face (see: 53 Old Style Bold )
167: Bold Face (see: 167 De Vinne Italic )
366: Bold Face (see: 366 Inflex Bold )
245: Bold Face Italic No. 2 (see: 245 Old Style Bold Italic )
253: Bold Face No. 2 (see: 253 Old Style Bold )
138: Bold Face No. 3 Roman . (cancelled in 1965)
composition matrices: UA.3: 9pt[46] size: 9pt (9D) set: 8.75 line:M.1330
503: Bold Face (cancelled in 1965)
176: Bold Face Outline (see: 176 Old Style Bold Outline )
253: Bold Face Special Line (see: 253 Old Style Bold )
167: Bold Italic (see: 167 De Vinne Italic series No. 167 )
334: Bold (The Times) (see: 334 Times Bold )
345: Bold (The Times) (see: 345 Times Bold )
360: Bold (The Times) (see: 360 Times Bold ) 278: Braggadocio Roman
display matrices:[47] size:
18pt 24pt 36 48pt 72pt
line:
T.1015
T.2690
T.4024
T.5448
T.8180
466: Breitkopf romain (cancelled in 1936) a306: Broadway (Sorts) (cancelled before 1966)
a307: Broadway Engraved (Sorts) (cancelled before 1966) 494: Bruce Rogers (cancelled in 1967)
594: Bruce Rogers Titling (in research) 469: Bulmer Roman /italic
composition matrices: UA.412: 11pt-12pt[48] size:
11pt (10D)12pt (12D)
set:
10
11.25
line:
M.1337
M.1345
C
edit
L17: Calendar Figures Roman
L19: Calendar Days Roman 197: Canterbury (cancelled in 1967)
composition matrices: UA.57 = 8-12pt[49] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
6.5
8
9.75
11.5
line:
M.1258
M.1302
M.1400
M.1450
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
128: Caslon Roman /italic
composition matrices: UA.57 = 8-12pt[50] size:
8pt (8D)9pt (8D)10pt (9D)
11pt (10D)12pt (11D)13.5pt (14D) op 14pE
14pt Large Face (14D)
UA.
7
8
9
10
11
12
384
set:
8.25
8.75
9.75
11.25
12.25
13
line:
M.1210
M.1225
M.1270
M.1285
M.1324
M.1360
M.1474
large composition: 18pt - 24pt, size:
18pt 20pt (20D)24pt Small face (24D)24pt
UA.Roman
104
160
105
UA.italic
153
167
167
152
set:
15.75
18
18
21.5
line:
T.1672
T.2088
T.2088
T.2364
display matrices: size:
14pt 18pt 24pt 30pt (short desc.) op 24pica30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1672
T.2364
T.2918
T.2918
T.3474
T.4166
T.4988
T.6120
T.7660
209: Caslon Titling Roman
display matrices:[50] size:
48pt 60pt 72pt
line:
T.4988
T.6120
T.7660
Castellar 600: Castellar Roman
Title typeface drawn by John Peters in 1957 based on engraved Roman square capitals .[51] [52] display matrices:[53] size:
24pt 30pt 36pt 48pt 60pt 72pt
line:
T.2986
T.3654
T.4474
T.6038
T.7590
T.9110
252: Centaur Roman /italic , also known under the name: Arrighi
composition matrices: UA.90 = 6-14pt, UA.322 = 14pt[54] size:
6pt (6D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
6.5
8.25
8.75
9.25
10.25
11.25
12.5
line:
M.1202
M.1252
M.1256
M.1256
M.1286
M.1315
M.1418
large composition: 14pt - 24pt, UA.165 = Roman , UA.166 = italic size:
14pt (14D)16pt (16D)18pt (18D)22pt (22D)24pt (24D)
set:
12.5
14
15.5
18.5
21
line:
T.1418
T.1493
T.1675
T.2024
T.2240
display matrices: size:
14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1306
T.1493
T.1675
T.2240
T.2744
T.3344
T.3926
T.4508
T.5640
T.6800
352: Centaur Roman /italic
large composition matrices only 18pt[55] size:
18pt (18D) Roman18pt (18D) italic
UA.
389
166
set:
18.25
15.5
line:
T.1747
T.1747
295: Centaur Titling Roman 227: Century No. 2 Roman /italic (see: 227 Century Schoolbook )
211: Century No. 1 Roman (synonym: 211 Modern )
composition matrices UA.1 = 8pt[56] size:
8pt (8D)
set:
8.5
line:
M.1320
545: Century Bold (cancelled in 1967)
546: Century Bold Extended (cancelled in 1967)
227: Century Schoolbook Roman /italic
composition matrices: UA.369 = 6-14pt, UA.322 = 14pt[57] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
6.75
7.5
8.25
9.25
10
10.75
11.75
14
line:
M.1250
M.1280
M.1310
M.1346
M.1375
M.1405
M.1448
M.1655
large composition: 18pt - 20pt only Roman UA.370 size:
18pt (18D)20pt (20D) (18pt long desc.)
set:
18
18
line:
T.2015
T.2015
477: Century Schoolbook Bold Roman
composition matrices: UA.498 = 6-14pt,[58] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
6.75
7.5
8.25
9.25
10
10.75
11.75
14
line:
M.1250
M.1280
M.1310
M.1346
M.1375
M.1405
M.1448
M.1655
650: Century Schoolbook Roman /italic
display matrices:[59] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1549
T.1950
T.2559
T.3184
T.3874
T.4565
T.5257
T.6640
T.8020
651: Century Schoolbook Bold Roman
display matrices:[59] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1549
T.1950
T.2559
T.3184
T.3874
T.4565
T.5257
T.6640
T.8020
display matrices:[60] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
510: Chatsworth (cancelled in 1965)
At the request of Stephenson and Blake, Sheffield produced for them in one size.
composition matrices: UA.391 = 10pt,[61] size:
10pt (10D)
set:
12
line:
M.1425
154: Chiswell Old face Roman /italic
display matrices:[60] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
_12: Clarendon Roman
composition matrices: UA.2 = 5-12pt,[62] size:
5pt (5D)5.5pt (5D)6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (11D)12pt (12D)
set:
5.5
6.5
6.5
7.25
8.25
9.25
9.75
10.75
12
line:
M.1200
M.1240
M.1258
M.1280
M.1305
M.1330
M.1320
M.1380
M.1385
412: Clarendon No. 2 (cancelled in 1967)
composition matrices: UA.2 = 5-12pt,[63] size:
8pt (8D)9pt (8D)11pt (11D)
set:
8.5
9.25
10.5
line:
M.1240
M.1265
M.1320
501: Clarendon Timetable (cancelled in 1967) 157: Clearface Bold Roman /italic
composition matrices: UA.2 = 6-12pt,[64] size:
6pt (6D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)
set:
6.75
8.25
9.25
10
10.75
11.75
line:
M.1220
M.1250
M.1250
M.1294
M.1320
M.1360
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
271: Cloister Bold (cancelled in 1967)
composition matrices: UA.86 = 6-12pt,[65] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:
6.75
8.25
9.75
10.75
line:
M.1245
M.1273
M.1285
M.1326
272: Cloister Old Style (cancelled in 1967)
composition matrices: UA.89 = 6-12pt,[65] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:
6.5
7.75
8.5
10
line:
M.1236
M.1275
M.1269
M.1316
a395: Cloister Old Style (Sorts) (cancelled before 1966) 165: Cochin Roman /italic
composition matrices: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic[66] size:
6D (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:
7.5
8.5
10.5
11.5
12.25
13.25
15
line:
M.1239
M.1254
M.1293
M.1320
M.1360
M.1387
M.1440
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1440
T.1841
T.2480
T.3056
T.3726
225: Colonna Roman
display matrices:[67] size:
18pt 24pt 36pt
line:
T.1585
T.2114
T.3154
511: Condensa italic
display matrices:[53] size:
18pt 24pt 30pt
line:
T.1948
T.2640
T.3194
213: Condensed Bold (see: 213 Bernard Condensed )
224; Condensed Heavy Antique (see: 224 Devonshire Bold Condensed )
383: Condensed Heavy Grotesque (see: 383 Grotesque Condensed )
523: Condensed Heavy Grotesque Titling (see: 523 Grotesque Condensed )
419: Condensed Latin (see: 419 Grotesque Condensed Titling ) 306: Crossword Puzzle Solutions
composition matrices: 11pt[58]
11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + empty field + shaded area, the matrices were cast on squares, with a flat wedge.
306: Crossword Puzzle Specials
18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = leeg veld, S2611 = gearceerd veld
309: Crossword Squares (cancelled) _17: Cushing (cancelled in 1967)
composition matrices UA.1 = 6pt - 13pt[68] size:
6D (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11 of 12DD)13pt (12D)
set:
6.5
7.25
8
8.75
9.25
10.25
12
12.5
line:
M.1235
M.1220
M.1245
M.1265
M.1290
M.1323
M.1380
M.1395
D
edit
326: Daily Mail Modern (cancelled in 1974) This font was the last design of Giovanni Mardersteig . Charles Malin, the engraver producing the punches for Mardesteig died in 1955. After this event Mardersteig did not want any more new designs. In his opinion punches made with a pantograph were inferior. The character was later adapted for composition casters by Monotype and released in 1957. 592: Dante Roman /italic
composition matrices: UA.441, 6D-14D[69] size:
6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE13D at 14pE14D at 16pE
set:
6
7
7.5
8.25
8.75
9.75
10.75
11.5
12.75
line:
M.1200
M.1245
M.1290
M.1322
M.1382
M.1533
display matrices size:
18D at 20pE24D at 30pE36D at 36pE48D at 60pE
line:
T.1841
T.2462
T.3684
T.4960
682: Dante Semi Bold Roman /italic
composition matrices: UA.504, 6D-14D[69] size:
6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14D at 16pE
set:
6
7
7.5
8.25
8.75
9.75
10.75
12.75
line:
M.1200
M.1245
M.1290
M.1322
M.1354
M.1533
612: Dante Titling Roman
display matrices[70] size:
16D at 18pE20D at 22pE28D at 30pE36D at 36pE
line:
T.1677
T.2085
T.2952
T.3764
298: Deutsch Romisch (cancelled in 1970)
composition matrices: UA.303, 6D-12D[71] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:
6.75
8
9
10
12
line:
M.1243
M.1350
M.1480
286: Deutsch Romisch Bold (cancelled in 1967)
composition matrices: UA.304, 8D-10D[10] size:
8D at 9pE10D at 11pE
set:
8
10
line:
M.1390
131: De Vinne (cancelled in 1967
composition matrices: UA.400, 8pt[72] size:
8pt (8D)12D op 13pE
set:
8
12.25
line:
M.1445
display matrices size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1938
T.2640
T.3194
T.3884
_21: De Vinne (see: De Vinne Condensed )
_21: De Vinne Condensed (cancelled in 1967)
composition matrices: UA.2 6.5pt - 12 pt[73] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
6.5
8
9.25
11.25
line:
M.1230
M.1280
M.1360
M.1435
167: De Vinne Italic (synonym: Bold Italic Series No. 167 ) (cancelled in 1967)
composition matrices: UA.3 7.5pt - 11 pt[73] size:
7.5pt (7D)8pt (8D)9pt (8D10pt (9D)11pt (10D)
set:
8
8
8.75
9.75
10.5
line:
M.1250
M.1250
M.1280
M.1294
M.1320
223: Devonshire Bold (synonym: 223 Heavy Antique (cancelled in 1967)
display matrices[74] size:
42pt 48pt
line:
T.4576
T.5268
224: Devonshire Bold Condensed (synonym: 224 Condensed Heavy Antique ) (cancelled in 1967)
display matrices[75] size:
42pt 48pt
line:
T.4576
T.5268
_71: Didot Roman /italic
composition matrices: UA.1 6.5pt - 13pt[76] size:
6.5pt (6D)7.5pt (7D)9pt (8D10pt (9D)11pt (10D)11pt Large face (10D)12pt (11D13pt (12D)
set:
7,25
7.5
8.75
9.5
10.25
11
11.75
12.5
line:
M.1225
M.1240
M.1260
M.1290
M.1320
M.1335
M.1360
M.1390
425: Divina Comedia (destroyed in a bombardment) 436 Dorcherster script
display matrices[77] size:
14pt 18pt 24pt 36pt
line:
T.1218
T.1565
T.2088
T.3114
E
edit
107: Egyptian No. 1 Roman
composition matrices: UA.2 = 6-12pt[78] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:
6.5
7.25
7.5
8
8.75
10.5
12
line:
M.1220
M.1220
M.1250
M.1266
M.1291
M.1315
M.1356
171: Egyptian (synonym: 171 Egyptian Bold ) (cancelled in 1967)
composition matrices: UA.39 = 9pt[79] size:
9pt
set:
8.5
line:
M.1266
173: Egyptian No. 4 Roman
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
129: Egyptian Roman (see: Egyptian Bold nr.1 en: 251)
130: Egyptian (cancelled in 1967)
composition matrices: UA.3 = 8pt[80] size:
8pt
set:
8
line:
M.1285
162: Egyptian No. 3 (cancelled in 1967)
composition matrices: UA.3 = 8pt[81] size:
6.5pt
set:
6.5
line:
M.1210
184: Egyptian (see: 184 Ionic No. 3 )
241: Egyptian
251: Egyptian (see: Egyptian Condensed )
330: Egyptian (see: Egyptian Bold )
129: Egyptian Bold No. 1 Roman (see: 251 )
composition matrices: UA.3 = 8-10pt[37] size:
8pt (8D)9pt (9D)10pt (10D)
set:
8.5
9.25
10
line:
M.1235
M.1257
M.1290
171: Egyptian Bold (see: 171 Egyptian ) (cancelled in 1967)
330: Egyptian Bold (synonym: 330 Egyptian ) (cancelled in 1967)
composition matrices: UA.3 = 6D[82] size:
6D (6D)
set:
8
line:
M.1285
282: Egyptian Bold Condensed Roman (see: 251 ) (synonyms: Egyptian Heavy and Heavy Egyptian
composition matrices: UA.313 = 6D[37] size:
6D
set:
6.5
line:
M.1230
251: Egyptian Condensed Roman
composition matrices: UA.63 = 6.5pt[37] size:
6.5pt (6D)
set:
6.5
line:
M.1230
112: Egyptian Condensed (cancelled in 1967)
composition matrices: UA.2 = 9pt[83] size:
9
set:
8.5
line:
M.1270
464: Egyptian Condensed (cancelled in 1967)
composition matrices: UA.130 = 6D-10D[61] size:
6D op 7pE7D op 8pE8D' op 9pE9D op 10pE10D op 11pE
set:
6.75
7.75
8.5
9.5
10.75
line:
M.1206
M.1246
M.1278
M.1301
M.1335
_72: Egyptian Extended Roman
composition matrices: UA.3 = 5-13pt[84] size:
5pt (5D)5.5pt (5D)6pt (6D)6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:
5.5
7.25
7.25
7.75
8.5
9.75
10
11
12.25
13
line:
M.1173
M.1220
M.1220
M.1225
M.1240
M.1260
M.1290
M.1320
M.1360
M.1390
465: Egyptian Extended (bij bombardement vernietigd)
282: Egyptian Heavy Roman (see: 282 Egyptian Bold Condensed ) 453: Ehrhardt Roman /italic
composition matrices: UA.397 = 6-14pt[85] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)11pt (11D)12pt (12D)14pt (14D)
set:
6.25
7.25
7.75
8.5
9.25
10
11
12.75
line:
M.1220
M.1255
M.1270
M.1300
M.1320
M.1346
M.1381
M.1520
display matrices: size:
18pt 24pt 30pt 36pt
line:
T.1810
T.2424
T.2987
T.3608
563: Ehrhardt (cancelled in 1974)
573: Ehrhardt Semi-Bold Roman /italic
composition matrices: UA.430 = 6-14pt[85] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
6.25
7.25
7.75
8.5
9.25
10
11
12.75
line:
M.1220
M.1255
M.1270
M.1300
M.1320
M.1346
M.1381
M.1520
display matrices: size:
18pt 24pt 30pt 36pt
line:
T.1810
T.2424
T.2987
T.3608
235: Elite Typewriter (see: Typewriter )
composition matrices: UA.28 = 12pt[37] size:
12pt (11D of 12D)
set:
13.25
line:
M.1302
_19: Elsevir Roman /italic
UA.1 6pt - 12 pt[86] [87] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt
set:
6.5
7.25
8
8.75
9.5
10.25
12
line:
M.1210
M.1242
M.1270
M.1290
M.1340
M.1360
M.1415
Electronic Reading Founts E-13B CMC7 407-1 OCR-B 320: Emerson Roman /italic
composition matrices: UA.390 = 8-14pt[88] size:
8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
7.5
8.75
9.5
10.25
12.25
line:
M.1210
M.1252
M.1270
M.1299
M.1421
display matrices: size:
18pt 24pt
line:
T.1693
T.2260
400: Emerson (cancelled in 1967)
479: Emerson (destroyed in a bombardment) 452: Emery (cancelled in 1965) 146: Engraver's Titling (see: 146 Engravers' Titling )
146: Engravers' Titling Roman
composition matrices: UA.18 = 6pt, capitals in 4 sizes, that can be combined.[89] size:
6pt (6D)
set:
8
line:
M.1282
147: Engravers' Titling (see: Engravers' Bold Titling )
147: Engravers' Titling Bold (see: Engravers' Bold Titling ) 147: Engravers Bold Titling Roman
composition matrices: UA.18 = 6 and 12pt in 4 sizes that can be combined.[67] size:
6pt (6D)12pt (12D)
set:
8
14.5
line:
M.1282
M.1420
display matrices: 24 pt in 5 sizes F
edit
586: Fabritius Roman 323: Falstaff Roman /italic
composition matrices: UA.347 = 6D-12D[90] size:
6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:
10.25
12
13.75
15.5
17
20.5
line:
M.1245
M.1288
M.1330
M.1373
M.1415
M.1503
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE
line:
T.1616
T.1838
T.2060
T.2282
T.2756
T.3465
T.4134
T.4849
399: Felix Titling Roman
display matrices:[91] 514: Fanfare Bold Condensed Italic Titling italic (destroyed in a bombardment)
516: Fanfare Bold Condensed Italic Titling No. 2 italic 554: Festival Titling italic
display matrices:[92] size:
36pt 42pt 48pt 60pt 72pt
line:
T.4576
T.5406
T.6098
T.7619
T.9175
536: Figaro Roman
display matrices:[93] size:
24pt 30pt 36pt 48pt
line:
T.2680
T.3294
T.4014
T.5418
626: Figaro Bold (cancelled in 1967) ^ Fleet Titling
632: Fleet Titling Roman
display matrices:[21] size:
14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1622
T.1855
T.2080
T.2780
T.3414
T.4164
T.4906
T.5618
T.7050
T.8470
431: Floriated capitals
display matrices:[94] 403: Fontana Roman /italic
composition matrices: UA.464 = 8pt-14pt[95] size:
8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
7.5
9.25
10
11
12.5
line:
M.1233
M.1295
M.1320
M.1352
M.1481
large composition matrices: size:
18pt Roman18pt italic24pt Roman
UA.
488
464
488
set:
16
16
21.5
line:
T.1810
T.1810
T.2364
437: Fontana bible face Roman /italic
composition matrices: UA.464 = 4.5pt-6pt[85] size:
4.5pt (4D)5pt (5D)6pt (6D)6pt long desc. & asc.on 8pE
set:
5.25
6.25
7.25
7.25
line:
M.1231
M.1271
M.1300
M.1300
443: Fontana Titling (destroyed in a bombardment) 614: Forte
display matrices:[96] size:
18D at 20pE24D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt
line:
T.1984
T.2654
T.3974
T.5360
T.6710
T.7530
185: Fournier Roman /italic
composition matrices: UA.59 = 8pt-13.5pt[97] size:
8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)
set:
7.25
8.25
8.75
9.25
10.25
11.75
line:
M.1256
M.1280
M.1294
M.1315
M.1345
M.1397
large composition matrices: UA. 446 size:
14pt (14D)
set:
12.25
line:
T.1385
185: Fournier Old Face (see: Fournier )
285: Fournier Old Face (Shortened Caps) (see: Fournier Shortened Capitals )
285: Fournier Shortened Capitals Roman /italic (see also: Fournier 185 )
composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of Fournier 185 [97] size:
10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)
set:
8.75
9.25
10.25
11.75
line:
M.1294
M.1315
M.1345
M.1397
_76: French Face Extended (cancelled in 1967)
composition matrices: UA.1 = 7D-10pt[98] size:
7D at 8pE9pt (8D)10pt (9D)
set:
8.25
9.75
10.75
line:
M.1250
M.1257
M.1301
111: French Modern (cancelled in 1967)
composition matrices: UA.1 = 6D-10pt[98] size:
6D op 7pE7D op 8pE9pt (8D)10pt (9D)
set:
7
8.25
8.5
9
line:
M.1215
M.1250
M.1270
M.1290
_68: French Old Style Roman /italic
composition matrices: UA.1 = 6.5pt-13pt[99]
oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same. size:
6.5pt at 7pE (6D)7pt 7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
7.25
7.25
7.5
7.5
8.25
9.75
10.75
line:
M.1215
M.1215
M.1253
M.1253
M.1260
M.1290
M.1320
M.1388
109: French Old Style Roman /italic (synonym: French Old Stype no. 2 ) (cancelled in 1967)
composition matrices: UA.1 = 6.5pt-11pt[100] size:
6.5pt (6D) op 7pE7.5pt (7D) op 8pE9pt (8D)10pt (9D)11pt (10D)
set:
6.5
7.5
8.25
9.5
10.25
line:
M.1220
M.1250
M.1260
M.1291
M.1315
148: French Old Style No. 3 (cancelled in 1967
composition matrices: UA.1 = 6.5pt[101] size:
6.5pt (6D) op 7pE
set:
6.5
line:
M.1215
_69: French Old Style Bold Roman /italic
composition matrices: UA.1 = 7pt-13pt[102] size:
7pt (6D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
7.5
7.5
8.75
9.5
10.25
12.25
line:
M.1215
M.1253
M.1260
M.1290
M.1320
M.1388
_69: French Old Style (Half-Fat) (see: French Old Style Bold ) _44: French Round Face Roman /italic
composition matrices: UA.1 = 6.5pt-13pt[103] size:
6.5pt (6D) at 7pE7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
7.75
8.5
9.75
10
11
12.25
13
line:
M.1225
M.1243
M.1280
M.1300
M.1327
M.1360
M.1387
314: Fredericus Antiqus Roman /italic
composition matrices: UA.1 = 6.5pt-13pt[22] size:
6D at 7pE7D at 8pE10D at 11pE12D at 13pE
set:
8
8.5
9
11
12.5
line:
M.1236
M.1268
M.1295
M.1333
M.1380
596: Futura Buchschrift (cancelled in 1960) G
edit
a313: Gallia (Sorts) (cancelled voor 1966) 156: Garamond Roman /italic
Swash and ligatures for 156
The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was: ' Series 174 '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines.
composition matrices: UA.37 = 6-12pt, UA.99 = 14pt[104] size:
6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D 14pt (14D)
set:
6
6.75
7
8
8.75
9.5
10.25
11.25
12.25
12.25
line:
M.1186
M.1200
M.1220
M.1250
M.1268
M.1276
M.1300
M.1338
M.1368
M.1486
large composition: Roman = UA.114 italic = UA.115
14pt (14D) Roman /italic , 16pt (16D) Roman , 18pt (18D) Roman /italic , 24pt (24D) Roman /italic size:
14pt (14D)16pt (16D)18pt (18D)24pt (24D)
set:
12.75
14
16
21.5
line:
T.1395
T.1600
T.1810
T.2364
display matrices: size:
14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1600
T.1810
T.2138
T.2364
T.2918
T.3470
T.4166
T.4778
T.5961
T.7240
201: Garamond bold Roman /italic
composition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342[57] size:
6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D 14pt (14D)
set:
6
6.75
7
8
8.75
9.5
10.25
11.25
12.25
14
line:
M.1186
M.1200
M.1223
M.1254
M.1268
M.1285
M.1311
M.1350
M.1380
M.1500
large composition: UA.154
18pt (18D) Roman /italic , 24pt (24D) Roman /italic size:
18pt (18D)24pt (24D)
set:
18
24
line:
T.1810
T.2364
display matrices: size:
14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1600
T.1810
T.2138
T.2364
T.2918
T.3608
T.4162
T.4854
T.5961
T.7240
174: Garamond Italic No. 2 italic (the Roman was cancelled before 1966)
composition matrices: UA.42 = 6-12pt, UA.140 = 14pt[105] size:
6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D 14pt (14D)
set:
6
6.75
7
8
8.75
9.5
10.25
11.25
12.25
12.75
line:
M.1186
M.1200
M.1220
M.1250
M.1268
M.1276
M.1300
M.1338
M.1368
M.1486
large composition: UA.140
14pt (14D) Roman /italic , 18pt (18D) Roman /italic , 24pt (24D) Roman /italic size:
14pt (14D)18pt (18D)24pt (24D)
set:
12.75
16
21.5
line:
T.1395
T.1810
T.2364
display matrices: size:
14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1600
T.1810
T.2138
T.2364
T.2918
T.3470
T.4166
T.4778
T.5961
T.7240
201: Garamond Heavy (see: 201 Garamond Bold )
Am. 548: Garamond Bold
Am. 5481: Garamond Bold Italic
Am. 648E: American Garamond (Roman )
Am. 649G: American Garamond Italic Am. 248: Garamont (Goudy) Roman
Am. 2481: Garamont Italic (Goudy) italic 275: Gill Bold Sans-Serif (see: 275 Gill Sans Bold )
430: Gill Face (destroyed in a bombardment)
442: Gill Ultra Bold (see: 442 Gill Sans Ultra Bold )
433: Gill Moiree Shadow (destroyed in a bombardment) 262: Gill Sans Roman /italic
composition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders)[106] size:
5pt 5.5pt at 6pE6pt 6D 7pt 8pt 8D at 9pE9pt 9D at 10pE10pt 10D at 11pE11pt 12pt 14pt set:
6
6.5
6.5
7
7.5
8
9
9
9.5
9.5
10.25
10.25
11.25
12.5
line:
M.1198
M.1220
M.1220
M.1235
M.1255
M.1255
M.1285
M.1285
M.1302
M.1302
M.1327
M.1327
M.1360
M.1415
large composition: UA.383, Roman 18pt size:
18pt (18D)
set:
17
line:
T.1841
display matrices: size:
14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1611
T.1841
T.2002
T.2181
T.2480
T.2918
T.3606
T.4162
T.4844
T.6124
T.7270
349: Gill Sans No. 2 Roman /italic
composition matrices: Roman: UA.345 = 5pt[107] size:
5pt (5D)
set:
5
line:
M.1155
275: Gill Sans Bold Roman /italic
composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)[84] size:
5pt 5.5pt at 6pE6pt 6D 7pt 8pt 8D at 9pE9pt 9D at 10pE10pt 10D at 11pE11pt 12pt 14pt set:
6
6.5
6.5
7
7.5
8
9
9
9.5
9.5
10.25
10.25
11.25
12.5
line:
M.1198
M.1220
M.1220
M.1235
M.1255
M.1255
M.1285
M.1285
M.1302
M.1302
M.1327
M.1327
M.1360
M.1415
large composition: UA.383, Roman 18pt size:
18pt (18D)
set:
18
line:
T.1841
display matrices: size:
14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1611
T.1841
T.2002
T.2181
T.2480
T.2918
T.3606
T.4162
T.4844
T.6124
T.7270
350: Gill Sans Bold Roman (see: 350 Gill Sans 349 )
composition matrices: Roman: UA.346 = 5pt[107] size:
5pt (5D)
set:
5
line:
M.1155
575: Gill Sans Bold (cancelled in 1967)
343: Gill Sans Bold Condensed Roman
composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)[108] size:
5.5pt at 6pE6pt 8pt 9pt 10pt 12pt 14pt set:
6.5
6.5
8
9
9.5
11.25
12.5
line:
M.1220
M.1220
M.1255
M.1285
M.1302
M.1360
M.1415
display matrices: size:
14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1611
T.1841
T.2480
T.2918
T.3606
T.4162
T.4844
T.6124
T.7270
373: Gill Sans Bold Condensed Titling No. 1 Roman
display matrices:[53] size:
14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt
line:
T.1181
T.2363
T.3193
T.3886
T.4714
T.6418
T.8070
T.9680
525: Gill Sans Bold Condensed Titling Roman
display matrices:[109] 468: Gill Sans Bold Extra Condensed Eoman
display matrices:[21] size:
14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt
line:
T.1637
T.2086
T.2805
T.3470
T.4160
T.5684
T.7150
T.8552
_L8: Gill Sans Bold Timetable Roman
317: Gill Sans Bold Titling Roman
display matrices:[110] size:
24pt 30pt 36pt 48pt 60pt 72pt
line:
T.3160
T.3886
T.4744
T.6398
T.8050
T.9660
233: Gill Sans Cameo Roman
display matrices:[53] size:
24pt 30pt 36pt 48pt
line:
T.2890
T.4344
T.5096
T.5828
299: Gill Sans Cameo Ruled Roman
display matrices:[53] size:
36pt 48pt
line:
T.4914
T.6528
485: Gill Sans Condensed Roman
composition matrices: Roman: UA.499 = 10-12pt[111] size:
10pt (10D)12pt (12D)
set:
8.75
10.25
line:
M.1302
M.1360
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1395
T.1841
T.2480
T.2918
T.3606
321: Gill Sans Extra Bold Roman
composition matrices: UA.336 = 6D-12pt[59] size:
6D op 7pE7D op 8pE8pt (8D)10pt (10D)12pt (12D)
set:
7
8
8
9.5
11.25
line:
M.1235
M.1270
M.1255
M.1302
M.1360
display matrices: size:
14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt 72D op 72pE
line:
T.1395
T.1581
T.1841
T.2181
T.2480
T.2918
T.3608
T.4162
T.4844
T.6124
T.7270
T.8060
526: Gill Sans Extra Bold Titling Roman
display matrices:[22] 526: Gill Sans Extra Heavy Titling (see: 526 Gill Sans Extra Bold Titling )
362: Gill Sans Light Roman /italic
composition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt[85] size:
4.5 5pt 5.5pt at 6pE6pt
6D at 7pE7pt 8pt 8D at 9pE9pt 9D at 10pE10pt 10D at 11pE11pt 12pt 14pt
didot:
4D
5D
5D
6D
6D
7D
8D
8D
9D
9D
10D
10D
11D
12D
14D
set:
5.5
6
6.5
6.5
7
7.5
8
9
9
9.5
9.5
10.25
10.25
11.25
12.5
line:
M.1239
M.1198
M.1220
M.1220
M.1235
M.1255
M.1255
M.1285
M.1285
M.1302
M.1302
M.1327
M.1327
M.1360
M.1415
display matrices: size:
14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1611
T.1841
T.2002
T.2181
T.2480
T.2918
T.3606
T.4162
T.4844
T.6124
T.7270
662: Gill Sans Light No. 2 Roman (synonym: Gill Sans Light , see also: Gill Sans 349 )
composition matrices: Roman: UA.345 = 5pt[107] size:
5pt (5D)
set:
5
line:
M.1155
353: Gill Sans Poster Roman
display matrices:[112] size:
66pt op 72pE72pt
line:
T.6683
T.8030
406: Gill Sans Shadow No. 1 Roman
display matrices:[45] size:
18pt 24pt 30pt 36pt 42 48pt 60pt 72pt
line:
T.2363
T.3160
T.3894
T.4744
T.5596
T.6408
T.8050
T.9660
408: Gill Sans Shadow No. 2 Roman
display matrices:[22] 338: Gill Sans Shadow No. 3 Roman
display matrices:[113] 290: Gill Sans Shadow Line Roman
display matrices:[108] size:
14pt 18pt 24pt 30pt 36pt 42 48pt 60pt 72pt
line:
T.1395
T.1840
T.2480
T.2918
T.3608
T.4161
T.4854
T.6124
T.7270
304: Gill Sans Shadow Titling Roman
display matrices:[114] size:
18pt 24pt 30pt 36pt 48pt
line:
T.2363
T.3162
T.3884
T.4744
T.6372
231: Gill Sans Titling Roman
composition matrices: UA.84 = 6pt in 4 sizes, 12pt[37] size:
6pt size 46pt size 36pt size 16pt sizes 3 and 46pt sizes 1 and 312pt
didot
6D
6D
6D
6D
6D
12D
set:
7.75
7.75
7.75
7.75
7.75
16
line:
M.1365
M.1365
M.1365
M.1365
M.1365
M.1750
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1846
T.2367
T.3162
T.3884
T.4744
T.5562
T.6372
T.8034
T.9700
262: Gill Sans-Serif (see: 262 Gill Sans )
349: Gill Sans-Serif (see: 349 Gill Sans )
353: Gill Sans-Serif (see: 353 Gill Sans Poster )
275: Gill Sans-Serif Bold (see: 275 Gill Sans Bold )
350: Gill Sans-Serif Bold (see: 350 Gill Sans Bold )
343: Gill Sans-Serif Bold Condensed (see: 343 Gill Sans Bold Condensed )
468: Gill Sans-Serif Bold Extra Condensed (see: 465 Gill Sans Bold Extra Condensed )
233: Gill Sans-Serif Cameo (see: 233 Gill Sans Cameo )
299: Gill Sans-Serif Cameo Ruled (see: 299 Gill Sans Cameo Ruled )
373: Gill Sans-Serif Extra Bold Titling (see: 373 Gill Sans Bold Condensed Titling )
321: Gill Sans-Serif Extra Heavy (see: 321 Gill Sans Extra Bold )
485: Gill Sans-Serif Medium Condensed (see: 485 Gill Sans Condensed )
362: Gill Sans-Serif Light (see: 362 Gill Sans Light )
304: Gill Sans-Serif Shadow (see: 304 Gill Sans Shadow Titling )
406: Gill Sans-Serif Shadow No. 1 (see: 406 Gill Sans Shadow No. 1 )
408: Gill Sans-Serif Shadow No. 2 (see: 408 Gill Sans Shadow No. 2 )
290: Gill Sans-Serif Shadowline (see: 290 Gill Sans Shadow Line )
231: Gill Sans-Serif Titling (see: 231 Gill Sans Titling )
317: Gill Sans-Serif Titling (see: 317 Gill Sans Bold Titling )
338: Gill Sans-Serif Two Colour (see: 338 Gill Sans Shadow No. 3 )
442: Gill Sans-Serif Ultra Bold (see: 442 Gill Sans Ultra Bold )
442: Gill Sans Ultra Bold Roman
display matrices:[115] size:
18pt 24pt 36pt 48pt 60pt 72pt
line:
T.1985
T.2640
T.3974
T.5398
T.6720
T.8060
Alternative characters for 262, 275, 362 103: Gloucester Bold Roman /italic
composition matrices: UA.5 = 6-13.5pt,[116] size:
6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)
set:
6
7.25
7.25
8
9
9.75
10.5
11.25
12.75
line:
M.1276
M.1323
M.1323
M.1352
M.1400
M.1433
M.1467
M.1500
M.1563
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
198: Gloucester Bold Condensed Roman
composition matrices: UA.60 = 6-12pt,[30] size:
6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:
6
7.25
8.5
9.25
9.75
line:
M.1276
M.1323
M.1400
M.1433
M.1443
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
243: Gloucester Bold Extended Roman
composition matrices: UA.75 = 6-12pt,[21] size:
6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:
6
7.25
9
9.75
11.25
line:
M.1276
M.1323
M.1400
M.1433
M.1500
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
395: Gloucester Bold Extra Condensed Roman
display matrices: 14-72pt[22] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1580
T.2015
T.2676
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
160: Gloucester Bold Italic
composition matrices: UA.3 = 6-12pt,[21] size:
6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (11D)
set:
6.75
8
9
10.25
11.5
line:
M.1276
M.1323
M.1353
M.1400
M.1500
396: Gloucester Extra Condensed Roman
display matrices: 14-72pt[85] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
_99: Gloucester Old Style Roman /italic
composition matrices: UA.4 = 6-13.5pt,[30] size:
6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)
set:
6
7.25
7.25
8
9
9.75
10.5
11.25
12.75
line:
M.1276
M.1323
M.1323
M.1352
M.1400
M.1433
M.1467
M.1500
M.1563
large composition: 18pt (18D) UA.116, Roman /italic , 24pt (24D) UA.117, Roman /italic size:
18pt (18D)24pt (24D)
set:
16
21.5
line:
T.1984
T.2640
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
Gothic (collective name for sans serif typefaces)__4: Gothic (synonym: Grotesque Condensed ) (cancelled in 1967)
composition matrices UA.1B 6pt - 12pt[117] size:
6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (12D)
set:
6.5
8
8.5
9.25
12
line:
M.1220
M.1260
M.1290
M.1320
M.1360
269: Goudy Bold Roman /italic
composition matrices: UA.88 = 6-14pt,[118] size:
6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)
set:
7.5
9.25
11
11.75
12.75
15.5
line:
M.1250
M.1286
M.1362
M.1386
M.1425
M.1620
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt
line:
T.1518
T.1965
T.2590
T.3124
T.3824
T.4427
441: Goudy Bold Roman /italic
composition matrices: UA.382 = 6-12pt,[119] size:
6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:
6.75
8.5
10.25
11.25
12.25
line:
M.1246
M.1295
M.1370
M.1407
M.1442
268: Goudy Cataloque Roman /italic
composition matrices: UA.83 = 6-14pt,[97] size:
6pt (6D)8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:
7
8.75
9.25
10.25
12
14
line:
M.1250
M.1294
M.1325
M.1377
M.1447
M.1592
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1470
T.1980
T.2620
T.3194
T.3884
T.4576
T.5268
364: Goudy Cataloque Roman /italic
composition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,[45] size:
5pt (5D)5,5pt (6D)6pt (6D)7pt (7D)7.75pt op 8pE (8D)
set:
5.5
6.25
7.75
8.5
9.25
line:
M.1190
M.1208
M.1240
M.1253
M.1282
214: Goudy Extra Bold Roman /italic
composition matrices: UA.88 = 6-14pt,[120] size:
6pt (6D)8pt (8D)8D op 9pE9pt (9D)10pt (10D)12pt (12D)
set:
7.5
9
10.25
10.25
11.5
13.5
line:
M.1237
M.1285
M.1323
M.1323
M.1323
M.1385
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1810
T.2502
T.3056
T.3746
T.4406
T.5048
T.6340
T.7550
249: Goudy Modern Roman /italic
composition matrices: UA.87 = 10-12pt,[121] size:
10pt (9D)11pt (10D)12pt (12D)
set:
9.25
10
11.25
line:
M.1235
M.1256
M.1290
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1257
T.1671
T.2226
T.2780
T.3332
T.3886
T.4438
291: Goudy Old Style Roman /italic
composition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt[93] size:
6pt (6D)8pt (8D)8pt long desc.10pt 10pt long desc.11pt short desc.11pt 12pt 14pt
didot:
6D
8D
9D op 9pE
10D
11D
10D op 11pE
11D
12D
14D
set:
6.75
8.5
8.5
10.25
10.25
11.25
11.25
12.25
15
line:
M.1246
M.1295
M.1295
M.1370
M.1370
M.1407
M.1407
M.1442
M.1630
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1538
T.1948
T.2606
T.3184
T.3874
T.4427
T.5118
T.6364
T.7609
292: Goudy Text (gotisch schrift)
composition matrices: UA.339 = 9-12pt, can be combined with 293 Lombardic Capitals [122] size:
9pt (8D)10pt (10D)12pt (12D)
set:
7.5
8
9.5
line:
M.1354
M.1356
M.1425
display matrices: size:
14pt 18pt 24pt 36pt 48pt
line:
T.1523
T.1939
T.2590
T.3884
T.5268
439: Goudy Titling Roman 533: Gravura Roman (cancelled in 1965)
composition matrices: UA.1 = 12pt[123] size:
12pt (12D)
set:
10
line:
M.1325
388: Grock Roman
display matrices:[10] size:
24pt 36pt 48pt
line:
T.3160
T.4744
T.6398
493: Grosvenor Script italic
display matrices:[124] Grotesque (collective name for sans serif typefaces)_11: Grotesque (see: 11 Grotesque Bold Condensed )
_33: Grotesque (see: 33 Grotesque Condensed )
_51: Grotesque Roman /italic
composition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt[125] size:
6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:
7.75
9.5
10.25
11.5
12.5
15.5
line:
M.1220
M.1235
M.1265
M.1291
M.1315
M.1444
large composition: size:
14pt (14D)18pt (18D)24pt (24D)
set:
14
18
24
line:
T.1533
T.1984
T.2640
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2308
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
126: Grotesque (see: 126 Grotesque Light No. 1 )
215: Grotesque Roman /italic (synonym: Grotesque No. 1 )
composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401[126] size:
5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
5.25
6.75
7.5
7.75
8.5
9.5
10.25
12.5
line:
M.1208
M.1265
M.1287
M.1292
M.1322
M.1371
M.1405
M.1495
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:
T.1630
T.1852
T.2076
T.2300
T.2780
T.3565
T.4164
T.5570
T.7040
T.7900
216: Grotesque (see: 216 Grotesque Bold )
274: Grotesque (see: 274 Grotesque Light Condensed )
389: Grotesque No. 2 (see: 389 Grotesque Light )
212: Grotesque Roman (cancelled in 1964)
composition matrices: UA.62 = 6.5pt[127] size:
6.5pt at 7pE (6D)
set:
7
line:
M.1393
_73: Grotesque Bold No. 3 Roman
composition matrices: UA.3 = 6-13pt[128] size:
6pt (6D)6.5pt at 7pE (6D)7.5pt at 8pE (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
7.25
7.75
8.5
9.75
10
11
12.25
13
line:
M.1211
M.1225
M.1240
M.1260
M.1290
M.1320
M.1360
M.1390
_97: Grotesque Bold Roman (in red: withdrawn around 197(?) )
composition matrices: UA.2 = 7.7pt[129] size:
7.5pt (7D)
set:
9.5
line:
M.1262
216: Grotesque Bold No. 2 Roman /italic combines with Series No. 215 Grotesque
composition matrices: 6.5pt-13pt = UA.66[130] size:
5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
5.25
6.75
7.5
7.75
8.5
9.5
10.25
12.5
line:
M.1208
M.1265
M.1287
M.1292
M.1322
M.1371
M.1405
M.1495
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:
T.1630
T.1852
T.2076
T.2300
T.2780
T.3565
T.4164
T.5570
T.7040
T.7900
680: Grotesque Bold Roman (see: Bell Gothic 619 )
composition matrices UA.502 6pt[131] size:
6pt (6D)
set:
7
line:
M.1245
_11: Grotesque Bold Condensed (cancelled in 1967)
composition matrices: UA-2, 6pt & 9pt (synonym: Grotesque )[132] size:
6pt (6D)9pt (8D)
set:
6.5
8
line:
M.1225
M.1260
_15: Grotesque Bold Condensed No. 2 Roman /italic (synonym: series 15 Sans Serif )
composition matrices Roman : UA.2 = 6pt - 12pt[133]
6pt (6D) with short descenders: 6.5 set line .1225 size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
6.5
7.75
8
8.75
10
10.75
12
line:
M.1225
M.1255
M.1285
M.1310
M.1355
M.1380
M.1430
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
365: Grotesque Bold Condensed (synonym: 365 Heavy Narrow Gothic ) (cancelled in 1967)
composition matrices UA.333 = 10pt - 12pt[134] size:
10pt (10D)12pt (12D)
set:
8.75
10.25
line:
M.1410
M.1490
_81: Grotesque Bold Condensed Roman
composition matrices: UA.2 = 10pt[135] size:
10pt (9D)
set:
9.5
line:
M.1301
166: Grotesque Bold Condensed No. 4 (synonym: 166 Grotesque Bold Condensed Titling )
composition matrices: UA.403 = 12pt, UA.121 = 14pt[136] size:
12pt (12D)
set:
12
line:
M.1590
large composition: size:
14pt (14D)
set:
14
line:
T.1691
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1671
T.2085
T.2778
T.3470
T.4299
T.4991
T.5821
T.7204
T.8623
166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed No. 4 )
527: Grotesque Bold Condensed Titling Roman
display matrices:[137] 150: Grotesque Bold Extended No. 1 Roman /italic
composition matrices: 6pt-12pt, 7pt and 9pt only italic[138] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
UA. rom:
22
.
40
.
40
40
40
UA. curs.
309
310
310
310
310
310
130
set:
6.5
8.75
10
11
12
13
14
line:
M.1200
M.1245
M.1280
M.1306
M.1365
M.1395
M.1470
large composition: size:
18pt (18D)24pt (24D)
set:
19.5
26
line:
T.1948
T.2640
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2308
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
168: Grotesque Bold Extended (cancelled in 1967)
524: Grotesque Bold Titling Roman
display matrices:[139] _33: Grotesque Condensed No. 2 Roman
composition matrices: UA.2 = 6pt-13.5pt[140] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)13.5pt (14D)
set:
6.75
7
8
8.5
9.25
9.75
11.25
11.25
12.5
line:
M.1255
M.1255
M.1285
M.1315
M.1365
M.1395
M.1455
M.1440
M.1517
large composition, UA.395 = 22pt : size:
22pt (20D)
set:
14
line:
T.2350
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2308
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
318: Grotesque Condensed Roman
composition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt[121] size:
5D at 6pE6pt (6D)6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
5
5.25
5.5
6.5
6.75
7.5
8.25
9.25
10.25
11
line:
M.1220
M.1248
M.1264
M.1307
M.1328
M.1373
M.1410
M.1459
M.1505
M.1551
display matrices: size:
14pt 18pt 24pt 30pt 36pt 48pt
line:
T.1544
T.1948
T.2640
T.3332
T.4022
T.5406
383: Grotesque Condensed No. 4 Roman
composition matrices: UA.341 = 5D-12D[141] size:
6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set:
5
6
7
8
line:
M.1280
M.1358
M.1410
M.1500
display matrices: size:
14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE42pt at 48pE48D at 60pE60D at 72pE72pt
line:
T.1626
T.2074
T.2776
T.3565
T.4164
T.4879
T.5620
T.7030
T.7890
__4: Grotesque Condensed (see: Gothic Series No. 4)
383: Grotesque Condensed Heavy (see: 383 Grotesque Condensed )
523: Grotesque Condensed Titling Roman
display matrices:[139] 215: Grotesque Half Fat (see: 215 Grotesque No. 1 )
126: Grotesque Light No. 1 Roman /italic
composition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt[139] size:
5pt (5D)5.5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
5.25
5.75
6.75
7.5
7.75
8.5
9.5
10.25
12.5
line:
M.1208
M.1231
M.1265
M.1287
M.1292
M.1322
M.1371
M.1405
M.1495
display matrices: size:
14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE
line:
T.1630
T.2076
T.2780
T.3565
T.4164
T.5570
389: Grotesque Light (synonym: 389 Grotesque No. 2 ) (cancelled in 1967)
composition matrices: UA.2 = 8pt-12pt[142] size:
8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
9.5
10.25
11.25
12.5
15.5
line:
M.1235
M.1265
M.1291
M.1315
M.1444
274: Grotesque Light Condensed No. 2 Roman
composition matrices: UA.427 =5D, UA.94 = 6D-13pt[143] size:
5D at 6pE6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
5
5.5
6.5
6.75
7.5
8.25
9.25
10.25
11
line:
M.1220
M.1264
M.1307
M.1328
M.1373
M.1410
M.1459
M.1505
M.1551
204: Grotesque Light Condensed (synonym: 204 Light face Gothic ) (cancelled in 1967)
composition matrices: UA.58 = 12pt[144] size:
12pt (12D)
set:
10.25
line:
M.1360
display matrices: size:
14pt 18pt
line:
T.1395
T.1810
405: Grotesque Light Condensed (cancelled in 1967)
405: Grotesque Narrow (see: 405 Grotesque Light Condensed )
177: Grotesque Newspaper Smalls (see: 177 Newspaper Small Ads )
216: Grotesque 3 ⁄4 (see: 216 Grotesque Bold No. 1 )
502: Grotesque Timetable (cancelled in 1967)
524: Grotesque Titling (see: 524 Grotesque Bold Titling ) 208: Gwendolin (cancelled in 1967) 484: Gustavus Bold (cancelled in 1965)
497: Gustavus Light (cancelled in 1965) H
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531: Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpen
composition matrices: UA.408 = 14D[145] size:
14D
set:
12.75
line:
M.1500
Half Fat Modern Mediaeval _52: Half Fat Modern Mediaeval Roman (synonym: 52 Schurmann Antiqua Halbfette ) (withdrawn in 196(?) )
composition matrices: UA.5[146] size:
6D op 7pE7D op 8pE9pt (8D)10pt (9D)11pt (10D)12D op 13pE
set:
7.75
9
9.25
9.75
10.5
12.7
line:
M.1264
M.1307
M.1338
M.1399
M.1425
M.1517
595: Headline Bold Roman /italic
composition matrices: UA.443 = 6-14pt[147] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
6.75
8
8.75
9.75
10.75
11.75
12.75
14.75
line:
M.1245
M.1287
M.1320
M.1358
M.1397
M.1431
M.1474
M.1624
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
223: Heavy Antique (see: Devonshire Bold )
282: Heavy Egyptian (see: 282 Egyptian Bold Condensed ) (synonym Egyptian Heavy )
365: Heavy Narrow Gothic (see: 365 Grotesque Bold Condensed ) (cancelled in 1967)
435: Heavy Shadow French (cancelled in ??)
337: Heavy Small Caps (cancelled in 1974) 765: Helvetica Roman /italic
combines with 766 Helvetica Medium , equivalent with Stempel's Helvetica halbfett , and Linotype Helvetica Bold
composition matrices: UA.508 = 6D-12D[12] size:
6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pE
set:
7
7.75
8.75
9.75
10.75
12.75
line:
M.1230
M.1255
M.1290
M.1328
M.1360
M.1430
766: Helvetica Medium Roman /italic
composition matrices: UA.508 = 6D-12D[12] size:
6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:
7
7.75
8.75
9.75
10.75
12.75
line:
M.1230
M.1255
M.1290
M.1328
M.1360
M.1430
261: Horley Old Face Heavy (see: 261 Horley Old Style Bold )
188: Horley Old Style (replaced by 199, cancelled in 1965)
199: Horley Old Style Roman /italic
composition matrices: UA.56 = 6-13pt, UA.362 = 14pt[96] size:
6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:
6.75
8.25
9.25
10
10.75
11.75
12.75
13
line:
M.1250
M.1296
M.1328
M.1362
M.1392
M.1435
M.1473
M.1520
large composition: Roman = UA.367 size:
18pt 24pt
set:
16.6
22
line:
T.1828
T.2390
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1422
T.1828
T.2390
T.2944
T.3634
261: Horley Old Style Bold Roman /italic
composition matrices: UA.80 = 6-13pt[140] size:
6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
6.75
8.25
9.25
10
10.75
11.75
12.75
line:
M.1250
M.1296
M.1328
M.1362
M.1392
M.1435
M.1473
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 84pt 60pt 72pt
line:
T.1422
T.1828
T.2390
T.2944
T.3634
T.4276
T.4898
T.6150
T.7380
composition matrices, 12pt, no italic available
Design: Russell Maret, a revival of a typeface cut in 1686 by Peter van Walpengen for Bishop John Fell of Oxford. After 50 years this was in 2020 the first design for a font to cast in composition.[148] I
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101: Imprint Roman /italic
combines with series 310 or 410
composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt[149] size:
6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt on 14pE
set:
7
7.75
7.75
8.5
9.25
9.5
10.25
11.75
13.25
line:
M.1237
M.1257
M.1257
M.1285
M.1312
M.1300
M.1325
M.1375
M.1440
large composition: size:
16pt (16D)18pt (18D)24pt (24D)
UA.Roman
106
106
107
UA.italic
missing
128
129
set:
16
18
24
line:
T.1609
T.1810
T.2364
display matrices: size:
14pt 16pt 18pt 20pt 24pt 30pt 36pt
line:
T.1395
T.1609
T.1810
T.1998
T.2364
T.2918
T.3608
310: Imprint Bold Roman /italic
combines with series 101
composition matrices: UA.98 = 6pt-13.5pt[139] size:
6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt at 14pE
set:
7
7.75
7.75
8.5
9.25
9.5
10.25
11.75
13.25
line:
M.1237
M.1257
M.1257
M.1285
M.1312
M.1300
M.1325
M.1375
M.1440
410: Imprint Bold No. 2 Roman /italic
combines with series 101
composition matrices: 6-13.5pt[150] size:
6pt 7pt short desc.7pt 8pt 9pt 10pt 11pt 11pt large face 12pt 13.5pt on 14pE UA.Roman
348
348
348
348
348
348
348
348
348
UA.italic
76
76
76
76
76
76
76
geen italic
76
76
set:
7
7.75
7.75
8.5
9.25
9.5
10.25
11
11.75
13.25
line:
M.1237
M.1257
M.1257
M.1285
M.1312
M.1300
M.1325
M.1346
M.1375
M.1440
310: Imprint Heavy No. 1 (see: 310 Imprint Bold )
410: Imprint Heavy No. 2 (see: 410 Imprint Bold )
101: Imprint Old Face (see: 101 Imprint )
190: Imprint Shadow Roman /italic
display matrices[151] size:
60pt 72pt
line:
T.6237
M.7516
462: Indicateur (cancelled in 1967) 366: Inflex Bold Roman
composition matrices: UA.344 = 5pt-9pt, combines with: Series No. 342 Ionic [152] size:
5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)
set:
5.5
6
6.75
7.5
8.5
9.25
line:
M.1220
M.1242
M.1270
M.1290
M.1327
M.1355
503: Inflex Timetable (see: Bold Face ) __6: Ionic (see: 6 Modern no.4 ) (cancelled in 1967)
265: Ionic No. 1 Roman /italic (cancelled in 1967)
composition matrices: UA.321 = 6pt-6.5pt[153] size:
6pt (6D)6.5pt (6D)
set:
7
7.75
line:
M.1237
M.1248
342: Ionic No. 2 Roman /italic (see also: 562 Ionic 2-line
composition matrices: UA.317 = 5pt-9pt[78] size:
5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)
set:
5.5
6
6.75
7.5
8.5
9.25
line:
M.1220
M.1242
M.1270
M.1290
M.1327
M.1355
184: Ionic No. 3 Roman (synonym : 184 Egyptian ) (cancelled in 1967)
composition matrices: UA.51 = 6pt[71] size:
6pt (6D)
set:
6.75
line:
M.1255
153: Ionic No. 4 Roman (cancelled in 1967)
composition matrices: UA.1 = 8pt[10] size:
8pt (8D)
set:
10.75
line:
M.1285
416: Ionic No. 5 Roman /italic (cancelled in 1967)
composition matrices: UA.1 = 7D-8D[154] size:
7D op 8pE8D op 9pE
set:
9.25
9.75
line:
M.1266
M.1329
451: Ionic No. 6 Roman /italic (cancelled in 1967)
composition matrices: UA.380 = 6pt-7pt[155] size:
6pt (6D)7pt (7D)
set:
6.75
7.5
line:
M.1270
M.1290
476: Ionic (destroyed in a bombardment)
562: Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also: 342 Ionic )
composition matrices: UA.317(?) = 5pt,[78]
In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertisements. All can be done in one machine-run. size:
5pt (5D)
set:
8.25
line:
M.1610
_23: Iroquois Condensed Roman (cancelled in 1964)
UA.2, 8pt, 10pt, 12 pt[10] size:
8pt (8D)10pt (9D)12pt (12D)
set:
8.5
9.75
12
line:
M.1305
M.1390
M.1480
108: Italian Old Style Roman /italic
composition matrices: UA.4 = 6pt-13pt[78] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:
6.75
7.5
8.25
9
9.75
10.5
12
13
line:
M.1237
M.1268
M.1286
M.1313
M.1338
M.1364
M.1420
M.1448
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
149: Italian Old Style Bold Roman
composition matrices: UA.5 = 6pt-13pt[113] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:
6.75
7.5
8
8.75
9.75
10.5
12
13
line:
M.1237
M.1268
M.1286
M.1313
M.1338
M.1364
M.1420
M.1448
display matrices: size:
14pt 16pt 18pt 20pt 24pt 30pt 36pt
line:
T.1533
T.1737
T.1948
T.2152
T.2640
T.3194
T.3884
149: Italian Old Style Display (see: 149 Italian Bold Style Bold & Veronese (typeface) ) _54: Italic Display (see: 54 Modern Bold Italic ) J
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579: Jacno (experimental) 646: Janson (cancelled in 1972)
Am. 401 Janson Roman
Am. 4011 Janson italic Am. 58 Jenson Old Style [156]
Am. 258 Jenson Condensed 478: Joanna Roman /italic
composition matrices: UA.449 = 8pt-14pt[157] size:
8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
8.5
9.5
10
11
12
14
line:
M.1230
M.1260
M.1283
M.1310
M.1340
M.1460
display matrices: size:
18pt 24pt 30pt 36pt
line:
T.1755
T.2364
T.2918
T.3504
369: Jocunda Roman only capitals, numbers and signs (cancelled in 1967)
display matrices:[13] K
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311: Kaatskill (cancelled in 1967) Am: 305: Kino Roman
display matrices:[158] size:
18pt 24pt 30pt 36pt
line:
T.1927
T.2572
T.3154
T.3854
593: Klang italic
display matrices:[104] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
L
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490: Lamp (cancelled) __9: Latin Antique Roman
composition matrices: UA-2 (6-13pt) (synonym: Latin Antique )[159] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
6.5
7.25
8
9
9.5
10.5
12
12.5
line:
M.1230
M.1258
M.1270
M.1300
M.1310
M.1370
M.1380
M.1388
_60: Latin Antique Roman (synonym: 60 Latin Antique No. 2
composition matrices: UA.2 = 8-12pt[160] size:
8pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
8
9
9.75
11.25
line:
M.1223
M.1301
M.1323
M.1369
_78: Latin Antique Roman
composition matrices: UA.2 = 6-13pt[65] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
7.75
8.25
9.25
9.75
10
11
12.25
13
line:
M.1245
M.1240
M.1270
M.1280
M.1301
M.1323
M.1369
M.1388
_84: Latin Antique (cancelled) (synonym: 84 Latin Antique no. 4 )
composition matrices: UA.2 = 6-12pt[161] size:
6pt (6D)9pt (8D)11pt (10D)12pt (12D)
set:
7
8.5
10.25
11.75
line:
M.1235
M.1262
M.1323
M.1369
419: Latin Condensed Roman
display matrices:[61] size:
24D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pE72pt
line:
T.2686
T.3182
T.4044
T.5410
T.6800
T.7630
164: Latin Wide (cancelled in 1967)
composition matrices: UA.19 = 8pt[162] size:
8pt (8D)
set:
7.5
line:
M.1250
450: Laudian Old Style Roman /italic
composition matrices: UA.1 = 5.5pt-7.75pt[163] size:
5.5pt (5.5D)7.75pt (8D)
set:
6.75
8.5
line:
M.1270
M.1282
454: Laudian Old Style (destroyed by bombs) 538: Lectern Missal Roman (see: Missal 393 ) 348: Leysbourne (cancelled in 1965)
12 pt 10.5 set line.1325 UA.359[164] 505: Light Extra Condensed (see: 505 Placard light Extra Condensed )
204: Light Face Gothic (see: 204 Grotesque Light Condensed )
113: Light Face Plantin (see: 113 Plantin Light )
522: Light Placard Titling (see: 522 Placard Condensed Titling )
475: Light Script (see: 475 Script Light ) 284: Littleworth (cancelled in 1967)
UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557[165] 293: Lombardic Capitals (see: 292 Goudy Text 292 ) 517: L.P.T.B. Titling (cancelled in 1965) Lutetia Jan van Krimpen was modified for Monotype. Jan van Krimpen had given his permission to change his design for hand composing of Lettergieterij Amsterdam to edit it for machine composition. Later he had to admit that the result was very good. But he added immediately that "if" he had known this in advance ... he never would have agreed ... to get as close as possible to the original design to be able to stay, it was necessary to make another unit-arrangement for each size. Consequently, it was a very expensive for the printer customers, since each size with another wedge had to be poured. Also on the keyboard keybanks for each size was another requirement, and extra wedges also had to be purchased.255: Lutetia Roman /italic
composition matrices Unit arrangements different for each size[166] size:
8D 10D 12D 14D 16D 20D
UA Roman:
334
306
307
308
170
172
UA italic:
334
306
308
308
171
172
set:
7.5
8
10.75
11.75
13.5
16.5
line:
M.1215
M.1276
M.1305
M.1488
M.1488
M.1980
display matrices: size:
28D 36D 48D
line:
T.2754
T.3554
T.4790
M
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347: Mardersteig
Never produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost. 496: Matura script
display matrices:[167] size:
18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1841
T.2458
T.3014
T.3674
T.4316
T.4958
Matura scriptorial Capitals 528: Matura scriptorial Capitals (combines with 496 Matura )
display matrices:[167] 125: Mediaeval Roman (cancelled in 1965)
134: Mediaeval Roman (cancelled in 1965)
136: Mediaeval Roman (cancelled in 1965)
_88: Mediaeval Modern (see: 88 Modern Mediaeval )
_52: Mediaeval Modern Half-Fat (see: 52 Half-Fat Modern Mediaeval ) (synonyms: 52 Schurmann Antiqua Halbfette , Half-Fat Modern Mediaeval ) (cancelled in 196?)
_67: Mediaeval Old Style (see: 67 Old Style ) 397: Menhart Roman /italic
composition matrices: UA.378 = 10D-14[168] size:
10D at 11pE14D at 16pE
set:
9.5
13.5
line:
M.1314
M.1596
display matrices: size:
18D at 20pE24D at 30pE
line:
T.1841
T.2536
583: Mercurius Bold Script
display matrices:[169] size:
14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:
T.1556
T.1985
T.2656
T.3405
T.3974
T.5360
T.6720
T.7540
336: Missal
393: Missal Roman
448: Missal No. 3
459: Missal No. 4 __1: Modern No. 1 Roman /italic
1901, after a design of Miller & Richards
composition matrices: UA-1 (6-12pt), UA-1a(14pt),[170] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt (small face)(14D)
set:
6.75
7
8
8.5
9.25
9.75
11.25
13.5
line:
M.1210
M.1208
M.1237
M.1260
M.1290
M.1310
M.1360
M.1405
_80: Modern No. 2 (cancelled in 1967)
190?, composition matrices: UA-1,[132] size:
9D (8D)10pt (9D)11pt (10D)12pt (12D)
set:
8.75
9.25
10
11.25
line:
M.1257
M.1290
M.1310
M.1369
189: Modern No. 3 Roman /italic
190?, composition matrices: UA-1,[171] size:
6D 7D at 8pt8pt (8D)9pt (9D)10pt (9D)11pt (10D)
set:
7
8
8.5
9.25
9.75
11.25
line:
M.1208
M.1237
M.1260
M.1290
M.1310
M.1360
__6: Modern No. 4 (cancelled in 1967) (synonym: Ionic )
190?, composition matrices: UA-1,[172] size:
8pt (8D)10pt (9D)
set:
8
9.25
line:
M.1240
M.1290
_95: Modern No. 5 Roman /italic (cancelled in 1967)
composition matrices: UA-1 = 11pt[173] size:
11pt (10D)
set:
10.25
line:
M.1332
250: Modern No. 6 Roman (synonym: 250 Modern Condensed no.5 )
composition matrices: UA.92 = 6.5pt UA=418 = 7D[38] size:
6.5pt (6D)7D op 8pE
set:
6.5
7.5
line:
M.1230
M.1267
422: Modern No. 7 Roman /italic (cancelled in 1965)
composition matrices: UA.376 = 12 pt[174] size:
12pt (12D)
set:
13
line:
M.1380
471: Modern No. 8 Roman (cancelled in 1967)
composition matrices: UA.1 8D-10D[175] size:
8D at 9pE9D at 10pE10D at 11pE
set:
9
9.5
10.5
line:
M.1310
M.1365
M.1380
183: Modern Roman (synonym: 183 Modern no. 6 ) (cancelled in 1967)
display matrices,[176] 211: Modern Roman (see: 211 Century no.1 )
257: Modern (synonym: 257 Modern Wide )
composition matrices: UA.1[160] size:
10pt (9D)11pt (10D)
set:
10.5
11.25
line:
M.1294
M.1310
444: Modern (cancelled in 1936)
570: Modern Bold Roman , combines with: Modern Series No. 7
composition matrices: UA.2,[177] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:
7
7.75
8.5
9.25
9.75
10.5
12
line:
M.1235
M.1210
M.1235
M.1260
M.1200
M.1310
M.1360
_54: Modern Bold Italic italic (synonym: 54 Italic-Display )
composition matrices: UA.3 = 6-12pt[178] size:
6pt (6D)6.5pt (6D)7D 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
6.75
7.75
8.5
8.75
9.5
10
10.75
12.5
line:
M.1202
M.1216
M.1238
M.1235
M.1257
M.1391
M.1315
M.1363
display matrices: size:
14pt (14D)18pt (18D)
line:
T.1395
T.1810
263: Modern Cancellation Fount Roman (see: 263 Modern Extended 17 )
_13: Modern Condensed No. 1 Roman /italic
composition matrices UA.1 = 6pt[179] size:
6pt (6D)
set:
6.5
line:
M.1185
_14: Modern Condensed No. 2 Roman /italic
composition matrices: UA.1 = 7 pt[180] size:
7pt (7D)
set:
7.25
line:
M.1220
_39: Modern Condensed No. 3 Roman /italic
composition matrices: UA.1,[181] size:
6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
6.5
7.5
8
8.75
9.5
11.25
line:
M.1225
M.1250
M.1260
M.1290
M.1320
M.1390
_79: Modern Condensed No. 4 Roman /italic (cancelled in 1965)
composition matrices: UA.1 = 11pt[182] size:
11pt (10D)
set:
8.75
line:
M.1375
250: Modern Condensed No. 5 Roman
composition matrices: UA.92 = 6.5pt, UA.418 = 7D[38] size:
6.5pt (6D)7D op 8pE
set:
6.5
7.5
line:
M.1230
M.1267
__7: Modern Extended No. 1 Roman /italic ,
1902, some bit wider version of Modern no.1
composition matrices: UA.1 = 6pt-12pt[98] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
7
7.75
8.5
9.25
9.75
10.5
12
line:
M.1235
M.1210
M.1235
M.1260
M.1290
M.1310
M.1360
_77: Modern Extended No. 2 Roman /italic (cancelled in 1967)
composition matrices, UA1 = 9pt-11pt[98] size:
9pt (8D)11pt (10D)
set:
9.5
10.5
line:
M.1290
M.1375
447: Modern Extended No. 3 (cancelled in 1965)
composition matrices, UA1 = 8D-9D[28] size:
8D op 9pE9D op 10pE
set:
8.75
9.5
line:
M.1341
M.1375
237: Modern French
247: Modern French (cancelled in 1965)
_88: Modern Mediaeval (cancelled in 1964)
_52: Modern Mediaeval (Half-Fat) (see: 52 Half-Fat Modern Mediaeval ) (synonyms: 52 Schurmann Antiqua Halbfette , Half-Fat Modern Mediaeval ) (cancelled in 196?)
500: Modern Timetable (cancelled in 1967)
179: Modern Titling Roman /italic (synonyms: 179 Titling 179, Titling Italic )
composition matrices: UA.1 = UA.8-12pt[183] size:
8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D
set:
8.75
10.5
14.75
19.5
line:
M.1341
M.1455
M.1642
M.1755
_16: Modern Wide No. 1 Roman /italic
composition matrices: UA.1 = 5pt[184] size:
5pt (5D)
set:
6.5
line:
M.1240
_18: Modern Wide No. 2 Roman /italic (synonym: Modern Wide )
composition matrices: UA.1 = 6pt[185] size:
6pt (6D)
set:
7.75
line:
M.1245
_25: Modern Wide No. 3 Roman /italic (synonym: Modern Wide , also referred to as: Romano )
composition matrices UA.2 = 6pt - 12pt[186] size:
9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
9.25
10.25
11
12.5
line:
M.1260
M.1300
M.1318
M.1360
_26: Modern Wide No. 4 Roman /italic (synonym: Modern Wide )
composition matrices: UA.1 = 4.5pt-5pt[66] size:
4.5pt op 5pE (5D)5pt (5D)
set:
5.5
5.5
line:
M.1173
M.1173
_30: Modern Wide No. 5 Roman /italic (synonym: Modern Wide )
composition matrices: UA.1 = 7pt-8pt[187] size:
7pt (7D)8pt (8D)
set:
8.25
9.25
line:
M.1240
M.1270
_75: Modern Wide No. 6 (synonym: 75 Modern Wide ) (cancelled in 1967)
composition matrices: UA.1 = 7Dt[98] size:
7D op 8pE
set:
9.5
line:
M.1262
257: Modern Wide No. 7 (cancelled in 1967)
composition matrices: UA.1 = 10pt-11pt [188] size:
10pt (9D)11pt (10D)
set:
10.5
11.25
line:
M.1294
M.1320
a297: Modernistic (Sorts) (cancelled vóór 1966) 537: Morrison Face (cancelled in 1964) 351: Monoline Script 210: Musical signs
382: Musical signs N
edit
294: Narrow Bembo Italic (see: 294 Bembo Condensed Italic )
166: Narrow Gothic (see: 166 Grotesque Bold Condensed Titling )
527: Narrow Gothic Titling (see: 527 Grotesque Bold Condensed Titling )
405: Narrow Grotesque (see: 405 Grotesque Light Condensed ) 402: Nastaliq (cancelled) _27: Neo Didot Roman /italic
composition matrices: UA.1 = 6.5-13pt[129] size:
6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)
set:
7.75
8
9
9.75
10.5
11.5
12.5
line:
M.1235
M.1238
M.1270
M.1300
M.1320
M.1360
M.1390
_65: Neo Didot Roman /italic
composition matrices: UA.1 = 6.5-13pt[140] size:
6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)
set:
7.75
8.5
9.75
10
11
12.25
13
line:
M.1225
M.1240
M.1260
M.1290
M.1320
M.1360
M.1390
617: New Clarendon Roman /italic combines with: 618 New Clarendon Bold
composition matrices: UA.481 = 6-14pt[189] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)
set:
8
9.75
11.75
14
16.5
line:
M.1220
M.1285
M.1318
M.1380
M.1495
display matrices: size:
14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1610
T.1805
T.2433
T.2987
T.3608
T.4231
T.4853
T.6098
T.7308
618: New Clarendon Bold Roman /italic
composition matrices: UA.481 = 6-14pt[189] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)
set:
8
9.75
11.75
14
16.5
line:
M.1220
M.1285
M.1318
M.1380
M.1495
display matrices: size:
14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1395
T.1610
T.1805
T.2433
T.2987
T.3608
T.4231
T.4853
T.6098
T.7308
610: New Emerald Bible 606: New Face (cancelled in 1964)
607: New Face Bold (cancelled in 1964)
615: New Grotesque (cancelled in 1974) (apart from "A")
616: New Grotesque Bold (cancelled in 1974) (apart from "A")
666: New Grotesque Light (cancelled in 1967) (apart from "A") 229: News Advertisements (see: Newspaper Small Ads ) 177: Newspaper Small Ads (cancelled in 1965)
229: Newspaper Small Ads (cancelled in 1965) 115: Newspaper Smalls Roman (cancelled vóór 1966)
Available matrices: capitals, small capitals and lower case plus double large capitals and numbers.
These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters.
composition matrices: UA.30 = 5.5-7pt[160] size:
5.5pt (6D)6pt (6D)7pt (7D)
set:
10
10.25
12.5
163: Newspaper Smalls (cancelled in 1967)
193: Newspaper Smalls (cancelled in 1965)
333: Newspaper Smalls (The Times) (see: Times Newspaper Smalls )
335: Newspaper Smalls (The Times) (see: Times Newspaper Smalls ) O
edit
603 : Octavian Roman /italic
Design: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club".
composition matrices: UA.485 = 14pt[119] size:
14pt (14D)
set:
11.75
line:
M.1500
456: Old English text frakture typeface
composition matrices: UA.318 = 8-12pt[93] size:
8pt (8D)10pt (10D)12pt (12D)
set:
8.75
10.25
12.25
line:
M.1321
M.1394
M.1470
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.155
T.1991
T.2660
T.3264
T.3984
T.4686
T.5368
T.6750
T.8090
356: Old English Text frakture typeface (cancelled in 1967)
composition matrices: UA.318 = 8-12pt[93] size:
8pt (8D)10pt (10D)12pt (12D)
set:
8.75
10.25
12.25
line:
M.1321
M.1394
M.1470
456: Old English Text Light (see: 456 Old English Text ) _43: Old Face (see: _43 Scotch Roman No. 3 )
_46: Old Face (see: _46 Scotch Roman No. 1 )
137: Old Face (see: 137 Scotch Roman No. 2 )
154: Old Face (see: 154 Chiswell Old Face )
240: Old Face (cancelled in 1964)
composition matrices: UA.385 = 9pt[190] size:
9pt (9D)
set:
9
line:
M.1354
159: Old Face Heavy (see: 159 Old Style Bold No. 2 )
_20: Old Face (Special) (cancelled in 1967)
UA.6, 6.5pt - 12 pt[191] size:
6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt
set:
6.5
6.5
7.25
8
8.75
9.75
11.25
line:
M.1196
M.1196
M.1220
M.1240
M.1260
M.1290
M.1350
_45: Old Face Standard (cancelled in 1967) __2: Old Style No. 2 Roman /italic
UA.1: 6 tot 12 punt, UA.1a: 14pt[192] size:
6pt 7pt 8pt 9pt 10pt 11pt 12pt 14pt
set:
6.5
7.75
8.5
9.25
9.75
10.5
12
13.25
line:
M.1200
M.1230
M.1230
M.1250
M.1295
M.1315
M.1360
M.1405
151: Old Style No. 4 Roman /italic
composition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt[193] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)13.5pt op 14pE (13D)
set:
6.5
7.5
8
8.75
9.5
10.5
11.75
13.5
line:
M.1220
M.1250
M.1250
M.1266
M.1294
M.1331
M.1360
M.1405
large composition: Roman = UA.133 italic = UA.358
18pt (18D) Roman /italic , 24Pt (24D) Roman size:
18pt (18D)24pt (24D)
set:
18
24
line:
T.1810
T.2364
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1374
T.1810
T.2364
T.2918
T.3608
_67: Old Style Roman /italic (cancelled in 1967)
UA.1 = 9-12pt[194] size:
9pt 10pt 11pt 12pt
set:
8
9.5
10.25
12
line:
M.1260
M.1290
M.1320
M.1360
104: Old Style Roman /italic (cancelled in 1964)
UA.1 = 11pt[194] size:
11pt
set:
11.25
line:
M.1355
__3: Old Style Antique (see: __3 Antique Old Style )
124: Old Style Antique (see: 124 Antique Old Style )
161: Old Style Antique (see: 161 Antique Old Style )
232: Old Style Antique Italic (cancelled in 1965)
_53: Old Style Bold No. 1 Roman /italic [195] composition matrices: UA.3,3a: 53-12 italic, 53-14 & 18 : UA 100, 53-24: UA 101, italic: UA 76
Large composition matrices only available in roman. corps:
5.5pt (6D)6pt (6D)6.5pt (6D)7pt (7D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt 18pt 24pt
set:
6.75
6.75
7.75
7.75
8.5
9.25
9.5
10.5
12
15.5
19.5
26
line:
.1202
.1202
.1250
.1250
.1235
.1257
.1291
.1315
.1364
.1533
.1948
.2640
Display-matrijzen: corps:
14pt 18pt 22pt 24pt 30pt 36pt
line:
.1533
.1948
.2308
.2640
.3194
.3884
159: Old Style Bold No. 2 Roman
composition matrices: UA.32 = 8-12pt, UA.112 = 14pt[38] size:
8pt (8D)10pt (9D)12pt (12D)14pt (14D)
set:
8.75
10.75
12.25
14
line:
M.1280
M.1414
M.1450
M.1533
large composition: UA.112 size:
14pt (14D)18pt (18D)24pt (24D)
set:
14
18
24
line:
T.1533
T.1948
T.2640
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2308
T.2604
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
544: Old Style Bold No. 5 Roman
composition matrices: UA.2 = 6-12pt[196] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
6.5
8.5
9.75
12
line:
M.1200
M.1230
M.1295
M.1360
253: Old Style Bold (synonym: 253 Bold Face No. 2 ) (cancelled in 1967)
composition matrices: UA.3 = 8-9pt[101] size:
8pt (8D)9pt (8D)
set:
8.5
9.25
line:
M.1285
M.1312
245: Old Style Bold Italic italic (synonym: 245 Bold Face Italic No. 2 ) (cancelled in 1967)
composition matrices: UA.76 = 8-12pt[160] size:
8pt (8D)10pt (9D)12pt (12D)
set:
8
10
12.25
line:
M.1308
M.1385
M.1474
176: Old Style Bold Outline Roman
composition matrices: UA.100 = 12pt[160] size:
12pt (12D)
set:
12.75
line:
M.1450
large composition: UA.100 size:
18pt
set:
19.5
line:
T.1948
display matrices: size:
14pt 18pt 24pt
line:
T.1533
T.1948
T.2640
__8: Old Style Condensed Roman /italic (cancelled in 1967)
UA.1, = one size only: 10pt (9D) = 9 set, line.1295[98] size:
10pt (9D)
set:
9
line:
M.1295
_50: Old Style Condensed (cancelled in 1967)
composition matrices: UA.1 = 8-10pt[197] size:
8pt 9pt 10pt
set:
7.5
8.25
9
line:
M.1240
M.1265
M.1290
_55: Old Style Italic Display (see: 55 Gloucester Bold Italic )
122: Old Style (Prumyslava) Roman Onyx 591: Onyx Roman
Onyx was created in 1937 and was inspired by the Stephanie typeface created by Bauer Type Foundry in 1870.[198] display matrices:[149] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
Am 404): Onyx Roman 652: Opus (cancelled in 1966) 246: Othello Roman capitals
composition matrices: UA.85 = 10pt-12[199] size:
10pt (9D)12pt (11D)
set:
12
14.5
line:
M.1620
M.1770
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1868
T.2395
T.3200
T.3934
T.4804
248: Othello Shadow (cancelled in 1967) 176: Outline (see: 176 Old Style Bold Outline ) P
edit
429: Palace Script italic
Overhanging character that can only be cast with special moulds.
display matrices:[200] size:
14pt 18pt 24pt 30pt 36pt 42pt
line:
T.1434
T.1871
T.2422
T.3204
T.3554
T.4506
206: Pastonchi Roman /italic
composition matrices: UA.69 = 9-13 pt, UA.175 = 14D.[201] size:
9pt (8D)10pt (9D)11pt 13pt (12D)14D (op 16pt)
set:
7.75
8.5
9.5
11.75
13.5
line:
M.1226
M.1248
M.1276
M.1338
M.1430
display matrices: size:
14D op 16pt16D op 18pt20D op 22pt24D op 30pt30D op 36pt36D op 36pt
line:
T.1430
T.1634
T.2044
T.2452
T.3085
T.3704
508: Pegasus Roman
display matrices:[176] 613: Petita script
display matrices[202] size:
14D at 16pt18D at 20pt24D at 30pt30D at 36pt36D at 36pt42D at 38pt48D at 60pt60D at 72pt
line:
T.1283
T.1642
T.2194
T.2825
T.3274
T.3829
T.4410
T.5520
239: Perpetua Roman /italic
introduction: 1930, design: Eric Gill,
composition matrices UA.96 = 5.5pt - 18pt[203] size:
5.5pt 6pt 8pt 9pt 10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:
7.5
7.25
8
8.5
9
10
11
11.75
13
line:
M.1205
M.1205
M.1221
M.1210
M.1212
M.1237
M.1260
M.1278
M.1380
large-composition matrices: 18pt (18D) 16.5 set line T.1635
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1380
T.1635
T.2204
T.2744
T.3344
T.3926
T.4508
T.5683
T.6823
316: Perpetua No. 3 (cancelled in 1967)
registered design No. 751804,
composition matrices: UA.96 = 9pt[204] size:
9pt (9D)
set:
10.5
line:
M.1305
386: Perpetua No. 2 (cancelled in 1967)
composition matrices: UA.96 = 14pt[205] size:
14pt (14D)
set:
13
line:
M.1440
461: Perpetua Bold Roman /italic
composition matrices UA.379 = 6pt - 14pt[206] size:
5.5pt 6pt 8pt 9pt 10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:
7.5
7.25
8
8.5
9
10
11
11.75
13
line:
M.1205
M.1205
M.1221
M.1210
M.1212
M.1237
M.1260
M.1278
M.1380
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1380
T.1635
T.2204
T.2744
T.3344
T.3926
T.4508
T.5683
T.6823
200: Perpetua Bold Titling Roman
composition matrices: UA. 145 : 12pt (12D) = 11.25 set line.1753[207]
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1753
T.1848
T.2371
T.3894
T.4754
T.5606
T.6418
T.8060
T.9680
480: Perpetua Light Titling Roman [208] display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1730
T.2224
T.2970
T.3644
T.4444
T.5236
T.5998
T.7540
T.9050
561: Perpetua Semi-Bold (cancelled in 1963)
258: Perpetua Titling Roman
composition matrices: UA. 97 = 10pt - 12pt[21] size:
10pt (10D)11pt (11D)12pt (12D)
set:
10.5
11.5
12.5
line:
M.1546
M.1593
M.1652
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1730
T.2219
T.2950
T.3644
T.4444
T.5236
T.5998
T.7540
T.9050
543: Perpetua Titling (cancelled in 1967)
480: Perpetua Titling Light Face (see: 480 Perpetua Light Titling ) 411: Pierre Didot (cancelled in 1965)
composition matrices: UA.375 = 9pt[209] size:
9D at 10pE
set:
10
line:
M.1234
453: Pitman's i.t.a. (see: Ehrhardt 453 )
573: Pitman's i.t.a. (see: Ehrhardt Semi Bold 573 ) 506: Placard Bold Condensed No. 1 Roman
composition matrices: UA.387 = 6D-12D[151] size:
6D at 7pE7D at 8pE8D at 9pE10D at 11pE12D at 13pE
set:
6
7
7.75
9.5
11.5
line:
M.1280
M.1330
M.1368
M.1450
M.1540
display matrices: size:
14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE
line:
T.1728
T.1964
T.2478
T.2996
T.3442
T.4414
T.5179
T.5960
515: Placard Bold Condensed No. 2 Roman
display matrices:[210] size:
30pt 36pt 42pt 48pt 60pt
line:
T.3524
T.4299
T.5066
T.5808
T.7300
568: Placard Condensed Roman (synonym: 568 Placard Medium Condensed )
composition matrices: UA.387 = 6D-12D[151] size:
6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pE
set:
5.5
6
6.5
7
7.5
8.75
line:
M.1327
M.1380
M.1436
M.1487
M.1543
M.1650
display matrices: size:
14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:
T.1806
T.2052
T.2544
T.3076
T.3592
T.4614
T.5409
T.6330
T.7800
T.8760
522: Placard Condensed Roman (see: 522 Placard Condensed Titling )
522: Placard Condensed Titling Roman (synonym: 522 Placard Condensed )
display matrices:[211] 505: Placard light Extra Condensed Roman
composition matrices: UA.387 = 10D[151] size:
10D op 11pE
set:
6
line:
M.1540
display matrices: size:
14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE
line:
T.1860
T.2037
T.2674
T.3236
T.3722
T.4774
T.5589
T.6440
568: Placard Medium Condensed (see: 568 Placard Condensed ) 110: Plantin Roman /italic
composition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt[212] pica:
5.5pt 6pt 6.5pt 7pt 7.5pt
7.5D 8pt 8pt 9pt 10pt
10pt 10pt 10pt 11pt 11pt
11pt 12pt 12pt 13.5pt 14pt
cast:
5.5pt
6pt
6.5pt
7pt
7.5pt
8pt
8pt
10pt
9pt
10pt
10pt
12pt
10pt
11pt
11pt
14pt
11pt
12pt
14pt
14pt
didot:
6D
6D
6D
7D
7D
7.5D
8D
10D
8D
9D
9D
11D
10D
10D
10D
14D
11D
11D
14D
14D
spec.
short
short
short
long
short
long
long
short
long
short
Large set:
7
7
7.75
7.75
8.5
9.25
8.5
8.5
9.25
9.5
9.5
9.5
9.5
10.25
10.25
10.25
11.75
11.75
13.25
14
line:
M.1237
M.1237
M.1257
M.1257
M.1285
M.1312
M.1285
M.1285
M.1312
M.1332
M.1332
M.1332
M.1332
M.1360
M.1360
M.1360
M.1415
M.1415
M.1465
M.1620
large composition matrices: size:
18pt (18D)18pt (18D)24pt (24D)24pt (24D)
UA.106
UA.128
UA.107
UA.129
Roman
italic
Roman
italic
set:
18
18
24
24
line:
T.1948
T.1948
T.2640
T.2640
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2351
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
194: Plantin Bold Roman /italic
can be combined with: 110 Plantin and 113/773 Plantin light
composition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt[213] pica:
6pt 6.5pt 7pt 7.5pt
8pt 9pt 10pt 11pt
12pt 13.5pt 14pt
cast:
6pt
6.5pt
7pt
7.5pt
8pt
9pt
10pt
11pt
12pt
14pt
14pt
didot:
6D
6D
7D
7D
8D
8D
9D
10D
11D
11D
14D
spec.
7pt
short set:
7
7.75
7.75
8.5
8.5
9.25
9.5
10.25
11.75
13.25
14
line:
M.1237
M.1257
M.1257
M.1285
M.1285
M.1312
M.1332
M.1360
M.1415
M.1465
M.1620
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2351
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
287: Plantin Bold (synonym: 287 Plantin Heavy No. 2 ) (cancelled in 1968)
composition matrices: UA.5 = 6.5pt-7.5pt[65] size:
6.5pt op 7pE7.5pt op 8pE
set:
7
8
line:
M.1265
M.1308
236: Plantin Bold Condensed Roman /italic
composition matrices: UA.72 = 6pt-14pt[38] size:
6pt (6D)6.5 at 7pE (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:
7
7.5
8.5
9.25
9.5
10.25
11.75
12.5
14
line:
M.1237
M.1252
M.1285
M.1312
M.1332
M.1360
M.1415
M.1442
M.1620
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2351
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
289: Plantin Condensed Roman /italic (cancelled in 1967)
composition matrices: UA.4 = 7.5ptt[214] size:
7.5pt op 8pE (7D)
set:
8
line:
M.1318
194: Plantin Heavy (see: 194 Plantin Bold )
236: Plantin Heavy Condensed (see: 236 Plantin Bold Condensed )
287: Plantin Heavy No. 2 (see: 287 Plantin Bold )
113: Plantin Light Roman /italic
composition matrices: UA.4 = 6pt-12pt[215] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)12pt op 13pE
didot:
6D
7D
8D
8D
9D
10D
12D
12D long desc.
set:
7
7.75
8.5
9.25
10
10.75
11.75
11.75
line:
M.1237
M.1257
M.1285
.1312
M.1342
M.1370
M.1426
M.1426
large composition matrices: size:
18pt (18D)18pt (18D)24pt (24D)24pt (24D)
UA.106
UA.128
UA.107
UA.129
Roman
italic
Roman
italic
set:
18
18
24
24
line:
T.1948
T.1948
T.2640
T.2640
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
773: Plantin Light Roman /italic
113: Plantin Light Face (see: 113 Plantin Light )
composition matrices: UA.4 = 10pt-11pt[213]
The two sizes of Series 773 are alternatives for Series 113, with identical set and lining', for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this. size:
10pt (9D)11pt (10D)
set:
9.5
10.25
line:
M.1322
M.1360
281: Plantin Old Style No. 2 (cancelled in 1967)
composition matrices: UA.305 = 9pt-11pt[101] size:
9pt (8D)11pt (10D)
set:
9.5
11.25
line:
M.1330
M.1400
663: Plantin Semi Bold Roman /italic
composition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt[213] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
7
7.75
8.5
9.25
9.5
10.75
11.75
line:
M.1237
M.1257
M.1285
M.1312
M.1332
M.1360
M.1414
438: Plantin Titling Roman
display matrices:[216] 139: Plate Gothic (see: 139 Spartan Light )
140: Plate Gothic (see: 140 Spartan )
141: Plate Gothic (see: 141 Spartan Bold )
142: Plate Gothic (see: 142 Spartan Light Condensed )
143: Plate Gothic (see: 143 Spartan Condensed )
145: Plate Gothic (see: 145 Spartan Wide )
144: Plate Gothic Italic (see: 144 Spartan Italic ) 170: Poliphilus Roman
composition matrices: UA.53: 10pt - 13pt, for the italic see: 119 Blado Italic [38] size:
10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:
8.5
9.25
10.75
11.5
line:
M.1299
M.1326
M.1374
M.1399
large-composition matrices: 16pt = UA.139 size:
16pt
set:
13.5
line:
T.1577
display matrices: 230: Poliphilus Titling Roman
display matrices in 2 sizes[38] size:
18pt 24pt
line:
T.2359
T.3192
394, Poltawski Roman
composition matrices: UA.156: 6D, 8D, 10D, 12D[217] size:
6D at 7pica8D at 9 pica10D at 11pica12D at 13pica
set:
6.5
8.5
10.75
13
line:
M.1206
M.1275
M.1337
M.1405
398: Poltawski Bold Roman
composition matrices: UA.156: 6D, 8D, 10D, 12D[217] size:
6D at 7pica8D at 9 pica10D at 11pica12D at 13pica
set:
6.5
8.5
10.75
13
line:
M.1206
M.1275
M.1337
M.1405
532: Prayer Book Face (OUP) (cancelled) R
edit
371: Rockwell Roman /italic
composition matrices: UA.338 = 6-14pt:[121] size:
6pt (6D)7D at 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:
6.75
8
9.5
10.75
12.5
15.75
line:
M.1220
M.1256
M.1275
M.1307
M.1340
M.1400
M.1624
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2392
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
391: Rockwell Bold Roman /italic
composition matrices: UA.338 = 6-14pt, combines with: 371 Rockwell [121] size:
6pt (6D)7D at 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:
6.75
8
8.5
9.5
10.75
12.5
15.75
line:
M.1220
M.1256
M.1275
M.1307
M.1340
M.1400
M.1624
display matrices: size:
14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2392
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
359: Rockwell Bold Condensed Roman
composition matrices: UA.411 = 11pt[218] size:
11pt (10D)11pt (11D)
except.
short desc.
set:
11.75
11.75
line:
M.1376
M.1376
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
414: Rockwell Condensed Roman
display matrices:[219] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
424: Rockwell Extra Bold Roman
composition matrices: UA.162 = 6-12pt[220] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:
6.75
8.5
10.75
12.5
line:
M.1220
M.1275
M.1340
M.1400
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
424: Rockwell Extra Heavy (see: 424 Rockwell Extra Bold )
391: Rockwell Heavy (see: 391 Rockwell Bold )
359: Rockwell Heavy Condensed (see: 359 Rockwell Bold Condensed )
390: Rockwell Light Roman /italic
composition matrices: UA.338 = 6-14pt[121] size:
6pt (6D)7D op 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:
6.75
8
8.5
9.5
10.75
12.5
15.75
line:
M.1220
M.1256
M.1275
M.1307
M.1340
M.1400
M.1624
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
582: Rockwell Light Condensed (Film Sub-titles) Roman /italic
175: Rockwell Shadow Roman
display matrices:[139] size:
18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.2363
T.3144
T.3864
T.4724
T.5566
T.6368
T.8000
T.9600
175: Rockwell Shadow Titling (see: Rockwell Shadow ) 458: Romulus Roman /italic
Jan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman.
composition matrices: UA.405 = 8D-14D[221] size:
8Dpt op 9pE9D op 10pE10D op 11pE12D op 13pE14D op 16pE
set:
7.75
8.5
9
10.75
12.75
line:
M.1225
M.1245
M.1264
M.1320
M.1478
large composition: UA.406 size:
16D op 18pE20D op 14pE
set:
16.5
20.5
line:
T.1602
T.1994
display matrices: size:
24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE
line:
T.2404
T.2812
T.3584
T.4810
T.6030
520: Romulus Bold Roman /italic (synonym: 520 Van Krimpen Bold )
composition matrices: UA.405 = 8D-14D[36] size:
8Dpt at 9pE9D at 10pE10D at 11pE12D at 13pE14D at 16pE
set:
7.75
8.5
9
10.75
12.75
line:
M.1225
M.1245
M.1264
M.1320
M.1478
_10: Ronaldson Roman /italic
composition matrices: UA-1 (6-12pt) (synonym: Ronaldson Old style )[222] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
6.75
7.75
8.5
9.25
9.75
10.5
12
line:
M.1200
M.1230
M.1230
M.1250
M.1295
M.1315
M.1360
_10: Ronaldson Old Style (see: Ronaldson ) 420 : Runic Condensed Roman S
edit
This font was designed by Jan Tschichold. Characters for hand composing can (still) be ordered from the company D. Stempel AG (foundry) in formerly Frankfurt (now Darmstadt); Linotype matrices were available at Linotype GmbH (Berlin and Frankfurt); and Monotype matrices could be ordered from the Monotype Setzmachinen-Fabrik GMbH (Frankfurt and Berlin). This can still be done at the Type Museum in London, because the "patterns" and punches and production archives survived there. The shape of the letter was identical for all three systems. Hand-composing type could be mixed with Linotype and Monotype composition rules. The letter had a limited success. There was also criticism: the letter suffered from the combined disadvantages of the three systems. For example: the Roman and italic faces are as wide as those on a Linotype matrix when combined. And Jan van Krimpen had objections to what he considered the too rigid unit-system of Monotype. 669: Sabon Roman /italic
composition matrices: UA.503 8D-12D[78] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:
6.75
8.5
9.25
10.25
12.25
line:
M.1237
M.1308
M.1383
M.1383
M.1459
693: Sabon Semi-Bold Roman
composition matrices: UA.503 8D-12D[78] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:
6.75
8.5
9.25
10.25
12.25
line:
M.1237
M.1308
M.1383
M.1383
M.1459
499: Sachsenwald Mager (cancelled in 1965) _15: Sans-Serif (see: 15 Grotesque Bold Condensed No. 2 )
_81: Sans-Serif (see: 81 Grotesque Bold Condensed )
267: Sans-Serif (cancelled in 1965)
318: Sans-Serif Condensed (see: 318 Grotesque Condensed ) Schmale Nürnburger Gotisch 186: Schmale Nürnburger Gotisch fraktuur (cancelled in 1965)
display matrices in 6 sizes[223] size:
14D 18D 20D 24D 28D 36D
line:
T.1671
T.2054
T.2560
T.3052
T.3524
T.4574
_22: Schoeffer (cancelled in 1964)
composition matrices UA.2, 8pt, 10pt, 12 pt[224] size:
8pt (8D)10pt (9D)12pt (12D)
set:
8
9.25
11.25
line:
M.1270
M.1310
M.1378
Schurmann Antiqua Halbfette _52: Schurmann Antiqua Halbfette Roman (synonym: 52 Modern Mediaeval (Half-Fat) (cancelled in 1967) _46: Scotch Roman Roman /italic
composition matrices: UA.1 = 6-12pt[9] size:
6pt at 5.5pE6pt 7pt 7D at 8pE8pt 9pt at 8pE9pt 10pt 11pt 12pt
didot:
6D
6D
7D
7D
8D
8D
8D
9D
10D
12D
bijz.
short desc.
short desc.
set:
7
7
8
8.5
8.5
9.25
9.25
10
10.75
12.25
line:
M.1220
M.1220
M.1250
M.1235
M.1235
M.1257
M.1257
M.1290
M.1320
M.1360
137: Scotch Roman Roman /italic
composition matrices: 8-12pt[140] size:
8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
UA.
13
14
15
16
17
set:
8.25
8.5
9.25
10.25
12.25
line:
M.1260
M.1262
M.12603
M.1285
M.1362
large composition: UA.144 = Roman , UA.151 = italic size:
14pt (14D)18pt (18D)24pt (24D)
special feature
no italic available
set:
13.5
17
23
line:
T.1395
T.1810
T.2364
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1395
T.1810
T.2364
T.2918
T.3608
T.4300
T.4854
322: Script (see: 322 Script Bold )
574: Script Ashley (see: 574 Ashley Script )
322: Script Bold script
display matrices:[77] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1452
T.1863
T.2488
T.3054
T.3724
T.4376
T.4968
T.6300
T.7560
436: Script Dorchester (see: 436 Dorchester Script )
493: Script Grosvenor (see: 493 Grosvenor Script )
475: Script Light
display matrices:[225] 351: Script Monoline (see: 351 Monoline Script )
429: Script Palace (see: 429 Palace Script )
455: Script Temple (see: 455 Temple Script )
385: Script Wenceslas (see: 385 Wenceslas Script ) (cancelled in 196?) 434: Shadow French (cancelled) 234: Shakespeare Titling (cancelled in 1967)
display matrices:[226] 552: Sheldon 276: Solus Roman (cancelled in 1967)
composition matrices: UA.320 = 12pt-14pt[227] size:
12pt (12D)14pt (14D)
set:
11
13
line:
M.1310
M.1437
display matrices: size:
18pt 48pt
line:
T.1841
T.4982
368: Solus Bold Roman (cancelled in 1967)
composition matrices: UA.320 = 12pt-14pt[227] size:
11pt (10D)
set:
11.5
line:
M.1375
368: Solus Heavy (see: Solus Bold ) Imitation of stone inscriptions of chopped capitals: the font contains only capital letters, numbers, and punctuation. Each size has of the capitals four sizes, which can be combined, with the little ones functioning as lower case. 140: Spartan Roman
composition matrices: UA.16 = 6-12pt[129] size:
6pt (6D)12pt (12D)
set:
7
11
line:
M.1282
M.1420
large composition: UA.157 = 24pt size:
24pt (24D)24pt (24D)
sizes:
4 and 5
2 and 3
set:
19.5
26
line:
T.3060
T.3060
display matrices: 141: Spartan Bold Roman
composition matrices: UA.18 = 6-12pt[221] size:
6pt (6D)12pt (12D)
set:
7
11
line:
M.1282
M.1420
display matrices: 143: Spartan Condensed Roman
composition matrices: UA.18 = 6-12pt[228] size:
6pt (6D)12pt (12D)
set:
5
9
line:
M.1282
M.1420
144: Spartan Italic italic
composition matrices: UA.18 = 6-12pt[228] size:
6pt (6D)12pt (12D)
set:
7
12
line:
M.1240
M.1420
139: Spartan Light Roman
composition matrices: UA.18 = 6-12pt[216] size:
6pt (6D)12pt (12D)
set:
7
12
line:
M.1282
M.1420
display matrices: 142: Spartan Light Condensed Roman
composition matrices: UA.18 = 6-12pt[150] size:
6pt (6D)12pt (12D)
set:
7
9
line:
M.1282
M.1420
145: Spartan Wide Roman
composition matrices: UA.18 = 6-12pt[225] size:
6pt (6D)12pt (12D)
set:
8.5
12.75
line:
M.1282
M.1420
556: Spectrum Roman /italic
This font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition.
composition matrices: UA. 428 = 6D-12D[70] size:
6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set:
6.25
7.5
8.75
10.25
line:
M.1215
M.1250
M.1297
M.1350
display matrices: size:
14D at 16pE16D at 18pE20D at 24pE24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE
line:
T.1454
T.1656
T.2060
T.2483
T.2912
T.3714
T.5000
T.6270
196: Surrey Old Style Roman (cancelled in 1967)
display matrices:[229] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
583: Swing Bold script
display matrices:[229] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1301
T.1668
T.2229
T.2724
T.3324
T
edit
455: Temple Script
composition matrices: UA.386 = 10D-12D[230] size:
10D at 11pE12D at 13pE
set:
9.25
11.25
line:
M.1453
M.1549
display matrices: size:
14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt
line:
T.1684
T.1916
T.2378
T.2874
T.3362
T.4304
T.5810
T.7280
T.8170
355: The Times Hever Titling Roman (synonym: 355 Times Hever Titling )
composition matrices: UA.323 = 9pt-12pt[185] size:
9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:
9
10
11
12
line:
M.1320
M.1357
M.1391
M.1430
display matrices: size:
14pt 18pt 24pt 30pt
line:
T.1510
T.1887
T.2502
T.3056
334: Times Bold Roman /italic
to be used in combination with Times New Roman Series 327
composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt[231]
matrices for long-descenders are available in several sizes size:
5.5pt 6pt 6pt 6D 6.5pt
7pt 7pt 7.5pt 7.5pt 8pt
8pt 9pt 9pt 10pt 10pt
11pt 11pt 12pt 12pt 14pt
op:
5.5pE
6pE
6.5pE
7pE
6.5pE
7pE
7.5pE
7.5pE
8pE
8pE
9pE
9pE
10pE
10pE
11pE
11pE
12pE
12pE
14pE
14pE
didot:
5D
6D
6D
6D
6D
7D)
7D
7D
8D)
8D
9D)
8D
10D
10D
11D
10D
12D
12D
14D
14D
special features
long. desc.
7pt short desc.
long desc.
long desc.
long desc.
long desc.
long desc.
long desc.
long desc.
set:
6.5
6.75
6.75
7.75
7.25
7.75
7.75
8.25
8.25
8.25
8.25
9
9
9.75
9.75
10.25
10.25
12
12
12.75
line:
M.1239
M.1239
M.1239
M.1268
M.1250
M.1268
M.1268
M.1286
M.1286
M.1298
M.1298
M.1325
M.1325
M.1338
M.1338
M.1368
M.1368
M.1420
M.1420
M.1470
display matrices: size:
14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1458
T.1672
T.1873
T.2150
T.2363
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
345: Times Bold No. 2 Roman (see also: 360 Times Bold )
composition matrices: UA.324 = 5pt-6pt[228] size:
7pt (7D)9pt (8D)11pt (10D)12pt (12D)
set:
7.75
9
10.5
12
line:
M.1268
M.1325
M.1368
M.1420
360: Times Bold Roman
composition matrices: UA.324 = 5pt-6pt[228] size:
5pt (5D)6pt (6D)
set:
6.25
6.75
line:
M.1210
M.1239
328: Times Bold Titling No. 2 Roman
composition matrices: UA.324 = 5pt-6pt[228] size:
8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:
9.25
10.25
10.25
11.5
13
line:
M.1360
M.1382
M.1410
M.1440
M.1500
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1671
T.1948
T.2640
T.3194
T.3884
T.4576
T.5248
T.6651
T.7930
332: Times Bold Titling Roman
display matrices:[232] size:
18pt 24pt 30pt 36pt 48pt 60pt 72pt
line:
T.1948
T.2640
T.3194
T.3884
T.5248
T.6651
T.7930
639: Times Cosmoli Titling (cancelled in 1966)
339: Times Extended Titling Roman
composition matrices: UA.327 = 7pt-14pt[233] size:
7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)
set:
8.5
9.5
10.25
11
11.75
13.25
17
line:
M.1356
M.1360
M.1376
M.1410
M.1440
M.1500
M.1738
display matrices: size:
14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1671
T.1921
T.2224
T.2534
T.2918
T.3714
T.4406
T.5008
T.6235
T.7515
569: Times Four-line Mathematics
355: Times Hever Titling (see:355 The Times Hever Titling )
333: Times Newspaper Smalls
335: Times Newspaper Smalls
329: Times Titling Roman
composition matrices: UA.328 = 14pt[92] size:
14pt (14D)
set:
15.75
line:
M.1500
display matrices: size:
14pt 16pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1707
T.1948
T.2640
T.3194
T.3884
358: Times Titling (cancelled in 1967) 327: Times New Roman Roman /italic
421: Times New Roman Semi-bold Roman /italic
composition matrices: UA.325 = 7pt-14pt[202] size:
6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:
7
7.5
8.25
9
9.75
10.75
11.75
12.75
14.5
line:
M.1245
M.1265
M.1291
M.1310
M.1300
M.1329
M.1358
M.1395
M.1600
display matrices: size:
14pt 18pt 24pt 36pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3884
T.5268
T.6651
T.7930
427: Times New Roman Wide Roman /italic
627: Times New Roman Book Roman /italic
Series 627 consist of the special "long-descender" characters and the normal "non-descender" characters of Series 427
composition matrices: UA.327 = 7pt-14pt[234] size:
7.5pt (7D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)14D op 16pE
set:
7.75
9
10.25
11.25
12.25
13.25
line:
M.1267
M.1328
M.1370
M.1405
M.1438
M.1450
large composition: UA.426, 14pt only Roman size:
24pt (24D)
set:
21.5
line:
T.2230
display matrices: size:
20pt 24pt
line:
T.1827
T.2230
474: Times New Roman Heavy Book (destroyed in a bombardment)
727: Times New Roman (Light Caps) Roman
827: Times New Roman (French) Roman /italic (see: Times New Roman 727 )
alternative matrices for:
small capitals and Roman capitals C G Q R Ç
italic capitals C Q R and lower case g and k
composition matrices: UA.325 = 6pt-12pt[44] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (10D)12pt (12D)
set:
6.75
7.75
8.25
9
9.75
10.5
12
line:
M.1230
M.1268
M.1298
M.1325
M.1338
M.1368
M.1420
179: Titling (see: 179 Modern Titling )
synonyms: 179 Titling Modern No. 1 , 179 Titling Italic
180: Titling (see: 180 Victoria Bold Condensed Titling ) (synonym: 180 Victoria Bold Condensed )
181: Titling (see: 181 Victoria Condensed Titling )
182: Titling (see: 182 Victoria Titling )
183: Titling (see: 183 Modern )
209: Titling (see: 209 Caslon Titling )
234: Titling (see: 234 Shakespeare Titling )
440: Titling (cancelled in 1965)
522: Titling (see: 522 Placard Condensed Titling )
332: Titling Bold (The Times) (see: 332 Times Bold Titling )
__H: Titling (Caps) Roman
180: Titling Condensed (see: 180 Victoria Bold Condensed Titling )
339: Titling Extended (The Times) (see: 339 Times Extended Titling )
328: Titling Heavy (The Times) (see: 328 Times Bold Titling )
355: Titling Hever (The Times) (see: 355 Times Hever Titling )
179: Titling Italic (cancelled before 1966) (see: 179 Modern Titling )
synonyms: 179 Titling 179 Modern Titling No. 1
179: Titling Modern No. 1 (see: 179 Modern Titling )
synonyms: 179 Titling , 179 Titling Italic
329: Titling (The Times) (see: 329 Times Titling ) 325; Tonic-Sol-Fa 629: Traveller Roman
display matrices:[235] size:
30pt 36pt 42pt 48pt 60pt 72pt
line:
T.2918
T.3538
T.4161
T.4715
T.5960
T.7100
226: Treyford 114: Trojan Roman (cancelled in 1967)
composition matrices: UA.81 = 9pt-11pt[236] size:
9pt (8D)11pt (10D)
set:
9.5
11.25
line:
M.1306
M.1370
display matrices: size:
14pt 18pt 24pt 36pt
line:
T.1502
T.1929
T.2576
T.3854
Typewriter is a general style of fonts. All characters are of the same width, or "monospaced"; they are cast with a "flat" wedge. Consequently, all the typewriter font characters are cast with the same die case layout, key banks and wedge. There was more than enough space for all the underlined characters in the die case as well.
Printers used these fonts to print mailings for large companies. The print was made to look like a hand-typed personal letter. The press was covered with previously used, worn paper combined with a thin cloth silk tissue. In this way, the type did not receive equal pressure and ink on the paper. Thus it appeared that the letter was typed by a somewhat inexperienced secretary. _82: Typewriter No. 1 Roman
composition matrices: UA.28 = 10pt-12pt[95] Series:
82 100 105 235 301 302 344
size:
10pt (9D)12pt (11D)12pt (12D)12pt (11D)10pt (10D)12pt (11D)12pt (12D)
set:
12
14.5
14.5
13.25
12
14.5
14.5
line:
M.1291
M.1364
M.1550
T.1302
M.1291
M.1364
M.1355
100: Typewriter No. 2 Roman (see: 100 Typewriter 82 )
105: Typewriter No. 3 Roman (see: 105 Typewriter 82 )
127: Typewriter No. 4 Roman
composition matrices: UA.28 = 8pt-12pt[95] size:
8pt (8D)10pt (9D)12pt (12D)
set:
10
12
14.5
line:
M.1270
M.1296
M.1364
235: Typewriter No. 5 Elite Roman (see: 235 Typewriter 82 )
301: Typewriter No. 6 Elite Roman (see: 301 Typewriter 82 )
602: Typewriter IBM "Executive" Roman
This font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase.
Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt)
composition matrices: UA.442 = 14pt[237] size:
14pt (13D)
set:
13.5
line:
M.1475
_82: Typewriter Underlined Roman
100: Typewriter Underlined Roman
105: Typewriter Underlined Roman U
edit
120: Ultra Bodoni (see: 120 Bodoni Ultra Bold ) Univers was developed in cooperation with the French type foundry Deberny & Peignot .
It was possible to cast characters in lining with the character bought in France. 693: Univers Bold Roman /italic
composition matrices: UA.486 = 5D-12D, extra &: S16511, S16512, superior: L225,[114] size:
5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:
7
7.75
8.75
9.5
10.5
11.25
13
14
15
line:
M.1220
M.1234
M.1265
M.1290
M.1320
M.1350
M.1408
M.1436
M.1468
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
694: Univers Bold Condensed Roman /italic
692: Univers Bold Expanded Roman
composition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,[45] size:
6D at 7pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.75
13.75
16
line:
M.1234
M.1290
M.1350
M.1408
display matrices: size:
12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1356
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
696: Univers Extra Bold Roman
composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L223, inferior: L255[238] size:
5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:
7
7.75
8.75
9.5
10.5
11.25
13
14
15
line:
M.1220
M.1234
M.1265
M.1290
M.1320
M.1350
M.1408
M.1436
M.1468
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
695: Univers Extra Bold Expanded Roman /italic
composition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,[45] size:
6D at 7pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.75
13.75
16
line:
M.1234
M.1290
M.1350
M.1408
display matrices: size:
12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1356
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
684: Univers Extra Light Extra Condensed Roman /italic
display matrices: extra &: S16511, superior: L292,[213] size:
18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.2048
T.2538
T.3252
T.4024
T.5420
685: Univers Light Roman /italic
composition matrices: UA.483 = 6D-12D, extra &: S16511, S16512, superior: L295,[239] size:
6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:
7.75
8.75
9.5
10.5
11.25
13
14
15
line:
M.1234
M.1265
M.1290
M.1320
M.1350
M.1408
M.1436
M.1468
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
686: Univers Light Condensed Roman /italic
composition matrices: UA.492 = 5D-12D, extra &: S16511, S16512, superiors: L250,[238] size:
5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:
5.5
6
6.75
7.25
8
8.5
9.75
10.5
11.25
line:
M.1220
M.1234
M.1265
M.1290
M.1320
M.1350
M.1408
M.1436
M.1468
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
687: Univers Light Extra Condensed Roman /italic
composition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,[240] size:
10D at 11pE12D at 13pE
set:
7
8
line:
M.1408
M.1468
display matrices: size:
14D at 16pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.2048
T.2538
T.3252
T.4024
T.5420
689: Univers Medium Roman /italic
composition matrices: UA.483 = 5D-12D, extra &: S16511, S16512, superiors: L222, inferiors: L254[238] size:
5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE10D at 11pE11D at 12pE12D at 13pE
set:
7
7.75
8.75
9.5
10.5
13
14
15
line:
M.1220
M.1234
M.1265
M.1290
M.1320
M.1408
M.1436
M.1468
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
690: Univers Medium Condensed Roman /italic
composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L251[84]
5D was not supplied after 1969 size:
5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:
5(?)
6
6.75
7.25
8
8.5
9.75
10.5
11.25
line:
M.1220
M.1234
M.1265
M.1290
M.1320
M.1350
M.1408
M.1436
M.1468
display matrices: size:
14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
688: Univers Medium Expanded Roman
composition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266[45] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.75
13.75
16
line:
M.1234
M.1290
M.1350
M.1408
display matrices: size:
12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1365
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
691: Univers Medium Extra Condensed Roman
composition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263[45] size:
8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:
5.5
6
7
8
line:
M.1290
M.1350
M.1408
M.1460
display matrices: size:
14D at 16pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1587
T.2048
T.2538
T.3252
T.4024
T.5420
697: Univers Ultra Bold Expanded Roman
composition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269[45] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.75
13.75
16
line:
M.1234
M.1290
M.1350
M.1408
display matrices: size:
12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:
T.1365
T.1587
T.1818
T.2048
T.2538
T.3252
T.4024
T.5420
V
edit
203: Van Dijck Roman .italic
composition matrices: UA.354 = 7pt-14pt[125] size:
7pt (6D)7pt (7D)8pt (7D)8pt (8D)10pt op 8D10pt (10D)11pt op 9D11pt (11D)12pt (12D)13pt (12D)14pt (14D)
special features
short desc.
short desc.
short desc.
short desc.
set:
7.5
7.5
8
8
8.75
8.75
9.75
9.75
10
11
12
line:
M.1235
M.1235
M.1255
M.1255
M.1286
M.1286
M.1310
M.1310
M.1331
M.1462
M.1457
large composition: UA.423 size:
16pt (16D)18pt (18D)
set:
13.25
14.75
line:
T.1601
T.1797
display matrices: size:
16pt 18pt 24pt 30pt 36pt
line:
T.1601
T.1797
T.2398
T.2944
T.3584
520: Van Krimpen Bold (see: 520 Romulus Bold ) _59: Veronese composition matrices: UA.4 = 11pt-12pt[241] size:
11pt (10D)12pt (12D)
set:
10.5
12
line:
M.1364
M.1420
large-composition matrices: size:
14pt (14D)18pt (18D)24pt (24D)
UA. Roman:
106
106
107
UA. italic:
128
128
129
set:
14
18
24
line:
T.1533
T.1948
T.2640
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
180: Victoria Bold Condensed Roman (see: 180 Victoria Bold Condensed Titling )
180: Victoria Bold Condensed Titling Roman (synonym: 180 Victoria Bold Condensed )
composition matrices: UA.49 = 10pt-12pt[139] size:
10pt (10D)12pt (12D)
set:
8.75
10.75
line:
M.1420
M.1500
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1671
T.1948
T.2640
T.3194
T.3884
181: Victoria Condensed Titling Roman
composition matrices: UA.50 = 12pt[242] size:
12pt (12D)
set:
12.25
line:
M.1715
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1809
T.2224
T.2960
T.3608
T.4436
182: Victoria Titling Roman (synonym: 182 Titling )
display matrices:[243] size:
14pt 16pt 18pt 24pt 30pt 36pt
line:
T.1533
T.1809
T.1948
T.2640
T.3194
T.3884
W
edit
374: Walbaum Roman /italic
composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D[202] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14pt (14D)14D at 16pE16D
set:
7.75
9
9.75
10
10.75
11.75
13.75
14
15
line:
M.1227
M.1225
M.1254
M.1277
M.1285
M.1290
M.1533
M.1533
M.1810
display matrices: size:
14pt 16D at 18pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:
T.1308
T.1740
T.2110
T.2546
T.3355
T.4044
T.4739
T.5450
T.6830
T.7670
674: Walbaum Roman /italic (see: 374 Walbaum )
375: Walbaum Medium Roman /italic
composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D[202] size:
6D at 7pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14pt (14D)14D at 16pE16D
set:
7.75
9
9.75
10
10.75
11.75
13.75
14
15
line:
M.1227
M.1225
M.1254
M.1277
M.1285
M.1290
M.1533
M.1533
M.1810
display matrices: size:
14pt 16D at 18pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:
T.1308
T.1740
T.2110
T.2546
T.3355
T.4044
T.4739
T.5450
T.6830
T.7670
385: Wenceslas Script (cancelled in 1967)
display matrices:[77] Designed by Karel Svolinsky, (11 January 1896, Heiligenberg near Olmütz, Mähren - 16 September 1986, Prague) Czech painter, graphic designer and book illustrator. He studied at the school of arts and crafts in Prague. Later, he taught as a Professor at this University. Svolinsky Antiqua (1925), Wenceslas Script(1933) Grotesk(1943)[244]
One incomplete set survives at the BookArtMuseum, Lodz, Poland[245] _97: Wide Gothic Roman (see: 97 Grotesque Bold ) 164: Wide Latin Roman (see: 164 Latin Wide ) 273: Wigan Condensed (cancelled in 1965)
display matrices:[246] 123: Worcester Old Face (cancelled in 1965) Fraktur
edit
_89: Fraktur Antiqua Roman (cancelled voor 1966) (see also Neudeutsche Fraktur)
_98: Alte 'Monotype' Fraktur (cancelled in 1972) composition matrices: UA. 5F[247] size:
6D (6.5pt E)8D (9pt E)9D (10pt E)10D (11pt E)12D (13pt E)14
set:
6.75
8.25
9.25
10
13
13.5
line:
.1276
.1349
.1396
.1431
.1530
.1533
display matrices: size:
18 20D 24 24D 30 36 48D 60D
line:
.2011
.2382
.2724
.2880
.3299
.4014
.5820
.7300
449: Alte 'Monotype' Fraktur Halbfette (see: Alte Fraktur Fette)
102: Alte Schwabacher (cancelled in 1972)
_31: Armin Fraktur
_32: Armin Fraktur Fette
_34: Armin Fraktur Halbfette
_37: Bamberger Fraktur (cancelled in 1967)
_49: Bamberger Fraktur Fette (cancelled in 1967)
_48: Bamberger Fraktur Halbfette (cancelled in 1964)
521: Berliner Fraktur (cancelled in 1965)
387: Blücher Fraktur Fette (cancelled in 1967)
116: Breitkopf Fraktur (cancelled in 1972)
367: Breitkopf Fraktur (cancelled in 1972)
256: Breitkopf Fraktur Fette (cancelled in 1972)
413: Breitkopf Fraktur Halbfette
256: Dürer Fraktur
513: Dürer Fraktur Fette (cancelled in 1965)
512: Dürer Fraktur Halbfette (cancelled in 1965)
363: Enge Fraktur Halbfette (cancelled in 1967)
498: Enschedé Fraktur (cancelled in 1967)
296: Erfurter Fraktur (cancelled in 1964)
379: Essener Fraktur Fette (cancelled in 1967)
_38: Fraktur (cancelled in 1964)
_94: Große Moderne Fraktur (cancelled in 1967)
308: Helen Fraktur (cancelled in 1964)
384: Hessen Fraktur (cancelled in 1964)
202: Hessen Fraktur Halbfette (cancelled in 1964)
417: Hessen Fraktur Halbfette (cancelled in 1964)
315: Hutten Fraktur (cancelled in 1964)
423: Jean Paul Fraktur (cancelled in 1967)
_40: Kasseler Fraktur
_41: Kasseler Fraktur Halbfette
_56: Koelner Fraktur
_58: Koelner Fraktur halbfette
118: Mainzer Fraktur
132: Mainzer Fraktur Halbfette
_64: Moderne Fraktur
_66: Moderne Fraktur Fette
_86: Moderne Schwabacher
_93: Moderne Schwabacher Halbfette
_35: Neue Schwabacher
_36: Neue Schwabacher
463: Rundgotisch
186: Schmale Nürnburger Gotisch (cancelled in 1965) display matrices in 6 sizes[223] size:
14D 18D 20D 24D 28D 36D
line:
T.1671
T.2054
T.2560
T.3052
T.3524
T.4574
187: Schmalfette Frankfurter Fraktur display matrices in 7 sizes[248] size:
14D 16D 20D 24D 28D 36D 48D
line:
T.1671
T.2086
T.2620
T.3102
T.3584
T.4654
T.6282
483: Uhlen Rundgotisch
205: Unger Fraktur
277: Unger Fraktus Halbfette
_28: Wittenberg Fraktur
_29: Wittenberg Fraktur
_83: Wuerzburger Fraktur Non-Latin-typefaces
edit
Amharic
edit
599: Amharic
composition matrices: 9D-12D[107] size:
9D 12D
set:
9.5
11.75
display matrices: 14D 624: Amharic
composition matrices: 10D[107] Arabic
edit
409: Arabic (cancelled in 1946. replaced by series 549)
542: Arabic Bold (destroyed in a bombardement)
415: Arabic Display (cancelled in 1950)
549: Arabic Naskh
composition matrices: 8D-18D, for 8D a special mould was needed.[12] size:
8D 10D 12D 14D 16D 18D
set:
9.25
11.5
11.5
11.5
13.25
16.5
display matrices: size
24D 36D 48D matrices-holder Xb6SL was needed for casting
589: Arabic Naskh Accented
large composition matrices:[107] size:
20D 24
set:
13.5
16.5
649: Arabic Naskh Bold
composition matrices: 8D-18D[249] size:
8D 10D 12D 14D 16D 18D
set:
9.25
11.5
11.5
11.5
13.25
16.5
display matrices: size
24D 30D 36D 42D 48D 54D
559: Arabic Solloss
Display matrices:[250] size
54D with holder Xb7SL
507: (see: 507 Urdu )
707: (see: 707 Urdu )
721: Farsi
composition matrices: 10D-12D[116] size:
10D 12D
set:
10.75
13
display matrices: Armenian
edit
638: Armanian
composition matrices: 8D-12D[107] size:
8D 10D 12D
set:
8.5
10.25
12.5
Bangali
edit
470: Bengali
composition matrices: 8D-12D[251] size:
10pt 12pt 14pt
set:
7.5
9
10.25
700: Bengali
composition matrices: 8D-12D[239] size:
10pt 12pt 14pt
set:
7.5
9
10.5
701: Bengali Bold
composition matrices: 8D-12D[239] size:
10pt 12pt 14pt
set:
7.5
9
10.5
670: Bengali Bold (cancelled in 1967) Burmese
edit
558: Burmese Light
composition matrices: 12pt-18pt[139] size:
12pt 14pt 16pt 18pt
set:
9
10.5
12
12.75
578: Burmese Bold
composition matrices: 12pt-18pt[139] size:
12pt 14pt 18pt
set:
9
10.5
12
12.75
Chinese
edit
633: Chinese (cancelled in 1974)
133: Chu Yin (cancelled in 1967) Coptic
edit
609: Louvain Coptic Cyrillic
edit
(Russian, Serbian, Bulgarian and Macedonian)
_42: Albion
composition matrices: 6.5(6D)-13pt(12D)[151] size:
6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
cast at:
7pE
9pE
10pE
11pE
13pE
set:
7.75
9
9.75
10.5
12.5
line:
M.1235
M.1270
M.1300
M.1320
M.1390
_63: Albion
composition matrices: 9(8D)-13pt(12D)[169] size:
9pt (8D)11pt (10D)13pt (12D)
set:
8.25
9.5
11.5
line:
M.1270
M.1320
M.1390
_70: Albion
composition matrices: 6.5(6D)-13pt(12D)[169] size:
6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:
7pE
9pE
11pE
13pE
set:
7.75
9.75
11
13
line:
M.1225
M.1280
M.1327
M.1387
169: Baskerville (Russian) Roman / italic
composition matrices: 9pt-11pt[169] size:
9pt (8D)11pt (10D)
line:
M.1266
M.1320
display matrices: Roman size:
18pt 24pt 36pt
line:
T.1672
T.2226
T.3332
370: Bembo Titling
display matrices: 36pt-42pt[251] size:
36pt 42pt
line:
T.4436
T.5196
260: Bodoni Bold Roman / italic
display matrices: 14pt-72pt[252] size:
14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt
line:
T.1356
T.1741
T.2324
T.2914
T.3474
T.4716
T.5823
T.7100
529: Bodoni Bold Condensed
display matrices: 14pt-36pt[168] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1356
T.1741
T.2324
T.2914
T.3444
120: Bodoni Ultra Bold (Cyrillic) Roman
display matrices: 14pt-42pt[168] size:
14pt 18pt 24pt 30pt 36pt 42pt
line:
T.1472
T.1876
T.2502
T.3094
T.3746
T.4436
_17: Cushing (cancelled in 1967)
_68: French Old Style
composition matrices: 6.5(6D)-13pt(12D)[169] size:
6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:
7pE
9pE
11pE
13pE
set:
7.5
8.75
10.25
12.25
line:
M.1215
M.1260
M.1320
M.1388
_69: French Old Style Bold
composition matrices: 6.5(6D)-13pt(12D)[169] size:
6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:
7pE
9pE
11pE
13pE
set:
7.5
8.75
10.25
12.25
line:
M.1215
M.1260
M.1320
M.1388
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
_44: French Round Face
composition matrices: 6.5pt-13pt[253] size:
6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
set:
7.75
9.75
11
13
line:
M.1237
M.1285
M.1332
M.1415
201: Garamond Bold (Cyrillic Roman
display matrices:[137] size:
18pt 24pt 30pt
line:
T.1810
T.2364
T.2918
262: Gill Sans
composition matrices: 6pt-12pt[254] size:
6pt (6D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:
6.5
8
9
9.5
10.25
11.25
line:
M.1220
M.1255
M.1285
M.1302
M.1327
M.1360
display matrices: size:
14pt 16pt 20pt 24pt
line:
T.1395
T.1611
T.2002
T.2480
275: Gill Sans Bold
composition matrices: 6pt-12pt[254] size:
6pt (6D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:
6.5
8
9
9.5
10.25
11.25
line:
M.1220
M.1255
M.1285
M.1302
M.1327
M.1360
display matrices: size:
14pt 16pt 20pt 24pt
line:
T.1395
T.1611
T.2002
T.2480
373: Gill Sans Bold Condensed Titling
display matrices:[125] size:
14pt 18pt 24pt 30pt 36pt 48pt
line:
T.1811
T.2363
T.3193
T.3886
T.4714
T.6418
233: Gill Sans Cameo Roman
display matrices:[125] 485: Gill Sans Condensed
display matrices: 14pt-36pt[251] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1395
T.1841
T.2480
T.2918
T.3606
362: Gill Sans Light
composition matrices: 6pt-12pt[254] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
6.5
8
9.5
11.25
line:
M.1220
M.1255
M.1302
M.1360
display matrices: size:
14pt 16pt 20pt 24pt 30pt 36pt
line:
T.1395
T.1611
T.2002
T.2480
T.2918
T.3606
_96: Gothic (cancelled in 1965)
_51: Grotesque
composition matrices: 6pt-12pt[169] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
7.75
9.5
11.5
15.5
line:
M.1220
M.1235
M.1291
M.1444
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
_97: Grotesque Bold (cancelled in 1967)
_11: Grotesque Bold Condensed (cancelled in 1967)
166: Grotesque Bold Condensed (Cyrillic) Roman (synonym: 166 Grotesque Bold Condensed Titling )
display matrices:[251] size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1671
T.2085
T.2778
T.3470
T.4299
T.4991
T.5821
T.7204
T.8623
166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed (Cyrillic) )
_33: Grotesque Condensed Roman
composition matrices: 6pt-13pt[169] size:
6pt (6D)9pt (8D)11pt (10D)13pt (12D)
set:
6.75
8.5
9.75
11.5
line:
M.1255
M.1315
M.1395
M.1440
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
383: Grotesque Condensed Roman
composition matrices: 6pt-13pt[169] size:
6D op 7pE8D op 9pE10D op 11pE12D op 13pE
set:
5
6
7
8
line:
M.1280
M.1358
M.1410
M.1500
display matrices: size:
14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60 at 72pE72pt
line:
T.1626
T.2074
T.2776
T.3565
T.4164
T.5620
T.7030
T.7890
383: Grotesque Condensed
composition matrices: 6D-12D[169] size:
6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set:
5
6
7
8
line:
M.1280
M.1358
M.1410
M.1500
display matrices: size:
14D 18D 24D 30D 36D 48D 60D op 72pE72pt
line:
T.1626
T.2074
T.2776
T.3565
T.4164
T.5620
T.7030
T.7890
_39: Modern Condensed
composition matrices: 6.5pt-13pt[253] size:
6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
set:
6.5
8
9.5
11.5
line:
M.1225
M.1260
M.1320
M.1390
_77: Modern Extended (cancelled in 1967)
_75: Modern Wide (cancelled in 1967)
_27: Neo Didot
composition matrices: 6.5pt-13pt[169] size:
6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
7.75
9
9.75
10.5
12.5
line:
M.1235
M.1270
M.1300
M.1320
T.1390
506: Placard Bold Condensed
display matrices:[137] size:
14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48pt at 60pE
line:
T.1728
T.1964
T.2478
T.2996
T.3442
T.4414
T.5179
T.5960
515: Placard Bold Condensed
display matrices:[89] size:
36pt 48pt 60pt 72pt
line:
T.4299
T.5808
T.7300
T.8760
568: Placard Condensed
display matrices:[137] size:
14D op 16pE16D op 18pE20D op 22pE22D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pE
line:
T.1806
T.2052
T.2544
T.3076
T.3592
T.4614
T.6230
T.7800
522: Placard Condensed Titling
display matrices:[125] 194: Plantin Bold (Russian) Roman
composition matrices: 6pt-12pt[169] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
7
8.5
9.5
11.75
line:
M.1237
M.1285
M.1332
M.1415
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
113: Plantin Light (Russian) Roman / italic
composition matrices: 6pt-12pt[169] size:
6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:
7
8.5
10
11.75
line:
M.1237
M.1285
M.1342
M.1426
display matrices: size:
14pt 16pt 24pt 30pt 36pt 42pt 48pt 60pt
line:
T.1533
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
327: Times New Roman
composition matrices: 6pt-12pt[255] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)12pt (12D)
set:
6.75
7.75
8.25
9
9.76
12
line:
M.1230
M.1268
M.1298
M.1325
M.1338
M.1420
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1438
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
334: Times Bold
composition matrices: 6pt-12pt[255] size:
6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)12pt (12D)
set:
6.75
7.75
8.25
9
9.76
12
line:
M.1230
M.1268
M.1298
M.1325
M.1338
M.1420
display matrices: size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
T.1438
T.1948
T.2640
T.3194
T.3884
T.4576
T.5268
T.6651
T.7930
Devenagari
edit
155: Devenagari
composition matrices: 12pt-16pt[256] size:
12pt 14pt 16pt
set:
9
10.5
12
display matrices: size:
20pt 24pt 36pt 48pt
346: Devenagari Bold
composition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig[257] size:
10pt 12pt 14pt 16pt
set:
7.5
9
10.5
12
755: Devenagari Italic
composition matrices: 10pt-16pt[22] size:
10pt 12pt 14pt 16pt
set:
7.5
9
10.5
12
Display matrices 18pt , 24pt , 30pt , 36pt Gaelic
edit
_24: Gaelic
composition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt[258] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:
6.25
8.25
9.25
11.25
line:
.1200
.1248
.1330
.1387
large composition matrices: UA.108 = 14 pt, 18pt, UA.109 = 24 pt size:
14pt 18pt 24pt
set:
14
18
24
line:
.1533
.1948
2640
display matrices: 14pt - 72pt size:
14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:
.1533
.1948
.2640
.3194
.3884
.4576
.5268
.6651
.7930
117: Gaelic (see: 117 Gaelic Sans-Serif )
121: Colum Cille (see: 121 Gaelic Colm Cille )
121: Gaelic Colm Cille
_85: Gaelic Display
117: Gaelic Display (see: 117 Gaelic Sans-Serif )
117: Gaelic Sans Serif Georgian
edit
539: Georgian Light (cancelled in 1972)
display matrices: 16D[104] 540: Georgian Bold (cancelled in 1972)
display matrices: 24D 587: Georgian
composition matrices: 8D-10D size:
8D 10D
set:
8.75
10.75
Glagolitic
edit
598: Glagolitic (see also: 597 Old Bulgarian )
composition matrices: 12pt:[251] size:
12pt
set:
11.75
line:
M.1415
Greek
edit
259: Antigone
composition matrices: UA.432 = 13pt:[240] size:
13pt (12D)
set:
9.25
line:
M.1330
672: Gill Sans Bold Upright
is used as "bold" in combination with series 571 & 572
585: Gill Sans Condensed
display matrices:[252] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1395
T.1841
T.2480
T.2918
T.3606
625: Gill Sans Bold Upright
composition matrices: UA.452 = 8-12pt:[259] size:
8pt (8D)10pt (10D)11pt (11D)12pt (11D)
set:
8
9.5
10.25
11.25
line:
M.1255
M.1302
M.1327
M.1360
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1395
T.1841
T.2480
T.2918
T.3606
571: Gill Sans Inclined italic
Is used as italic in combination with series 572 and 672, data similar with Series 572:
572: Gill Sans Upright Roman
composition matrices: UA.451 = 8-12pt:[259] size:
8pt (8D)10pt (10D)11pt (11D)12pt (11D)
set:
8
9.5
10.25
11.25
line:
M.1255
M.1302
M.1327
M.1360
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1395
T.1841
T.2480
T.2918
T.3606
473: Greek (cancelled in 1967)
_91: Greek: Inclined
composition matrices: UA.26 = 6-13pt:[207] size:
6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
6.75
8.25
9
9.75
10.5
12.5
line:
M.1198
M.1245
M.1270
M.1300
M.1320
M.1390
_92: Greek: Bold Upright (see also: 92 Greek Upright Display )
composition matrices: UA.26 = 6-13pt:[253] size:
6pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
6.75
9
9.75
10.5
12.5
line:
M.1198
M.1270
M.1300
M.1320
M.1390
472: Greek: Inclined
composition matrices: UA.434 = 8-11pt:[207] size:
8pt (8D)9pt (9D)10pt (9D)11pt (10D)
set:
8.5
9.25
9.75
10.5
line:
M.1235
M.1260
M.1290
M.1310
_90: Greek: Upright
composition matrices: UA.26 = 6-13pt:[22] size:
6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:
7.5
8
9
9.75
10.5
12.5
line:
M.1235
M.1250
M.1270
M.1300
M.1320
M.1390
_92: Greek Upright Display (Synoniem: 92 Greek Bold Upright )
composition matrices: UA.27 = 9-13pt:[259] size:
9pt (8D)11pt (10D)13pt (12D)
set:
9
10.5
12.5
line:
M.1270
M.1320
M.1390
683: Grotesque Condensed Upright
display matrices: 14D-36D[168] size:
14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 26pE
line:
T.1616
T.2074
T.2776
T.3565
T.4164
718: Grotesque Condensed Upright
display matrices: 14pt-36pt[168] size:
14pt 18pt 24pt 30pt 36pt
line:
T.1544
T.1948
T.2640
T.3332
T.4022
486: Heavy Greek (see: 486 Sans-Serif )
192: New Hellenic Greek
composition matrices: UA.73 = 7-12pt:[260] size:
7pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (11 of 12D)
set:
7.25
8.75
9.75
10.5
12
line:
M.1225
M.1273
M.1307
M.1332
M.1380
display matrices: 553: Old Style Bold Inclined
composition matrices: UA.436 = 9-11pt:[261] size:
9pt (9D)11pt (10D)
set:
9.25
10.5
line:
M.1257
M.1315
283: Perpetua (cancelled in 1967)
605: Placard Extra Light Condensed
display matrices: 14D-36D[252] size:
14D at 16pE16D at 18pE24D at 30pE28D at 30pE36D at 16pE
line:
T.1860
T.2114
T.3236
T.3722
T.4774
668: Placard Condensed Upright
display matrices: 14D-36D[168] size:
14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 16pE
line:
T.1806
T.2052
T.2544
T.3076
T.3592
T.4614
106: Porson
composition matrices: UA.26 = 5.5-12pt:[100] size:
5.5pt (5.5D)8pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:
6.5
8
9.75
10.5
12
line:
M.1195
M.1250
M.1294
M.1315
M.1356
404: Porson Condensed (cancelled in 1967)
486: Greek: Sans Serif
composition matrices: UA.415 = 8-10pt:[262] size:
8pt (8D)10pt (10D)
set:
8
9.75
line:
M.1250
M.1294
739: Spartan Light Upright
Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
composition matrices: UA.454 = 6-12pt:[137] size:
6pt (6D)12pt (11D)
set:
7
11
line:
M.1282
M.1420
740: Spartan Upright
Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
composition matrices: UA.454 = 6-12pt:[137] size:
6pt (6D)12pt (11D)
set:
7
11
line:
M.1282
M.1420
741: Spartan Bold Upright
Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
composition matrices: UA.454 = 6-12pt:[137] size:
6pt (6D)12pt (11D)
set:
7
12
line:
M.1282
M.1420
565: Times Upright
composition matrices: UA.437 = 6-12pt:[263] size:
6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:
6.75
7.75
8.25
9
9.75
10.5
12
line:
M.1230
M.1268
M.1298
M.1325
M.1338
M.1368
M.1420
display matrices: size:
14pt 18pt
line:
T.1438
T.1948
566: Times Inclined was used as italic with Series 565 Times Upright
composition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal)
567: Times Bold Upright
composition matrices: UA.439 = 6-12pt:[263] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:
6.75
8.25
9.75
12
line:
M.1239
M.1298
M.1338
M.1420
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1458
T.1873
T.2640
T.3194
T.3884
667: Times Bold Inclined
composition matrices: UA.439 = 6-12pt:[263] size:
6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:
6.75
8.25
9.75
12
line:
M.1239
M.1298
M.1338
M.1420
display matrices: size:
14pt 18pt 24pt 30pt 36pt
line:
T.1458
T.1873
T.2640
T.3194
T.3884
893: Univers Bold Upright
composition matrices: UA.439 = 6-12pt:[111] size:
8D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.25
13
line:
M.1290
M.1350
M.1408
989: Univers Medium Inclined
composition matrices: UA.439 = 6-12pt:[111] size:
8D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.25
13
line:
M.1290
M.1350
M.1408
889: Univers Medium Upright
composition matrices: UA.439 = 6-12pt:[111] size:
8D at 9pE9D at 10pE10D at 11pE
set:
9.5
11.25
13
line:
M.1290
M.1350
M.1408
Gujerathi
edit
460: Gujerathi
composition matrices:[152] size:
10pt 12pt 14pt
set:
7.5
9
10.5
518: Gujerathi Bold
composition matrices:[152] size:
10pt 12pt 14pt
set:
7.5
9
10.5
display matrices: size:
18pt 24pt 30pt 36pt
704: Gujerathi
composition matrices:[152] size:
10pt 12pt 14pt
set:
7.5
9
10.5
Gurmukhi
edit
601: Gurmukhi Bold
composition matrices: 12-16pt:[107] size:
12pt 14pt 16pt
set:
9
10.5
12
604: Gurmukhi
composition matrices: 12-16pt:[107] size:
12pt 14pt 16pt
set:
9
10.5
12
604: Gurmukhi Light (see: 604 Gurmukhi ) Hebrew
edit
219: Ashurith (unpointed)
composition matrices: 7-8pt:[231] size:
7pt at 12pE (7D)8pt at 13pE (8D)
set:
6.5
7
487: Gill (cancelled in 1967)
222: Hebrew
composition matrices: 6-8pt:[264] size:
6pt at 9pE (6D)7pt at 10pE (7D)8pt at 13pE (8D)
set:
7
7
7
219: Hebrew Ashurith (see: 219 Ashurith )
221: Hebrew Levenim (see: 221 Levenim )
220: Hebrew Peninim (see: 220 Peninim )
228: Hebrew Rabbinic (see: 228 Rabinnic )
547: Hebrew Schocken No. 1 (cancelled in 1974)
550: Hebrew Schocken No. 2 (cancelled in 1967)
551: Hebrew Schocken No. 3 (cancelled in 1967)
218: Hebrew Sonzino (pointed) (see: 218 Sonzino )
221: Levênim (unpointed)
composition matrices: 7pt:[231] size:
7pt op 9pE (7D)
set:
7.25
492: Mayer
488: Mayer Pointed
220: Peninim (unpointed)
composition matrices: 5-7pt:[264] size:
5pt at 8pE6pt at 9pE7pt at 11pE
set:
5
5.5
7.25
display matrices: size: 14pt , 18pt , 24pt 489: Peninim
217: Peninim Pointed
composition matrices: 6-8pt:[231] size:
6pt (6D)7pt 8pt
set:
5
5.5
7
228: Rabbinic
composition matrices: 11-12pt:[231] size:
11pt (10D)12pt (12D)
set:
6.5
7
218: Sonzino
composition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot[264] size:
9pt 12pt
set:
7.5
10
display matrices: 18pt point S5469 to S5476 cast at 6 point Kannada
edit
588: Kannada
composition matrices: 10-16pt:[107] size:
10pt 12pt 14pt 16pt
set:
9.75
11.5
13.75
15.75
590: Kannada (see: 590 Malayalam )
788: Kannada
787: Kannada Semi-Bold Malayalam
edit
590: Malayalam (synonym: 590 Kannada )
composition matrices: 10-12pt:[231] size:
8pt 10pt 12pt
set:
9.75
12.5
14.75
660: Malayalam
composition matrices: 8pt: Old Bulgarian
edit
597: Old Bulgarian (see also: 598 Glagolitic )
composition matrices: 10-12pt:[251] size:
10pt (9D)12pt (11D)
set:
9.5
11.75
line:
M.1332
M.1415
Oriya
edit
706: Oriya Sangalese
edit
557: Sangalese
composition matrices: 8-14pt:[235] size:
8pt 10pt 12pt 14pt
set:
7.75
9.25
11
13
657: Sangalese Bold
composition matrices: 8-14pt:[235] size:
8pt 10pt 12pt 14pt
set:
7.75
9.25
11
13
698: Sangalese Italic
composition matrices: 8-14pt:[239] size:
8pt 10pt 12pt
set:
7.75
9.25
11
699: Sangalese Bold Italic
composition matrices: 8-14pt:[239] size:
8pt 10pt 12pt
set:
7.75
9.25
11
Syriac
edit
564: Syriac "Estrangelo"
composition matrices: 8-10pt:[130] size:
8D 10D
set:
8.75
10.75
Tamil
edit
280: Tamil
composition matrices:[265] size:
8pt 10pt
set:
912
15
340: Tamil Bold
composition matrices: 8pt-10pt[266] size:
8pt 10pt
set:
12
15
display matrices: 581: Tamil Bold (cancelled)
340: Tamil Heavy (see: 340 Tamil Bold )
580: Tamil Medium \
composition matrices:[265] size:
8pt 9pt 10pt 11pt 12pt
set:
9.75
11
12.5
13.5
14.75
708: Tamil Medium
composition matrices:[267] size:
8pt 9pt 10pt 11pt 12pt 14pt
set:
9.75
11
12.5
13.5
14.75
17
Telugu
edit
426: Telugu (cancelled in 1969)
626: Telugu Medium
composition matrices:[150] 726: Telugu Bold Thai
edit
577: Thai
composition matrices:[107] size:
12pt 16pt 18pt
set:
9
12
13.5
608: Thai Light
composition matrices: size:
12pt 16pt 18pt
set:
8.5
11.5
12.75
611: Thai Bold
composition matrices: size:
12pt 16pt 18pt
set:
9
12
13.5
621: Thai Medium
display matrices:[268] size:
24pt 30pt 36pt 48pt
628: Thai Light Italic
composition matrices:[231] size:
16pt 18pt
set:
11.5
12.75
Urdu
edit
507: Urdu
composition matrices: 9D-16D[269] size:
9D 12D 14D 16D
cast at:
12pE at 12D
16pE at 16D duplex
18pE at 18D duplex
20pE at 20D duplex
set:
10.5
13
14.75
17
707: Urdu Bold
composition matrices: 9D-16D[269] size:
9D 12D 14D 16D
cast at:
12pE at 12D
16pE at 16D duplex
18pE at 18D duplex
20pE at 20D duplex
set:
10.5
13
14.75
17
display matrices: size:
18D 24D 30D 42D 54D
cast at:
24pE at 24D
30pE at 30D
36pE at 36D
48pE at 48D
60pE at 60D
holder:
Xb7SL
Xb7SL
External links
edit
the site of David Bolton, with much info on Monotype and letterpress. The website of the Type Museum in London, where matrices were still produced with the old machines. Monotype Inc at fonts.com Monotype Inc. for digital fonts. Monotype digital fonts References
edit
^ Hudy Slinn, Sebastian Carter, Richard Southill: The History of The Monotype Corporation , Printing Historical Society, London, Vanburg Press Woodstock, 2014, ISBN 978-0-900003-15-8
^ Js. Hermans, ' that's printed... ' but how? , 1961 Intergrafia-series number 17, Edecea Publishing House, Horn
^ N.N., Specimen book of "Monotype" printing types ' ', The Monotype Corporation LIMITED, 43 Fetter Lane, London EC4, 4 vols
^ The Monotype Corporation Ltd. specimen-blade 9-61, Albertus 324
^ The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 481
^ The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 534
^ The Monotype Corporation Ltd. specimen-blade 7-56, Albertus 538
^ The Monotype Corporation Ltd. 12-36
^ a b c The Monotype Corporation Ltd. 2-61
^ a b c d e The Monotype Corporation Ltd. 7-37
^ The Monotype Corporation Ltd. 10-39
^ a b c d The Monotype Corporation Ltd. 5-72
^ a b c The Monotype Corporation Ltd. 5-38
^ The Monotype Corporation Ltd. specimen blade 6-38
^ The Monotype Corporation Ltd. specimen blade series No. 354
^ The Monotype Corporation Ltd. specimen blade 2-70
^ The Monotype Corporation Ltd. specimen blade 1-77
^ The Monotype Corporation Ltd. specimen blade 3-40
^ The Monotype Corporation Ltd. Series no. 238
^ The Monotype Corporation Ltd. Series no. 279
^ a b c d e f g The Monotype Corporation Ltd. 7-70
^ a b c d e f g h The Monotype Corporation Ltd. 4-71
^ a b The Monotype Corporation Ltd. 11-73
^ The Monotype Corporation Ltd. 9-70
^ The Monotype Corporation Ltd. 1-51 and 11-51
^ The Monotype Corporation Ltd. series no.376
^ The Monotype Corporation Ltd. series no.378
^ a b The Monotype Corporation Ltd. 10-41
^ The Monotype Corporation Ltd. series no.381
^ a b c The Monotype Corporation Ltd. 2-70
^ a b c The Monotype Corporation Ltd. 2-73
^ The Monotype Corporation Ltd. 3-46 and 3-71
^ The Monotype Corporation Ltd. 8-59
^ The Monotype Corporation Ltd. 5-51
^ a b The Monotype Corporation Ltd. 5-76
^ a b c The Monotype Corporation Ltd. 2-65
^ a b c d e f The Monotype Corporation Ltd. 10-76
^ a b c d e f g The Monotype Corporation Ltd. 9-50
^ The Monotype Corporation Ltd. 1-50 and 7-60
^ The Monotype Corporation Ltd. 9-37 and 11-50
^ The Monotype Corporation Ltd. 3-40
^ The Monotype Corporation Ltd. 3-37 and 10-40
^ The Monotype Corporation Ltd. 2-60, 4-71 and 10-38
^ a b c The Monotype Corporation Ltd. 11-76
^ a b c d e f g h The Monotype Corporation Ltd. 2-68
^ The Monotype Corporation Ltd. Series No. 138 Bold Face no.3
^ The Monotype Corporation Ltd. 11-55
^ The Monotype Corporation Ltd. 5-41
^ The Monotype Corporation Series no. 197 and 2-57
^ a b The Monotype Corporation Ltd. 1-72
^ Castellar at Fonts.com
^ Castellar font family at Microsoft Typography
^ a b c d e The Monotype Corporation Ltd. 5-71
^ The Monotype Corporation Ltd. 5-67
^ The Monotype Corporation 5-67 and 12-72
^ The Monotype Corporation Ltd.5-76
^ a b The Monotype Corporation Ltd. 8-71
^ a b The Monotype Corporation Ltd. 2-72
^ a b c The Monotype Corporation Ltd. 9-69
^ a b The Monotype Corporation Ltd. 7-68
^ a b c The Monotype Corporation Ltd. 4-39
^ The Monotype Corporation specimen blade 3-58
^ The Monotype Corporation Ltd. series no.412
^ The Monotype Corporation Ltd. 12-71
^ a b c d The Monotype Corporation Ltd. 9-37
^ a b The Monotype Corporation Ltd. 8-55
^ a b The Monotype Corporation Ltd. 6-72
^ The Monotype Corporation Ltd. specimen blade series 17
^ a b The Monotype Corporation Ltd. 5-70
^ a b The Monotype Corporation Ltd. 3-61
^ a b The Monotype Corporation Ltd. 9-40
^ The Monotype Corporation Ltd. 8-39
^ a b The Monotype Corporation Ltd. specimen blade 3-44
^ The Monotype Corporation Ltd. Series No. 223
^ The Monotype Corporation Ltd. 6-38
^ The Monotype Corporation Ltd. specimen blade 8-68
^ a b c The Monotype Corporation Ltd. 9-51
^ a b c d e f The Monotype Corporation Ltd. 12-67
^ The Monotype Corporation Ltd. series no.171
^ The Monotype Corporation Ltd. series no.130
^ The Monotype Corporation Ltd. series no.162
^ The Monotype Corporation Ltd. Series no 330
^ The Monotype Corporation Ltd. Series no.112
^ a b c The Monotype Corporation Ltd. 10-68
^ a b c d e The Monotype Corporation Ltd. 2-77
^ The Monotype Corporation Ltd. specimen blade 10-37
^ The Monotype Corporation Ltd. specimen blade 10-76
^ The Monotype Corporation Ltd. 11-86
^ a b The Monotype Corporation Ltd. 11-68
^ The Monotype Corporation Ltd. 2-60
^ The Monotype Corporation Ltd. 12-57
^ a b The Monotype Corporation Ltd. 5-58
^ a b c d The Monotype Corporation Ltd. 8-60
^ The Monotype Corporation Ltd. 5-56
^ a b c The Monotype Corporation Ltd. 8-61
^ a b The Monotype Corporation Ltd. 4-62
^ a b c The Monotype Corporation Ltd. 8-68
^ a b c d e f The Monotype Corporation Ltd. 10-40
^ The Monotype Corporation Ltd. series No. 68 and 4-56 and 5-40
^ a b The Monotype Corporation Ltd. 2-40
^ a b c The Monotype Corporation Ltd. 6-40
^ The Monotype Corporation Ltd. Series No. 69 and 6-54
^ The Monotype Corporation Ltd. 3-52 and 11-86
^ a b c The Monotype Corporation Ltd. 4-73
^ The Monotype Corporation Ltd. 12-73
^ The Monotype Corporation Ltd. 11-70
^ a b c d e f g h i j k The Monotype Corporation Ltd. 4-63
^ a b The Monotype Corporation Ltd. 3-71
^ The Monotype Corporation Ltd. 11-71
^ The Monotype Corporation Ltd. 1-77
^ a b c d The Monotype Corporation Ltd. 7-72
^ The Monotype Corporation Ltd. 6-70
^ a b The Monotype Corporation Ltd. 1-71
^ a b The Monotype Corporation Ltd. 4-70
^ The Monotype Corporation Ltd. 6-60 and 12-67
^ a b The Monotype Corporation Ltd. 3-70
^ The Monotype Corporation Ltd. specimen-blade Series No. 4
^ The Monotype Corporation Ltd. 7-67
^ a b The Monotype Corporation Ltd. 7-65
^ The Monotype Corporation Ltd. 9-58
^ a b c d e The Monotype Corporation Ltd. 9-63
^ The Monotype Corporation Ltd. 8-60 and 10-63
^ The Monotype Corporation Ltd. 9-41
^ The Monotype Corporation Ltd. 10-62
^ a b c d e The Monotype Corporation Ltd. 4-65
^ The Monotype Corporation Ltd. 12-63
^ The Monotype Corporation Ltd. 12-40
^ The Monotype Corporation Ltd. 11-61 and 12.53
^ a b c The Monotype Corporation Ltd. 11-61
^ a b The Monotype Corporation Ltd. 12-65
^ The Monotype Corporation Ltd. specimen-blade 2-72
^ a b The Monotype Corporation Ltd. specimen-blade 10-40
^ The Monotype Corporation Ltd. 12-50 and 12-64
^ The Monotype Corporation Ltd. Series 365
^ The Monotype Corporation Ltd. 3-69
^ The Monotype Corporation Ltd. 5-61 and 5-67
^ a b c d e f g The Monotype Corporation Ltd. 6-65
^ The Monotype Corporation Ltd. 11-60 and 11-63
^ a b c d e f g h The Monotype Corporation Ltd. 5-64
^ a b c d The Monotype Corporation Ltd. 9-62
^ The Monotype Corporation Ltd. 12-64
^ The Monotype Corporation Ltd. Series No. 389
^ The Monotype Corporation Ltd. 9-63 and 12-67
^ The Monotype Corporation Ltd. 12-37
^ The Monotype Corporation Ltd. 11-40
^ The Monotype Corporation Ltd. 8-37
^ The Monotype Corporation Ltd. 2-70, 7-65, 8-65
^ Last edition of Matrix
^ a b The Monotype Corporation Ltd. 9-60
^ a b c The Monotype Corporation Ltd. 8-63
^ a b c d e The Monotype Corporation Ltd. 6-61
^ a b c d The Monotype Corporation Ltd. 7-71
^ The Monotype Corporation Ltd. Series No. 265
^ The Monotype Corporation Ltd. Series No. 416
^ The Monotype Corporation Ltd. 2-37
^ Lanton Monotype specimen blade series 58 & 238
^ The Monotype Corporation Ltd. 3-59
^ The Monotype Corporation Ltd. Series No. 305
^ The Monotype Corporation Ltd. specimen-blade 1-50/1-54
^ a b c d e The Monotype Corporation Ltd. 4-40
^ The Monotype Corporation Ltd. 5-40
^ The Monotype Corporation Ltd. 4-44
^ The Monotype Corporation Ltd. 4-41
^ The Monotype Corporation Ltd. series No. 348
^ The Monotype Corporation Ltd. 7-39
^ The Monotype Corporation Ltd. 12-52, 3-75
^ a b The Monotype Corporation Ltd. 2-62
^ a b c d e f The Monotype Corporation Ltd. 7-64
^ a b c d e f g h i j k l m The Monotype Corporation Ltd. 5-61
^ The Monotype Corporation Ltd. specimen-blade 10-47
^ The Monotype Corporation Ltd. specimen-blade 11-58
^ The Monotype Corporation Ltd. specimen-blade 1-53
^ The Monotype Corporation Ltd. 9-38
^ The Monotype Corporation Ltd. specimen-blade 5-41
^ The Monotype Corporation Ltd. specimen-blade 9-37
^ a b The Monotype Corporation Ltd. 8-40
^ The Monotype Corporation Ltd. specimen-blade 8-56
^ The Monotype Corporation Ltd. specimen-blade 5-40
^ The Monotype Corporation Ltd. specimen-blade 6-38/12-51
^ The Monotype Corporation Ltd. specimen-blade Series No. 14
^ The Monotype Corporation Ltd. specimen-blade 8-50
^ The Monotype Corporation Ltd. specimen-blade 7-40
^ The Monotype Corporation Ltd. Series No. 179
^ The Monotype Corporation Ltd. 10-36
^ a b The Monotype Corporation Ltd. 7-50
^ The Monotype Corporation Ltd. 7-50 and 12-36
^ The Monotype Corporation Ltd. 7-54
^ The Monotype Corporation Ltd. Series No. 257
^ a b The Monotype Corporation Ltd. 6-63
^ The Monotype Corporation Ltd. 3-38
^ The Monotype Corporation Ltd. specimen blade 9-37
^ The Monotype Corporation Ltd. 3-50
^ The Monotype Corporation Ltd. 12-59
^ a b The Monotype Corporation Ltd. 6-39
^ The Monotype Corporation Ltd. specimen blades 1-50, 12-37
^ The Monotype Corporation Ltd. 9-46
^ The Monotype Corporation Ltd. Series No. 50
^ Onyx font family at Microsoft Typography^ The Monotype Corporation Ltd. 7-61
^ The Monotype Corporation Ltd. 4-60
^ The Monotype Corporation Ltd. 2-51
^ a b c d The Monotype Corporation Ltd. 6-66
^ The Monotype Corporation Ltd. 3-49
^ The Monotype Corporation Ltd. 11-38
^ The Monotype Corporation Ltd. Series No. 386
^ The Monotype Corporation Ltd. 8-58
^ a b c The Monotype Corporation Ltd. 2-66
^ The Monotype Corporation Ltd. 4-66
^ The Monotype Corporation Ltd. 3-52
^ The Monotype Corporation Ltd. 2-57
^ The Monotype Corporation Ltd. 4-64 and 12-52
^ The Monotype Corporation Ltd. 1-70
^ a b c d The Monotype Corporation Ltd. 12-69
^ The Monotype Corporation Ltd. 1-38
^ The Monotype Corporation Ltd. 10-49 and 12-69
^ a b The Monotype Corporation Ltd. 10-61
^ a b The Monotype Corporation Ltd. 5-62
^ The Monotype Corporation Ltd. 5-60
^ The Monotype Corporation Ltd. 9-61
^ The Monotype Corporation Ltd. 1-68
^ a b The Monotype Corporation Ltd. 12-61
^ The Monotype Corporation Ltd. specimen-blade Series 10
^ a b The Monotype Corporation Ltd. specimen blade Serie nr. 186
^ The Monotype Corporation Ltd. specimen blade 7-37
^ a b The Monotype Corporation Ltd. 2-58
^ The Monotype Corporation Ltd. 7-46
^ a b The Monotype Corporation Ltd. 9-39
^ a b c d e The Monotype Corporation Ltd. 7-62
^ a b The Monotype Corporation Ltd. 6-60
^ The Monotype Corporation Ltd. 11-64
^ a b c d e f g The Monotype Corporation Ltd. 2-63
^ The Monotype Corporation Ltd. 3-57
^ The Monotype Corporation Ltd. 3-58 and 5-61
^ The Monotype Corporation Ltd. 3-58
^ a b c The Monotype Corporation Ltd. 1-64
^ The Monotype Corporation Ltd. Series No. 114
^ The Monotype Corporation Ltd. 4-64
^ a b c The Monotype Corporation Ltd. 10-67
^ a b c d e The Monotype Corporation Ltd. 11-67
^ a b The Monotype Corporation Ltd. 5-68
^ The Monotype Corporation Ltd. 6-54
^ The Monotype Corporation Ltd. 7-61 and 12-64
^ The Monotype Corporation Ltd. Series No. 182
^ KlingsporMuseum [www.klingspor-museum.de/KlingsporKuenstler/Schriftdesigner/Svolinsky/KSvolinsky.pdf Karel Svolinski]
^ "Home". book.art.pl . ^ The Monotype Corporation Ltd. Series No. 273
^ The Monotype Corporation Ltd. serie nr. 98
^ The Monotype Corporation Ltd. specimen blade Serie nr. 187
^ The Monotype Corporation Ltd. 7-69
^ The Monotype Corporation Ltd. 11-63
^ a b c d e f The Monotype Corporation Ltd. 5-65
^ a b c The Monotype Corporation Ltd. 9-64
^ a b c The Monotype Corporation Ltd. 4-61
^ a b c The Monotype Corporation Ltd. 1-61
^ a b The Monotype Corporation Ltd. 10-60
^ The Monotype Corporation Ltd. 1-65
^ The Monotype Corporation Ltd. 10-75
^ The Monotype Corporation Ltd. specimen blade 6-41
^ a b c The Monotype Corporation Ltd. 1-60
^ The Monotype Corporation Ltd. Series No. 192 and 11-60
^ The Monotype Corporation Ltd. 2-69
^ The Monotype Corporation Ltd. 11-50 and 2-16
^ a b c The Monotype Corporation Ltd. 1-59
^ a b c The Monotype Corporation Ltd. 3-63
^ a b The Monotype Corporation Ltd. 9-54
^ The Monotype Corporation Ltd. 1-66
^ The Monotype Corporation Ltd. 4-74
^ The Monotype Corporation Ltd. 1-63
^ a b The Monotype Corporation Ltd. 5-73
