Summary
A Poporo is a device used by indigenous cultures in present and pre-Columbian South America for storage of small amounts of lime produced from burnt and crushed sea-shells. It consists of two pieces: the receptacle, and the lid which includes a pin that is used to carry the lime to the mouth while chewing coca leaves. Since the chewing of coca is sacred for the indigenous people, the poporos are also attributed with mystical powers and social status.
In Colombia, poporos are found in archaeological remains from the Chibcha, Muisca, and Quimbaya cultures among others. The materials used in the early periods are mainly pottery and carved stone. In classic periods gold and tumbaga are the most frequent: an example of this is the Poporo Quimbaya exhibited in the Gold Museum which is a national symbol. At the present time, the indigenous people of Sierra Nevada de Santa Marta still use poporos made with the dried fruits of a plant of genus cucurbita (totumo), in the traditional way.
Poporo Quimbaya edit
One particularly famous poporo, the Poporo Quimbaya, is a pre-Colombian artpiece of the classic quimbaya period, currently exhibited in the Gold Museum in Bogotá, Colombia. Its primary use was as a ceremonial device for chewing of coca leaves during religious ceremonies. It was made around 300 CE with a lost-wax casting process.
It is believed the artpiece was found at, and stolen from a burial chamber during the first half of the 19th century, at a place named Loma de Pajarito located between the current Yarumal, Angostura, and Campamento municipalities, northeast Antioquia,[1] during a time when grave robbing at pre-Columbian indigenous tombs (locally deemed as guaquería) was still very common.[2][3]
In 1939 the Banco de la República, the central bank of Colombia, purchased the Poporo Quimbaya, in an effort to preserve it from destruction. This began a larger project of preservation of pre-Columbian goldwork that led to the creation of the Gold Museum in Bogotá.
The Poporo Quimbaya is an unusual piece, made of tumbaga, with oddly minimalistic lines, that give it a modern look. It is one of the most recognized pre-Columbian artpieces, being often used as a symbol of the indigenous pre-Columbian culture. It has been depicted in the Colombian currency, in coins and bills. A reproduction served as the winner's trophy for the 2019 and 2020 editions of the Tour Colombia cycling race.[4][5]
A poporo made of copper alloy with details edit
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Full view -
With the pin outside -
Head of the pin -
Poporo Quimbaya and pestle
Notes edit
- ^ Uribe Villegas, María Alicia. "Mujeres, calabazos, brillo y tumbaga. Símbolos de vida y transformación en la orfebrería Quimbaya Temprana". Anthropology Bulletin, Universidad de Antioquia (in Spanish). Universidad de Antioquia. Retrieved 5 March 2024.
- ^ "Datos curiosos sobre algunos 'objetos maestros' del Museo del Oro". Banco de la República Museum (in Spanish). Banco de la República. Archived from the original on 15 June 2013. Retrieved 5 March 2024.
- ^ "El tesoro de los Quimbayas". Cronica del Quindio (in Spanish). Retrieved 5 March 2024.
- ^ Bonilla, Anderson. "Etapa 6, 173.8 km, Tour Colombia 2.1 2019. Las Palmas, 17-02-2019, Tour Colombia 2.1 2019". Photoshelter. Vizzor Image. Retrieved 20 November 2020.
- ^ "The 'monster' Higuita begins to build his story". Retrieved 20 November 2020.
External links edit
- The Art of Precolumbian Gold: The Jan Mitchell Collection, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on poporo
- "The use of the poporo," Tairona Heritage Trust
