He was born in London, England in 1861 and was educated at Marlborough College. He attended Oxford University for two years, but left before graduating. To appease his parents for this failure, he agreed to take lessons in painting in London.

Philip studied painting seriously. His skill was great and he exhibited his work in well-known galleries in London and Paris. The Royal Academy exhibited his work eleven times between 1898 and 1918, and his work was also shown in the Paris Salon of 1900. There he exhibited his portrait of his father, now in the National Portrait Gallery. He painted portraits of many well-known people.

His most famous work, The Vampire (1897), depicting a woman leaning over an unconscious man, was believed to have been modelled by the actress Mrs Patrick Campbell, with whom Burne-Jones had been associated romantically.^[2] The painting also inspired his cousin Rudyard Kipling's poem of the same name. The location of the original painting is unknown. In July 1902 several papers including the Baltimore Sun and the St. Louis Republic reported the painting was sold to W.K. Vanderbilt; however, Burne-Jones denied the reports.^[3]

Having a famous father was difficult for him, and it was Philip's fate in life that his work was often compared unfavourably with that of his father.

Upon his father's death in 1898, Philip succeeded to the title of baronet that had been bestowed on his father during 1894. It is said that his father had accepted the title only because Philip was keen to inherit it.

Philip visited the United States during 1902, where he was popular in fashionable society and contributed to the then-fashionable travelogue literary genre by publishing an account (Dollars and Democracy) of his time spent there. He lived most of his life in London, where he died in 1926.

Philip expressed racist attitudes on Black Americans in his 1904 American travelogue "Dollars and Democracy." Burne-Jones stated that he did not think highly of negroes [sic] and was sceptical of their belonging in American society. He wrote "...among a highly civilized and strenuous people the negroes are in an absolutely false position," "the negro is not, and can never be, the equal of his white brother," and considering "exceptions here and there, the best that can be said for them is that they make tolerably good servants." In spite of holding these commonly held views, he was aware they were exaggerated by his conditioning, a reflection of where he grew up, how, and when: "When aversion to race is instinctive and deep-seated, it is a bit difficult to write fairly on the subject"; and repeatedly offered his regrets and commiseration over their difficult situation in America, stating it was a "real tragedy", for which "they deserve our profound sympathy". He summed up his overview on the matter in his final remark on the subject: "I am sorry for the negreos, and I wish they weren't in America at all."^[4]

• Burne-Jones, Philip (1902) Catalogue of Works, Exhibited at M. Knoedler & Co., 355 Fifth Avenue, NYC, from 17 March 1902 to 29 March 1902, via: Internet Archive, included Vampire.
• Burne-Jones, Philip (1904) Dollars and democracy, memoir about 1902 US travels, via: Internet Archive
• Works by or about Philip Burne-Jones at Internet Archive
• Philip Burne-Jones exhibition catalog
• Philip Burne-Jones at Library of Congress, with 8 library catalogue records