BREAKING NEWS
Cloud Server Hosting For Online Businesses
Inexpensive SEO Services
Benefits of Wanting to play Free Online Slot machines
New York Jazz Museum

Summary

The New York Jazz Museum was, from June 16, 1972,[1][2] to 1977, a center for the study of jazz.[not verified in body] At its height it held 25,000 items. It was founded by Howard E. Fischer, among others, but closed after five years amid a power struggle between Fischer and other curators.[3][4]

History edit

It was situated in a two-story building in midtown Manhattan and had a small staff, an archive that eventually numbered about 25,000 items and extensive programs in New York City and beyond. Some of the programs won awards and most of them were received with widespread acclaim in the media and from jazz fans. There were the free Calvert Extra Sunday Concerts – 40 per year, sponsored by Calvert Distillers, the Jazz Puppet Show, the Jazz Film Festivals, the Jazz Panorama – an audio visual history of jazz (sponsored by the New York State Council on the Arts), The Jazz Store, Information Center, the exhibits – Louis Armstrong, Duke Ellington, Benny Goodman, Bird & Diz: The Bebop Era,[5] The Sax Section,[6] Count Basie and His Bands, Billie Holiday Remembered,[7][8] "About John Coltrane,"[9] and the Jazz Trumpet.[10] Posters and booklets – including The Jazz Story[11] – were produced in conjunction with the exhibits and there was so much more. An extended power struggle ensued that eventually caused the museum's demise. Entangled in the fatal conflagration was the "Jazz Fraternity", which included the most prominent names in jazz – musicians, producers, writers, artists, et al.

The museum opened on June 16, 1972, in a 1+1⁄2-story carriage house at 125 West 55th Street,[12] between Sixth and Seventh Avenues, in Midtown Manhattan – two blocks south of Carnegie Hall.[13] After moving to the Empire Hotel and a storage facility in an office building on Broadway and 58th Street, in 1976 the museum purchased a two-story building at 236 West 54th Street in Midtown for $210,000 with help from a Ford Foundation grant.[14] It re-opened in June of that year, but only lasted about a year later after Fischer was dismissed. Most of the archive remains in the Schomburg Center (part of the New York Public Library) and the Rutgers Institute of Jazz Studies in New Jersey.

See also edit

References edit

Notes edit

  1. ^ New York Times, December 11, 1972, p. 52.
  2. ^ Record Research, August 1972, pp. 1, 5.
  3. ^ Fischer, 2003.
  4. ^ Fischer, August 13, 2021.
  5. ^ Morgenstern, Gitler & Bradley, 1973.
  6. ^ Giddins, Keepnews & Morgenstern, 1974.
  7. ^ New York Times, April 17, 1973, p. 32.
  8. ^ Kuehl & Schocket, 1973.
  9. ^ Gelatt, Hooper & Quinn, July 16, 1974.
  10. ^ New York Times, February 27, 1973, p. 28.
  11. ^ Morgenstern, 1973.
  12. ^ Music America Magazine, April 1977, p. 38.
  13. ^ New York, June 19, 1972, p. 63.
  14. ^ Washington International Arts Letter, 1974, p. 76.

Citations edit

Secondary sources

  • "New York Jazz Museum". Music America Magazine. Vol. 1, no. 6. April 1977. p. 38. ISSN 0145-5419. OCLC 2750697 – via Internet Archive.
  • "All That Jazz". New York. 5 (25): 63. June 19, 1972 – via Google Books.
  • "Help for Museum in Distress". The New York Times. Vol. 122, no. 41960. February 27, 1973. p. 52.
  • McDonagh, Don (February 27, 1973). "Jazz Lures Tap Talent to Museum". The New York Times. Vol. 122, no. 42038. p. 28.
  • Wilson, John Steuart (April 17, 1973). "Aura of Billie Holiday is Captured at the Jazz Museum". The New York Times. Vol. 122, no. 42087. p. 32.
  • Kunstadt, Leonard Richard (August 1972). "New York Jazz Museum Opens, Friday, June 16, 1972". Record Research. No. 117. pp. 1, 5. Retrieved September 22, 2022 – via Internet Archive.
  • Millsaps, Daniel Webster, ed. (1974). Private Foundations & Business Corporations Active in Arts / Humanities / Education. The Arts Patronage Series. Vol. 2. Washington, D.C.: Washington International Arts Letter. p. 76. ISBN 978-0-9120-7205-0. LCCN 77140925. OCLC 1602135 – via Internet Archive.

Primary sources

  • Fischer, Howard E. (2003) [2004]. Jazz Exposé: The New York Jazz Museum and the Power Struggle That Destroyed It. Nashville: Sundog. ISBN 978-1-9322-0387-5. OCLC 57394563 – via Google Books.[self-published source?]
  • Fischer, Howard E. (August 13, 2021). "The New York Jazz Museum: 1972–1977". All About Jazz. Retrieved September 22, 2022.
  • Gelatt, Tim; Hooper, Ray; Quinn, Bill (July 16, 1974). About John Coletrane. New York Jazz Museum. OCLC 3842071 – via Internet Archive.
  • Giddins, Gary; Keepnews, Peter; Morgenstern, Dan (1974). The Sax Section – Biographical Sketches. New York Jazz Museum. OCLC 3842152.
  • Kuehl, Linda; Schocket, Ellie (1973). Billie Holiday Remembered. New York Jazz Museum. LCCN 77373175. OCLC 1358163.
  • Morgenstern, Dan (1973). The Jazz Story – An Outline History of Jazz. New York Jazz Museum. LCCN 77365219. OCLC 6580574 – via Internet Archive..
  • Morgenstern, Dan; Gitler, Ira; Bradley, Jack, eds. (1973). Bird & Diz – A Bibliography. New York Jazz Museum. LCCN 77374454. OCLC 3630048.

Further reading edit

External links edit

  • New York Jazz Museum-1972-1977 - Video history on YouTube

40°45′51″N 73°58′59″W / 40.764079°N 73.983129°W / 40.764079; -73.983129