Namaste (/ˈnʌməsteɪ/,Devanagari: नमस्ते), sometimes called namaskar and namaskaram, is a customary Hindu non-contact manner of respectfully greeting and honoring a person or group, used at any time of day. It is found on the Indian subcontinent, and among the Nepalese and Indian diaspora. Namaste is usually spoken with a slight bow and hands pressed together, palms touching and fingers pointing upwards, thumbs close to the chest. This gesture is called añjali mudrā; the standing posture incorporating it is pranamasana.
Pressing hands together with a smile to greet namaste – a common cultural gesture in Nepal and India
Namaste (Namas + te) is derived from Sanskrit and is a combination of the word namas and the second person dative pronoun in its enclitic form, te. The word namaḥ takes the sandhi form namas before the sound te.
It is found in the Vedic literature. Namas-krita and related terms appear in the Hindu scripture Rigveda such as in the Vivaha Sukta, verse 10.85.22 in the sense of "worship, adore", while Namaskara appears in the sense of "exclamatory adoration, homage, salutation and worship" in the Atharvaveda, the Taittiriya Samhita, and the Aitareya Brahmana. It is an expression of veneration, worship, reverence, an "offering of homage" and "adoration" in the Vedic literature and post-Vedic texts such as the Mahabharata. The phrase Namas-te appears with this meaning in Rigveda 8.75.10,Atharvaveda verse 6.13.2, Taittirya Samhita 126.96.36.199 and in numerous other instances in many early Hindu texts. It is also found in numerous ancient and medieval era sculpture and mandapa relief artwork in Hindu temples.
A Nepali bride in namaste pose while welcoming guests at her wedding
According to the Indologist Stephen Phillips, the terms "te and tvam" are an informal, familiar form of "you" in Sanskrit, and it is typically not used for unfamiliar adults. It is reserved for someone familiar, intimate, divine or a child. By using the dative form of tvam in the greeting Namas-te, there is an embedded secondary, metaphorical sense in the word. This is the basis of the pragmatic meaning of Namas-te, that is "salutations to the (divine) child (in your heart)", states Phillips.
In the contemporary era, namaḥ means 'bow', 'obeisance', 'reverential salutation' or 'adoration' and te means 'to you' (singular dative case of 'tvam'). Therefore, namaste literally means "bowing to you". In Hinduism, it also has a spiritual import reflecting the belief that "the divine and self (atman, Self) is same in you and me", and connotes "I bow to the divine in you". According to sociologist Holly Oxhandler, it is a Hindu term which means "the sacred in me recognizes the sacred in you".
A less common variant is used in the case of three or more people being addressed namely Namo vaḥ which is a combination of namaḥ and the enclitic second person plural pronoun vaḥ. The word namaḥ takes the sandhi form namo before the sound v. An even less common variant is used in the case of two people being addressed, namely, Namo vām, which is a combination of namaḥ and the enclitic second person dual pronoun vām.
Excavations for Indus Valley Civilisation have revealed many male and female terracotta figures in namaste posture. These archaeological findings are dated to be between 3000 BCE to 2000 BCE.
A namaste gesture in the artwork of the 6th to 7th century CE Rajivalochan Vishnu Temple, Rajim, Chhattisgarh
The gesture of folding hands during a namaste is called the Añjali Mudrā. In addition to namaste, this mudra is one of the postures found in Indian classical dance such as Bharatanatyam, and in yoga practice. It is widely found in Indian temple reliefs and sculpture in mandapam, at entrances and iconography such as the Lingobhavamurti of Shaivism. The Anjali mudra differs from namaste by being a non-verbal gesture, while namaste can be said with or without any gesture. According to Bhaumik and Govil, the Anjali mudra and Namaskara mudra are very similar but have a subtle difference. The back of the thumbs in Anjali mudra face the chest and are perpendicular to other fingers, while the thumbs in Namaskara mudra are aligned with the other fingers.
Anjali mudra is described in Sanskrit texts such as in verse 9.127–128 of the Natya Shastra (200 BCE – 200 CE), in temple architecture texts dated after the 6th-century CE such as in verse 5.67 of the Devata murti prakarana and those on painting called the Citrasutras. The Natya Shastra, a classical Indian dance text, describes it to be a posture where the two hands are folded together in a reverential state and that this is used to pray before a deity, receive any person one reveres and also to greet friends. The Natya Shastra further states that for prayers inside a temple, the Anjali mudra should be placed near one's head or above, while meeting someone venerable it is placed in front of one's face or chin, and for friends near one's chest.
The gesture is widely used throughout the Indian subcontinent, parts of Asia and beyond where people of South and Southeast Asian origins have migrated.Namaste is used as a respectful form of greeting, acknowledging and welcoming a relative, guest or stranger. In some contexts, namaste is used by one person to express gratitude for assistance offered or given, and to thank the other person for his or her generous kindness.
Namaskar is also part of the 16 upacharas used inside temples or any place of formal Puja (worship). Namaste in the context of deity worship, scholars conclude, has the same function as in greeting a guest or anyone else. It expresses politeness, courtesy, honor, and hospitality from one person to the other. It is used in goodbyes as well. This is sometimes expressed, in ancient Hindu scriptures such as Taittiriya Upanishad, as Atithi Devo Bhava (literally, treat the guest like a god).
Namaste is one of the six forms of pranama, and in parts of India these terms are used synonymously.
^"उदीर्ष्वातो विश्वावसो नमसेळा महे त्वा । अन्यामिच्छ प्रफर्व्यं सं जायां पत्या सृज ॥२२॥, Griffith translates it as, "Rise up from hence, Visvavasu, with reverence we worship thee. Seek thou another willing maid, and with her husband leave the bride; RV, Griffith, Wikisource Archived 2020-01-05 at the Wayback Machine; other instances include RV 9.11.6 and many other Vedic texts; for a detailed list, see Maurice Bloomfield, Vedic Concordance Archived 2019-03-31 at the Wayback Machine, Harvard University Press
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^RV 8.75.10, Wikisource: नमस्ते अग्न ओजसे गृणन्ति देव कृष्टयः । Translation: "Homage to your power, Agni! The separate peoples hymn you, o god." Translators: Stephanie Jamison & Joel Brereton (2014), The Rigveda, Volume 2 of three, Oxford University Press, ISBN 978-01-99363-780, p. 1172
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