Allan's story Angelus won the Aeon Award in 2007. It was announced at the European Science Fiction Convention in Copenhagen, Denmark in September 2007. The Grand Judge Ian Watson commented that it was “beautifully written and paced and enigmatic yet in an entirely lucid way."^[2]

Her novella Spin won the BSFA Award for Best Short Fiction for 2013.^[3]

The Silver Wind – retitled Complications – won the French Grand prix de l'Imaginaire for Foreign Short Fiction in 2014.^[4][5]

Her works were shortlisted for the British Fantasy Award four times, and her novella The Gateway from Stardust was a finalist for Best Novella in the 2013 Shirley Jackson Awards.^[6]

The Race was nominated for the Red Tentacle Award for Best Novel of 2014 at the Kitschies. It was nominated for the British Fantasy Award for best novel of 2014.^[7] It was also a finalist for the 2014 John W. Campbell Memorial Award for best science-fiction novel.^[8]

The Harlequin won the 2015 Novella Award.^[9]

The Rift won several awards, including the 2017 BSFA Award for Best Novel^[10] and the 2017 Red Tentacle Award for Best Novel,^[11] and was a finalist for the 2018 John W. Campbell Memorial Award for best science-fiction novel.^[12]

The Art of Space Travel was a finalist for the 2017 Hugo Award for Best Novelette^[13] and was a finalist for the Theodore Sturgeon Award.

Novels edit

• The Race, NewCon Press (2014), ISBN 978-1907069703; second edition, Titan Books (2016), ISBN 978-1785650369.
• The Rift, Titan Books (2017).
• The Dollmaker, Riverrun (2019).
• The Good Neighbours, Riverrun (2021).
• Conquest, Riverrun (2023).

Novellas edit

• Spin, The Third Alternative (TTA) Press, (2013) ISBN 978-0955368363 - A modern re-imagining of the Arachne myth
• The Harlequin Sandstone Press, (2015), ISBN 978-1-910124383.
• The Art of Space Travel, Tor Books (e-book, 2016).
• Maggots, Five Stories High (e-book, 2016).

Collections edit

• A Thread of Truth, Eibonvale Press (2007), ISBN 978-0955526800
  Contains the stories "Amethyst", "Ryman's Suitcase", "Bird Songs at Eventide", "Queen South", "The Vicar with Seven Rigs", "Heroes", "Terminus" and "A Thread of Truth".
• The Silver Wind, Eibonvale Press (2011), ISBN 978-1908125057
  Contains the stories "Time's Chariot", "My Brother's Keeper", "The Silver Wind", "Rewind" and "Timelines: An Afterword". "Darkroom" added as the opening story, "Chambre noire", in the French edition of the collection, Complications.^[14] The Spanish edition, Máquinas del Tiempo ISBN 978-8493937997 keeps the original contents.
• Microcosmos (Imaginings 5), NewCon Press (2013), ISBN 978-1907069475
  Contains the stories Microcosmos, The Phoney War, Chaconne, A. H., Orinoco, Flying in the Face of God and Higher Up.
• Stardust: The Ruby Castle Stories, PS Publishing (2013), ISBN 978-1848636149
  Contains the stories "B-Side", "The Lammas Worm", "The Gateway", "Laburnums", "Stardust", "Wreck of the Julia" and the poem "Red Queen".
  The stories Angelus, Flying in the Face of God and Stardust are connected as they all involve a Russian astrophysicist called Valery Kushnev.
  Re-issued as Ruby, Titan Books (2020).
• The Art of Space Travel and Other Stories, Titan (2021), ISBN 978-1789091755.

Short stories edit

• "A Storm in Kingstown" in Out of the Ruins, edited by Preston Grassmann, Titan Books, (2021), ISBN 978-1789097399

Allan's stories have appeared in various publications and six "Best of" collections:

• Allan's story The Lammas Worm appeared in Strange Tales 3 edited by Rosalie Parker of Tartarus Press in 2010. It was then selected by Ellen Datlow for The Best Horror of the Year: Volume Two. The story was re-printed as part of Stardust: The Ruby Castle Stories.
• Her story Flying in the Face of God appeared in issue 227 of Interzone in 2010. It was then selected by Gardner Dozois to appear in The Year's Best Science Fiction: Twenty-Eighth Annual Collection.
• The story The Silver Wind originally appeared in issue 233 of Interzone in 2011. It was reprinted in The Silver Wind and The Year’s Best Fantasy and Science Fiction 2012 edited by Rich Horton Prime Books.^[15] It was also short-listed for BSFA Awards for (short fiction) 2012.

   

• Her story Wilkolak appeared in issue 11 of Crimewave edited by Andy Cox in 2011. It was selected by Maxim Jakubowski for The Mammoth Book of Best British Crime 10. Constable & Robinson 2013.^[16]
• Sunshine appeared in issue 29 of Black Static edited by Andy Cox in 2012. It was selected by Rich Horton for The Year’s Best Science Fiction and Fantasy 2013 Prime Books.^[17]
• Her story The Tiger appeared in Terror Tales of London edited by Paul Finch (Gray Friar Press) in 2013.^[18] It was then selected by Ellen Datlow for The Best Horror of the Year: Volume Six.

Allan has said that all her short fiction to date has been, "a kind of apprenticeship in novel-writing". Her first novel is The Race, which uses the town of Hastings for its landscape, where she was living for most of the time she was writing it.^[19]

Allan's story Darkroom appeared in Subtle Edens: An Anthology of Slipstream Fiction edited by Allen Ashley Elastic Press in 2008.^[20] In a review of the collection Andy Hedgecock wrote that Nina Allan is developing into "one of the finest stylists of modern genre fiction." He went on to say that very few writers had her talent to uncover, "the strange within the ordinary with such clarity and precision."^[21]

Paul Kincaid in reviewing The Silver Wind asks when a series of stories can turn into a novel. He wrote that this was when, "the congeries of stories tell us more than any individual stories can." He suggests that this has been achieved and outlines the links between the stories before concluding that the sum of the parts is greater than the individual stories.^[22] One of the links is the viewpoint character Martin who appears in different parallel realities. Sofia Samatar however in her review questioned whether or not there is a danger in Allan's experiment of the emotional force being, "more likely to be lost than gained in the leaps between parallel realities."^[23]

In Peter Tennant's 2014 review of The Race he wrote that this was "one of the finest books" he had read that year, but also wrote that he did not know what it was about and could "only hazard guesses." Although a novel, it is, "four self-contained sections that form a greater whole."^[24] Sofia Samatar agrees that "The Race guards its secrets." She writes that, this is "a distancing novel about drawing in, a science fiction novel aware of its own artifice, a literary fiction impatient with mimesis."^[25]

In Stuart Conover's 2017 review of The Rift he stated "There are a lot of fun concepts here and a fully crafted alien world which could easily have a completely separate tale told in. Actually, I'd love to Nina revisit this world without even mentioning Selena, Julie, or the events from this book and just have it as connective tissue."^[26]

In Ian Sansom's review of Conquest he wrote "Nina Allan belongs to that small set of writers whom you probably haven’t heard of, but who is really famous among certain readers and also really good."^[27]

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