The review by Richard S. Ginell for AllMusic stated: "At one time, there would have been a yawning stylistic gap -- indeed, a Grand Canyon -- between alto players Frank Morgan and Bud Shank. But by the time they finally collided head on at Seattle's Jazz Alley, they were perfectly compatible, as their often fiery live exchanges here graphically prove. It was Shank who had changed the most, having set his sights upon becoming a roaring bebopper upon his move to Washington State the year before this gig ...the presence of a live audience clearly pushes these horns into some exciting, ardent jazz territory".^[4] For The Washington Post, Geoffrey Himes wrote: "The tough bop aggression of this recording will surprise those who are expecting the sensual romanticism of Morgan's last few outings or the cool-jazz that has dominated most of Shank's career. ... Despite their parallel histories, the two men had never met before the weekend, and this duet allows us to eavesdrop on them feeling each other out for the first time".^[5]

1. "Solar" (Miles Davis) – 7:13
2. "Phantom's Progress" (George Cables) – 6:14
3. "Quiet Fire" (Cables) – 9:47
4. "Emily" (Johnny Mandel, Johnny Mercer) – 6:45
5. "What's New?" (Bob Haggart, Johnny Burke) – 6:20
6. "The Night Has a Thousand Eyes" (Jerry Brainin, Buddy Bernier) – 9:40

Performance edit

• Frank Morgan, Bud Shank – alto saxophone
• George Cables – piano
• John Heard – bass
• Jimmy Cobb – drums

Production edit

• Eric Miller – producer
• Scott Charles – engineer