Nina Danino (born 1955) is an experimental filmmaker and academic from Gibraltar, known for work that incorporates aspects of psychoanalysis and art and draws on the cultural heritage of Gibraltar.[1]
Nina Danino | |
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Born | 1955 (age 68–69) Gibraltar |
Education | St. Martin's School of Art, Royal College of Art |
Known for | Experimental filmmaking |
Notable work | Temenos (1998), Stabat Mater (1990), "Now I am yours" (1992) |
Website | http://www.ninadanino.co.uk |
Danino was born in Gibraltar in 1955. She moved to London, England for post-secondary studies at the St. Martin's School of Art (Foundation, 1973–74; BA Hons Fine Art, 1974–77), later pursuing her MA in Environmental Media at the Royal College of Art (1979–81).[2]
Nina Danino worked for a number of years as a film and video editor and assistant for documentary programmes at the BBC and elsewhere. Her films have been screened at venues such as the Lux Prize and National Film Theatre.[2] In addition to her filmmaking, Danino has worked as a writer, educator and sound artist, creating soundtracks to a number of films.[3] She was co-editor of the experimental film journal Undercut from 1986 to 1990 and edited an anthology based on writings from the journal in 2003.[4] Danino has taught at Sheffield Hallam University, Camberwell College of Art, and the Architectural Association School of Architecture.[3] She has been a Reader in Fine Art at Goldsmiths College, University of London since 2000.[2] In 2016, Danino's work was featured in a series of screenings at Tate Modern focusing on women filmmakers of the London Film-makers’ Co-op.[5]
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