The property on which the backlot was located was originally intended to be a lease for Cecil B. DeMille’s production of the film The King of Kings (1927).^[5] On it he constructed historical Jerusalem, which remained for the RKO production of King Kong (1933). By then it was known as Forty Acres and owned by RKO Pictures.^{[citation needed]}

In 1935, David O. Selznick leased the property from RKO for his new studio, Selznick International Pictures. For his production of Gone with the Wind (1939), the plantation Tara, the Atlanta Depot (based on Atlanta's 1853 Union Station), and other Atlanta buildings were constructed there.^{[citation needed]}

The depot and many of the Atlanta buildings became permanent fixtures on the property until its final days, while the set of Tara was sold in 1959 to investors who planned to open a theme park in the Atlanta area (see Tara (plantation)).

From 1943 to 1958, a separate part of the 28.5 acres (11.5 ha) known as the African jungle set, located on the opposite side of Ballona Creek, was used extensively for the Tarzan series by RKO, and later for The Adventures of Jim Bowie television series by Desilu.^[4]

Following years of turnover by several owners, including Howard Hughes, the backlot was practically deserted and cinematic productions declined. It was purchased in 1957 by Desilu with the intention of filming for the burgeoning television industry.^[7][8]

Forty Acres is best remembered for providing the backdrop for the fictional town of Mayberry on the television series The Andy Griffith Show.^[9] Many of the street scenes and buildings on the backlot were seen regularly on television screens across America and became quite familiar to viewers. The original Town of Atlanta set, comprising a New York style street, a town square and a residential area to the east, was situated in the center of the property and used on shows like Adventures of Superman,^[3] Ozzie and Harriet,^[3] Batman,^[3] The Green Hornet,^[3] and Mission: Impossible.^[10] The town square was also used on Star Trek in three episodes titled "Miri," "Return of the Archons" and "City on the Edge of Forever," while another area of the lot, the "Arab village," was used in "Errand of Mercy" and the first pilot, "The Cage." Sharp-eyed television viewers could note many visual cues that crossed over from one series to the next, including the structures themselves or signs on doors and windows. For example, in Star Trek's "The City on the Edge of Forever," a crossover from The Andy Griffith Show can be seen by a sign for "Floyd's Barber Shop."^[10]

Forty Acres was also the backdrop for an episode of My Three Sons entitled "The Horseless Saddle" (1961), and five episodes of the TV series Bonanza where the backlot's Western Street, next to the Garden of Allah (1936) set, served as a trail town. An added feature was the fact that some portions of the backlot were occupied by fields and scrub and provided the ideal conditions for filming a western. The Tara set, which sat on a sloping rise at the north western corner of the property, was razed in 1959 to become the Stalag 13 set for Hogan's Heroes.^[3] Most of the sets, which included Camp Henderson on Gomer Pyle,^[3] were situated primarily in the center, south and west end of the property. The narrower east end was the site of a western town set at one time, and was later home to an unusual, narrow alley set lined by two long facades facing each other. The alley set was constructed for the Robert Wise film Star! (1968) with Julie Andrews in the lead role, and it also later made a brief appearance in the film Switchblade Sisters (1975), as did the streets and buildings of the central town area.^{[citation needed]}

Overall, the property was an undulating plateau with a southern slope (by the town square) that led to Ballona Creek. Trees screened the northern and southern perimeter of the property.

Core structures that stood for decades and appeared in many productions are listed here, most of which were constructed to represent, in Gone with the Wind, the antebellum Town of Atlanta, and later used for the fictional Mayberry. This portion of the backlot was the most permanent and thus the most recognizable, existing from 1939 until 1976. Other structures like the Jerusalem set, which was torched^[5] to make room for the Atlanta set, or Tara, which was replaced with the Hogan's Heroes, did not survive as long. The western/European set at the east end of the backlot disappeared in the late sixties.

The two main arteries that traversed the Atlanta/Mayberry set were Atlanta or Main Street, which ran east/west and opened at one point onto a town square, and North Street, a cross street that bisected it at the four corners^[10] just west of the square.

Film edit

Television edit

• History of film
• Movie studio

• RetroWeb Studio Backlots website: "40 Acres"