Originally from Changhua County in western Taiwan, Qiu attended the prestigious Taipei First Girls' High School and National Taiwan University, where she graduated with a major in psychology. She worked as a counselor and later as a reporter at the weekly magazine The Journalist. In 1994, she moved to Paris where she pursued graduate studies in clinical psychology and feminism at University of Paris VIII, studying with philosopher Hélène Cixous.^[3]

Qiu died by suicide at age 26. Most accounts suggest that she stabbed herself with a kitchen knife.^[4][5]

Qiu Miaojin's writing is influenced by the non-narrative structures of avant-garde and experimental film as well as European and Japanese literary modernisms.^[1] Her novels contain camera angles and ekphrasis in response to European art cinema, including allusions to directors such as Andrei Tarkovsky, Theo Angelopoulos, Derek Jarman, and Jean-Luc Godard. During her time in Paris, Qiu directed a short film titled Ghost Carnival.^[6] Her works as a filmmaker are in the collection of the Museum of Modern Art, New York.^[7]

Her best-known work is Notes of a Crocodile,^[8] for which she was posthumously awarded the China Times Literature Award in 1995.^[1] The main character's nickname, Lazi, is the direct source of a key slang term for "lesbian" in Chinese.^[9] Notes of a Crocodile was published in 1994, amid a Taiwanese media frenzy surrounding lesbians, including an incident in which a TV journalist secretly filmed patrons at a lesbian bar without their consent, resulting in some suicides, and the group suicide of two girls, rumored to have been lesbians, from the elite high school attended by several characters in the novel and by Qiu herself. Along with her final work before her death, Last Words from Montmartre, the novel has been widely described as "a cult classic."^[10][11][12]

Last Words From Montmartre is an epistolary novel that comprises 20 letters that can be read in any order,^[13] drawing on the notion of musical indeterminacy.^{[citation needed]} Its prose appears to "blur distinctions between personal confession and lyric aphorism" according to a review in Rain Taxi.^[14] Dated between 27 April 1995, and 17 June 1995, about a week before the author killed herself, the letters begin with the dedication: "For dead little Bunny, and Myself, soon dead." It has been described as a work of relational art and noted for the required presence of the reader, "a 'you' to narrate to" that is a signature of Qiu's works.^[15]

Qiu has been recognized as a literary national treasure and counterculture icon,^[16][17] as well as described as a "martyr" in the movement for LGBT rights in Taiwan.^[18] Her works are taught in high schools and colleges in Taiwan and have "become a literary model for many aspiring writers".^[16] With Chen Xue, Lucifer Hung, and Chi Ta-wei, her work is viewed as that of a “new generation of queer authors” from Taiwan.^[19][20]

Luo Yijun's book Forgetting Sorrow (遣悲懷) was written in her memory. Moreover, Taiwanese writer Li Kotomi explicitly cites Qiu's Notes of a Crocodile as an inspiration for her 2017 novel Solo Dance.^[21] Queer Sinophone scholar Fran Martin writes:

Qiu Miaojin is Taiwan's best-known lesbian author. ... Qiu's fiction has sometimes been accused of being unduly 'negative' about lesbian experience; however, her status as a public lesbian and intellectual and the emotional honesty and intensity of her writing make her a figure of enduring significance for lesbian readers of Chinese everywhere.

— Martin, Fran (2006-03-01). "MIAOJIN, QIU". In Gerstner, David A. (ed.). Routledge International Encyclopedia of Queer Culture. Routledge.

Qiu Miaojin's life, work, and circumstances of her suicide have been made by Evans Chan^[22] into a documentary film, Love and Death in Montmartre 蒙馬特之愛與死, with the participation of Lai Xiangyin 賴香吟, award-winning novelist and Qiu's literary executor. The film originated from a 50-min short, Death in Montmartre 蒙馬特 · 女書, commissioned and broadcast by RTHK in 2017. Chan later expanded it into the full-length Love and Death in Montmartre,^[23] which was premiered as a Best Film nominee at the Hamburg International Queer Film Festival in 2019.^[24] Subsequently, the San Diego Asian Film Festival^[25] presented its US premiere in 2020. Hélène Cixous^[26] described the Evans Chan film as “fascinating” and “marvelous,” with Qiu evoked as “a moving apparition in search of lost love.”^[27]

Novels edit

• Notes of a Crocodile《鱷魚手記》 (1994) - translated by Bonnie Huie (New York Review Books Classics, 2017)
• Last Words from Montmartre 《蒙馬特遺書》 (1996) - translated by Ari Larissa Heinrich (New York Review Books Classics, 2014)
• Letters from Montmartre (1996) - excerpt translated by Howard Goldblatt^[28] ISBN 978-0-8248-2652-9

Short stories edit

• "Platonic Hair" (1990) - translated by Fran Martin^[29] ISBN 978-0-231-13841-3

• Écriture féminine
• Post-structural feminism
• Queer theory

• "A Crocodile in Paris," by Ankita Chakraborty https://longreads.com/2018/06/07/a-crocodile-in-paris-the-queer-classics-of-qiu-miaojin/
• "Afterword," by Ari Larissa Heinrich, in Last Words from Montmartre, by Qiu Miaojin, translated by Ari Larissa Heinrich. New York: New York Review Books, 2014. ISBN 978-1-59017-725-9
• "Begin Anywhere: Transgender and Transgenre Desire in Qiu Miaojin's Last Words from Montmartre," by Ari Larissa Heinrich, in Transgender China: Histories and Cultures, ed. Howard Chiang. New York: Palgrave MacMillan, 2012. ISBN 978-0-230-34062-6, WorldCat
• "Stigmatic Bodies: The Corporeal Qiu Miaojin," in Embodied Modernities: Corporeality, Representation, and Chinese Cultures eds. Fran Martin and Larissa Heinrich. Honolulu: University of Hawai'i Press, 2006. ISBN 978-0-8248-2963-6
• Martin, Fran. "Situating Sexualities: Queer Representation in Taiwanese Fiction, Film, and Public Culture," Hong Kong: Hong Kong University Press, 2003. ISBN 978-962-209-619-6
• Sang, Tze-Lan D. The Emerging Lesbian: Female Same-Sex Desire in Modern China, Chicago: University of Chicago Press, 2003. ISBN 0-226-73478-1

• Excerpt from Last Words from Montmartre in Words Without Borders
• Excerpt from Last Words from Montmartre in Lonely Girl Phenomenology (magazine)
• Excerpt from Last Words from Montmartre in Guernica (magazine)
• Podcast reading and interview with the translator of Last Words from Montmartre^{[permanent dead link]}
• "The Kids Are Too Straight: Translating Qiu Miaojin's Notes of a Crocodile" in Kyoto Journal
• First excerpt from Notes of a Crocodile in The Brooklyn Rail
• Second excerpt from Notes of a Crocodile in The Margins, published by Asian American Writers' Workshop
• Third excerpt from Notes of a Crocodile in Words Without Borders
• "In Praise of the Fuck-Up: On Translating Qiu Miaojin" at PEN.org